[ARTIGO TRADUZIDO] HISTORY, PATRIMONY AND SENSITIVE MEMORY: the Valongo Wharf in Rio de Janeiro

2018 ◽  
Vol 15 (26) ◽  
pp. 98-111
Author(s):  
MONICA LIMA

 Abstract: The article deals with aspects that define the importance of the historical and archaelogical site of Valongo Wharf, located in the city of Rio de Janeiro, for the history of enslavement of Africans and their descendants in the Americas and especially in Brazil. In addition to highlighting the relevance of this property, recognized in 2017 as a World Heritage Site by UNESCO, it also addresses its significance as a historical site of sensitive memory and a place of memory for the Atlantic traffic of enslaved Africans. Throughout the text, key ideas such as sensitive past, violence, pain and suffering are discussed in historical perspective, which indicates possibilities of comparison with other spaces in the world, considering human tragedies and concepts used in the studies on these processes. Finally, the text analyzes other elements around the history of the Valongo Wharf region as space of resistance and affirmation of the black populations.Keywords: Valongo Wharf. History of Slavery. Sensitive Pasts. World Heritage. History of Africans in Brazil.HISTÓRIA, PATRIMá”NIO E MEMÓRIA SENSáVEL:  o Cais do Valongo no Rio de JaneiroResumo: O artigo trata sobre aspectos que definem a importá¢ncia do sá­tio histórico e arqueológico Valongo Wharf, situado na cidade do Rio de Janeiro, para a história da escravização de africanos e seus descendentes nas Américas e, em especial, no Brasil. Além de ressaltar a relevá¢ncia desse bem, reconhecido em 2017 como Patrimônio Mundial pela UNESCO, também aborda o seu significado como sá­tio histórico de memória sensá­vel e lugar de memória do tráfico atlá¢ntico de africanos escravizados. Ao longo do texto, são abordadas ideias-chave, tais como passados sensá­veis, violência, dor e sofrimento em perspectiva histórica, indicando possibilidades de comparação com outros espaços no mundo, considerando tragédias humanas e conceitos utilizados nos estudos sobre esses processos. Finalmente, o texto analisa elementos em torno da história da região do Valongo Wharf como espaço de resistência e de afirmação das populações negras.Palavras-chave:  Valongo Wharf. História da Escravidão. Passados Sensá­veis. Patrimônio Mundial. História dos africanos no Brasil.  HISTORIA, PATRIMONIO Y MEMORIA SENSIBLE:  el Cais do Valongo en Rá­o de JaneiroResumen:  El artá­culo trata sobre aspectos que definen la importancia del sitio histórico y arqueológico Valongo Wharf, situado en la ciudad de Rá­o de Janeiro, para la historia de la esclavización de africanos y sus descendientes en las Américas y, en especial, en Brasil. Además de resaltar la relevancia de ese bien, reconocido en 2017 como Patrimonio Mundial por la UNESCO, también aborda su significado como sitio histórico de memoria sensible y lugar de memoria de la trata atlántica de africanos esclavizados. A lo largo del texto, se abordan ideas clave, tales como pasados sensibles, violencia, dolor y sufrimiento en perspectiva histórica, indicando posibilidades de comparación con otros espacios en el mundo y considerando tragedias humanas y conceptos utilizados en los estudios sobre esos procesos. Finalmente, el texto analiza elementos en torno a la historia de la región del Valongo Wharf como espacio de resistencia y de afirmación de las poblaciones negras.Palabras clave:  Muelle de Valongo. Historia de la Esclavitud. Pasados Sensibles. Patrimonio Mundial. Historia de los africanos en Brasil.

