Respectful Style at Mainstreet Theatre, Kansas City, Missouri, USA: A Case Study of Environmental Graphic Design in a Historical Context

2013 ◽  
Vol 3 (2) ◽  
pp. 181-197
Author(s):  
John R. Kleinpeter
Keyword(s):  
Graphic Design ◽  
Kansas City ◽  
Historical Context

scholarly journals American Wedding Albums: a Case Study

2021 ◽  
Author(s):  
Marisa Catherina D’Agostino
Keyword(s):  
Qualitative Research ◽  
Material Culture ◽  
Historical Context ◽  
Oral Histories ◽  
Main Section ◽  
Specific Focus ◽  
Popular Medium ◽  
Production Organization ◽  
Scholarly Attention

Wedding photography is an area of vernacular studies that receives surprisingly little scholarly attention. This thesis explores the material culture of wedding photography, with a specific focus on the analysis of the wedding album in terms of presentation and consumption by families from the 1950s to the 1980s. The main section of this thesis provides an examination of selected wedding album owners. This case study contains a collection of oral histories from seven individuals on their experiences with presenting and displaying their wedding photographs. The analysis provides qualitative research on the production, organization, and consumption of the wedding album as a popular medium for exhibiting wedding photographs. In addition, this thesis offers some social and historical context on the development of the wedding album and wedding photography.

scholarly journals PECREATIVITY | PEOPLE ECONOMY CITY: THE CASE OF LONDON AS A PROACTIVE INVESTIGATION TOOL

2018 ◽  
Vol 11 (1) ◽  
pp. 142-151
Author(s):  
Giuliana Bonifati
Keyword(s):  
Social Sciences ◽  
Social Class ◽  
Urban Environment ◽  
Historical Context ◽  
Radical Change ◽  
Theoretical Background ◽  
Urban Transformation ◽  
Urban Spaces ◽  
Social Fields

The current historical context is characterised by a significant change in the economic and social fields that have led to the development of the economy of creativity and knowledge. This condition has laid the basis for the rise of a new social class. This radical change in the productive paradigm has started a series of modifications to urban spaces, setting in place a rooted change in the fabric of the city.The objective of this paper is to understand and interpret the nature of the changes under way and to investigate how what occurred in economic and social fields influenced the processes of urban regeneration. Starting from a theoretical background it will examine the concept of creativity applied to economics and social sciences. Secondly, by identifying the urban environment of London as a case study, it will analyze single cases that will show the root of these practices within urban spaces. The purpose of it will be verified by the possibility of building urban transformation strategies that use creativity as the tool of change.

scholarly journals Kreatywność za drutem kolczastym: archeologia i sztuka okopowa z pierwszowojennego obozu jenieckiego w Czersku (woj. pomorskie)

2019 ◽  
Vol 23 ◽  
pp. 105-136
Author(s):  
Dawid Kobiałka
Keyword(s):  
Material Culture ◽  
Historical Context ◽  
Archaeological Sites ◽  
Archaeological Research ◽  
Prisoner Of War ◽  
The Third ◽  
Anthropological Research ◽  
Special Category

This article discusses the results of archaeological and anthropological research concerning material remains of a prisoner of war camp in Czersk (Pomeranian province, Poland) (Kriegsgefangenenlager Czersk). In the first part, I sketch a broader historical context related to building and functioning of the camp in forests around Czersk between 1914–1919. After that, the role and meaning of  archaeological research on such type of archaeological sites are presented. In the third part, I focus on a very special category of the camp heritage which is called trench art. The last part of this paper is a case study where an assemblage of objects classified as trench art that was found at the camp is described and interpreted. This text aims at highlighting the value of such prisoners and camp’s heritage. Such material culture is a material memory of extraordinary prisoners’ creativity behind barbed wire. It makes one aware of how every piece of trash, rubbish was re-cycled during day-to-day life behind barbed wire.

scholarly journals REPRODUKSI PAHAM KEAGAMAAN DAN RESPON TERHADAP TUDUHAN RADIKAL (Studi Kasus Pesantren Ngruki Pasca Bom Bali 2002)

Harmoni ◽  
2017 ◽  
Vol 16 (1) ◽  
pp. 75-93
Author(s):  
Muhamad Murtadlo
Keyword(s):  
Qualitative Research ◽  
Historical Context ◽  
Case Study Approach ◽  
Study Approach ◽  
Radical Islam ◽  
Religious Understanding ◽  
Multiple Causes

