scholarly journals ‘Thinking Ontologically’: Ontology Development as the Basis for the Systematic Analysis of a Corpus of Late Antique Aramaic Magic Texts

2022 ◽  
Vol 3 (1) ◽  
Author(s):  
Hatty Walker
Keyword(s):  
Reference Model ◽  
Near East ◽  
Ancient Near East ◽  
Ontology Development ◽  
Late Antique ◽  
Systematic Analysis ◽  
Secondary Literature ◽  
Bridge Building ◽  
First Time

This article describes the process of developing an ontology of the domain of Jewish Babylonian Aramaic magic bowls and offers some reflections on its significance in the analysis of these materials. Examples are highlighted to illustrate where the work builds on existing conceptualisations of the domain in secondary literature and where magical and religious materials from the Ancient Near East might stimulate some specialised extension of the CIDOC Conceptual Reference Model (ICOM/CIDOC Documentation Standards Group, 2020). The analogy of ‘bridge building’ is offered as a way for humanities researchers to conceive of the work to produce ontologies of specific domains. This reflection is intended to capture the experience of ‘thinking ontologically’ about sources for the first time and of overcoming misconceptions about the nature and significance of this work.

scholarly journals The Storm-Gods of the Ancient Near East: Summary, Synthesis, Recent Studies Part I

2007 ◽  
Vol 7 (2) ◽  
pp. 121-168 ◽  
Author(s):  
Daniel Schwemer
Keyword(s):  
Present Author ◽  
Near East ◽  
Ancient Near East ◽  
Near Eastern ◽  
German Speaking ◽  
History Of ◽  
The Many ◽  
Equal Space ◽  
First Time

AbstractIn many regions of the ancient Near East, not least in Upper Mesopotamia, Syria and Anatolia where agriculture relied mainly on rainfall, storm-gods ranked among the most prominent gods in the local panthea or were even regarded as divine kings, ruling over the gods and bestowing kingship on the human ruler. While the Babylonian and Assyrian storm-god never held the highest position among the gods, he too belongs to the group of 'great gods' through most periods of Mesopotamian history. Given the many cultural contacts and the longevity of traditions in the ancient Near East only a study that takes into account all relevant periods, regions and text-groups can further our understanding of the different ancient Near Eastern storm-gods. The study Wettergottgestalten Mesopotamiens und Nordsyriens by the present author (2001) tried to tackle the problems involved, basing itself primarily on the textual record and excluding the genuinely Anatolian storm-gods from the study. Given the lack of handbooks, concordances and thesauri in our field, the book is necessarily heavily burdened with materials collected for the first time. Despite comprehensive indices, the long lists and footnotes as well as the lack of an overall synthesis make the study not easily accessible, especially outside the German-speaking community. In 2003 Alberto Green published a comprehensive monograph entitled The Storm-God in the Ancient Near East whose aims are more ambitious than those of Wettergottgestalten: All regions of the ancient Near East—including a chapter on Yahwe as a storm-god—are taken into account, and both textual and iconographic sources are given equal space. Unfortunately this book, which was apparently finished and submitted to the publisher before Wettergottgestalten came to its author's attention, suffers from some serious flaws with regard to methodology, philology and the interpretation of texts and images. In presenting the following succinct overview I take the opportunity to make up for the missing synthesis in Wettergottgestalten and to provide some additions and corrections where necessary. It is hoped that this synthesis can also serve as a response to the history of ancient Near Eastern storm-gods as outlined by A. Green.

Dancing or Fighting? A Recently Discovered Predynastic Scene from Abydos, Egypt

2001 ◽  
Vol 11 (2) ◽  
pp. 241-254 ◽  
Author(s):  
Yosef Garfinkel
Keyword(s):  
Near East ◽  
Ancient Near East ◽  
Systematic Analysis ◽  
Movement Notation ◽  
Painted Pottery

A recently discovered painted pottery vessel from the Predynastic cemetery of Umm el-Qaab in Abydos, Egypt (early fourth millennium bc), bears one of the most sophisticated proto-historic scenes surviving from the ancient Near East. The excavators interpreted the scene as a depiction of warfare. A systematic analysis of its various components, however, as well as two similar contemporary scenes, suggests that the scene depicts dancing. It is even possible that the scene represents four stages in a sequence of movement. If so, it is one of the earliest movement notation documents preserved from antiquity.

scholarly journals The Storm-Gods of the Ancient Near East: Summary, Synthesis, Recent Studies: Part II

2008 ◽  
Vol 8 (1) ◽  
pp. 1-44 ◽  
Author(s):  
Daniel Schwemer
Keyword(s):  
Present Author ◽  
Near East ◽  
Ancient Near East ◽  
Near Eastern ◽  
German Speaking ◽  
History Of ◽  
The Many ◽  
Equal Space ◽  
First Time

