scholarly journals The Fantastic Flying Books of Morris Lessmore by W. Joyce

2011 ◽  
Vol 1 (2) ◽  
Author(s):  
Dale Storie

Joyce, William. The Fantastic Flying Books of Morris Lessmore.  Shreveport, LA: Moonbot Books, 2011.  iPad app. It seems strange that a story that expresses such love towards books as physical objects was first produced as an award-winning animated short film, and then adapted into an “interactive narrative experience” for the iPad.  The protagonist, Morris Lessmore, is transported via hurricane to another land where he encounters a young woman held aloft by a flock of anthropomorphized flying books.  One book leads him to a house full of more books, where he ends up living.  He takes care of the books, and lends them to drab, black-and-white people who bloom into full colour (à la Wizard of Oz) as soon as they receive their reading material.  Finally, as an old man, he is whisked away by the books, and the book that he wrote is used to draw a young girl into the house to take over his role as caretaker.It is usually the fate of new media to be unfavourably compared to more established media forms, but in this case, Morris Lessmore also suffers from being an adaptation rather than an original work.  This iPad version seems uncomfortably caught between the fluidity and liveliness of the original animated film and the sequential narrative of a traditional picture book. Like a video game adaptation of a major motion picture in which the player re-enacts a simple replay of the movie plot, many of the interactive features of this book app seem contrived, acting as tacked-on gimmicks rather than being truly integrated with the story as a unique experience. However, that does not mean that the narrative experience is entirely without merit.  The animation (taken directly from the film) looks amazing on the iPad’s vibrant screen, and finding the hidden “Easter eggs” on each page is quite entertaining for all ages.  Moonbot Studios also gets extra credit for its inventive use of the iPad’s touch interface - readers will enjoy swiping, coloring, dragging, and even playing the piano on the screen, even if these activities are sometimes tangential to the narrative itself.  Despite its shortcomings, Morris Lessmore stands out as exceptional in comparison to other picture book apps currently available for the iPad.  As a final incentive, it is very reasonably priced; for only $4.99 at the iTunes Store, the app is much less than your average print picture book (although there’s not much chance of finding it at your local library).Recommended: 3 out of 4 starsReviewer: Dale StorieDale Storie is Public Services Librarian at the John W. Scott Health Sciences Library at the University of Alberta. He has a BA in English, and has also worked in a public library as a children's programming coordinator, where he was involved with story times, puppet shows, and book talks.

2014 ◽  
Vol 9 (3) ◽  
pp. 68 ◽  
Author(s):  
Edward Francis Schneider

Abstract Objective – The objective of this study was to survey American public libraries about their collection and use of graphic novels and compare their use to similar data collected about video games. Methods – Public libraries were identified and contacted electronically for participation through an open US government database of public library systems. The libraries contacted were asked to participate voluntarily. Results – The results indicated that both graphic novels and video games have become a common part of library collections, and both media can have high levels of impact on circulation. Results indicated that while almost all libraries surveyed had some graphic novels in their collections, those serving larger populations were much more likely to use graphic novels in patron outreach. Similarly, video game collection was also more commonly found in libraries serving larger populations. Results also showed that young readers were the primary users of graphic novels. Conclusion – Responses provided a clear indicator that graphic novels are a near-ubiquitous part of public libraries today. The results on readership bolster the concept of graphic novels as a gateway to adult literacy. The results also highlight differences between larger and smaller libraries in terms of resource allocations towards new media. The patron demographics associated with comics show that library cooperation could be a potential marketing tool for comic book companies.


2014 ◽  
Vol 3 (3) ◽  
Author(s):  
Debbie Feisst

Sayres, Brianna K. Where Do Diggers Sleep at Night? Illus. Christian Slade.  New York: Random House, 2012. Print.If the title Where Do Diggers Sleep at Night? seems a tad familiar, well, it probably is.  In the same vein as the ultra-popular Good Night, Good Night, Construction Site, Diggers presents the sweet nighttime rituals of diggers, trucks and other heavy machinery.  At first I thought this was a simple effort to take advantage of a similar, bestselling title however Sayres’ work does indeed hold its own.In this picture book aimed at ages 3-6, first time picture book author Sayres gives young heavy equipment aficionados a delightful take on the bedtime story.  In rhyming couplets and often in a humorous manner, all sorts of trucks, cranes and tractors get ready for rest under the watchful headlamps of their caregivers: “Where do garbage trucks sleep / when they’re done collecting trash? / Do their dads sniff their load and say, / ‘Pee-yew—time to take a bath’?”  Sure to get the young ones giggling.The sleepy-eyed dozers and tow trucks eventually give way to an equally sleepy young boy in his cozy bed, with a reminder that the trucks will be waiting for him when he wakes.  Save for one naughty truck, winking, under the bed (my five-year-old happily pointed this out).Though the illustrations by former Disney animator Christian Slade are rather cartoon-like and not realistic, they match the text well, are in soothing nighttime colours and allow for the trucks to have droopy eyes and smiling faces. Read in a lyrical fashion, or even as a song, this would be a nice end to any wee truck lover’s day.  This would make a nice addition to any public library or as a gift.Reviewer: Debbie Feisst Recommended: 3 stars out of 4Debbie is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta.  When not renovating, she enjoys travel, fitness and young adult fiction.


