ISIS and the Threat to Our Cultural Heritage: What Can the World Do? A Five-Point Proposal (The Eighteenth Horst Gerson Lecture, held on October 8, 2015)

2015 ◽  
Author(s):  
James Cuno
Keyword(s):  
Cultural Heritage ◽  
The World

Does historical nostalgia predict tourists' delight and their destination loyalty intention for the world cultural heritage site of Mahabalipuram, India?

2020 ◽  
Author(s):  
Anil Verma ◽  
G. Rajendran
Keyword(s):  
Cultural Heritage ◽  
Structural Equation ◽  
Destination Loyalty ◽  
Heritage Sites ◽  
Heritage Site ◽  
Loyalty Intention ◽  
Tourism Studies ◽  
The World ◽  
World Cultural Heritage ◽  
The Impact

Delighting consumers has been one of the most important goals for marketing stakeholders but the effect of historical nostalgia on tourists delight at the world cultural heritage sites has rarely been examined. This study examines the impact of historical nostalgia on the heritage tourists' delight, their satisfaction and destination loyalty intention. The survey for the study was conducted at the world cultural heritage site of Mahabalipuram, India. The hypotheses were tested through the structural equation modelling technique. The results indicated positive and significant effect of historical nostalgia on tourists' delight, satisfaction and destination loyalty intention. The study makes contribution to the tourism studies by examining the role of historical nostalgia in delighting the tourists at the cultural heritage sites and instructs the managers to evoke such experiences to keep the heritage tourists delighted and thereby enhance their loyalty.

Exploring Attendance at a Traditional Cultural Event: The Case of a Holy Week Celebration

2020 ◽  
Vol 24 (1) ◽  
pp. 153-168
Author(s):  
Víctor Lafuente ◽  
José Ángel Sanz ◽  
María Devesa
Keyword(s):  
Cultural Capital ◽  
Cultural Heritage ◽  
Count Data ◽  
Data Model ◽  
Social Aspects ◽  
Social Nature ◽  
The World ◽  
Local Residents ◽  
The City ◽  
Complex Expression

Holy Week is one of the most important traditions in many parts of the world and a complex expression of cultural heritage. The main goal of this article is to explore which factors determine participation in Holy Week celebrations in the city of Palencia (Spain), measured through the number of processions attended. For this purpose, an econometric count data model is used. Variables included in the model not only reflect participants' sociodemographic features but other factors reflecting cultural capital, accumulated experience, and social aspects of the event. A distinction is drawn between three types of participants: brotherhood members, local residents, and visitors, among whom a survey was conducted to collect the information required. A total of 248 surveys were carried out among brotherhood members, 209 among local residents, and 259 among visitors. The results confirm the religious and social nature of this event, especially in the case of local participants. However, in the case of visitors, participation also depends on aspects reflecting the celebration's cultural and tourist dimension—such as visiting other religious and cultural attractions—suggesting the existence of specific tourism linked to the event. All of this suggests the need to manage the event, ensuring a balance is struck between the various stakeholders' interests and developing a tourist strategy that prioritizes public-private cooperation.

scholarly journals Young people and the world wars: visuality, materiality and cultural heritage

2020 ◽  
Vol 17 (5) ◽  
pp. 589-595
Author(s):  
Ana Carden-Coyne ◽  
Kate Darian-Smith
Keyword(s):  
Young People ◽  
Cultural Heritage ◽  
The World

Improved Identification of Portraiture of the Julio-Claudian Period with Mobile Apps

2021 ◽  
Author(s):  
Dmitri A. Gusev
Keyword(s):  
Image Analysis ◽  
Cultural Heritage ◽  
Mobile Apps ◽  
Multiple Views ◽  
Novel Approach ◽  
The World ◽  
Mobile Imaging ◽  
Private Collections ◽  
Historical Periods

We present the results of our image analysis of portrait art from the Roman Empire’s Julio-Claudian dynastic period. Our novel approach involves processing pictures of ancient statues, cameos, altar friezes, bas-reliefs, frescoes, and coins using modern mobile apps, such as Reface and FaceApp, to improve identification of the historical subjects depicted. In particular, we have discovered that the Reface app has limited, but useful capability to restore the approximate appearance of damaged noses of the statues. We confirm many traditional identifications, propose a few identification corrections for items located in museums and private collections around the world, and discuss the advantages and limitations of our approach. For example, Reface may make aquiline noses appear wider or shorter than they should be. This deficiency can be partially corrected if multiple views are available. We demonstrate that our approach can be extended to analyze portraiture from other cultures and historical periods. The article is intended for a broad section of the readers interested in how the modern AI-based solutions for mobile imaging merge with humanities to help improve our understanding of the modern civilization’s ancient past and increase appreciation of our diverse cultural heritage.

