scholarly journals Protection and Inheritance of the Distinctive Village Culture of the Yi Nationality in Panzhihua

2019 ◽  
Vol 3 (2) ◽  
pp. 8
Author(s):  
Xiangli Zhang

<p>As the carrier of national culture, the characteristic villages of ethnic minorities have obvious cultural characteristics, rich material culture and intangible cultural heritage, and are also the inner core strength of a nation. This paper summarizes the problems existing in the process of the protection and inheritance of the distinctive villages of the Yi nationality in Panzhihua, and puts forward the solutions according to the feasibility. The aim of the paper herein is to provide a theoretical basis for further promoting the protection and inheritance of the distinctive village culture of the Yi nationality in Panzhihua. </p>

2019 ◽  
Vol 8 (3) ◽  
Author(s):  
Bui Thuy Phuong

In the trend of Industry Revolution 4.0, tourism has been considered as one of the key and key economic sectors of the country and smokeless industry requires sustainable tourism development associated with the conservation and promotion of tangible and intangible cultural heritage values are becoming more and more important and urgent than ever. Author through deeply analysing the context and situation of developing a model linking sustainable tourism with preserving and promoting the specific tangible and intangible cultural heritage values of Quang Ninh province in the previous period thereby proposing a system of appropriate solutions to develop models of cultural tourism, heritage tourism, rural tourism, community tourism...in close association with specific values conservation and promotion of tangible and intangible cultural heritage, livelihood development and sustainable multidimensional poverty reduction for ethnic minorities groups in the current Industry Revolution 4.0 trend.


Anthropology ◽  
2020 ◽  
Author(s):  
Steven Lubar ◽  
Allyson LaForge

The traditional work of curators—collecting, caring for, researching, and exhibiting artifacts in museums—has expanded in many directions in recent years. Curators today connect as well as collect. They work with several diverse communities: source communities, museum visitors, and researchers. While much of their work remains rooted in material culture and museums, they increasingly work with intangible cultural heritage and consider digital manifestations of culture. This bibliography offers historical and contemporary as well as theoretical and practical perspectives on curatorship. It begins with a listing of journals and organizations useful to scholars of curation and museum practitioners. The following sections, which list foundational texts and books of collected essays on museum curatorship, offer an introduction and overview of the field. Next is a section providing historical perspective on curatorship, including writing on important museums and exhibitions. This history is followed by sections describing the dual objects of curatorial work: intangible cultural heritage and material culture. Next is a section on curatorial work, divided into subsections that address theory, practice, and digital approaches. Decolonizing curatorial practice, which involves challenging museums’ colonial practices and including Indigenous people in the conservation, interpretation, and display of their material culture and histories, is a necessary corrective to and extension of this traditional work; subsections include shared authority, repatriation and restitution, and indigenizing curation. The bibliography ends with perhaps the most important topic: curatorial ethics. The focus is on anthropological curatorship, but we have included material from nearby fields, including art and history curatorship, when the additional perspective seems useful. The geographical focus is on the United States, and to a lesser extent Great Britain, Canada, New Zealand, and Australia, with a few entries describing European museum work. There are several other bibliographies in the Oxford Bibliographies in Anthropology that complement this one. See the separate Oxford Bibliographies articles Museum Anthropology, Cultural Resource Management, and Public Archaeology.


Author(s):  
Lonán Ó Briain

The conclusion summarizes the findings of the book and outlines a new paradigm for research on the cultural practices of Vietnam’s ethnic minorities. It opens with a description of two contrasting approaches to this research. Certain strategies for presenting results in public fora are shown to promote unhelpful stereotypes on these people. The author attempts to bridge the gap between contrasting methodologies and ideologies by promoting constructive dialogue between these groups of scholars within the fields of anthropology, ethnology, and musicology This dialogue is stimulated by identifying and working towards a shared goal: the sustainability of intangible cultural heritage in a rapidly urbanizing society.


2021 ◽  
Vol 9 (4) ◽  
Author(s):  
Jie Zhang

Music is a very important part of national culture, and also an important intangible cultural heritage. In the contemporary era of rapid economic development and increasingly prosperous exchanges between China and the west, the inheritance and promotion of national music has attracted unprecedented attention and become an important topic in the protection of intangible cultural heritage in China. Starting from the context of intangible cultural heritage, this paper analyzes the key points of inheritance and promotion of national music in the context of intangible cultural heritage, hoping to contribute to the protection of intangible cultural heritage in China.


2012 ◽  
Vol 627 ◽  
pp. 590-593
Author(s):  
Xiakeer Saitaer

Intangible material culture of all ethnic groups in Xinjiang contains sizable excellent core in art and crafts, which serve as important resources available in current economic and cultural construction in Xinjiang. The long-established and traditional Uyghur handicraft of felt making has over the ages developed unique ethnic distinctives and an inheritable nature. It has value in the historical, cultural, scientific, aesthetic, and economic realms, and thus qualifies as priceless intangible cultural heritage. This paper discusses the raw material in traditional Uyghur felt handicraft and the classification of traditional Uyghur felt.


2014 ◽  
Vol 507 ◽  
pp. 646-649
Author(s):  
Hong Zhou ◽  
Dong Xiang Hu ◽  
Guo Zheng Wu

The ancient waterway of Yuan River, which blended the settlement culture of ancient town, national culture, religion communication and commercial business, is an important cultural lines, and present an important clue for heritage protection. And this research is the preliminary study of cultural routes heritage protection in this area. Under the background of cultural routes heritage protection, it explores the shipping background and geographical features of routes in Yuanshui River by means of documents collection and field survey to renovate it and gropes for the cultural characteristics of water transport economic and the unique living culture generated by shipping to offer experiences for the cultural heritage of Yuanshui Shipping Route.


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