2019 ◽  
Vol 9 (1) ◽  
Author(s):  
Sandy Campbell

McDermott, Noel.  Kiviuq and the Bee Woman. Iqauit, NU, Inhabit Media, 2019. When we last heard of Kiviuq, he had just survived a harrowing encounter with scary monster mermaids or tuutalik (Deakin Review by Kirk MacLeod). In Kiviuq and the Bee Woman, the grandfather who narrated Kiviuq and the Mermaid continues the bedtime story to his grandchildren. Kiviuq begins paddling home, but comes upon a tent where an old woman invites him to rest and dry his clothing. She turns out to be a giant Bee Woman who wants to cut up Kiviuq and put him in her cooking pot. For a bedtime story, both the text and the illustrations are quite scary. Illustrator Toma Feizo Gas lets us see into the dark, dramatic and frightening world of the Bee Woman, who is a determined killer. “She shouted, ‘I am Iguttarjuaq, the Bee Woman, and I am going to kill you with my ulu’.”  The accompanying image shows a woman with pointy teeth and insect mouth pincers, who is shaking a sharp ulu (knife) at Kiviuq. As is the case with many of Inhabit Media’s publications, the reading level is higher than one would expect to find in a picture book. For younger children, this book will need some adult intervention. In addition to the scary content, human skulls talk, the woman eats her own eyelids and “Kiviuq, realized the woman was boiling human meat.” Some of the language is difficult. For example, Kiviuq “fainted” of fright, but “feinted” to get away. McDermott also intersperses many Inuktitut words, which will slow down younger readers. These are defined at the end of the book. Overall, this excellent product from Inhabit Media should be included in public library collections and school library collections, but should probably be placed in collections designed for older children.  Highly recommended: 4 out of 4 starsReviewer: Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines. Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


2013 ◽  
Vol 3 (2) ◽  
Author(s):  
Kim Frail

Fitch, Sheree. Night Sky Wheel Ride. Illus. Yayo. Vancouver : Tradewind Books, 2012. Print.Fans of Sheree Fitch will not be disappointed by the magical dream world circus presented in "Night Sky Wheel Ride". Young readers are drawn into the ethereal journey by the main characters as they wonder if they are up to the challenge of riding the big wheel: "Are we big enough this year, Mama? Are we brave enough, Brother? Sister are you ready to fly?"  This book will work well as a bedtime or naptime story as Fitch's rhymes and scenarios are a little softer and less gregarious than some of her other books. For example, the siblings contemplate the night sky as they enjoy the ride: "Swinging, swaying, staying / up top the stopped ferris wheel / Dizzy-dazed we gaze upfeel the moon's breath on our faces/soft as dandelion's fuzz". However, there are certainly bursts of action and energy often accented by onomatopoeic words, such as when the children first take flight: “Hop up to knee knock rockety rock swiggle sway creak squeak rickety ratcheting up! up! up!”Illustrator Yayo's images are bright, whimsical and echo a child's imagination and point of view where everyday objects morph into magic: a roller coaster glides along the curved edges of a laundry basket while the big wheel can be seen inside the spinning drum of a washing machine. There are forests of cotton candy, and the colourful dots of people “waayyy down on the ground” are drawn as "dancing jellybeans".  The back and front covers and inside pages are particularly attractive as they feature phosphorescent images on a dark background.Throughout the story the text is woven in and out of the illustrations to reflect the movements of the main characters and other objects. This helps to engage readers without hindering the storyteller as the text is large and legible. According the publisher's web site it is recommended for ages 3-4.  It would make an excellent addition to a home, school or public library picture book collection.Highly recommended: 4 out of 4 stars Reviewer: Kim FrailKim is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta. Children’s literature is a big part of her world at work and at home. She also enjoys gardening, renovating and keeping up with her kids.


