Strengthening and performance assessing historical cinema hall balcony according to new Turkish Earthquake Code

2021 ◽  
Vol 7 (1) ◽  
pp. 27
Author(s):  
Memduh Karalar ◽  
Murat Çavuşli
Keyword(s):  
Performance Analysis ◽  
Three Dimensional ◽  
Performance Evaluations ◽  
Current Status ◽  
Current State ◽  
Long Time ◽  
History Of ◽  
And Performance ◽  
Special Computer Program ◽  
Study Performance

Strengthening historical buildings and evaluating their performances make great contributions to both the history of the country and the tourism of the country. In this study, performance analysis and evaluations of the historical cinema hall balcony, which was built in 1933 by a French company and served to Zonguldak province for a long time, are presented in detail. This cinema hall was frequently used by local people between 1933 and 1999 and hosted many Yeşilçam movies. Firstly, examinations were performed in the historical cinema hall and the areas (columns, beams and floors) that were damaged in time were identified. According to the obtained information, it was determined that there were significant damages in the carrier system of the building and there were visible cracks and damages in the columns of the cinema hall. It was also observed that explosions occurred in one of the main carrier columns of the balcony. After the core samples taken from the balcony were tested in the laboratory, the current status of the carrier elements and reinforcements were determined with the help of an x-ray rebar scanner. After all these processes, the structure was modeled as three dimensional (3D) using a special computer program and performance evaluations were performed regarding the current state of the structure. As a result of the performance evaluation, it was determined that the balcony of the historical cinema hall could not survive anymore and would collapse over time. It was concluded that there were great damages especially on the balcony columns and a reinforcement should be made on a total of 6 columns. Strengthening was made to 4 different main columns and a performance analysis was performed again in strengthened structure. After strengthening, it was understood that the columns of the balcony of the cinema hall could survive for a long time.

Sea Urchins and Circuses: The Modernist Natural Histories of Jean Painlevé and Alexander Calder

2018 ◽  
Vol 13 (2) ◽  
pp. 187-211
Author(s):  
Patricia E. Chu
Keyword(s):  
New Media ◽  
Sea Urchins ◽  
Life Sciences ◽  
Three Dimensional ◽  
Machine Age ◽  
Avant Garde ◽  
History Of ◽  
And Performance ◽  
The One ◽  
Natural Historian

The Paris avant-garde milieu from which both Cirque Calder/Calder's Circus and Painlevé’s early films emerged was a cultural intersection of art and the twentieth-century life sciences. In turning to the style of current scientific journals, the Paris surrealists can be understood as engaging the (life) sciences not simply as a provider of normative categories of materiality to be dismissed, but as a companion in apprehending the “reality” of a world beneath the surface just as real as the one visible to the naked eye. I will focus in this essay on two modernist practices in new media in the context of the history of the life sciences: Jean Painlevé’s (1902–1989) science films and Alexander Calder's (1898–1976) work in three-dimensional moving art and performance—the Circus. In analyzing Painlevé’s work, I discuss it as exemplary of a moment when life sciences and avant-garde technical methods and philosophies created each other rather than being classified as separate categories of epistemological work. In moving from Painlevé’s films to Alexander Calder's Circus, Painlevé’s cinematography remains at the forefront; I use his film of one of Calder's performances of the Circus, a collaboration the men had taken two decades to complete. Painlevé’s depiction allows us to see the elements of Calder's work that mark it as akin to Painlevé’s own interest in a modern experimental organicism as central to the so-called machine-age. Calder's work can be understood as similarly developing an avant-garde practice along the line between the bestiary of the natural historian and the bestiary of the modern life scientist.

scholarly journals DIALOGICAL LINGUISTICS IN RUSSIA: THE HISTORY OF FORMATION AND THE CURRENT STATUS

2021 ◽  
pp. 159-173
Author(s):  
N. N. Shpilnaya ◽  
Keyword(s):  
General Theory ◽  
Research Program ◽  
Linguistic Theory ◽  
Final Part ◽  
Current Status ◽  
Interactional Theory ◽  
Current State ◽  
The Status ◽  
History Of ◽  
History Of Formation

