La citoyenneté et la construction de l'Europe : discussions théoriques

Res Publica ◽  
1994 ◽  
Vol 36 (3-4) ◽  
pp. 361-380
Author(s):  
Paul Magnette
Keyword(s):  
Second World War ◽  
Point Of View ◽  
Nation State ◽  
The European Union ◽  
World War ◽  
Dual Nature ◽  
European Citizenship ◽  
History Of ◽  
The One ◽  
Second World

This paper examines the evolving ideological content of the concept of citizenship and particularly the challenges it faces as a consequence of the building of the European Union. From an epistemological point of view it is first argued that citizenship may be described as a dual concept: it is both a legal institution composed of the rights of the citizen as they are fixed at a certain moment of its history, and a normative ideal which embodies their political aspirations. As a result of this dual nature, citizenship is an essentially dynamicnotion, which is permanently evolving between a state of balance and change.  The history of this concept in contemporary political thought shows that, from the end of the second World War it had raised a synthesis of democratic, liberal and socialist values on the one hand, and that it was historically and logically bound to the Nation-State on the other hand. This double synthesis now seems to be contested, as the themes of the "crisis of the Nation State" and"crisis of the Welfare state" do indicate. The last part of this paper grapples with recent theoretical proposals of new forms of european citizenship, and argues that the concept of citizenship could be renovated and take its challenges into consideration by insisting on the duties and the procedures it contains.

Philosophical Ideas of Yanaihara Tadao:Nationalism, Pacifism and the Concept of the “Just War”

2021 ◽  
pp. 187-197
Author(s):  
Anna D. Bertova ◽  
Keyword(s):  
Just War ◽  
Second World War ◽  
Point Of View ◽  
The Other ◽  
Historical Period ◽  
World War ◽  
Postwar Japan ◽  
State Of Affairs ◽  
The One ◽  
Second World

Prominent Japanese economist, specialist in colonial politics, a professor of Im­perial Tokyo University, Yanaihara Tadao (1893‒1961) was one of a few people who dared to oppose the aggressive policy of Japanese government before and during the Second World War. He developed his own view of patriotism and na­tionalism, regarding as a true patriot a person who wished for the moral develop­ment of his or her country and fought the injustice. In the years leading up to the war he stated the necessity of pacifism, calling every war evil in the ultimate, divine sense, developing at the same time the concept of the «just war» (gisen­ron), which can be considered good seen from the point of view of this, imper­fect life. Yanaihara’s theory of pacifism is, on one hand, the continuation of the one proposed by his spiritual teacher, the founder of the Non-Church movement, Uchimura Kanzo (1861‒1930); one the other hand, being a person of different historical period, directly witnessing the boundless spread of Japanese militarism and enormous hardships brought by the war, Yanaihara introduced a number of corrections to the idealistic theory of his teacher and proposed quite a specific explanation of the international situation and the state of affairs in Japan. Yanai­hara’s philosophical concepts influenced greatly both his contemporaries and successors of the pacifist ideas in postwar Japan, and contributed to the dis­cussion about interrelations of pacifism and patriotism, and also patriotism and religion.

An Unexpected Path to Modernisation: The Case of German Artisans during the Second World War

1996 ◽  
Vol 5 (3) ◽  
pp. 401-426 ◽  
Author(s):  
Frederick L. Mckitrick
Keyword(s):  
Second World War ◽  
Point Of View ◽  
West Germany ◽  
Class Relations ◽  
World War ◽  
New Era ◽  
The Social ◽  
History Of ◽  
Post War ◽  
Second World

On 10 July 1950, at the celebrations marking the fiftieth anniversary of the founding of the Wiesbaden Chamber of Artisans (Handwerkskammer), its president Karl Schöppler announced: ‘Today industry is in no way the enemy of Handwerk. Handwerk is not the enemy of industry.…’ These words, which accurately reflected the predominant point of view of the post-war chamber membership, and certainly of its politically influential leadership, marked a new era in the social, economic and political history of German artisans and, it is not too much to say, in the history of class relations in (West) Germany in general. Schöppler's immediate frame of reference was the long-standing and extremely consequential antipathy on the part of artisans towards industrial capitalism, an antipathy of which his listeners were well aware.

