scholarly journals Medzikultúrny dialóg v súčasnej slovenskej dráme a divadle

2021 ◽  
Vol 26 ◽  
pp. 331-351
Author(s):  
Miron Pukan
Keyword(s):  
External Environment ◽  
National Context ◽  
Aesthetic Value ◽  
Aesthetic Quality ◽  
Drain Pipe ◽  
Site Specific ◽  
National Theatre ◽  
Original Stimulus ◽  
Living Theatre ◽  
Spontaneous Reaction

The study deals with the possible inspirations from the external environment being the part of works by Karol Horák which undergo a creative transformation and produce a new aesthetic quality on the level of text, as well as the on the level of new staging forms or genesis of a completely new autochthonic theatre form (authorʼs theatre, postmodern theatre, medial theatre, happenings, performances, site-specific, etc.) There was a continuous pulsation among Slovak national theatre culture, or rather metonymically understood Prešov´s regional student theatre, and American (Living Theatre of J. Becka and J. Malinova, Schumannʼs Bread and Puppet, etc.), Polish (Kantorʼs Cricot 2, Grotowskiʼs Theatre Laboratory, Raczakʼs Theatre of Eighth Day, Mądzikʼs Plastic scene, Słupczynskiʼs Theatre Studio of Těšín, the Theatre Academy of Movement, Cracowian KTO, etc.) and Czech provenance (Theatre Orpheus Prague, Theatre X Brno, Theatre under Drain Pipe Ostrava, Quite Small Theatre Litvinov, Theatre on the Periphery, Prague, Quidam Brno, etc.) They have the form of a rational as well as a spontaneous reaction to the external stimulus which often acquired a form with surprisingly authentic aesthetic value. This value usually represented the latent affinity with the original stimulus and it often created an authentic theatre artefact with respect to the recipient having the peculiar status within the national context (e.g. Džura [1968], Démon [1967], Fragmenty [1974], Živý nábytok [1975], Tip-top biotop [1976], Materstvo [2011], Človek etudový alebo Konšpirácia alebo Od skúšky k predstaveniu [2013] etc.) This was the way how one wing of Slovak theatre tried to balance falling short of the European or world context.

Research on the Dynamics of Changes in the Sight-aesthetic Quality of Rural Lake District Landscapes in the Aspect of Implementing the European Landscape Convention

2017 ◽  
Author(s):  
Adam Senetra
Keyword(s):  
Local Governments ◽  
Land Use Management ◽  
Lake District ◽  
Aesthetic Value ◽  
Aesthetic Quality ◽  
European Landscape Convention ◽  
General Rules ◽  
The Aesthetic ◽  
Landscape Transformations

The article presents selected methodological assumptions of developing and evaluating landscape attribute maps that could be used in the process of the implementation of the European Landscape Convention (ELC). The Convention led to the passing of the Act of 24th April 2015 on the modification of some acts due to the enhancement of landscape protection tools. Article 7 implements changes in the Act of 23rd March 2003 on spatial planning and land use management. Determining general rules for landscape auditing and defining the priority landscape are elements of the changes. On 11th September 2015, the regulations that partially carry out the recommendation of the Convention entered into force. The regulations oblige local governments to conduct landscape auditing (not less often than every 20 years). The article presents a new method for evaluating the aesthetic-scenic value of landscape (EEVL), developed by the author on the basis of conceptual works done between 2004 and 2008. Tests of this method started in 2008. Then an assessment of the aesthetic value of the municipality of Pozezdrze in the Masurian Lake District was made. The three measurements, collected in 2008, 2012 and 2016, were then used in comparing the dynamics of landscape transformations considering the aesthetic value over 8 years. The research enabled the assessment of the usefulness of the method in landscape auditing.

