scholarly journals Looking in from the outside: The case of the excluded self-publisher

2021 ◽  
Vol 13 (1) ◽  
pp. 96-110
Author(s):  
Liz Poliakova

A significant portion of books on Amazon are self-published using Kindle Direct Publishing. Self-publishers are given an opportunity to share their work with the world with a few clicks of their mouse. However, traditional publishing infrastructures are not as welcoming to the self-publisher. This paper undertakes to perform a policy analysis of government funding frameworks available to workers of the Canadian publishing industry. Through performing a discourse analysis, the study finds that the self-publisher is ineligible to apply for funds and grants from the government both on the provincial and the federal levels. The self-publishing business model is not recognized as a legitimate one and is often equated with vanity publishing, which comes with a stigma. Furthermore, traditional publishing industry workers act as gatekeepers who also exclude the self-publisher from the conversation around the changing landscape of the Canadian publishing industry. Even though the self-publisher should be recognized as a legitimate worker of the cultural industries, they are not acknowledged as such both by government officials who distribute grants and traditional publishers. This study adds to the limited scope of research conducted on self-publishing in order to break the boundaries that self-publishers encounter. The study concludes with recommendations to assess the process of the distribution of government funds and grants in order to incorporate the changing practices of the cultural industries and incorporate new business models such as self-publishing.

This chapter examines the current evolving publishing framework in Australia and the relationship between authors and their publishers, noting the competing interests of the various subaltern spheres (such as the “author sphere” and “publisher sphere”) within the greater public sphere. A comparison between a standard publisher’s contract and the model contract recommended by the Australian Society of Authors (ASA) provides a source for analysis and discussion, which relevantly reflects the nature of the relationship between author and publisher. The issue of digital publishing is investigated to ascertain what constitutes an equitable arrangement for authors. Finally, new business models in publishing are considered and observations are made on copyright protection measures on the Internet, alternative licensing models such as the Creative Commons and the “honesty box” model used by some authors. A brief discussion of the anti-copyright actions of Google is also included, and in conclusion, the author-publisher power balance is addressed, taking into account the different characteristics of print books and ebooks.


2020 ◽  
Vol 2020 ◽  
pp. 1-10
Author(s):  
Ying Han

With the rapid progress of digital technology and new business models’ development, the platform ecosystem has not only penetrated every sector in society but also revealed various problems. Platform governance researchers have highlighted its significance, but failed to adequately consider ecosystem participants’ behaviour. This paper aims to explore platform governance’s effects on enterprises’ behaviour in a multiorganisational platform ecosystem context. The tripartite evolutionary game is chosen to construct a mathematical model that integrates the government, platform organisation, and internal enterprises to analyse formal and informal governance’s influence on enterprises’ behaviour in the platform ecosystem. It was discovered that both formal and informal governance can decrease internal enterprises’ opportunistic behaviours. Furthermore, formal governance has stronger effects than informal governance, although informal governance’s effects are more stable. Additionally, self-organisation in the platform ecosystem is another important area of focus. This paper enriches an understanding of platform ecosystems while formulating insights relevant in using platform governance to develop small and medium-sized enterprises.


2001 ◽  
pp. 47-60
Author(s):  
P. K. Kannan ◽  
Eva Guterres ◽  
Barbara Kline Pope

While the World Wide Web has impacted many industries significantly, none of them have been affected as dramatically as the publishing industry. The ability to deliver electronic content online and to distribute it in various forms instantaneously using the Web have opened up technological possibilities and consumer expectations that have left the industry grappling for new business models. Most of those running publishing businesses have finally come to a consensus about the importance of the Web to the future of the industry and are embracing the new technologies but with little guidance on how to best use the medium. They are aware of the pressing need to adapt to the much speedier efficiencies, strategies, and requirements of the digital channel while balancing them with non-digital strategies that continue to work but are looking for some guidance on how to move forward. In this chapter, we first describe some of the key trends and challenges faced by book publishers with the emergence of the digital arena. We then focus on the issue of pricing electronic books distributed online, especially in conjunction with books distributed through traditional channels. We outline some of the possible strategies that book publishers could adopt and examine the pros and cons of the different strategies in light of the features of the product marketed and consumer segments targeted.


2020 ◽  
Vol 6 (3) ◽  
pp. 17-20
Author(s):  
Farxod Tursunov ◽  

The article discusses the role of the digital economy in the development of the country, how it becomes the basis of the economy, new business models and management systems. The opinion of scientistsis analyzed, a definition of a digital enterprise is given


Author(s):  
Eric Weisbard

This chapter considers the role played by radio in popularizing and defining country music. Radio as a format pursued a commercially driven mediation of identity that worked against applying an artistically driven musical genre definition. In particular, these debates revolved around gendered presentation and women as listeners and performers. From the 1920s through World War II, radio’s prominence in country turned on live radio shows as the media introduction of southern whites. A second era, from the end of the war to mid-1970s, saw a shift to disc jockeys and records: personality radio. Format radio country, a tighter programming approach, solidified from the mid-1970s to the mega mergers of the late 1990s. Most recently, in an era of Internet access and new business models for music, country has confronted the less sympathetic position of networked radio.


2021 ◽  
pp. 1-8
Author(s):  
Mokter Hossain ◽  
Jarkko Levänen ◽  
Marleen Wierenga

ABSTRACT Firms are often criticized for their reluctance to embrace sustainability in their business strategies. Frugal innovation is a recent concept that represents a new way for firms to serve underserved customers in developing countries while also promoting sustainability. Based on three cases of frugal innovation at the grassroots level in India, this article demonstrates how frugal innovation presents a promising way to tackle some of today's pressing societal problems with new business models. We use a range of parameters for economic, social, and environmental sustainability to strengthen the case for frugal innovation. This article attempts to inspire scholars to consider frugal innovation further in their future research endeavors and encourage firms to integrate it into their existing business models.


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