scholarly journals Lettuce Entertain You: Floral Agency in Ralph Knevet's Rhodon and Iris

2021 ◽  
Vol 6 (2) ◽  
pp. 24-38
Author(s):  
Ashley Howard
Keyword(s):  
Two Dimensions ◽  
Theatrical Performance ◽  
Theatrical Performances ◽  
History Of ◽  
The Many ◽  
Floral Characters ◽  
The Way

This essay investigates the performativity of plants in Ralph Knevet’s Rhodon and Iris, a play that was written and performed for a feast held by the Norwich Society of Florists in 1631. The play explores at least two forms of performativity: the first is the act of staging plants for a theatrical performance, where vegetables present their virtues through floral allegories that are enacted by human players. The second form is the way plants affect and are affected by their environments, particularly as theorized by Michael Marder and Mel Y. Chen. In Rhodon and Iris, these two dimensions work together to produce a form of floral agency that decenters the human. The essay explores how floral agency collaborates with literary narratives when beings perform for plants (within a history of floral celebrations), as plants (embodying plants as allegorical figures), and with plants (floral characters using plants as ingredients in cosmetics, poisons, and antidotes). Knevet uses literature to articulate a unique plant philosophy that challenges divisions between art and nature and among literature, philosophy, and science. Rhodon and Iris thus illustrates the many ways that theatrical performances and printed playbooks, and even printed herbals and herbaria, responded to and shaped the performativity of plants.

Commentary: What Technical Writers Must Learn from the History of Programming

1986 ◽  
Vol 16 (3) ◽  
pp. 257-265 ◽  
Author(s):  
Edmond H. Weiss
Keyword(s):  
Computer Programs ◽  
Technical Writers ◽  
History Of ◽  
Getting Lost ◽  
The Many ◽  
The Way

Complicated documents often affect readers the way computer programs affect computers; technical writers are prone to many of the same serious errors that plague programmers. Among the many principles that writers can learn from programming are: 1) Models save money: it is far more economical to develop detailed outlines and mockups than to improvise from a vague outline. 2) Quality demands maintainability: every complicated document will need frequent revision, and only documents designed for ease of change will be kept current. 3) The trouble is in the interfaces: the procedures and tasks in a manual are not as error-prone as the rules for moving from part to part of the book itself. 4) Readers are subject to the laws of physics: many publication economies produce documents that defy the physical powers of the reader. 5) Communication is control: readers must be prevented from getting lost.

Dylan Thomas and American Poetry: ‘a kind of secret, but powerful, leaven’

2019 ◽  
pp. 197-214
Author(s):  
Philip Coleman
Keyword(s):  
American Poetry ◽  
Elizabeth Bishop ◽  
Charles Olson ◽  
Broad View ◽  
John Berryman ◽  
History Of ◽  
Dylan Thomas ◽  
American Poets ◽  
The Many ◽  
The Way

In The Poetry of Dylan Thomas (2013), John Goodby argues that ‘[t]he scope of Thomas’s impact on US poetry is remarkable, and it testifies to his characteristic hybrid ambivalence’. In the spirit of elaborating on this observation, this chapter considers how a number of quite different American poets have engaged with Thomas’s work, including Charles Olson, Delmore Schwartz, Elizabeth Bishop, and Denise Levertov. The essay also brings into focus the more explicit dialogue established throughout the poetry of John Berryman, for whom Thomas was a constant and almost familial figure from the 1940s to the end of his career. In Dream Song 88, Berryman imagines Thomas in the afterlife ‘with more to say / now there’s no hurry, and we’re all a clan.’ In this chapter, the idea of American poets belonging to or seeking to belong to such a ‘clan’ is examined, up to and including the work of a number of contemporary poets and schools of verse. The chapter takes a broad view, then, of the many ways Thomas has influenced the writing of poetry, and in doing so scrutinises the way the history of American poetry has so often been narrated.