Positioning System for the Interaction With Virtual Shapes Through a Desktop Haptic Device

2013 ◽  
Author(s):  
Mario Covarrubias ◽  
Monica Bordegoni ◽  
Umberto Cugini
Keyword(s):  
Design Process ◽  
Haptic Interface ◽  
Positioning System ◽  
Research Activity ◽  
Aesthetic Value ◽  
Aesthetic Quality ◽  
Product Design Process ◽  
Virtual Prototypes ◽  
The Aesthetic

The paper describes the results of a research activity on the design of a positioning system which includes both a physical 3-DOF and virtual platforms which carries out a Desktop Haptic Interface (DHI). The positioning system allows the user to interact with a virtual shape through a combination of linear and rotation motions, some of them driven by the user and some driven by the virtual shape. On the other hand, by rendering a physical 2D cross-section through the DHI permits the assessment of virtual prototypes of industrial products with aesthetic value. Typically, virtual objects are modified several times before reaching the desired design, increasing the development time and, consequently, the final product cost. The desktop haptic system (which includes the positioning system and the DHI) that we propose here, will reduce the number of physical mockups during the design process allowing designers to perform several phases of the product design process continuously and without any interruption. In particular the system is developed with the aim of supporting designers during the evaluation of the aesthetic quality of a virtual product.

scholarly journals EKSPERIMEN PEMBUATAN MOTIF PADA KAIN DENGAN TEKNIK ECO PRINT DI SMP SWASTA AN-NIZAM MEDAN

2020 ◽  
Vol 10 (3) ◽  
pp. 273-280
Author(s):  
Siti Hartinah Fitri ◽  
◽  
Sri Wiratma ◽  
Mesra Mesra ◽  
◽  
...  
Keyword(s):  
Population Size ◽  
Research Method ◽  
Qualitative Method ◽  
Error Tolerance ◽  
First Year ◽  
Aesthetic Value ◽  
Aesthetic Quality ◽  
First Year Students ◽  
Students First ◽  
The Aesthetic

This research aims to find out how the process of making the pattern using eco print technique and to find out the aesthetic value eco print pattern on the work of first year students of Hasan Al-Banna Class at SMP Swasta An-Nizam Medan 2019/2020 Period. The aesthetic value of the eco print pattern reviewed based on the process of leaves laying, beating technique and steaming cloth. The research method used is descriptive qualitative method. The population in this research contained of four students. The sample used in this research contained of three students, using the Slovin formula, which is included the population size and error tolerance. The result of the research showed that overall the level of aesthetic quality pattern produced using eco print technique by the students first year of Hasan Al-Banna Class SMP Swasta An-Nizam Medan reviewed based on the process of leaves laying, beating technique and steaming cloth get good category results. On the value of leaves laying, beating technique and steaming cloth get good category results. Keywords: Experiment, Pattern, Eco Print Technique

scholarly journals Methods for assessing the aesthetic quality indicators of systems, products and technologies in ergodesign

Ergodesign ◽  
2019 ◽  
Vol 2019 (1) ◽  
pp. 3-12
Author(s):  
Галина Гарбузова ◽  
Galina Garbuzova ◽  
Инна Дынина ◽  
Inna Dynina ◽  
Игорь Мельников ◽  
...  
Keyword(s):  
Cultural Values ◽  
Quality Indicators ◽  
Expert Evaluation ◽  
General Measure ◽  
Aesthetic Value ◽  
Aesthetic Quality ◽  
The Aesthetic ◽  
Aesthetic Measure ◽  
Odd Sets

It is shown that the real measure of the aesthetic value of systems, products and technologies, in contrast to the general measure, is in constant development, reflecting the corresponding changes in the aesthetic tastes and perceptions of consumers. It is substantiated that a full aesthetic measure is formed on the basis of a real aesthetic measure, taking into account the universally valid aesthetic and cultural values that characterize the aesthetic ideals of society in the field of culture, art, artistic design, ergonomics and design. The variants of the interaction of ergonomists and designers at various stages of ergodesign are considered. The nomenclature of aesthetic indicators of the quality of systems, products and technologies, such as the integrity of the composition, the rationality of the organization of form, artistic expressiveness, is given. Recommendations are developed on procedures for expert evaluation, aesthetic properties of systems, products and technologies using the theory of odd sets.

scholarly journals Aesthetic Value: Beauty, Ugliness and Incoherence

Philosophy ◽  
1997 ◽  
Vol 72 (281) ◽  
pp. 383-399 ◽  
Author(s):  
Matthew Kieran
Keyword(s):  
Aesthetic Value ◽  
Aesthetic Quality

