scholarly journals UNVEILING THAHA HUSEIN'S CONTROVERSY ON CLASSICAL ARABIC LITERATURE EXISTENCE (CRITICAL METHODOLOGY OF THE BOOK ‘FI AL-ADAB AL-JAHILI’)

2020 ◽  
Vol 15 (1) ◽  
pp. 11-22
Author(s):  
Akhmad Muzakki
Keyword(s):  
Literary Criticism ◽  
External Factors ◽  
Arabic Literature ◽  
Philosophical Thinking ◽  
Literary Works ◽  
Critical Methodology ◽  
Cultural Conditions ◽  
Classical Arabic ◽  
Rule Out

Descartes' philosophical thinking influences the method of literary criticism developed by Thaha Husein, namely, cogito ergo sum 'I think, therefore I am.' To ensure that something exists, it must be doubted first. Likewise, the existence of jahili Arabic literature, which was conveyed verbally from generation to generation, did not rule out counterfeiting. However, Thaha Husein only saw the existence of jahili Arabic literature autonomously by denying the external factors surrounding it. Though literary works are manifestations and reflections of socio-cultural conditions that establish dialectical relations with the author, therefore, the extrinsic aspects that exist outside the text that characterize the original building of literary works cannot be ignored.

Collaborative Composition of Classical Arabic Poetry

Arabica ◽  
2018 ◽  
Vol 65 (1-2) ◽  
pp. 163-206
Author(s):  
Erez Naaman
Keyword(s):  
Literary Criticism ◽  
Thirteenth Century ◽  
Critical Assessment ◽  
Arabic Literature ◽  
Poetic Form ◽  
Arabic Poetry ◽  
History Of ◽  
Composition Process ◽  
Classical Arabic

Abstract Evidence of collaborative composition of poetry goes back to the earliest documented phases in the history of Arabic literature. Already during pre-Islamic times, poets like Imruʾ al-Qays used to challenge others to complete their impromptu verse and create poetry collaboratively with them. This practice—commonly called iǧāza or tamlīṭ and essentially different from the better known poetic dueling of the naqāʾiḍ (flytings)—has shown remarkable stability and adherence to its form and dynamics in the pre-modern Arabophone world. In this article, I will discuss evidence of collaborative poetry from pre-Islamic times to the early seventh/thirteenth century, in order to present a picture of the typical situations in which it was practiced, its functions, its composition process, and formal aspects. Although usually not producing poetic masterpieces, this practice has the merit of revealing much about the processes of composing classical Arabic poetry in general. In this respect, its study and critical assessment are highly important, given the fact that medieval Arabic literary criticism does not always reflect praxis or focus on the actual practicalities of composing poetry. This practice and the contextualized way in which it was preserved allow us to see vividly the inextricable link between poetic form and the conditions in which poetry was created. It likewise sheds light on the intricate ways in which poets resisted, influenced, and manipulated others by poetic means. Based on the obvious fact that collaborative composition is imbued with the spirit of play, I offer at the end of the article criticism of Johan Huizinga’s famous play concept and his (much less famous) views of early Arabic culture and poetry in light of the evidence I studied.

scholarly journals MUA'LLAGAT ZOHAYR IBN ABI SOLMA: ELEGANT PIECE OF ARABIC POETRY (1)

2021 ◽  
Vol 3 (1) ◽  
pp. 1-11
Author(s):  
Yahya Saleh Hasan Dahami ◽  
Abdullah Al Ghamdi
Keyword(s):  
Main Part ◽  
Arabic Language ◽  
Courtly Love ◽  
Arabic Literature ◽  
Love Poetry ◽  
Arabic Poetry ◽  
The Third ◽  
Critical Methodology ◽  
Classical Poetry ◽  
Classical Arabic

Zohayr ibn Abi Solma is identified as an eminent poet who produced poetry distinguished with preeminence in courtly and virtuous love. The study employs an analytical and critical methodology, attempting to elucidate the influence of virtuous love narrated by the poet in the first verse lines of his great Mua'llagah. It commences with a terse introductory synopsis shedding light on the importance of classical Arabic and its involvement with poetry. The paper attempts to prove, via the poetry of Zohayr ibn Abi Solma, the greatness of the Arabic classical poetry and demonstrate the aptitudes of the poet through his Mua'llagah. It is divided into four main parts. The first part deals with the greatness of the Arabic language then it moves to the second section that focuses on Arabic Poetry: Treasure of Wisdom. The third one sheds light on the poet's 'The Man and the Poet', and the last main part goes with an analytical and critical endeavor of the first ten verse lines of Al-Mua'llagah of Zohayr. It comes to an end with a conclusion. Keywords: Arabic Literature, Arabic Poetry, Courtly Love Poetry, Courteous Arabic Poetry, Umm Awfa, Virtuous Poetry.