AbstractIn many regions of the ancient Near East, not least in Upper Mesopotamia, Syria and Anatolia where agriculture relied mainly on rainfall, storm-gods ranked among the most prominent gods in the local panthea or were even regarded as divine kings, ruling over the gods and bestowing kingship on the human ruler. While the Babylonian and Assyrian storm-god never held the highest position among the gods, he too belongs to the group of 'great gods' through most periods of Mesopotamian history. Given the many cultural contacts and the longevity of traditions in the ancient Near East only a study that takes into account all relevant periods, regions and text-groups can further our understanding of the different ancient Near Eastern storm-gods. The study Wettergottgestalten Mesopotamiens und Nordsyriens by the present author (2001) tried to tackle the problems involved, basing itself primarily on the textual record and excluding the genuinely Anatolian storm-gods from the study. Given the lack of handbooks, concordances and thesauri in our field, the book is necessarily heavily burdened with materials collected for the first time. Despite comprehensive indices, the long lists and footnotes as well as the lack of an overall synthesis make the study not easily accessible, especially outside the German-speaking community. In 2003 Alberto Green published a comprehensive monograph entitled The Storm-God in the Ancient Near East whose aims are more ambitious than those of Wettergottgestalten: All regions of the ancient Near East—including a chapter on Yahwe as a storm-god—are taken into account, and both textual and iconographic sources are given equal space. Unfortunately this book, which was apparently finished and submitted to the publisher before Wettergottgestalten came to its author's attention, suffers from some serious flaws with regard to methodology, philology and the interpretation of texts and images. In presenting the following succinct overview I take the opportunity to make up for the missing synthesis in Wettergottgestalten and to provide some additions and corrections where necessary. It is hoped that this synthesis can also serve as a response to the history of ancient Near Eastern storm-gods as outlined by A. Green.

For whom did the bell toll in ancient Greece? Archaic and Classical Greek bells at Sparta and beyond

2002 ◽  
Vol 97 ◽  
pp. 223-295 ◽  
Author(s):  
Alexandra Villing
Keyword(s):  
Near East ◽  
Daily Life ◽  
Ancient Greece ◽  
Archaic Period ◽  
Roman Period ◽  
Ancient Near East ◽  
Male And Female ◽  
South Italy ◽  
Literary Sources ◽  
First Time

Bells of fairly small size were known across ancient Greece from the Archaic period onwards, both in bronze and terracotta. They are found in sanctuaries, graves and, more rarely, in houses, and served a variety of purposes, both practical and more abstract, in daily life and ritual, and in both male and female contexts. Archaeological, iconographical and literary sources attest to their use as votive offerings in ritual and funerary contexts, as signalling instruments for town-guards, as amulets for children and women as well as, in South Italy, in a Dionysiac context. A use as animal (notably horse) bells, however, was not widespread before the later Roman period. The bells' origins lie in the ancient Near East and Caucasian area, from where they found their way especially to Archaic Samos and Cyprus and later to mainland Greece. Here, the largest known find complex of bronze and terracotta bells, mostly of Classical date, comes from the old British excavations in the sanctuary of Athena on the Spartan acropolis and is published here for the first time. Spartan bells are distinctive in shape yet related particularly to other Lakonian and Boiotian bells as well as earlier bells from Samos. At Sparta, as elsewhere, the connotation of the bells' bronze sound as magical, protective, purificatory and apotropaic was central to their use, although specific functions varied according to place, time, and occasion.

Ceramic Imagery in Ancient Near Eastern Literature

1990 ◽  
Vol 185 ◽  
Author(s):  
Karen Polinger
Keyword(s):  
Near East ◽  
Technical Analysis ◽  
Ancient Near East ◽  
Near Eastern ◽  
Figures Of Speech ◽  
Literary Art ◽  
The Status ◽  
Biblical Texts ◽  
First Time

AbstractAncient Near Eastern literature includes numerous metaphors, similes, and other figures of speech referring to ceramics. This paper presents selected examples of Sumerian, Akkadian, Egyptian, and Biblical texts using clay, empty or filled vessels, potsherds, potters and the tools of their trade, and potters′ quarters. By examining systematically for the first time the literary, art historical, and archaeological contexts for ceramic imagery, new light may be shed on the role and meaning of ceramics in the ancient Near East. Among the topics considered are: (1) the importance of ceramics in creation imagery; (2) the nature of ceramic death and destruction imagery; (3) ceramic imagery with cornucopial connotations; and (4) literary perceptions of clay, pottery, and the status of potters. The material assembled in this study adds significantly to the evidence gleaned from stylistic and technical analysis of ancient Near Eastern ceramics.