2013 ◽  
Vol 3 (2) ◽  
Author(s):  
Robert Desmarais

Bernheimer, Kate. The Lonely Book. Illus. Chris Sheban. New York: Random House, 2012. Print.This charming story about a well-loved book will not easily be forgotten. It’s the sort of picture book I would have loved to discover during my childhood visits to the public library. The tale begins in a classic fairytale style, “Once there was a brand-new book that arrived at the library.” As the story unfolds, young readers learn all sorts of details about the inner workings of a public library, including the custom that many of the newest books are placed on a special shelf in a high traffic area.The “lonely book” of this story initially had a popular and fulfilling life on the new book shelf but eventually it is relegated to the children’s section, along with countless other well-loved titles. Years pass, the book becomes a little tattered and worn, and is now checked out all too infrequently. Then, one morning, a little girl named Alice discovers it and falls in love with the story about the girl and her life under a toadstool, and so she takes it home. “The book had never felt so beloved.” Readers will discover how lonely it becomes when Alice forgets to renew her old book, and especially so when it begins a new life in the library’s storage basement. In time, Alice longs for her favourite book and despairs that she may never see it again. The story ends on a cheerful note, however, when Alice is reunited with her once cherished book at the library’s big book sale.For those of us who understand what it is like to cherish a book from our childhood, this book will bring back fond memories. The soft watercolour illustrations complement the story beautifully and they evoke a magical time when children fall in love with books, read them late into the night, fall asleep with them under their pillows, and dream sweet dreams about favourite characters and events.Highly recommended: 4 out of 4 starsReviewer: Robert DesmaraisRobert Desmarais is Head of Special Collections at the University of Alberta and Managing Editor of The Deakin Review of Children’s Literature. A graduate of the University of Toronto’s Faculty of Information Studies, with a Book History and Print Culture designation, he also has university degrees in English literature and publishing. He has been collecting and enjoying children’s books for as long as he can remember.


2011 ◽  
Vol 1 (2) ◽  
Author(s):  
Sandy Campbell

Coffelt, Nancy.  Catch That Baby! Toronto: Aladdin, 2011. Print. There comes a point in every toddler’s life when he or she just needs to make a break for it and run away from Mom; if naked, after a bath, so much the better.  Nancy Coffelt captures that moment in this delightful book.  Rudy tosses his towel at the dog, shouts, “No dressed” and the romp begins.  Mom chases, clothing in hand, and is joined in successive panels by other family members all of whom try, but not too hard, to “catch that naked baby”. This is primarily a picture book.  Award-winning illustrator Scott Nash has drawn cartoon style illustrations, with large blocks of bright colour, little visual detail and speech bubbles.   The simple presentation is perfect for toddlers, who will be able to completely relate to “Nudie Rudy” pelting around the house in the buff, although most pre-readers will not end up swinging from vines in the conservatory. Young children will enjoy the repetition in the little bit of text on each page and will love finding Rudy on each page, particularly on pages where those silly adults cannot see him, even though he is so obviously in plain sight that a baby could find him. Catch That Baby! is a gem that will become a favourite read aloud book in many families.  It would make an excellent gift for a toddler and belongs in every public library collection. Highly recommended:  4 out of 4 stars Reviewer: Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.


2012 ◽  
Vol 2 (3) ◽  
Author(s):  
Brenda Roberts

Rivard, Émilie.  Really and Truly. Illus. Anne-Claire Delisle. Trans. Sarah Quinn. Toronto:  Owlkids Books Inc., 2011.  Print. Prolific Quebec author Émilie Rivard departs from her usual novel format in the picture book, Really and Truly. Really and Truly describes the loving relationship between Charlie and his grandfather, a master storyteller.  Grandpa’s stories are fabulous and Charlie becomes immersed in the tales of pirates, gnomes and witches.  Grandpa has an imaginative explanation for everything and Charlie is mesmerized.  Every story ends with the line, “Really and truly, Charlie.”  Time passes, Charlie gets older and Grandpa changes as a disease “eats up his memory and his words”.  Visit after visit Grandpa becomes less responsive, leaving Charlie and his family heartbroken.  During one visit, Charlie remembers a story his Grandpa used to tell and decides to tell it back to Grandpa.  For the first time in a long time, he catches his Grandpa’s attention.  At each visit, Charlie tells another story eventually eliciting a small smile from Grandpa. This is an endearing story about family relationships and the difficulties of dealing with dementia.  Clever illustrations complement the straightforward text.  Grandpa’s and Charlie’s stories are illustrated in black and white on top of the coloured illustrations of reality.   This would be a good read aloud for primary-junior students, providing a vehicle for discussions about family stories, grandparents, and Alzheimer’s disease.   Recommended: 3 out of 4 stars Reviewer: Brenda Roberts Brenda Roberts is the teacher-librarian at Edenbrook Hill Public School in Brampton, Ontario and is working on her M.Ed. in teacher-librarianship from the University of Alberta.  When not devouring books, she enjoys travel, quilting, music and gardening.