scholarly journals KRITIK INTRINSIKALITAS DAN EKSTRINSIKALITAS SASTRA MODERN DALAM KAJIAN SASTRA ARAB MODERN

2019 ◽  
Vol 3 (1) ◽  
pp. 23-36
Author(s):  
Abd Aziz ◽  
M. Imam Sofyan Yahya
Keyword(s):  
Literary Criticism ◽  
Arabic Literature ◽  
Literary Works ◽  
Literary Aesthetics ◽  
Objective Value

In the practice of literary criticism, including Arabic literature, there are two approaches in evaluating literary works, namely the intrinsic approach and the extrinsic approach. The intrinsic approach bases itself on the objective value of literary works itself without connecting with other sciences, or approaches that seek to see literary works objectively with the propositions of linguistics and literary aesthetics. From this approach was born a flow of semiotic literary criticism and structural literary criticism. Meanwhile, the extrinsic approach uses certain scientific measures in evaluating literary works. The extrinsic approach to literary criticism seeks to see literary works from the viewpoint of disciplines outside of literature. This approach gave birth to sociological literary criticism, psychological literary criticism, archaeological literary criticism, moral literary criticism, philosophical literary criticism, and others.

scholarly journals The Actualization of Characters and References in The Classic Arabic Literature Criticism

Jurnal CMES ◽  
2021 ◽  
Vol 14 (1) ◽  
pp. 24
Author(s):  
Yusuf Haikal
Keyword(s):  
Literary Criticism ◽  
Twelfth Century ◽  
Eighth Century ◽  
Arabic Literature ◽  
Wide Range ◽  
Four Books ◽  
Classical Arabic ◽  
Fourth Book ◽  
Descriptive Qualitative

<p>This study aims to give an overview, review and actualize referral sources in the literary criticism of classical Arabic along with the figures from the source of the referral, which is expected to help and enrich the knowledge and insight for learners criticism in Arabic literature. The method used is descriptive qualitative and the study of literature. Through this method the data and studies taken from various sources of literature are then described and presented in the form of words based on the focus of the book which became the main reference. From the discussion, it could be concluded that the scientific and the development of criticism in Arabic Literature in the classical, more precisely between the eighth century to the twelfth century, is the golden period of development in the scientific criticism in Arabic literature. Moreover, the four centuries was also born to a wide variety of artwork and writing a review or even find a theory and new things related to literary criticism. There are at least four books is the source of the referral (mashdar) literary criticism of classical Arabic that can be actualized and utilized as well as made the object of research to the development of scientific criticism in Arabic literature at the present time. The fourth book is Thabaqāt Fuchūlus-Syu'arā’, al-muwāzanah, al-badi’, and dalā'ilul i'jāz. The fourth book, and its author, is also a testament to the greatness of the development of criticism in Arabic literature in the classic, and has represented a wide range of novelty born of the development of scientific criticism in Arabic literature.</p>

scholarly journals The terms of contemporary Arabic literary criticism

2018 ◽  
Vol 6 (01) ◽  
pp. 31
Author(s):  
Nia Hailiyati
Keyword(s):  
Literary Criticism ◽  
Arabic Literature ◽  
Inner Experience ◽  
Literary Works ◽  
Organic Unity ◽  
The Third ◽  
Surrounding World ◽  
Library Research ◽  
Arab Literature

This study discusses the use of developed terms of literary criticism in the Arab. literature always experiences renewal in terms of science because literary criticism is a cultural product that often interacts with the conditions of the surrounding world, one of which is the terms of literary criticism which is the criterion in its use, so that raises the question, what are the terms of the Arabic literary criticism that are developing now? the purpose of this study is to find out the terms of literary criticism that developed in contemporary times as balancing the transformation of the ever expanding world of external literature. The method used in this research is library research, which is by collecting library data related to terms in Arabic literature. The finding in this study is that in contemporary Arabic literature there are three phenomenal terms, first the inner experience of poets (writers), the second organic unity and the theme in literary works, the third form of poetry.

