Rediscovery of Locality and the Local Body - Singapore Performance Art and Identity Politics

2019 ◽  
Vol null (26) ◽  
pp. 127-146
Author(s):  
이병희
Keyword(s):  
Identity Politics ◽  
Performance Art ◽  
Local Body

scholarly journals Solidarity – rasa/autobiography – abhinaya: South Asian tactics for performing queerness

2012 ◽  
Vol 4 (2) ◽  
pp. 131-142
Author(s):  
Sandra Chatterjee ◽  
Cynthia Ling Lee
Keyword(s):  
South Asian ◽  
Identity Politics ◽  
Performance Art ◽  
Hip Hop ◽  
Cultural Practices ◽  
Sri Lankan ◽  
Solo Performance ◽  
The South ◽  
Spiritual Transcendence ◽  
Shared Identity

This article examines the work of D’Lo, a Sri Lankan-transgender-hip hop performance artist, and the Post Natyam Collective, a transnational coalition that develops critical and creative approaches to South Asian dance. The works utilize two strategies for performing queerness in relation to South Asian cultural practices: (1) autobiographic performance art rooted in identity politics and (2) the South Asian technique of abhinaya. These strategies use different modes of identification and audience–performer relationships. Autobiographical solo performance creates solidarity through shared identity or alliances between performer and audience. Abhinaya evokes pleasure and sensuality in multiple, ambiguous ways towards the goal of evoking rasa, ideally the audience’s experience of emotional–spiritual transcendence. We investigate tactical crossovers between the strategies of autobiography and abhinaya in D’Lo’s and Post Natyam’s work: how do they interact, where might they exclude each other, and what kind of performance of queerness emerges through their interplay?

Illustrated Media, the Built Environment and Identity Politics in Fin-de-siècle Catalonia: Printing Images, Making the Nation

2015 ◽  
Vol 4 (2) ◽  
pp. 113-135
Author(s):  
Lucila Mallart
Keyword(s):  
Nineteenth Century ◽  
Built Environment ◽  
Identity Politics ◽  
Nation Building ◽  
Constitutive Relationship ◽  
Fin De Siecle ◽  
Late Nineteenth Century ◽  
Fin De Siècle ◽  
Late Nineteenth

This article explores the role of visuality in the identity politics of fin-de-siècle Catalonia. It engages with the recent reevaluation of the visual, both as a source for the history of modern nation-building, and as a constitutive element in the emergence of civic identities in the liberal urban environment. In doing so, it offers a reading of the mutually constitutive relationship of the built environment and the print media in late-nineteenth century Catalonia, and explores the role of this relation as the mechanism by which the so-called ‘imagined communities’ come to exist. Engaging with debates on urban planning and educational policies, it challenges established views on the interplay between tradition and modernity in modern nation-building, and reveals long-term connections between late-nineteenth-century imaginaries and early-twentieth-century beliefs and practices.

‘Man Is Ill Because He Is Badly Constructed’: Artaud, Klossowski and Deleuze in Search for the Earth Inside

2011 ◽  
Vol 5 (1) ◽  
pp. 18-34 ◽  
Author(s):  
Rick Dolphijn
Keyword(s):  
Performance Art ◽  
Holy Spirit ◽  
The Body ◽  
Deleuze And Guattari ◽  
The Earth ◽  
The Holy Spirit ◽  
Life Itself ◽  
Body Without Organs ◽  
Ways Of Thinking ◽  
And Performance

Starting with Antonin Artaud's radio play To Have Done With The Judgement Of God, this article analyses the ways in which Artaud's idea of the body without organs links up with various of his writings on the body and bodily theatre and with Deleuze and Guattari's later development of his ideas. Using Klossowski (or Klossowski's Nietzsche) to explain how the dominance of dialogue equals the dominance of God, I go on to examine how the Son (the facialised body), the Father (Language) and the Holy Spirit (Subjectification), need to be warded off in order to revitalize the body, reuniting it with ‘the earth’ it has been separated from. Artaud's writings on Balinese dancing and the Tarahumaran people pave the way for the new body to appear. Reconstructing the body through bodily practices, through religion and above all through art, as Deleuze and Guattari suggest, we are introduced not only to new ways of thinking theatre and performance art, but to life itself.

Postcolonial Theory, Multiculturalism and the Israeli Left: A Critique of Post-Zionism

2003 ◽  
Vol 2 (1) ◽  
pp. 85-107 ◽  
Author(s):  
Nada Matta
Keyword(s):  
Identity Politics ◽  
Postcolonial Theory ◽  
Theory And Criticism ◽  
Hebrew Language

This article is a theoretical critique of the post-Zionist discourse that emerged in Israel in the early 1990s. It examines articles published by a group of leading Israeli intellectuals in Teoriya vi-Bekorit (Theory and Criticism), a Hebrew-language journal which promotes post-Zionist discourse. It focuses on three major components of the discourse: postcolonial theory, identity-politics and multiculturalism. It examines how these terms were imported into Israeli culture and society. The article highlights the problematic of applying these terms to Israel, and applies existing Marxist critique of the three theoretical dimensions. Finally, it argues for a distinctive post-Zionist critique, one that is based on solidarity among people, rather than difference and multiplicity.

Engaging the White Possessive

2019 ◽  
Vol 6 (1) ◽  
Author(s):  
Aileen Moreton-Robinson
Keyword(s):  
Native American ◽  
National Identity ◽  
Identity Politics ◽  
New Work ◽  
White People ◽  
Indigenous Identity ◽  
Identity Fraud ◽  
Power Property ◽  
Genetic Science ◽  
Drag Queens

In this issue of Kalfou, my book The White Possessive: Power, Property, and Indigenous Sovereignty receives attention from three scholars whose work I admire and respect. George Lipsitz’s The Possessive Investment in Whiteness: How White People Profit from Identity Politics was seminal in conceptualizing the possessive logics of patriarchal white sovereignty, while Fiona Nicoll’s From Diggers to Drag Queens: Configurations of Australian National Identity heavily influenced my work on the formation of white national identity. Kim TallBear’s Native American DNA: Tribal Belonging and the False Promise of Genetic Science has been instructive in shaping my new work on the possessive racial logics of Indigenous identity fraud. I am honored they ha

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