2019 ◽  
Vol 9 (1) ◽  
Author(s):  
Alexandra Adams

Fitzgerald, Juniper, and Elise Peterson. How mamas love their babies. The Feminist Press at the City University of New York, 2018. The first children’s book from sociology PhD Juniper Fitzgerald and artist-activist Elise Peterson, How Mamas Love Their Babies gently approaches an intersectional understanding of motherhood, while also connecting the many shared experiences of becoming and being a mother. Peterson creates a beautifully layered environment to accompany Fitzgerald’s bold, yet simple text. By overlaying colourful multimedia collage techniques with black and white retro photographs, the illustrations are dynamic and textured. The bright, engaging page design is inviting and makes this a wonderful selection for art educators looking for literacy tie-ins. This book is notable for its acknowledgment and celebration of the many ways mothers work, love and care for their babies. Fitzgerald draws upon her personal experiences labouring in the sex industry to bring forward a unique space within the text by including parents whose work may be stigmatized. In doing so, she underlines the importance of ensuring children can find themselves, their caregivers and communities represented respectfully within the pages of a book. A powerful, inclusive and decisively feminist addition to any children’s collection or storytime, Fizgerald and Peterson encourage readers to welcome, value and honour the presence of all mothers in the lives of their children and communities. Highly Recommended: 4 out of 4 stars Reviewed by: Alexandra Adams Alex is a busy mom, student and public library assistant, with a passion for Early Childhood Education and the Arts. She is currently working on her MLIS at the University of Alberta.


2018 ◽  
Vol 7 (3) ◽  
Author(s):  
Janice Kung

Knapp, Andrew. Let’s Find Momo. Quirk Books, 2017.This hide-and-seek board book is the latest from photographer, Andrew Knapp and his extremely photogenic border collie named Momo. The black and white border collie loves hiding and invites young readers to find itself and other objects. Left-hand pages list three different objects and Momo who are hidden in the corresponding right pages. Each page explores different environments along with objects that are typically found therein, but not always. For instance, in the library, readers are tasked to find a lollipop, a banana, a balloon, and Momo.Similar to Where’s Waldo, this picture book allows readers to find objects and the cute little dog that does his very best at staying hidden. The border collie takes readers on many adventures such as to a merry-go-round, gymnasium, garden, bedroom, and even a farm. With themes carefully selected, they provide a wide range of new words for young readers to learn. Each location is beautifully photographed with vibrant colours and unique angles while, at the same time, teaches new vocabulary to young children, aged 2-4.  Highly Recommended: 4 out of 4 starsReviewer: Janice KungJanice Kung is a Public Services Librarian at the University of Alberta, John W. Scott Health Sciences Library. She obtained her undergraduate degree in commerce and completed her MLIS degree in 2013. She believes that the best thing to beat the winter blues is to cuddle up on a couch and lose oneself in a good book.


2016 ◽  
Vol 6 (1) ◽  
Author(s):  
Sandy Campbell

Bishop, Mary Harelkin. Gina’s Wheels. Regina, SK: DriverWorks Ink, 2014. Print.While this is a picture book and the protagonist is just entering kindergarten, the language is quite a high reading level and the text dense.  It is definitely a book that needs an adult reader. The artwork in this book is simple and unsophisticated, but will engage small children with the work.  Illustrator Diane Greenhorn does resort to the visual cliché of diversity in the classroom, including the obligatory red-head, blonde, African American, brown-skinned children and child with a hijab, although kindergarten-aged Muslim girls are often not covered.The messages that the book conveys are complex.  It is about a child, Gina, who encounters Métis Paralympian Colette Bourgonje, who has a wheelchair.  Gina is sufficiently moved by the meeting that she goes home and for several weeks does everything while sitting in a stroller, to understand the experience of being in a wheelchair.  When she enters kindergarten and meets a child in a wheelchair, her experience helps her befriend the child.While the book does a good job of presenting how to interact with a disabled person, the concept of the Paralympics and the integration of a disabled child into school, it does not present the things that Gina had to do to adapt to life seated in a stroller.  As is often the case when the able-bodied write about the disabled, rather than from the disabled person’s perspective, the reader does not learn much more about life as a disabled person.  However, the book does present disability in a positive light and also shows Bourgonje as a role model.  It also presents Gina as a role model of a child demonstrating understanding and empathy and Gina’s Mom as a role model as a parent who is positive about disability and supportive of her child’s exploratory learning.   Because there are few children’s books about disability, and fewer still about disabled Indigenous people, this book is recommended with reservations for public library and elementary school libraries.Recommended with reservation:  2 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.


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