Founding Gods, Inventing Nations

2011 ◽  
Author(s):  
William F. McCants
Keyword(s):  
Near East ◽  
Cultural Orientation ◽  
Primary Sources ◽  
Islamic Culture ◽  
Political Consequences ◽  
The Social ◽  
Islamic Empire ◽  
First Time ◽  
Vast Range

From the dawn of writing in Sumer to the sunset of the Islamic empire, this book traces four thousand years of speculation on the origins of civilization. Investigating a vast range of primary sources, some of which are translated here for the first time, and focusing on the dynamic influence of the Greek, Roman, and Arab conquests of the Near East, the book looks at the ways the conquerors and those they conquered reshaped their myths of civilization's origins in response to the social and political consequences of empire. The Greek and Roman conquests brought with them a learned culture that competed with that of native elites. The conquering Arabs, in contrast, had no learned culture, which led to three hundred years of Muslim competition over the cultural orientation of Islam, a contest reflected in the culture myths of that time. What we know today as Islamic culture is the product of this contest, whose protagonists drew heavily on the lore of non-Arab and pagan antiquity. The book argues that authors in all three periods did not write about civilization's origins solely out of pure antiquarian interest—they also sought to address the social and political tensions of the day. The strategies they employed and the postcolonial dilemmas they confronted provide invaluable context for understanding how authors today use myth and history to locate themselves in the confusing aftermath of empire.

Liturgical Poetry in the Late Antique Near East

2010 ◽  
Vol 1 (3) ◽  
pp. 336-361 ◽  
Author(s):  
Ophir Münz-Manor
Keyword(s):  
Comparative Study ◽  
Late Antiquity ◽  
Near East ◽  
The Other ◽  
Late Antique ◽  
Biblical Poetry ◽  
Contemporary View ◽  
Cultural Dialogue ◽  
The One

The article presents a contemporary view of the study of piyyut, demonstrating that Jewish poetry of late antiquity (in Hebrew and Aramaic) was closely related to Christian liturgical poetry (both Syriac and Greek) and Samaritan liturgy. These relations were expressed primarily by common poetic and prosodic characteristics, derived on the one hand from ancient Semitic poetry (mainly biblical poetry), and on the other from innovations of the period. The significant connections of content between the different genres of poetry reveal the importance of comparative study. Thus the poetry composed in late antiquity provides additional evidence for the lively cultural dialogue that took place at that time.

Prologue to Genesis (1, 1-11, 26): Prophetic Revelation, History, Myth or Metahistory?

2020 ◽  
pp. 17-46
Author(s):  
Михаил Анатольевич Скобелев
Keyword(s):  
Mystical Experience ◽  
Near East ◽  
Literary Form ◽  
Traditional View ◽  
Ancient Near East ◽  
Symbolic Form ◽  
Near Eastern ◽  
The World ◽  
Genesis 1 ◽  
Book Of Genesis

В статье рассматриваются богословие, композиция и литературная форма сюжетов, входящих в состав Пролога книги Бытия (1, 1-11, 26). Во второй половине XIX - начале XX вв. в результате появления Документальной гипотезы и сопоставления Священного Писания с литературными памятниками Древнего Ближнего Востока большая часть сюжетов, составляющих Пролог, была объявлена мифами и древнееврейским фольклором (Ю. Велльгаузен, Г. Гунекель, Дж. Фрезер). Кроме выявленных ближневосточных параллелей, новому отношению к повествованиям Пролога книги Бытия способствовали: отсутствие в нём ясно выраженной исторической задачи и символичность изложения. Защищая традиционный взгляд на Пролог как на священную историю и пророческое откровение, епископ Кассиан (Безобразов) предложил рассматривать все библейские сюжеты, содержащие теофанию, как метаисторию. Протоиерей Сергий Булгаков, А. Ф. Лосев, Б. П. Вышеславцев, занимавшиеся феноменом мифотворчества, назвали библейское повествование о начале мироздания мифом, но в ином смысле, чем это делали Г. Гункель и Дж. Фрезер. Они обосновали новый положительный взгляд, согласно которому миф не есть выдумка или фантазия, а реальность, основанная на мистическом опыте. В статье анализируется каждый из перечисленных терминов: «история», «миф», «метаистория» применительно к Прологу, а также рассматривается возможность их согласования с традиционным церковным взглядом на эту часть книги Бытия. The article deals with the theology, composition and literary form of the narrations which constitute the prologue part of the book of Genesis (1, 1-11, 26). During the second half of the 19th and at the turn of the 20th cent., following the emergence of the Documentary hypothesis as well as the comparison of the Holy Scripture with the newly-discovered literary monuments of Ancient Near East, the greater part of the narrations that constitute the Prologue were labeled myths and ancient Hebrew folklore (J. Wellhausen, H. Gunkel, J. Frazer). In addition to the then detected Near Eastern parallels, this new attitude towards the narrations of the Prologue was fostered by its lack of a clearly expressed historical dedication and the symbolic form of their exposition. Defending the traditional view of the Prologue as sacred history and prophetic revelation, bishop Kassian (Bezobrazov) proposed to consider all the biblical narrations that contain theophanies as metahistorical. Archpriest Sergey Bulgakov, A. F. Losev and B. P. Vysheslavtsev, who analyzed the phenomenon of myth-making, called the Biblical narration of the origins of the world a myth, but in a sense different from that proposed by Gunkel and Frazer. They have founded a new and positive conception according to which a myth is not fiction but rather a kind of reality based upon mystical experience. The author of the article analyzes each of the terms enumerated - «history», «myth», «metahistory» - in their use relating them to the Prologue; he also examines the possibility of their harmonizing with the traditional ecclesiastical view of this part of the book of Genesis.

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