scholarly journals Etyczne warunki rezygnacji z uporczywej terapii

2013 ◽  
Vol 11 (3) ◽  
pp. 159-171
Author(s):  
Wojciech Bołoz

Death is an inevitable phenomenon, but it can be experienced with dignity. For this reason, people are continually seeking decent ways to die. One of these is avoiding or moving away from so-called aggressive medical treatment if it doesn’t provide the dying with any therapeutic benefit and only generates costs and prolongs suffering. Consensual, inevitable death has been practiced in medicine since the time of Hippocrates, although at the same time we can see a tendency towards the opposite, uncompromising fight to the end. This trend is sometimes justified by the exceptional value of human life, which demands both the patient’s and doctor’s heroism. Since the Middle Ages, it has been a widely accepted practice to limit the care for human life to the use of so-called, ordinary, and proportionate remedies. The acceptance of this principle also means withdrawing futile therapy.

1947 ◽  
Vol 9 (4) ◽  
pp. 423-452 ◽  
Author(s):  
Anton-Hermann Chroust

The social thought of the Middle Ages, which undertook to comprehend and scientifically to formulate the nature and foundation of all human society, proceeded from the principle of a single and uniform but articulate whole. The idea of an organic conception of all human society in its entirety was as familiar to the mediaeval mind as the notion of an atomistic or mechanistic constrution of human associations was alien to that mind. Aside from issuing into a distinct and definite theory of “public law,” the mediaeval efforts to understand mankind in its entirety and to treat every form of human society as an organic unity were the starting points of a novel philosophy of law and state which brought about a new and glorious development of legal, social, and political ideas. This development was fully in line with the professed aim of the mediaeval spirit, namely the spiritual and moral education of die western world. It had for its core the doctrine of the Church, and for its goal the elaboration of an integrated outlook on all of human life. In die fields of legal, social, and political speculation this development was greatly enhanced by the collaboration of theologians, philosophers, and jurists. Here, as elsewhere, die mediaeval mind displayed and, on the whole, preserved that high degree of unity of thought and purpose which had its roots not only in that commonly shared conception of a single harmonious universe governed by one infinitely wise God, but also in the conviction that all first premises of right thought or right action were divinely revealed truths rather than discoveries made by human reason alone.


Author(s):  
Tetiana Hoshko

As the people of the Middle Ages thought in symbolic categories, this symbolism was imposed on the notion of human life. In Europe, it had a distinct Christian colouration and was associated with the symbolism of numbers. This was reflected as well in the idea of the stages of human life, the number of which ranged from three to seven. Childhood, which was the first in this scheme, lasted from birth to adolescence, that is until reaching puberty. For the medieval people who thought concretely, just tangible things were important. It is not surprising, therefore, that the notion of attaining adulthood was not so much based on the formal number of years as on the real external physiological features. However, over time, such a ‘visual’ determination of the age of the personrecedes into the background.Childhood has been linked to a guardianship that has received much attention in the city law codes of the early modern period. Anyone who could not manage their lives and property could count on it.In the Middle Ages, childhood had no place, and until the 12th century, children were hardly depicted. The appearance of the post-mortem images of children in the 16th century was evidence of a change in the emotional attitude to them. This change was reflected in the city law codes of the late 16th century. They protected the right of a child to life and property, even of the unborn or born but not survived child. The born and baptized child was already a complete person with soul and likeness of God.The German town law protected children from too severe punishment, first of all from execution. It was believed that before reaching a certain age the children were unconscious creatures, so they could not deliberately commit crimes. And punishment to death was unacceptable for unconscious wrongdoing. The city law codes in the Polish-Lithuanian Commonwealth of 16th and early 17th centuries reflected the evolution of ideas about childhood from the late Middle Ages to the early modern era. Although they refer to the legal norms of previous epochs, they contain many provisions which appeared under the influence of Humanism and the Reformation. As a result of deeper Christianization of morality at the turn of the Middle Ages and modern era, a new attitude to childhood appears, as to a special and important stage in human life. Therefore, as of the 16th century, there were special articles about children in legal codes. The city law begins to protect the interests of children by considering various aspects, in particular, the rights of the unborn but conceived child, of the children of ‘righteous bed’, orphans, etc., the children’s property interests, their lives and future.


Medievalismo ◽  
2020 ◽  
pp. 269-300
Author(s):  
Eduardo JIMÉNEZ RAYADO

Sin entender el territorio, nuestro conocimiento del pasado constituye un paisaje incompleto. La tierra ha sido, es y será esencial en la vida del ser humano. Este trabajo pretende ayudar a completar ese paisaje analizando el papel que tuvo el territorio en dos momentos clave en el proceso de construcción de las identidades colectivas: la formación de los topónimos y la creación de una imagen de honra y orgullo, en este caso, durante la Edad Media. De todos los elementos del territorio que sirvieron para ambos casos, el agua adquirió un especial protagonismo. Madrid, objeto de análisis que cerrará este trabajo, es uno de los ejemplos más claros de ese papel del agua en la construcción de una identidad. Our knowledge of human past remains incomplete without an understanding of the territory. Land has always been essential for human life. This article aims at broadening this knowledge by analyzing the role of territory in the construction of collective identity at two key moments: in the creation of toponyms and in the building up of an image of pride and reputation, in this case, during the Middle Ages. Among all the territorial elements present in both processes, water had a special prominence. Madrid, the closing chapter of this piece of research, is one of the most clear examples of the importance of water in identity development.