Response

2016 ◽  
Vol 10 (3) ◽  
pp. 457-467 ◽  
Author(s):  
Richard J. Evans
Keyword(s):  
Civil War ◽  
The Real ◽  
Initial Deviation ◽  
History Of ◽  
Counterfactual History ◽  
The Many ◽  
The Way

This reply to the critiques by Daniel Woolf, Cass R. Sunstein and Daniel Nolan of my book Altered Pasts: Counterfactuals in History (Brandeis University Press, 2013), takes each of their contributions in turn, and reasserts the centrality to counterfactual history of positing definite, long term alternative timelines rather than a vague claim that things might have turned out differently to the way they actually did (for example, if the Confederacy had won the Civil War, slavery might still exist in the usa). Such alternate timelines have no claim to either truth or utility since they ignore the many possible contingencies that would most likely have taken place following the initial deviation from the real timeline of history.

'Gentry Society

1953 ◽  
Vol 15 (3) ◽  
pp. 588-597 ◽  
Author(s):  
Edwin G. Pulleyblank
Keyword(s):  
Cultural Events ◽  
Subsequent Publication ◽  
History Of ◽  
Underlying Causes ◽  
The Many ◽  
The Way

Wolfram eberhard's recent A History of China has attracted great interest. Reviewers have praised it for its readability and broad sweep and for the way in which it goes beyond a mere chronicle of political and cultural events and tries to penetrate to underlying causes. At the same time they have noted many errors of detail and have expressed surprise and incredulity at the many new generalizations presented with an air of established finality. It was, of course, impossible for Eberhard to present detailed evidence or argumentation in support of his views in a brief general history. The subsequent publication of Das Toba-Reich Nordchinas and Conquerors and Rulers has enabled us to form a better judgment of the value of at least a part of his work.

Diversity: Religions and the Study of Religion

2004 ◽  
Vol 11 (3-4) ◽  
pp. 199-218
Author(s):  
Gerhard Van Den Heever
Keyword(s):  
South Africa ◽  
The Political ◽  
History Of ◽  
The Many ◽  
The One ◽  
Theoretical Issues ◽  
The Way

AbstractIn this essay an overview of the theoretical issues pertaining to the collection of essays assembled is given. Addressing the issue of dizversity in religions and in the study of religion the argument is made that religions as lived phenomena constitute discursive formations in which diversity as a problem is an index of encounter. However it is especially the way this strategy of reducing the many to the one in the history of theorising religion that comes in view. In this context, the political nature of religion as discourse and the discourse of the study of religion is discussed with particular reference to the history of Christianisation of South Africa, religion in education, and the history of theorising religion.

scholarly journals Antiquarian attitudes. Changing responses to the past in the museum environment

1970 ◽  
pp. 6
Author(s):  
Arthur MacGregor
Keyword(s):  
Design Quality ◽  
The Past ◽  
History Of Collecting ◽  
History Of ◽  
Museum Environment ◽  
The Many ◽  
The Way ◽  
Common Components

Of the many attributes that may deem an object worthy of inclusion in a museum, that of antiquity is one of the most potent - in a sense the most powerful of all, for other considerations such as beauty of form, originality of design, quality of workmanship or historical association may all be glossed over in the presence of extreme age. While antiquities have formed common components of museums throughout the history of collecting, striking changes have taken place in the significance attributed to them, not merely in the light of better understanding but more fundamentally in the way in which perceptions of antiquity itself have been repeatedly revised and reinterpreted within the museum context. These twin considerations of expanding understanding and changing perceptions of the past within the museum programme will form the basis of my paper. 

