scholarly journals Au service de Richelieu. Écrire, jouer et publier Europe

2020 ◽  
Vol 67 ◽  
pp. 201-212
Author(s):  
Anthony Saudrais

The aim of the present article is to come back to the collaborative writing, between Richelieu and Desmarets de Saint-Sorlin, of Europe, a heroic comedy praising the Cardinal’s politics. We also question the representation of the play as well as the editorial policy of the original edition of 1643 and its reprint from 1661.

2021 ◽  
pp. 152700252110510
Author(s):  
Wladimir Andreff

The present article first delineates core sport economics and compares the content of the Journal of Sports Economics (JSE) in different periods of time, then with other core publications in sport economics. Finally, a comparison is undertaken with articles in sport economics which have been published in generalist economics journals over the past two decades. A major conclusion is that the JSE appears to be the mainstream journal in quantitative sport microeconomics. Other strengths and weaknesses are exhibited and tentatively explained, including a marginal attention paid to non-microeconomic issues in sport and some other unheeded topics. A final conclusion is geared toward options for the editorial policy in the decades to come.


2016 ◽  
Vol 51 (3) ◽  
pp. 63-94
Author(s):  
Radosław Dylewski

Abstract The onset of Professor Jacek Fisiak’s scholarly career is marked by his 1961 Ph.D. dissertation devoted to the lexical influence of English upon Polish. This study, conducted 55 years ago, offers a multilayered analysis and sets the standards of studies on lexical transfer from English to Polish for the years to come. The present article is a tribute to Fisiak’s first scholarly endeavor; it examines the fate of lexical items comprising Fisiak’s corpus in the second decade of the 21st century. More specifically, by conducting searches in the National Corpus of Polish as well as a Google search, the paper checks which borrowings to the Polish language listed and scrutinized by Fisiak gained popularity, which fell out of use, and which underwent semantic changes.


2003 ◽  
Vol 11 ◽  
pp. 144
Author(s):  
Eberhard Lammert

Resumo: O presente artigo contribui para uma reflexão sobre a influência da técnica sobre as artes na Era da Informatização. Desde o início da Era Industrial, nota-se a inversão gradativa de papéis entre máquina e homem: a "ascensão das máquinas" teria transformado o homem em "servo". Nem mesmo o campo das artes esteve livre dos efeitos de tal "ascensão", sobretudo no contato com os meios de comunicação de massa, como o rádio, o cinema e a televisão. Na verdade, tudo não passou de um prelúdio para o que ainda estava por vir: a informática atingiu as artes e nossa cultura fundada na tradição escrita, resultando em transformações muito mais amplas no âmbito da comunicação individual e social.Palavras-chave: arte; técnica; mediatização.Abstract: The present article brings up issues on the influence of technique on art in the Information Age. Since the beginning of the Industrial Age, there has been a progressive inversion of roles in the relation between man and machine : the "rise of machine" seems to have turned man into a "servant". Not even the field of art remained untouched by the effects of such "rise", specially in its contact with communication media like radio, cinema and television. In fact, all that was but a prelude to what was still to come: informatics reached into the arts and our writing­ based culture, causing widespread transformations in the realms of social and individual communication.Keywords: art; technique; mediatization.


2022 ◽  
Vol 29 (2) ◽  
pp. 1-42
Author(s):  
Maitraye Das ◽  
Anne Marie Piper ◽  
Darren Gergle

Collaborative writing tools have been used widely in professional and academic organizations for many years. Yet, there has not been much work to improve screen reader access in mainstream collaborative writing tools. This severely affects the way people with vision impairments collaborate in ability-diverse teams. As a step toward addressing this issue, the present article aims at improving screen reader representation of collaborative features such as comments and track changes (i.e., suggested edits). Building on our formative interviews with 20 academics and professionals with vision impairments, we developed auditory representations that indicate comments and edits using non-speech audio (e.g., earcons, tone overlay), multiple text-to-speech voices, and contextual presentation techniques. We then performed a systematic evaluation study with 48 screen reader users that indicated that non-speech audio, changing voices, and contextual presentation can potentially improve writers’ collaboration awareness. We discuss implications of these results for the design of accessible collaborative systems.


2020 ◽  
Vol 44 (6) ◽  
pp. 373-383
Author(s):  
Phillip M Stevens

In the original edition of Prosthetics and Orthotics International, Dr Sidney Fishman identified what he anticipated as foundational educational needs for the emerging field of clinical prosthetics and orthotics. Within the broader construct of the physical sciences, this included mathematics, physics, chemistry, biomechanics, and material sciences. The clinical application of these disciplines to expanding the collective understanding within the field is described, including the biomechanics of able-bodied and prosthetic gait, the material science of socket construction, the physics of suspension and load distribution, and the engineering of prosthetic components to mimic human biomechanics. Additional applications of the physical sciences to upper limb prosthetics and lower limb orthotics are also described. In contemplating the continued growth and maturation of the field in the years to come, mechatronics and statistics are suggested as future areas where clinical proficiency will be required.


