scholarly journals Assessing Social Concerns Over the Impact of Popular Music and Music Video: A Review of Scholarly Research

2009 ◽  
Vol 2 (1) ◽  
pp. 37-49
Author(s):  
D. Atkin ◽  
R. Abelman
Keyword(s):  
Popular Music ◽  
Music Video ◽  
Scholarly Research ◽  
Social Concerns ◽  
The Impact

The impact of multimedia on popular music in Nigeria

Muziki ◽  
2005 ◽  
Vol 2 (1) ◽  
pp. 21-25
Author(s):  
Christian Onyeji
Keyword(s):  
Popular Music ◽  
The Impact

Music video in its contexts: popular music and post-modernism in the 1980s

Popular Music ◽  
1988 ◽  
Vol 7 (3) ◽  
pp. 247-266 ◽  
Author(s):  
Will Straw
Keyword(s):  
Popular Music ◽  
Rock Music ◽  
Surrounding Rock ◽  
Music Video ◽  
Post Modernism ◽  
Song Lyrics ◽  
Music Experience ◽  
To Come ◽  
The Individual

Writing on music video has had two distinctive moments in its brief history. The first wave of treatments tended to come from the culture surrounding rock music and from those who were primarily interested in music video as something which produced effects on that music. Here, two claims were most common, and generally expressed in the terms and the contexts of rock journalism:(1) that music video had made ‘image’ more important than the experience of music itself, with effects which were to be feared (for example, the potential difficulties for artists with poor ‘images’, the risk that theatricality and spectacle would take precedence over intrinsically ‘musical’ values, etc.);(2) that music video would result in a diminishing of the interpretative liberty of the individual music listener, who would now have visual or narrative interpretations of song lyrics imposed on him/her, in what would amount to a semantic and affective impoverishment of the popular music experience.

Experimental animation and the neosurrealist remediation of popular music video

2020 ◽  
Vol 8 (1) ◽  
pp. 85-106
Author(s):  
Lisa Perrott
Keyword(s):  
Popular Music ◽  
Performing Arts ◽  
Music Videos ◽  
Music Video ◽  
Popular Entertainment ◽  
Close Analysis ◽  
Art And Culture ◽  
Animation Technique ◽  
Experimental Animation ◽  
Functionally Diverse

Once appearing to function primarily as a commercial tool for popular entertainment, the popular form of music video has recently been exposed by scholars as formally and functionally diverse, with a rich history stretching back decades before the advent of MTV. Animated music videos owe much to centuries old traditions spanning the visual, musical and performing arts, providing performative and material models that inspire contemporary video directors. Experimental animation, surrealism and music video form a matrix of historical and contemporary significance; however, few scholars have undertaken close examinations of the relations between them. John Richardson and Mathias Korsgaard show how music video directors have employed surrealist compositional strategies together with experimental animation methods, thus giving rise to challenging new forms that traverse disparate approaches to art and culture. Building upon their contributions, this article explores the continuity between experimental animation, surrealism and music video, with a view to discovering the subversive potential of this matrix. In order to probe this potential, the author examines how music video directors experiment with animation technique as a means of subversion and enrichment of popular music video. Through close analysis of music videos directed by Adam Jones, Stephen Johnson, Floria Sigismondi and Chris Hopewell, this article charts the continuity of surrealist strategy across culturally specific moments in history, thus provoking questions around the perceived functions of animated media and popular music video.

Coda

2020 ◽  
pp. 215-222
Author(s):  
Landon Palmer
Keyword(s):  
Popular Music ◽  
First Century ◽  
Music Video ◽  
Recording Industry ◽  
Unique Form ◽  
Moving Image ◽  
Political Expression ◽  
Feature Film ◽  
Medium Specificity ◽  
History Of

This chapter concludes the volume with a concise coda that problematizes the genre and medium specificity of categories such as “rock” and “cinema,” and interrogates their relevance to understanding popular music stardom onscreen in the twenty-first century. By exploring several recent visual albums, this coda demonstrates how the history of rock stardom onscreen paved the way for the unification of the feature film and the music video on display in this unique form. Yet, at the same time, visual albums present musicians with renewed opportunity for overt political expression and aesthetic experimentation not seen since late 1960s rock movies. Visual albums are ultimately the latest intersection between the recording industry and moving image media—an intersection that, as this book demonstrates, has a rich and enduring history.