1867 ◽  
Vol s3-XI (271) ◽  
pp. 196-196
Author(s):  
W. H. S. A.

2021 ◽  
Vol 2 (6(70)) ◽  
pp. 7-13
Author(s):  
A. Sehrana

The article examines the features of Azerbaijani art and musical culture of the Near and Middle East. Referring to fundamental scientific sources, the author informs about the revival of the Arab world, oriental culture and art in the Middle Ages, characterizes interstate relations of this historical period. Lyric and philosophical poems, love-lyric songs (gazelles), epic and religious legends, odes and praises became the subject of consideration. The work of the great Nizami Ganjavi and other Azerbaijani poets is discussed, their works are analyzed, which reflect the role of music in human life, emphasize its importance in the formation of personality and the impact on his emotional and spiritual-psychological state. The author provides examples from musical treatises of great Azerbaijani thinkers, gives a comparative description of these treatises with scientific and theoretical studies of oriental musicologists who lived and worked in the Middle Ages. They are included in the article as paragraphs.


KronoScope ◽  
2004 ◽  
Vol 4 (1) ◽  
pp. 95-126
Author(s):  
Erica Magnus

AbstractTime on the Stage - in its most pedestrian sense, the interval between an actor's entrance and exit - has also had a long history as a metaphor for an individual human life. More broadly, the theatre's imaginative conflation with the world at large, a notion of the "theatre of the world," was prevalent to the point of cliché from the Middle Ages through the eighteenth century. Apart from well-worn analogy, does the detached time/space of performance have any salient relationship with quotidian experience? This study engages two moments in Western theatre history, Greece in the seventh to the fifth centuries B.C.E. when theatre first appeared, and the Middle Ages, when it reappeared in the practices of the Catholic Church after several centuries of ostensible absence. The analysis suggests that theatrical praxis emerges in response to psychic needs engendered by profound changes in notions of time and space and that performance itself, is ultimately a chronotopic technology which is mensural in nature. In the historicized stage setting and in the temporally coded body of the actor, time is found to be very much on the stage.


Author(s):  
D. A. Masolo

This chapter shows that the idea of humanism in contemporary African thought takes as its backdrop the historical interaction between Africa and foreign cultural and political invasions of the continent since the Middle Ages. Christianity and Islam, before European political invasion, introduced novel concepts and values of the human person and human life, introducing with them new political and social concepts and structures. The emerging synchrony and sometimes tensions between these and indigenous African worldviews have seen African philosophers and political visionaries reaching out to indigenous African modes of thought, whether secular or with some supernatural inclinations, as reservoirs of better concepts of human nature that will heal a world broken by unsound concepts of human nature that not only resulted in unsound epistemological and other philosophical theories, but also produced the injustices of domination, racism, and inequality across the globe. Grounded in the idea of the relational nature of humans among themselves and with nature, African philosophers and thinkers have argued that the well-being of human and non-human reality depends on developing and defending the values of mutual dependency.


Archaeologia ◽  
1959 ◽  
Vol 97 ◽  
pp. 165-178
Author(s):  
Trenchard Cox

Misericords are a humble form of sculpture which has not attracted much attention from the erudite, either in the middle ages or today. Except when the seats of the choir stalls were tipped up, so that the misericords should spare their occupants the fatigue of standing through long services, these carvings were hidden and it does not seem to have been considered necessary that their subjects should conform to a consistent scheme of iconography. Lack of imagination, or of skill, might lead to a whole set of misericords being carved from a single decorativepattern as at North Marston (Bucks.), but where figure subjects were used it is very rare to find a consistent theme. The outstanding exception occurs at Ripple (Worcs.), where the misericords represent a complete set of ‘Labours of the Months’ presumably copied from the calendar decorations of some fine psalter. On most choir stalls we find a random selection of subjects, few of which are directly religious. Scenes from medieval romances, or subjects from the Bestiary;illustrations of sermonexempla, genre subjects, and meaningless grotesques form the major part of these designs, while a few carvings apparently express aliterary or symbolical allusion which now evades interpretation. Too little attention has been paid to the problem of how these relatively uneducated craftsmen came to have such a wide range of subjects. Did they originate their own designs, or, if they did not, what models were given to them to copy? Unfortunately misericords are not often studied by those who have the wide knowledge of other fields of medieval art which is needed to identify some of the carvers' models, for the interchange of designs between artists working in different media was an accepted practice in the middle ages. It is the purpose of this paper to show that medieval woodcarvers did copy designs from other media and the identification of their models can sometimes yield evidence which is not available from other sources.


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