From Plato through Aquinas to Kant and beyond beauty has traditionally been considered the paradigmatic aesthetic quality. Thus, quite naturally following Socrates' strategy in The Meno, we are tempted to generalize from our analysis of the nature and value of beauty, a particular aesthetic value, to an account of aesthetic value generally. When we look at that which is beautiful, the object gives rise to a certain kind of pleasure within us. Thus aesthetic value is characterized in terms of that which affords us pleasure. Of course, the relation cannot be merely instrumental. Many activities may lead to consequent pleasures that we would not consider to be aesthetic in any way. For example, playing tennis, going swimming or finishing a book.

scholarly journals INFLUENCE OF SELECTED FEATURES OF FORESTS ON FOREST LANDSCAPE AESTHETIC VALUE – EXAMPLE OF SE POLAND

2018 ◽  
Vol 26 (4) ◽  
pp. 275-284 ◽  
Author(s):  
Tomasz Dudek
Keyword(s):  
Abies Alba ◽  
Site Index ◽  
Forest Site ◽  
Aesthetic Value ◽  
Aesthetic Quality ◽  
Horizontal Structure ◽  
Terrain Slope ◽  
Landscape Value ◽  
The Aesthetic

The study was designed to examine the relationship between features of forests and the quality of forest landscapes, and to determine the strength of effect of the features in the aesthetic value of the landscape. The methodology applied to assess forest landscapes took into account the following features: forest site humidity, age of forest, terrain slope, site index of stands, species composition of the tree layer, under-story cover, colour and composition, mosaic-like, as well as horizontal structure of the tree stands. The study was conducted in temperate forests located in Central-Eastern Europe – more precisely – in south-eastern Poland. In the investigated area the dominating tree species are: Pinus sylvestris L., Abies alba Mill., Fagus sylvatica L. and Quercus L. They cover 42.2%, 20.8%, 20.4% and 6.5% of the total forest area, respectively. The findings show that nearly 1% of the area of the examined forests within the relevant territory are characterized with very high landscape value, over 67% with high, 31% with medium, and less than 0.5% with low landscape value. A strong relationship occurs between terrain slope vs. aesthetic quality of landscape as well as forest site humidity vs. aesthetic quality of landscape. Weak effect was observed for site index of stands vs. aesthetic quality of landscape, and moderate relationship was identified in the case of the remaining features. The findings show the strength of relationship between the features of forests and the aesthetic quality of landscapes, consequently providing a tool for forest managers to develop attractive forest landscapes in selected areas.

scholarly journals ANALISIS ESTETIS KARYA KERAJINAN KAIN PERCA SISWA KELAS VII SMP NEGERI 1 BERINGIN KABUPATEN DELI SERDANG

2018 ◽  
Vol 7 (2) ◽  
pp. 267
Author(s):  
Arfatul Marwiya ◽  
Zulkifli Zulkifli ◽  
Sugito Sugito ◽  
Muslim Muslim
Keyword(s):  
Random Sampling ◽  
Descriptive Analysis ◽  
Aesthetic Value ◽  
Aesthetic Quality ◽  
Qualitative Research Design ◽  
Perfect Form ◽  
The Aesthetic ◽  
And Function ◽  
Cluster Random Sampling