Беларусь после Чернобыля: От замалчивания к игнорированию

2013 ◽  
Vol 40 (2) ◽  
pp. 239-259
Author(s):  
Aliaksandr Dalhouski
Keyword(s):  
Civil Rights ◽  
Chernobyl Accident ◽  
Legal Consciousness ◽  
Soviet Society ◽  
Full Information ◽  
The Social ◽  
Wide Range ◽  
Social Concerns ◽  
The Government ◽  
The Impact

Aliaksandr Dalhouski Belarus after the Chernobyl Disaster: From Silence to Neglect The accident at Chernobyl was an anthropogenic disaster. In the period of the suppression of the disaster’s consequences (1986-1988), the Chernobyl accident was not perceived by the majority of Belarusians as a nation-wide tragedy. At the same time, those living in the Belorussian SSR did not possess civil rights, which prevented them from demanding compensation as a result of inflicted harm, and also they were denied full information about the impact of the disaster on the environment and human health. Such phenomena were a consequence of the state’s suppression of the disaster’s consequences as well as the weak ecological and legal consciousness of the victims in the BSSR. In the period of growing democracy (1989-1991), civic engagement came to the fore and created the perception of the catastrophe a nationwide tragedy. The protest movement forced the government to enact Chernobyl legal legislation. Within the framework of this legislation, massive resettlement was undertaken and a wide range of privileges were granted. With the emergence of an independent and authoritarian regime in the new state of Belarus in the early 1990s, the risks of radiation were downplayed by the social concerns of post-Soviet society, in which the Belarusian regime of President Alexander Lukashenko lessened the importance of the Chernobyl catastrophe.

The impact of the open access movement on medical based scholarly publishing in Nigeria

First Monday ◽  
2007 ◽  
Author(s):  
Alasia Datonye Dennis
Keyword(s):  
Open Access ◽  
Developing World ◽  
Scholarly Publishing ◽  
Global Distribution ◽  
Scholarly Research ◽  
Medical Journals ◽  
Current State ◽  
Scholarly Publications ◽  
The Impact

The open access movement and its initiatives -- which advocate a shift from predominant print-based publication to electronic and Internet sources -- is expected to improve the global distribution of scholarly research and impact positively on the current state of scholarly publications in the developing world. This review examines the current state of medical journals in Nigeria and assesses the impact of the open access movement and its initiatives on medical scholarly publishing in Nigeria. The resulting appraisal shows that open access initiatives have impacted positively on medical scholarly publishing in Nigeria, with the African Journals Online and the African Index Medicus projects being the most significant influences. There are enormous prospects for further developing medical scholarly publishing in Nigeria using open access initiatives; these opportunities should be exploited and developed.

Bangla Rock: exploring the counterculture and dissidence in post-colonial Bengali popular music

2017 ◽  
Vol 4 (2) ◽  
pp. 35-47
Author(s):  
Kamalini Mukherjee
Keyword(s):  
Civil Rights ◽  
Popular Music ◽  
Civil Rights Movement ◽  
Oral Tradition ◽  
Vernacular Literature ◽  
Post Colonial ◽  
Cultural Foundations ◽  
Vernacular Music ◽  
Alternative Means ◽  
The Impact

This paper is an attempt to explore the politics and the poetics of vernacular music in modern Bengal. Drawn from extensive and in-depth research into the current “scene” (as popularly referred to in the musician and music lover circles), this paper delves into the living histories of musical and linguistic revolutions in a part of India where the vernacular literature has been historically rich, and vastly influenced by the post-colonial heritage. The popular music that grew from these political and cultural foundations reflected its own pathos, and consecutively inspired its own form of oral tradition. The linguistic and musical inspirations for Bangla Rock and the eventual establishment of this genre in a rigidly curated culture is not only a remarkable anthropological case study, but also crucial in creating discourse on the impact of this music in the creation of oral histories. This paper will discuss both the musical and the lyrical journey of Bengali counterculture in music, thus in turn exploring the scope of Bangla – as in the colloquial for Bengali, and Rock – the Western musical expression which began during the 50’s and the 60’s (also populist and political in its roots). The inception of this particular political populist narrative driven through songs and music, is rooted in the Civil Rights movement, and comparisons can be drawn in the ‘soul’ of the movements, though removed both geographically and by time. Thus this paper engages with the poetics of Bangla Rock, to understand the marginal political voices surfacing through alternative means of expression.

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