scholarly journals Chancellor ambitions of Alfred Von Waldersee: personal diary as a historical source

2021 ◽  
pp. 351-361
Author(s):  
Н.А. Власов
Keyword(s):  
Present Article ◽  
The Self ◽  
Political Leaders ◽  
Historical Source ◽  
Social Scientists ◽  
German Empire ◽  
Definitive Answer ◽  
Self Image ◽  
Xixth Century

Жизнь и деятельность графа Альфреда фон Вальдерзее (1832–1904), одного из ведущих представителей военно-политической элиты Германии конца XIX в., до сих пор остается слабо изученной. Цель настоящего исследования – выяс-нить, может ли его личный дневник дать однозначный ответ на вопрос о нали-чии у него канцлерских амбиций. Обращаясь к исследованиям культурологов, социологов и психологов, автор делает вывод о том, что дневник отражает в первую очередь представления человека о самом себе, его идентичность. Вальдерзее крайне неохотно писал о тех своих действиях, которые плохо со-относились с образом «идеального офицера». Таким образом, ссылка на днев-никовые записи не является однозначным аргументом в пользу отсутствия у Вальдерзее канцлерских амбиций. The life and activities of Alfred Graf Waldersee – one of the most influential military-political leaders of the German empire in the late XIXth century – remain understudied. The goal of the present article is to assess whether his personal diary can provide us a definitive answer about Waldersee’s chancellor ambitions. The main conclusion after consulting the writings of cultural scientists, social scientists and psychologists dealing with diaries is that a diary reflects primarily the self-image of a person, his/her identity. Waldersee was very reticent in describing his actions not corresponding with the image of an “ideal officer”. Therefore, the diary entries cannot prove the absence of ambitions for chancellorship by Waldersee.

Zofia Kulik. The Splendor of Myself

2019 ◽  
Author(s):  
Agata Jakubowska
Keyword(s):  
Women Artists ◽  
The Self ◽  
Self Image ◽  
Physical Presence

Narratives about women artists usually point to the obstacles they face in the development of their artistic careers. In her article, the author proposes an analysis that concentrates on how a woman artist – Zofia Kulik – presented herself as the heroine of a successful story of emancipation in the series of works titled The Splendor of Myself (1997, 2015, 2017). The self-image she presents is paradoxical: we deal with both her ostentatious presence and her absence as her physical presence is hidden behind the gorgeous but extremely stiff dress. It corresponds with Kulik’s understanding of her success as directly related with the wealth of images and the mastery of composition.

Emanzipation von der jüdischen Orthodoxie. Die Jugend- und Lehrjahre 1862-1890 des Leo Wertheimer alias Constantin Brunner

Aschkenas ◽  
2019 ◽  
Vol 29 (2) ◽  
pp. 313-349
Author(s):  
Matthias Springborn
Keyword(s):  
Intellectual Development ◽  
Early Years ◽  
Informal Networks ◽  
Major Focus ◽  
German Empire ◽  
Self Image ◽  
Childhood And Youth ◽  
History Of ◽  
German Jewish ◽  
Jewish Intellectuals

Abstract This biographical essay is designed to give a survey of Constantin Brunnerʼs early years, from his childhood and youth until the end of his student days, based on the available letters, manuscripts and published writings. A major focus is on Brunnerʼs intellectual development from protected child, spiritually shaped by Jewish orthodoxy, to aspiring religious scholar and finally to the secular philosopher known today. The article is therefore a contribution to a range of research topics: to the field of German-Jewish biography during the period of the German Empire; but also to the history of ideas, particularly in relation to the secularization of religious minorities. It also touches upon developments inside the Jewish community: the way different intellectual and religious currents are related to each other, the informal networks between Jewish intellectuals and how national (German or Jewish) identity is related to the Jewish self-image.