2018 ◽  
Vol 15 (26) ◽  
pp. 98-111 ◽  
Author(s):  
MONICA LIMA

O artigo trata sobre aspectos que definem a importá¢ncia do sá­tio histórico e arqueológico Cais do Valongo, situado na cidade do Rio de Janeiro, para a história da escravização de africanos e seus descendentes nas Américas e, em especial, no Brasil. Além de ressaltar a relevá¢ncia desse bem, reconhecido em 2017 como Patrimônio Mundial pela UNESCO, também aborda o seu significado como sá­tio histórico de memória sensá­vel e lugar de memória do tráfico atlá¢ntico de africanos escravizados. Ao longo do texto, são abordadas ideias-chave, tais como passados sensá­veis, violência, dor e sofrimento em perspectiva histórica, indicando possibilidades de comparação com outros espaços no mundo, considerando tragédias humanas e conceitos utilizados nos estudos sobre esses processos. Finalmente, o texto analisa elementos em torno da história da região do Cais do Valongo como espaço de resistência e de afirmação das populações negras.Palavras-chave: Cais do Valongo. História da Escravidão. Passados Sensá­veis. Patrimônio Mundial. História dos africanos no Brasil.HISTORY, PATRIMONY AND SENSITIVE MEMORY:  the Pier of Valongo in Rio de JaneiroAbstract: The article deals with aspects that define the importance of the historical and archaelogical site of Valongo Wharf, located in the city of Rio de Janeiro, for the history of enslavement of Africans and their descendants in the Americas and especially in Brazil. In addition to highlighting the relevance of this property, recognized in 2017 as a Worl Heritage Site by UNESCO, it also addresses its significance as a historical site of sensitive memory and a place of memory for the Atlantic traffic of enslaved Africans. Throughout the text, key ideas such as sensitive past, violence, pain and suffering are discussed in historical perspective, which indicates possibilities of comparison with other spaces in the world, considering human tragedies and concepts used in the studies on these processes. Finally, the text analyzes other elements around the history of the Valongo Wharf region as space of resistance and affirmation of the black populations.Keywords: Valongo Wharf. History of Slavery. Sensitive Pasts. World Heritage. History of Africans in Brazil.HISTORIA, PATRIMONIO Y MEMORIA SENSIBLE:  el Cais do Valongo en Rá­o de JaneiroResumen: El artá­culo trata sobre aspectos que definen la importancia del sitio histórico y arqueológico Cais do Valongo, situado en la ciudad de Rá­o de Janeiro, para la historia de la esclavización de africanos y sus descendientes en las Américas y, en especial, en Brasil. Además de resaltar la relevancia de ese bien, reconocido en 2017 como Patrimonio Mundial por la UNESCO, también aborda su significado como sitio histórico de memoria sensible y lugar de memoria de la trata atlántica de africanos esclavizados. A lo largo del texto, se abordan ideas clave, tales como pasados sensibles, violencia, dolor y sufrimiento en perspectiva histórica, indicando posibilidades de comparación con otros espacios en el mundo y considerando tragedias humanas y conceptos utilizados en los estudios sobre esos procesos. Finalmente, el texto analiza elementos en torno a la historia de la región del Cais do Valongo como espacio de resistencia y de afirmación de las poblaciones negras.Palabras clave:  Muelle de Valongo. Historia de la Esclavitud. Pasados Sensibles. Patrimonio Mundial. Historia de los africanos en Brasil.


Iraq ◽  
2006 ◽  
Vol 68 ◽  
pp. 183-190 ◽  
Author(s):  
David J. Tucker ◽  
Stefan R. Hauser

Splendid isolation and an austere environment allegedly saved Hatra on more than one occasion from the wrath of Rome. Even when the city finally fell to the Sasanians in AD 240 and Shapur carried off its portable wealth, its comparative remoteness prevented the wholesale destruction that happened, for instance, at nearby Ashur. So in 1985 UNESCO had no difficulty in recognising the ruins' value as a gem of world heritage.Hatra's comparative isolation presents problems but also advantages for archaeologists. The problems concern the city's economy and subsistence with respect to its size and density in a hostile environment beyond the limit of dryland farming. Most prominently Hatra will have played an important role as a centre for nomad-sedentary political and economic exchange. The central temple of Shamash, which might have served as a focus of pilgrimage, will have added in some degree to its wealth, as reflected by its architecture and sculpture. According to some authors the city also played at least some role in long-distance caravan trade, which might have created further substantial revenue. But the important question remains: to what extent did Hatra's inhabitants complement their livelihood through cultivation


Author(s):  
S. Hollis Clayson

The literature on the Eiffel Tower is wide-ranging and multidisciplinary, echoing the character and history of the 300-meter iron structure itself: a singular and controversial monument with both a past and a present. Not meant to last beyond a few decades, the Tower still looms over Paris. It was the tallest structure on earth when constructed on the Champ de Mars in the French capital as the centerpiece of the 1889 Exposition Universelle, which marked the hundredth anniversary of the French Revolution. Reviled at first, it is revered today. During the post-WWII decades, it became the central icon and symbol of Paris and eventually of France tout court, and is today one of the most widely recognized and visited attractions in the world. The Tower was made a Monument historique in 1964 and named part of a UNESCO World Heritage Site (“Paris, Banks of the Seine”) in 1991. The publications enumerated and glossed in what follows align with the Tower’s complexity: they are drawn from art, architectural, cultural, economic, political, social, and technology history as well as biography and semiology.