AbstrakPenelitian ini bertujuan untuk meningkatkan hasil belajar siswa pada pelajaran prakarya, khususnya pada materi pelajaran kerajinan limbah kain perca dan mengetahui pemanfaatan limbah kain perca menjadi produk kerajinan tangan kain perca sarung kotak tisu dan mengetahui kualitas estetis karya kerajinan tangan kain perca sarung kotak tisu yang dihasilkan siswa kelas VII SMP Negeri 1 Beringin Kabupaten Deli Serdang. Penelitian ini menggunakan metode penelitian kualitatif dengan sampel 20 karya kerajinan kain perca sarung kotak tisu siswa kelas VII yang diambil menggunakn teknik Cluster Random Sampling. Instrumen penelitian ini menggunakan tes membuat karya kerajinan kain perca sarung kotak tisu. Teknik analisis data yang digunakan analisis deskriptif.Berdasarkan hasil penelitian dapat disimpulkan bahwa secara keseluruhan siswa telah menghasilkan karya kerajinan limbah kain perca berupa sarung kotak tisu. Secara keseluruhan tingkat kualitas estetis karya kerajinan kain perca pada kelas VII-1 SMP Negeri 1 Beringin Kabupaten Deli Serdang yaitu dari aspek bentuk, warna, ornamen/hiasan, dan nilai fungsi dikategorikan cukup baik. Dari aspek bentuk kerajinan secara umum memperoleh jumlah nilai rata-rata cukup baik karena, secara keseluruhan bentuk dari karya kerajinan sarung kotak tisu siswa belum tersususn secara baik dalam kesatuan yang harmonis dan bentuk yang sempurna. Aspek warna secara umum memperoleh nilai rata-rata cukup baik, karena secara keseluruhan warna dari karya kerajinan sarung kotak tisu siswabelum terdapat warna yang harmonis dan kesesuaian warna dengan unsur lain. Aspek ornamen atau hiasan secara umum memperoleh jumlah nilai rata-rata cukup baik, karena secara keseluruhan ornamen atau hiasan dari karya kerajinan sarung kotak tisu siswa tampak kurang rapi, unik, menarik dan harmonis dengan unsur lain. Dan aspek nilai fungsi secara umum memperoleh jumlah nilai rata-rata cukup baik, namun secara keseluruhan nilai fungsi dari karya kerajinan sarung kotak tisu siswa sudah memiliki nilai fungsi yang ergonomis.Kata Kunci: nilai estetis, kerajinan, kain percaAbstractThis study aims to improve students’ learning achievement at the craft lesson, especially for the lesson material about the handicraft made of rag and to find out the use of the rag in order to make one handicraft product, namely sarong tissue boxes and to find out the aesthetic quality of sarong tissue boxeshandicraft made of rag, which is made by students of seventh (VII) grade of SMP Negeri 1 Beringin Deli Serdang. The  study used qualitative research design with 20 products of  rag sarong tissue boxes made by seventh (VII) grade students which is taken by using cluster random sampling technigue. The instrument of the study use a test how to make rag sarong tissue boxes. The technigue of data analysis is descriptive analysis. Based on the research finding, it is concluded that all the students made rag sarong tissue boxes handicraft the level 07. The aesthetic quality on them made by VII-1 classs SMP Negeri 1 Beringin Deli Serdang which consist of  some aspects, namely shape, colour, ornament/decoration, and function value can be categoryzed at fair level. From the shape aspect totally is got the fair score because the shape of all rag sarong tissue boxes have ast been ordered well in harmonious unity and perfect form. The colour aspect is got the fair score, because totally the colour of students’ rag sarong tissue boxes handicraft have not used harmonious calour and unmatching colour to another element. Overall, the ornament aspect or decoration got fair score, because all the ornaments or the decoration of students’ rag sarong tissue boxes handicraft looked less neat, less unigue and less atractive and less harmonic to another element and the function value aspect got fair score but overall the function value of the students’ rag sarong tissue boxes already had ergnoic function value.Keywords: aesthetic value, patchworks craft 

The Golden Section and the Shape of Objects

1997 ◽  
Vol 15 (2) ◽  
pp. 131-141 ◽  
Author(s):  
Frans Boselie
Keyword(s):  
Golden Section ◽  
Aesthetic Value ◽  
Aesthetic Quality ◽  
Golden Rectangle ◽  
Different Shapes ◽  
The Way

Though the claim that the golden section has special aesthetic value is a very general one, till now it has been tested only for a very small number of different shapes, most research being restricted to the golden rectangle. An experiment is reported in which the way golden ratios are implemented in sides of objects is varied, producing a variety of shapes. It was found that the golden section does not have a special aesthetic quality as compared to the ratio 1.8.

scholarly journals Changes in Leaf Variegation and Coloration of English Ivy and Polka Dot Plant under Various Indoor Light Intensities

2012 ◽  
Vol 22 (1) ◽  
pp. 49-55 ◽  
Author(s):  
Jongyun Kim ◽  
Seung Won Kang ◽  
Chun Ho Pak ◽  
Mi Seon Kim
Keyword(s):  
Leaf Morphology ◽  
Photon Flux ◽  
Anthocyanin Content ◽  
Hedera Helix ◽  
Aesthetic Value ◽  
Aesthetic Quality ◽  
Foliage Plants ◽  
Light Intensities ◽  
Leaf Variegation ◽  
English Ivy