Bionomina ◽  
2015 ◽  
Vol 9 (1) ◽  
pp. 27-34
Author(s):  
Alain Dubois

In the recent years, it has been debated whether the International Code of Zoological Nomenclature should be cited as ‘Anonymous’ or as having an ‘author’, i.e. the International Commission on Zoological Nomenclature. This question is addressed here, starting with the meaning of the term ‘anonymous’ in common language as well as in the Glossary of the Code: in both cases, it designates a work which does not contain, in its original edition, any information about the name(s) of the person(s) responsible for its authorship. A collective body like the Commission is not a person, and therefore not eligible as an ‘author’ in the sense of the Glossary of the Code. The Code is a text that provides Rules for the regulation of zoological nomenclature, and the format of bibliographic references in publications is not a matter of nomenclature but of editorial policy, and therefore out the scope of the Code. It is suggested that a flexible attitude be adopted. This question should be left at the discretion of authors and editors and the Code should not interfere with it. Several possible formats for the citation of the Code are presented. This paper also proposes a distinction between two categories of ‘anonymous’ works.


2014 ◽  
Vol 35 (1) ◽  
pp. 3-16 ◽  
Author(s):  
Liv Hausken

Abstract This essay investigates forensic fiction as a trend in televised crime fiction and argues that this trend or subgenre is particularly interesting if we are to understand how surveillance is portrayed in contemporary society. The essay looks particularly into an extremely popular example of forensic fiction, namely CSI and its two spin-offs CSI: NY and CSI: Miami. Through a discussion of the conceptions of knowledge, crime and power, which seem to come forth in the three CSI series, the present article argues that the particular blend of technological optimism, positivism and moralism that can be witnessed in forensic fiction in general, and in CSI in particular, is important to understanding how popular culture lends a certain normalization of surveillance to everyday life


2003 ◽  
Vol 10 ◽  
pp. 144-159
Author(s):  
Eberhard Lammert

Resumo: O presente artigo contribui para uma reflexão sobre a influência da técnica sobre as artes na Era da Informatização. Desde o início da Era Industrial, nota-se a inversão gradativa de papéis entre máquina e homem: a "ascensão das máquinas" teria transformado o homem em "servo". Nem mesmo o campo das artes esteve livre dos efeitos de tal "ascensão", sobretudo no contato com os meios de comunicação de massa, como o rádio, o cinema e a televisão. Na verdade, tudo não passou de um prelúdio para o que ainda estava por vir: a informática atingiu as artes e nossa cultura fundada na tradição escrita, resultando em transformações muito mais amplas no âmbito da comunicação individual e social.Palavras-chave: arte; técnica; mediatização.Abstract: The present article brings up issues on the influence of technique on art in the Information Age. Since the beginning of the Industrial Age, there has been a progressive inversion of roles in the relation between man and machine : the "rise of machine" seems to have turned man into a "servant". Not even the field of art remained untouched by the effects of such "rise", specially in its contact with communication media like radio, cinema and television. In fact, all that was but a prelude to what was still to come: informatics reached into the arts and our writing­ based culture, causing widespread transformations in the realms of social and individual communication.Keywords: art; technique; mediatization.


2012 ◽  
Vol 65 (1) ◽  
pp. 179-214 ◽  
Author(s):  
Maryam A. Moshaver

Abstract In his 1986 essay on the intersections between music theory, phenomenology, and perception, David Lewin develops a heuristic model through which to come to terms with the constitution of multiple and heterogeneous perceptions of musical events. One of his principal vehicles for demonstrating this phenomenological turn is the well-known analysis of Schubert's “Morgengruß.” The present article considers the ramifications of Lewin's methodology, particularly with respect to the experience of time that emerges from Lewin's mobilization of the heuristic perception model, by approaching it from the perspective of Husserl's Phenomenology of Internal Time Consciousness. This perspective reveals a superposition of temporalities as well as a superposition of languages as the underlying factors through which Lewin's analysis is produced.


Author(s):  
J. T. Cunningham

IN my report, in the preceding number of this Journal, on my observations in the North Sea, I referred briefly to the problem of the relation between the physical and biological conditions. This problem will afford scope for investigation for some time to come, and the purpose of the present article is to discuss and compare some of the most recent additions to our knowledge of the matter. The paper by Mr. H. N. Dickson, to which I referred in my previous report, was published in the Geographical Journal last March, under the title of “The Movements of the Surface Waters of the North Sea,” and in the Scottish Geographical Journal, in 1894, was published a series of papers by Professor Pettersson on “Swedish Hydrographic Research in the Baltic and the North Seas.” Professor Heincke has discussed the fish fauna of Heligoland, its composition and sources, in an interesting paper in the series issued under the title of “Wissenschaftliche Meeresuntersuchungen,” by the staff of the Biological Station at Heligoland, in association with the Commission for the Investigation of the German Seas, at Kiel. Professor Heincke's paper is contained in Bnd. I., Hft. 1 of this series (1894), and in the same volume are a number of papers dealing on similar lines with other divisions of the marine fauna of the Heligoland Bight.It will be most convenient and logical to start the present discussion with a consideration of the results of Professor Pettersson's work. He found that the Skagerack and Cattegat were filled with layers of water distinguished from one another by differences of salinity, and that the lower layers entered the channel as under–currents, and could be recognised at the surface somewhere in the North Sea.


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