2012 ◽  
Vol 1 (2) ◽  
Author(s):  
José Antonio González Zarandona

ABSTRACTThe destruction of rock art in the Burrup Peninsula, performed by several mammoth industries strategically located in the Peninsula since the 1960s, allows me to analyse the concept of heritage within a global history of art and find meaning in the difficult task of interpreting rock art. The Burrup Peninsula not only hosts the largest rock art site in the world, but also one of the largest deposits of natural gas, iron ore and salt. As a consequence, the land (sacred to the Indigenous people), becomes extremely important in order to sustain the booming economy of Australia. In this difficult negotiation between heritage and progress the rock art is embedded with new meanings and the heritage becomes ephemeral. Failing to include the site in the World Heritage Site list created by UNESCO, the roles of identity and memory are contested by the two groups represented on each side of the debate: on one hand, the Aboriginal Traditional owners and the archaeologists; on the other, the Australian government and the cultural establishment that denies the rock art an aesthetic significance by considering it "primitive" and "archaic". The debate becomes even more pertinent after realizing that the Australian government has flagged other buildings and natural parks as World Heritage Sites, while the rock art in the Burrup Peninsula is catalogued as national, but not World, Heritage. As a result, the concept of heritage can be defined on several levels: local, regional, national and international.RESUMENLa destrucción de arte rupestre en la península Burrup, llevada a cabo por varias industrias colosales, estratégicamente localizadas en la península desde la década de los años sesenta, me permite analizar el concepto de patrimonio y encontrar un significado en la difícil tarea de interpretar arte rupestre. La península Burrup no sólo alberga el sitio arqueológico de arte rupestre más grande del mundo, sino que también uno de los depósitos más grandes de gas, mineral de hierro y sal. Como consecuencia, la tierra (sagrada para la comunidad aborigen), se ha convertido en un punto álgido ya que sostiene la economía creciente de Australia. En esta difícil negociación entre patrimonio y progreso, el arte rupestre encuentra nuevos significados y el patrimonio se torna efímero. Al no estar el sitio incluido en la lista de Patrimonio Mundial auspiciada por la UNESCO, los roles de identidad y memoria son impugnados por los dos grupos que representan ambos lados del debate: por un lado, los dueños tradicionales aborígenes y los arqueólogos; por el otro, el gobierno australiano y el es-tablecimiento cultural que le niega al arte rupestre una significancia estética al considerarlo “primitivo” y “arcaico”. El debate se torna cada vez más pertinente al darnos cuenta de que el gobierno australiano ha propuesto otros sitios y parques naturales para su introducción en la lista de Patrimonio Mundial, mientras que el arte rupestre de la península Burrup está catalogado como patrimonio nacional, mas no mundial. Como resultado, el concepto de patrimonio se puede definir en diferentes niveles: local, nacional e internacional.


KALPATARU ◽  
2015 ◽  
Vol 24 (1) ◽  
pp. 61
Author(s):  
Retno Handini

Abstrak. Tulisan ini merupakan kajian tentang “balung buto”, sebuah mitos atau kepercayaan masyarakat yang menghuni wilayah penemuan fosil-fosil purba di Jawa. Penelitian ini difokuskan di Situs Sangiran sebagai Situs Warisan Dunia untuk memahami pola pikir dan persepsi masyarakat penghuni situs dalam memandang keberadaan fosil yang banyak ditemukan di sekitar lahan tegalan atau pekarangan mereka. Metode yang digunakan adalah wawancara mendalam pada masyarakat yang  tinggal di Sangiran. Hasil penelitian menunjukkan walaupun saat ini sudah semakin ditinggalkan dan tidak lagi diturunkan pada generasi muda, namun mitos “balung buto” masih mempengaruhi pola pikir dan perilaku kalangan tertentu yang mempercayainya. Hal tersebut secara langsung ataupun tidak berdampak pada pencarian fosil dan pelestarian situs.Abstract. This article is a study on ‘balung buto’ (which means giant’s bone), a myth or belief shared by the communities that live in areas where prehistoric fossils are found in Java. The study is focused at the World Heritage Site of Sangiran to understand the way of thinking and perception of the inhabitants around the site in viewing the existence of fossils, which are found in abundance on their agricultural fields or house yards. The method used here is insightful interview with the people who live at Sangiran. The study reveals that although believed by less and less people and no longer inherited to the young generation, there are some people who still believe the myth. To them the myth of ‘balung buto’ still influences their pattern of thoughts and behaviour so that directly or indirectly it has impacts on fossil-collecting behaviour and site preservation. 


2021 ◽  
Vol 10(1) (10(1)) ◽  
pp. 349-375
Author(s):  
José Valverde-Rodaa ◽  
Gema Gomez-Casero ◽  
Tomás López-Guzmán ◽  
Miguel Jesús Medina-Viruel

In recent times, it has been noticed that cultural tourism attracts millions of people. One interesting aspect is the analysis of WHS (World Heritage Site) destinations or cultural destinations that have an inscription WHS. This research has the goal of analysing the different groups of tourists who visit a cultural destination with an inscription WHS, specifically the city of Granada (Spain). For this, segmentation was performed, studying the socio-demographic profile of the tourists and their assessment of the attributes of this destination. For the tourist segmentation, two models have been followed. Four different groups of tourists were found: alternative, cultural, emotional and heritage. In this last one, the relationship between curiosity about the culture of the tourist destination and the heritage visited has a determining role. This study makes an important contribution to the literature regarding the links between the tourist and the historic and monumental heritage they visit and their tourist behaviour.


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