“Reading mysterious Chersonesos writings”. Interactive excursion-play around cultural heritage objects of Byzantine Chersonesos (part 1)

2021 ◽  
pp. 616-631
Author(s):  
L.V. Dmitrieva
Keyword(s):  
Cultural Heritage ◽  
World Views ◽  
Cultural Space ◽  
Russian State ◽  
State Pedagogical ◽  
The World ◽  
History Of ◽  
History Of Culture ◽  
Cultural Heritage Objects ◽  
Partnership Program

The proposed scenario of the interactive excursion-performance is designed for a children's audience of 9–11 years. The route is planned as a tour of the historical and cultural space, and reinvigoration of this Byzantine city. Thus, the excursion content is realized by means of a visual and associative consequence connected with the places of interests artistic artifacts: Christian character images reveal the world views of the medieval culture. The project is part of the academic partnership program of the Russian State Pedagogical University named after A.I. Herzen with the historical and archaeological museum-reserve “Chersonesos Tauric” and is implemented during visiting summer practices of bachelors of the Department of Theory and History of Culture.

UPAYA PELESTARIAN BATIK ASLI PEKALONGAN DALAM RANGKA MEMPERTAHANKAN PENGAKUAN UNESCO SEBAGAI WARISAN BUDAYA INDONESIA DI KOTAMADYA PEKALONGAN

2015 ◽  
Vol 9 (03) ◽  
pp. 93-103
Author(s):  
Tejo Bagus Sunaryo ◽  
Maria Elisabeth Roberta
Keyword(s):  
Cultural Heritage ◽  
Small Town ◽  
The Internet ◽  
The World

This paper is made so people care about the originality of batik as Indonesia’s cultural heritage, to create a sense of nationality, love the homeland and so that the legacy of this country will not taken by other country. This is so that batik will still be recognized by UNESCO and the world as Indonesia’s own cultural heritage. The sources for the making of this paper was from the internet and from the author’s knowledge, because the author has been living in Pekalongan for 14 years. Although Pekalongan is only a small town, but Pekalongan had a unique history and culture that only Pekalongan who have it. Keywords: Pekalongan, batik, culture, legacy, UNESCO

Pics or it didn’t happen: The artwork formerly known as heritage in Google Street Art

2017 ◽  
Vol 25 (3) ◽  
pp. 374-392 ◽  
Author(s):  
Joseph Isaac
Keyword(s):  
Cultural Heritage ◽  
Street Art ◽  
Online Database ◽  
Intangible Heritage ◽  
The World ◽  
Wide Variability

In 2014, Google announced a new initiative for its Cultural Institute. Called the Street Art Project, the online database was seen by many (Google included) as a continuation of the Google Art Project, in that it sought to make street art from around the world more easily accessible to interested audiences. The company acknowledged that such art was temporary, and that, by virtue of the artwork’s eventual disappearance, it would eventually become an important record of preservation for the practice. However, in its focus on the physical artwork, the project unwittingly highlights a problematic trend in street art’s protection as intangible heritage: one where its safeguard often becomes overpowered by the tangibility of its material elements. Exploring Google Street Art through the lens of Melbourne, a city that has long negotiated with street art and graffiti as forms of cultural heritage, this article outlines the consequences of such tangibility for the intangible artwork. It argues that any protection of intangible heritage requires a tacit acknowledgement of the subjectivity which surrounds its experience: those community reactions and responses whose wide variability help define that heritage as something intangible.

scholarly journals Improving Capacity Development for Threatened Maritime and Marine Cultural Heritage Through the Evaluation of a Parameter Framework

2019 ◽  
Vol 14 (3) ◽  
pp. 409-427
Author(s):  
Katherine Recinos ◽  
Lucy Blue
Keyword(s):  
Middle East ◽  
Cultural Heritage ◽  
Case Studies ◽  
North Africa ◽  
Capacity Development ◽  
The World ◽  
The Future ◽  
Development Initiatives

Abstract Maritime cultural heritage is under increasing threat around the world, facing damage, destruction, and disappearance. Despite attempts to mitigate these threats, maritime cultural heritage is often not addressed to the same extent or with equal resources. One approach that can be applied towards protecting and conserving threatened cultural heritage, and closing this gap, is capacity development. This paper addresses the question of how capacity development can be improved and adapted for the protection of maritime cultural heritage under threat. It asserts that capacity development for maritime cultural heritage can be improved by gaining a more comprehensive and structured understanding of capacity development initiatives through applying a consistent framework for evaluation and analysis. This allows for assessment and reflection on previous or ongoing initiatives, leading to the implementation of more effective initiatives in the future. In order to do this, a model for classifying initiatives by ten parameters is proposed. It is then applied to a number of case studies featuring initiatives in the Middle East and North Africa region. This is followed by a discussion of how conclusions and themes drawn from the examination and evaluation of the case study initiatives can provide a deeper understanding of capacity development efforts, and an analysis of how the parameter model as a framework can aid in improving capacity development for threatened maritime cultural heritage overall.

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