The Self-Image as Defense and Resistance

1960 ◽  
Vol 29 (1) ◽  
pp. 72-81
Author(s):  
Esther Menaker
Keyword(s):  
The Self ◽  
Self Image

Langdell Laughs

1999 ◽  
Vol 17 (1) ◽  
pp. 141-144
Author(s):  
William P. LaPiana
Keyword(s):  
Twentieth Century ◽  
Critical Role ◽  
Teaching Profession ◽  
The Self ◽  
Primary Sources ◽  
Christopher Columbus ◽  
Self Image ◽  
American Law

The amount of ink spilled in consideration of the life, thought, accomplishments, and legacy of Christopher Columbus Langdell is eloquent testimony to the critical role he plays in the self-image of the American law teaching profession. It is both wonderful and astounding, therefore, to find that critical primary sources remained unread and unused at the very end of the twentieth century. Now that Bruce Kimball has brought them to light, we have a more complete view of the man and his thought, one that, not surprisingly, reveals to us someone quite different from the cruelly and crudely caricatured inventor of those twin devices for stifling young minds, the case and Socratic methods.

Recht als Gegenstand rhetorischer Grundlagenforschung

Rhetorik ◽  
2021 ◽  
Vol 40 (1) ◽  
pp. 1-18
Author(s):  
Jens Fischer
Keyword(s):  
The Self ◽  
The Other ◽  
Legal Rhetoric ◽  
Logical Status ◽  
Realistic Picture ◽  
Self Image ◽  
Other Hand ◽  
Rhetorical Practice ◽  
Rhetorical Figure ◽  
Judicial Procedure

Abstract According to the self-image of lawyers, jurisprudence is a science: the premises in legal conclusions are truth-apt, as are the conclusions or judgements that follow from them, the cognition of true law is consequently regarded as their task. Against this background, a program that understands and analyzes law as the product of a rhetorical practice is confronted with fierce resistance. According to the research of analytical legal rhetoric, on the other hand, the evidence for a rhetorical imprint on law is overwhelming: starting with the logical status of legal inferences, to the peculiarities of judicial procedure, to the motivational situation of those involved in it, everywhere it becomes apparent that the image of strict truth-orientation inadequately describes the genesis of law. Following Aristotle, who assigned law to the field of phrónēsis and not to epistēmē, contemporary legal rhetoric research aims to draw a realistic picture of the genesis of law. Subdivided into the triad of logos, ethos, and pathos, it attempts to fully grasp the interrelationships involved. It becomes apparent that the rational or argumentative dimension is far from dominating in legal justifications. It is precisely at the neuralgic point, i.e., where arguments are opposed to each other, that the rhetor typically uses a rhetorical figure that links all levels of the triad: the restrictio.

Symbols as Means of Creating Cultural Communication and Identity. The Estonian Case

2011 ◽  
Vol 16 (2) ◽  
pp. 419-440
Author(s):  
Rein Veidemann
Keyword(s):  
Present Article ◽  
Internal Communication ◽  
The Self ◽  
Cultural Communication ◽  
Main Interest

In the present article my main interest is to find out which kind of role symbols play in the self-description of Estonian culture and in the internal communication and how the “cultural formatting” of the society has occurred.

Becoming #Instafamous

2021 ◽  
Author(s):  
Dominika Kováčová
Keyword(s):  
The Self ◽  
Professional Life ◽  
Self Presentation ◽  
Self Image

Abstract Drawing on Goffman’s (1990 [1959]) metaphor of stage, this paper considers Instagram a frontstage environment where users are cautious of being watched and attune their performance to how they want to be perceived via strategic self-presentation. This understanding of online performance is particularly pertinent in the discussions of bloggers who turn to Instagram to promote their work to new audiences. Examining the self-presentation practices of three fashion bloggers, this paper argues that to gain popularity on Instagram, bloggers utilize the features of formality and informality in the construction of an authentic and likable self-image. Since in the photographs the bloggers’ professional life is usually depicted as distant from their audience’s reality, the accompanying textual caption serves as a means of providing balance for the overall image the poster seeks to present. Consequently, the caption abounds with features of informality, which connote linguistic immediacy and imitate an intimate conversation with peers.

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