Variegated foliage plants are often used in interiorscaping in low light environments. The changes in leaf morphology and coloration of two variegated foliage plants, english ivy (Hedera helix ‘Golden Ingot’) and polka dot plant (Hypoestes phyllostachya), under various light intensities [photosynthetic photon flux (PPF) at 2.7, 6.75, 13.5, 67.5, and 135 μmol·m−2·s−1] were investigated to elucidate their optimum indoor light environment. Digital image analysis was used to quantify the changes in variegation area and color in CIELAB color space. The changes in leaf morphology (thickness, length:width) and coloration were different between the two species. In general, growth of both species increased with increasing PPF. English ivy showed no significant changes in leaf variegation under different PPF. Under low PPF (≤13.5 μmol·m−2·s−1), newly developed leaves of polka dot plant had reduced leaf variegation (44%, 72%, and 85% variegation loss under 13.5, 6.75, and 2.7 μmol·m−2·s−1, respectively). Anthocyanin content in leaves of polka dot plant also decreased with decreasing PPF, which reduced plants’ aesthetic quality. English ivy leaves under high PPF (≥67.5 μmol·m−2·s−1) displayed high brightness (L*) and yellowish green color (hue angle < 108°), which diminished its aesthetic value. Smaller leaf size and narrower shape of polka dot plant leaves under high PPF (≥67.5 μmol·m−2·s−1) also diminished its aesthetic value. Overall, english ivy performed well in a PPF range from 2.7 to 13.5 μmol·m−2·s−1, and polka dot plant required a PPF of at least 13.5 μmol·m−2·s−1 to maintain its red-purple variegation in the indoor environment.

scholarly journals Pot-in-pot Reduces Salinity, Chloride Uptake, and Maintains Aesthetic Value in Euonymus japonicus Thunb. Under Saline Irrigation

HortScience ◽  
2012 ◽  
Vol 47 (5) ◽  
pp. 607-613 ◽  
Author(s):  
Julián Miralles ◽  
Raquel Valdes ◽  
Juan J. Martínez-Sánchez ◽  
Sebastián Bañón
Keyword(s):  
Fresh Water ◽  
Irrigation Water ◽  
Saline Water ◽  
Lower Amount ◽  
Aesthetic Value ◽  
Aesthetic Quality ◽  
Saline Irrigation ◽  
Cultivation System ◽  
Moisture Sensor ◽  
Euonymus Japonicus

The appropriate management of crop conditions can reduce the salt damage suffered by ornamental species and produce high-quality plants even when saline irrigation water is used. The aim of this study was to determine whether the pot-in-pot (PIP) cultivation system can improve the saline irrigation tolerance of Euonymus japonicus compared with aboveground potting (AGP) in terms of growth and development, aesthetic quality, ion accumulation, and leaf potentials. A 5-month experiment started on 6 Mar., and the interaction between the cultivation system (PIP or AGP) and water quality (fresh water and saline water, with 1.76 and 9.04 dS·m−1, respectively) was assessed. The substrate used was a mixture of white peat, coconut fiber, and perlite (40/40/20, v/v/v). A soil moisture sensor-controlled system was used to irrigate all the treatments when the AGP treatment irrigated with fresh water reached a volume water content (θ) of 0.33–0.35 m3·m−3. An interaction effect reduced the salinity effects in PIP and saline irrigation (PIP-s) compared with AGP and saline irrigation (AGP-s) in terms of damaged leaf area, plant dry weight (DW), and the compactness index. The PIP-s plants showed a survival rate of 93% compared with 57% in AGP-s. The substrate temperatures were milder in PIP regardless of the irrigation water, and the pore water electrical conductivity (EC) was 36% lower in PIP-s than in AGP-s. PIP reduced the Cl− accumulated in leaves but did not influence Na+, Ca2+, Mg2+, or the K+/Na+ ratio. The lower amount of Cl− accumulated increased leaf water potential (Ψo) in PIP. Saline irrigation produced a general accumulation of Cl− and Na+ in leaves and decreased Ca2+, Mg2+, the K+/Na+ ratio, Ψo, the shoot to root ratio, and height. In general, PIP reduced the salinity damage to Euonymus japonicus, the main effect being the lower Cl− ion uptake, which improved its aesthetic value (less damage and greater compactness and growth).

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