The article is an outline of the development of Dialogical Linguistics in Russia. It represents its milestones of formation and the current state. Dialogical Linguistics is considered to be an integral linguistic branch, claiming the status of a distinct «research program» and comprises such sections as follows: Linguistics of Dialogical Text, Linguistic Theory of Replication, Interactional Theory of Dialogue, General Theory of Dialogue. In the final part of the article, the principles of dialogical modeling of linguistic objects are being formulated.

scholarly journals PRINCE STANISŁAW PONIATOWSKI: EXPERT ON AND COLLECTOR OF ANCIENT AND ITALIAN ART

Muzealnictwo ◽  
2020 ◽  
Vol 61 ◽  
pp. 80-89
Author(s):  
Agnieszka Bender
Keyword(s):  
Collective Memory ◽  
Academic Research ◽  
Personal History ◽  
Current State ◽  
Biographical Dictionary ◽  
History Of Art ◽  
Complete Study ◽  
Long Time ◽  
History Of ◽  
State Of Research

The current state of research into the patronage and collecting activities of Prince Stanisław Poniatowski (1754–1833) in Italy with which he was connected for almost 40 years of his life is outlined. Over the period, the Prince made 3 long trips there which preceded 30 years of living in Italy on a permanent basis, first in Rome, and then in Florence where he was buried. Despite his many accomplishments and extraordinary personal history, the Prince has not taken as prominent a position either in academic research or in the collective memory of Poles as his junior cousin Prince Józef who drowned in the Elster River giving his life for the homeland. Although no monograph has as yet been published on Stanisław Poniatowski, he is not entirely forgotten. However, the major studies dedicated to him were published a relatively long time ago. The most extensive, i.e. the book I Poniatowski a Roma (Firenze 1972), speaking of the history of Prince Stanisław and the Poniatowski family, was written by the Italian writer and columnist Andrea Busiri Vici and has never been translated into Polish. As the current state of research shows, very few Polish art historians have taken any in depth interest in the Prince’s activity. Apart from the mentions scattered in different studies, there are merely four articles dealing with some selected aspects of the Prince’s patronage and collecting activity (by Janina Michałkowa, Elżbieta Budzińska, Tadeusz Jaroszewski, Dominika Wronikowska). Historically the most complete study dedicated to Prince Stanisław is to be found in Jerzy Michalski’s paper from 50 years ago published in the Polish Biographical Dictionary. The to-date Polish and foreign publications in history, history of art and archaeology do not exhaust many issues related to the person, activity, and the collecting passion of Prince Stanisław.

scholarly journals Analysis of the Discrete Theory of Radiative Transfer in the Coupled “Ocean–Atmosphere” System: Current Status, Problems and Development Prospects

2020 ◽  
Vol 8 (3) ◽  
pp. 202 ◽  
Author(s):  
Viktor P. Afanas’ev ◽  
Alexander Yu. Basov ◽  
Vladimir P. Budak ◽  
Dmitry S. Efremenko ◽  
Alexander A. Kokhanovsky
Keyword(s):  
Radiative Transfer ◽  
Three Dimensional ◽  
Operator Method ◽  
Current Status ◽  
One Dimensional ◽  
Current State ◽  
The Matrix ◽  
The One ◽  
Discrete Theory ◽  
Development Prospects

In this paper, we analyze the current state of the discrete theory of radiative transfer. One-dimensional, three-dimensional and stochastic radiative transfer models are considered. It is shown that the discrete theory provides a unique solution to the one-dimensional radiative transfer equation. All approximate solution techniques based on the discrete ordinate formalism can be derived based on the synthetic iterations, the small-angle approximation, and the matrix operator method. The possible directions for the perspective development of radiative transfer are outlined.

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