Overseas History in the Netherlands after the Second World War. Historical Backgrounds, Modern Developments, Present-Day Situation

Itinerario ◽  
1994 ◽  
Vol 18 (2) ◽  
pp. 97-115
Author(s):  
H.L. Wesseling
Keyword(s):  
History Of Science ◽  
Art History ◽  
Second World War ◽  
World War ◽  
Spiritual Climate ◽  
History Of Art ◽  
History Of ◽  
The One ◽  
Second World ◽  
Or History

Is history science or art? This is a problem which has been on people's minds for more than a century and certainly it is an interesting question. But within the framework of this contribution it is not really important, for, whether one practises art history or history of science, one faces the same problem. On the one hand such a history is first and foremost a history of the work and achievements of individuals. A history of science which does not deal with the work of Copernicus, Newton and Einstein is as useless as a history of art in which Rembrandt, Rubens and Michelangelo do not figure. Art and history are and will remain foremost the work of individuals of genius. On the other hand it is also true that a history of art or science which confines itself exclusively to a series of sketches of individuals and their work is not satisfactory either. Artists and scientists do not work within a vacuum. As one discerns tendencies and trends in art, likewise within the field of science one finds schools and paradigms. In order to understand works of art and science we have to look closely at influences and examples, at the time-spirit, the spiritual climate, et cetera.

scholarly journals FEATURES OF DEPICTION THE SECOND WORLD WAR EVENTS IN THE XXTH CENTURY RUSSIAN, AMERICAN AND HUNGARIAN PROSE (BASED ON THE NOVELS «LIFE AND FATE» BY VASILIY GROSSMAN, «FATELESSNESS» BY IMRE KERTÉSZ, «FROM HERE TO ETERNITY» BY JAMES JONES)

2020 ◽  
Vol 33 ◽  
pp. 433-447
Author(s):  
Adalbert BARAN
Keyword(s):  
Historical Memory ◽  
Modern Society ◽  
Second World War ◽  
Point Of View ◽  
World War ◽  
Historical Events ◽  
James Jones ◽  
History Of ◽  
From Here To Eternity ◽  
Second World

The present article deals with the comparative analysis of the methodological bases of depicting the authenticity, features, and character of ideological-thematic reflection of the Second World War events on the pages of the novel by Russian writer Vasily Grossman (1905-1964) «Life and Fate» (1960), the masterpiece by the American novelist James Jones (1921-1977) «From here to eternity» (1953) and the work by the Hungarian novelist Imre Kertész (1929-2016) «Fatelessness» (1975). The novels' authors did not need to interpret historical events by other people's memories and strive for a documentary. The original document in the novels was the life and unique memory of the writers themselves, and not only in the sense of the artistic reproduction of the true sides of the survived and seen, but also in terms of serious thoughts about the relationship of the past with the present in their moral, social, philosophical and ethical aspects. The article highlights the events and circumstances that predetermined the formation of features of the writers' worldview and led to the writing of the novels on military topics. The novels «Life and Fate», «Fatelessness», and «From here to eternity» can be considered as deeply personal works by the writers who have not declared, magnified the events of the history in context, but through the image system of the novels deeply examined, analyzed their roots. The authors of the novels have shown the history of the 20th century not on the background of exaggerated, politically agitating, heroic pictures, but from the point of view of the true significance of historical events for modern society. Keywords: documentary, historical memory, regime, literary tradition, writer’s consciousness, historical concreteness.

World History

2018 ◽  
Author(s):  
Jürgen Osterhammel
Keyword(s):  
World History ◽  
Second World War ◽  
Modern World ◽  
Nation State ◽  
Global History ◽  
World War ◽  
The Past ◽  
History Of ◽  
History Of Migration ◽  
Second World

This chapter examines different approaches to global history. Modern world history differs from older universal-historical constructions in that it presupposes an empirical idea of geography and of both the unity and plurality of humanity’s historical experience. After the Second World War, historians paid more attention to the interaction of the nation-state (the local) and the world (the global). The newer global history, while it does not negate the nation-state, strives to understand the reasons for the success of the West, without however reverting to a Eurocentric and essentializing perspective. Aware of the constructedness of history, it nonetheless pays attention to agency in the past, and to the plurality of perspectives and divergent historical paths. It does so by focusing on topics such as the history of migration, the environment, and economic globalization.

“Russia My History”

2021 ◽  
Vol 13 (1) ◽  
pp. 33-57
Author(s):  
Olga Konkka
Keyword(s):  
Digital Technologies ◽  
Second World War ◽  
Historical Narrative ◽  
World War ◽  
Digital Museum ◽  
Pedagogical Tool ◽  
History Of ◽  
The One ◽  
The Impact ◽  
Second World

This article analyzes the presentation of the Second World War in the multimedia “history parks” of the Russian educational project “Russia My History.” In these exhibition complexes, modern digital technologies offer visitors a “revolutionary” way to discover Russian history. The article first explores the history and conception of the Russia My History project, as a pedagogical tool, a digital museum, a historical narrative, and a response to current memory policies. Next, I focus on the exhibition dedicated to the Second World War (specifically, on its technical, visual, structural, lexical, and historical aspects) and assess the impact of the digitalization and commodification of history on the traditionally rigid official Russian memory of the war. I attempt to show that instead of exploiting digital technologies to develop new approaches to the history of the war, the exhibition neglects the potential of multimedia and provides a narrative close to the one used in Soviet and post-Soviet textbooks.