Introduction

2019 ◽  
pp. 1-12
Author(s):  
Jan-Melissa Schramm
Keyword(s):  
Legal Protection ◽  
The State ◽  
The Past ◽  
Theatrical Performance ◽  
The Face ◽  
History Of ◽  
Critical Scrutiny ◽  
The Relationship ◽  
Over Time ◽  
The Way

Sacred theatrical performance has always attracted the strong scrutiny of the state. Consequently, one focus of this study is the relationship between sacred aesthetics and the law: what practices are considered in need of legal protection (or proscription), and how does that agenda change over time? But another is the way in which tradition (in this case, the long history of sacred drama in England) is constantly contested and revised, involving a profound interrogation of the extent to which the inheritances of the past shape the present or indeed the present predetermines our reading of the past. The Introduction alerts the reader to both these dynamics—the persistence of certain forms in the face of state censorship, and the ways in which that very narrative of continuity must be subject to critical scrutiny.

Building the "Soviet Detroit": The Construction of the Nizhnii-Novgorod Automobile Factory, 1927-1932

Slavic Review ◽  
1990 ◽  
Vol 49 (2) ◽  
pp. 200-212 ◽  
Author(s):  
Kurt S. Schultz
Keyword(s):  
Recent Literature ◽  
Soviet Economy ◽  
Soviet Society ◽  
Automobile Factory ◽  
History Of ◽  
The Many ◽  
High Politics ◽  
The Way ◽  
The Revolution

Recent literature on interwar Soviet society is changing the way we view the "Revolution from Above." Instead of focusing on high politics, the authors of this literature have cast their analytical nets more widely and have revealed a remarkably dynamic society that was anything but clay in the hands of Kremlin potters.' The history of the massive automotive complex at Nizhnii-Novgorod adds weight to the conclusions growing out of this scholarship and sheds light on the origins and implementation of the larger plan to industrialize the Soviet economy; it shows in microcosm the many problems that often bedeviled and sometimes defeated the grand designs dreamed up in Moscow.

Highly Irregular

2021 ◽  
Author(s):  
Arika Okrent ◽  
Sean O'Neill
Keyword(s):  
English Language ◽  
History Of ◽  
Irregular Verbs ◽  
The Many ◽  
The Way

This book presents an illustrated history of English as told through all the things that are weird about it. Maybe you have been speaking English all your life, or maybe you learned it later on. But whether you use it just well enough to get your daily business done, or you are an expert who never omits a comma or misplaces a modifier, you must have noticed that there are some things about this language that are just weird. Why are there so many silent letters? Why do we have irregular verbs? The book answers these questions and many more. Along the way, it tells the story of the many influences—from invading French armies to stubborn Flemish printers—that made the English language the way it is today. Both an entertaining send-up of linguistic oddities and a deeply researched history of English, the book is essential reading for anyone who has paused to wonder about this marvelous mess of a language.

A 200-Year History of the Study of Childhood Language Disorders of Unknown Origin: Changes in Terminology

2020 ◽  
Vol 5 (1) ◽  
pp. 6-11 ◽  
Author(s):  
Laurence B. Leonard
Keyword(s):  
Language Impairment ◽  
Specific Language Impairment ◽  
Scientific Literature ◽  
Language Disorder ◽  
Language Disorders ◽  
Unknown Origin ◽  
Developmental Language Disorder ◽  
The Past ◽  
History Of ◽  
The Many

Purpose The current “specific language impairment” and “developmental language disorder” discussion might lead to important changes in how we refer to children with language disorders of unknown origin. The field has seen other changes in terminology. This article reviews many of these changes. Method A literature review of previous clinical labels was conducted, and possible reasons for the changes in labels were identified. Results References to children with significant yet unexplained deficits in language ability have been part of the scientific literature since, at least, the early 1800s. Terms have changed from those with a neurological emphasis to those that do not imply a cause for the language disorder. Diagnostic criteria have become more explicit but have become, at certain points, too narrow to represent the wider range of children with language disorders of unknown origin. Conclusions The field was not well served by the many changes in terminology that have transpired in the past. A new label at this point must be accompanied by strong efforts to recruit its adoption by clinical speech-language pathologists and the general public.

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