Pesantren Al Mukmin Ngruki Sukoharjo is often cited as an inspiration for radical Islam in Indonesia. This research examines the reproduction of religious understanding and the response to allegations of radicalism addressed to Pesantren Ngruki after the Bali bombings of 2002. This study includes qualitative research with case study approach. This study argues that a radical view of Islam can not be separated from social and historical context of this Islamic boarding institutions. Currently Pesantren Ngruki has undergone some changes in the orientation of education resulting from multiple causes, which are not limited by the case of Bali bombings only.

scholarly journals SURVEI SIDE SCAN SONAR DALAM PENELITIAN ARKEOLOGI BAWAH AIR DI PERAIRAN SUNGAI: STUDI KASUS PADA DAERAH ALIRAN SUNGAI BRANTAS [SIDE SCAN SONAR SURVEY IN RIVERINE UNDERWATER ARCHAEOLOGICAL RESEARCH: CASE STUDY IN THE BRANTAS BASIN]

2021 ◽  
Vol 15 (2) ◽  
pp. 99-112
Author(s):  
Agni Mochtar ◽  
Firman Setiawan ◽  
Shinatria Adhityatama
Keyword(s):  
Cultural Landscape ◽  
Historical Context ◽  
Archaeological Research ◽  
Archaeological Remains ◽  
Side Scan Sonar ◽  
Maritime Cultural Landscape ◽  
Old Maps ◽  
Low Visibility ◽  
Survey Results

Aplikasi metode geofisika menggunakan side scan sonar dalam penelitian arkeologi bawah air belum banyak dilakukan di Indonesia. Tulisan ini memaparkan penggunaan side scan sonar untuk pemetaan dasar sungai dan identifikasi tinggalan arkeologi di dasar sungai dalam penelitian “Sungai Brantas dalam Perspektif Lanskap Kultur Maritim”, serta interpretasi hasil survei side scan sonar tersebut dalam konteks kesejarahan. Selain itu, dalam tulisan ini akan dibahas potensi pengembangan penggunaan side scan sonar dalam penelitian arkeologi bawah air di Indonesia, terutama di perairan sungai. Akuisisi data dilakukan dengan menggunakan side scan sonar Starfish 450H dengan sistem posisi GNSS Trimble R8s. Sementara itu, interpretasi diperoleh dengan melakukan analisis terhadap data peta dan arsip Belanda untuk memahami konteks temporal dari objek yang dideteksi oleh alat side scan sonar. Survei berhasil menunjukkan sedimen di dasar sungai berupa lempung dan lanau, serta beberapa objek yang diduga sebagai bangkai kapal, yang diperkirakan berasal dari pasca abad ke-19 Masehi. Hasil survei side scan sonar menunjukkan tingkat akurasi cukup hingga tinggi dan dapat menjadi pendukung penelitian arkeologi bawah air yang efisien, terutama di perairan yang keruh. Side scan sonar survey as one of the geophysics methods is still scarcely applied in underwater archaeological research in Indonesia. This paper describes the application of side scan sonar survey in mapping riverbed and identifying underwater archaeological remains in the “Sungai Brantas in the Perspective of Maritime Cultural Landscape” project, as well as interpreting its historical context based on survey results. This paper also explores the development of utilizing side scan sonar in underwater archaeological research in Indonesia, particularly in rivers. Data was acquisitioned by using the side scan sonar Starfish 450H and GNSS Trimble R8s positioning system. The interpretation was drawn by analysing related Dutch old maps and archives to understand the historical context of the survey findings. The result shows clay and silt sediment covering most of the riverbed and a number of objects, possibly shipwrecks, estimated as from the nineteenth century. The survey result has a medium to high accuracy. Thus, this method is able to serve as an efficient instrument for underwater archaeological research, especially in the low-visibility waters.

Speaking Italian with a Swiss-German Accent: Walter Ballmer and Swiss Graphic Design in Milan

Design Issues ◽  
2021 ◽  
Vol 37 (1) ◽  
pp. 26-41
Author(s):  
Chiara Barbieri ◽  
Davide Fornari
Keyword(s):  
Twentieth Century ◽  
Graphic Design ◽  
Primary Sources ◽  
Specific Time ◽  
Swiss German ◽  
Graphic Designer ◽  
National Borders

The article employs Walter Ballmer's experience as a Swiss graphic designer working in Milan in the second half of the twentieth century as a case study to think about national design discourses outside national borders, show their constructed nature, and explore their impact on individual lives and careers. Drawing on primary sources collected in the archive and through interviews, it maps out the socio-cultural network that gave meaning to Swiss graphic design and questions how this was perceived, understood, and performed in a specific time and place by Ballmer, his assistants, the broader graphic design community, and his clients.

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