Conclusion

2003 ◽  
pp. 397-406
Author(s):  
John Cooper
Keyword(s):  
Jewish Identity ◽  
Medical Profession ◽  
Second World War ◽  
Daily Rhythm ◽  
World War ◽  
English Society ◽  
History Of ◽  
The One ◽  
Victorian Age ◽  
Second World

This concluding chapter summarizes the book's findings on the history of the entry of Jews into the medical and legal professions. During the late Victorian age and the Edwardian era, it was possible for a few Jews from patrician or wealthy merchant families to rise to the top of the Bar, or the front rank of the medical profession, while retaining a Jewish identity. Between the two world wars, English society was much less open than in the late Victorian and Edwardian years. This was a time of heavy unemployment and economic malaise, disfigured by sharpening antisemitism which did not abate until a decade after the Second World War. During the 1950s and 1960s, there was a predominance of Jewish doctors over Jewish lawyers in England, but by the 1990s this situation had been reversed and Jewish lawyers were in a majority. Since the 1990s, there has been a decline generally in the number of applicants for medical schools in England. Among these professionals today, there is on the one hand an imperceptible drift by some out of the community, without pressure from the necessity for radical assimilation, and a switch by another group of professionals from the Orthodoxy of their fathers to Reform Judaism, which they find more compatible with the daily rhythm of their careers.

CONSIGNING JUSTICE TO HISTORY: TRANSITIONAL TRIALS AFTER THE SECOND WORLD WAR

2013 ◽  
Vol 56 (2) ◽  
pp. 553-581 ◽  
Author(s):  
KIM CHRISTIAN PRIEMEL
Keyword(s):  
Collective Memory ◽  
Second World War ◽  
The Other ◽  
World War ◽  
History Of ◽  
The Hague ◽  
The Law ◽  
The One ◽  
Second World

ABSTRACTThis article reviews recent historical investigations of transitional trials held after the Second World War. It identifies three main strands of historiography. One group of studies has been dominated by the trials' participants who have shaped the perception of the trials' scope, their achievements, and their shortcomings, and pursued political, legal, or biographical agendas. A second group has treated the trials as a mere epilogue to the history of the deceased regimes. A third, more profound approach has conceptualized the trials as places where collective memory was assembled, configured, and shaped. This notion opens the debate to an analysis of how law and history on the one hand, jurisdiction, jurisprudence, and historiography on the other interact and how they impact on one another. The article compares and evaluates the benefits drawn from this research. It finds that historical analyses which take seriously the epistemological premises of the law as well as the courtroom's performativity manage to bypass well-trodden paths of interpretation which either deplore the limited, inadequate punishment meted out, or celebrate the triumphant march from Nuremberg to The Hague. The article concludes that such interdisciplinary readings help to avoid widespread disillusionment with the results of transitional trials.

The Renaissance versus the Avant-Garde

2014 ◽  
Vol 18 (2) ◽  
pp. 139-168
Author(s):  
Maxim Kantor
Keyword(s):  
Social History ◽  
20Th Century ◽  
Second World War ◽  
Point Of View ◽  
World War ◽  
Avant Garde ◽  
European Culture ◽  
Fertile Ground ◽  
History Of ◽  
Second World

The essay contrasts two recurring phenomena of European culture: renaissance and avant-garde. The author discusses the paradigmatic Renaissance of 15th and 16th centuries and the paradigmatic Avant-Garde of early 20th century from the point of view of a practicing artist, interested in philosophical, social, religious, and political involvements of artists and their creation. The author shows the artistic and social history of 20th century as a struggle between the Avant-Garde and the Renaissance ideals, which, as he points out, found a fertile ground in in the 20 years that followed immediately the Second World War.

scholarly journals The Second World War in Southeastern Europe. Historiographies and Debates

Südosteuropa ◽  
2017 ◽  
Vol 65 (2) ◽  
Author(s):  
Sabine Rutar
Keyword(s):  
Public History ◽  
Second World War ◽  
The European Union ◽  
Southeastern Europe ◽  
Special Issue ◽  
World War ◽  
The Past ◽  
History Of ◽  
Research Agendas ◽  
Second World

AbstractIntroducing this special issue on historiographies and debates on the Second World War in Southeastern Europe, the author reflects on the conditionalities of a better balancing of research agendas in terms of the interdependencies between local dynamics and wider scales—be they the regional, national and transnational, or global dimensions of the war. She draws attention to the role the European Union has played in crafting public history, in which processes of ‘internationalizing’ and of ‘nationalizing’ the past have been entangled. She concludes that Southeast Europeanists could greatly enhance international research agendas by taking the lead in fostering a bottom-up, multiscale, and multiperspective history of postimperial, nationalizing societies at war.

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