Shakespeare's Hamlet

2017 ◽  
Keyword(s):  
Literary Criticism ◽  
Literary Works ◽  
Dramatic Form

Hamlet has long been recognized as concerned with fundamental philosophical issues about identity, responsibility, intimacy, mourning, and agency. How is the play’s address to these issues structured by its distinctively powerful literary-dramatic form and language? What might philosophy have to learn from its mode of address? Is such learning affected by Hamlet being not merely literature, but literature designed to be embodied and voiced on a stage? And what light, in turn, might attention to philosophical themes cast on the play’s development and interest, in other words, does literary criticism gain or lose when tempted to employ literary works as gateways enabling abstract reflection? This book brings together a team of leading literary scholars and philosophers who were invited to probe philosophical dimensions of Shakespeare’s Hamlet. Authors diverge in what they focus on: what is shown by Hamlet’s words, what is shown by Hamlet (despite his words), what is shown by Hamlet, what is shown by Hamlet’s interpreters. “Philosophy in literature” does not, accordingly, possess a consistent meaning throughout this volume. Some essays inquire into Hamlet’s own insights. Others assess the significance of philosophy’s literary-dramatic framing by this play. Still others trace the philosophically relevant underpinnings exposed by historical transformations in Hamlet’s reception. Subjectivity, knowledge, sex, grief, self-theatricalization—these are but some of the topics examined in overlapping ways in the emerging symposium.

Towards the Reappraisal of Classical Arabic Literature and History: Some Aspects of Tāhā Husayn's Use of Modern western Criteria

1980 ◽  
Vol 11 (2) ◽  
pp. 189-207 ◽  
Author(s):  
Mohamed Al-Nowaihi
Keyword(s):  
Arabic Literature ◽  
Classical Literature ◽  
Fellow Citizen ◽  
Modern Arabic ◽  
Classical Arabic

In modern Arabic scholarship, it would be difficult to find a hypothesis more implausible than that advanced by Tāhā Husayn in his fī‘l-’adab al-jāhilī. Yet it may be wondered whether any other book, written by a contemporary Arab, has had a comparable influence in changing the fundamental attitude of the Arab intelligentsia towards their classical literature and history. The unsoundness of the book's central assertion—that the bulk of pre-Islamic poetry was fabricated by Muslims, and portrays Islamic, rather than pre-Islamic, conditions and conceits—has been exposed by several critics, both native, in varying degrees of wrathful condemnation, and orientalist, with different approaches to conclusiveness. Of the latter, one at least, the late A. J. Arberry, had some pretty strong words to say, not of the Arab propagator of the fallacy, but of D. S. Margoliouth, who, in the same year 1926, had, as it happened, published identical views, supported by largely similar arguments. Said Arberry, introducing his stern refutation, “The sophistry — I hesitate to say dishonesty — of Professor Margoliouth's arguments is only too apparent, quite unworthy of a man who was undoubtedly one of the greatest erudites of his generation.” He went on to castigate Margoliouth's disregard of certain Qur'anic meanings and intentions of which “he must have been very well aware,” his “shocking misapplication of scholarship,” his “immodesty”, and the rest. Quite restrained criticism when compared to the diatribe which the Arab debaters poured on the heads of their fellow citizen and his presumed infidel mentor, but rather unusual in the serene Arcady of orientalism.

History in Adab Context: “The Book on Caliphal Histories” by Ibn ʿAbd Rabbih (246/860-328/940)

2015 ◽  
Vol 2 (1) ◽  
pp. 61-85 ◽  
Author(s):  
Isabel Toral-Niehoff
Keyword(s):  
Arabic Literature ◽  
Classical Arabic

In classical Arabic literature,adaband history are closely related. Collections such as al-Masʿūdī’sMurūj al-dhahab, Ibn Qutayba’sKitāb al-Maʿārifor theMuʿjam al-buldānby Yāqūt are proper hybrids of history andadab: History often includesadabapproaches, andadabregularly incorporates historicalakhbār. The multivolume encyclopediaal-ʿIqd al-farīd, “the Unique Necklace,” composed by the Andalusī Ibn ʿAbd Rabbih (246/860-328/940) fits very well into theadabideal of cultural broadness. In addition to numerous historical anecdotes, theʿIqd al-farīdincorporates a lengthy and very peculiar monographic section on caliphal history, an early example of history inadab. These passages have received little attention in the study of early Arabic historiography so far; however, they definitely deserve a closer investigation.

Introduction to Classical Arabic Literature

1977 ◽  
Vol 97 (4) ◽  
pp. 609
Author(s):  
Sieglinde Kadhim ◽  
Ilse Lichtenstadter
Keyword(s):  
Arabic Literature ◽  
Classical Arabic
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