scholarly journals Детское Чтение (1785-1789) и Детския Забавы (1792): Рецепция немецкого протестантизма в детских изданиях XVIII в.

Author(s):  
Виталий Симанков

This article is focused on Protestantism-related ideas encrypted in children’s literature in eighteenth-century Russia. The primary focus of the study is on Detskiia Zabavy (1792), a short-story collection that was thought to be an original Russian book. As this study shows, the book in question is actually a collection of texts translated from German and French. The bulk of the collection deals with the so-called short didactic stories, the ideological roots of which have been overlooked and understudied. The author’s findings help to clarify, among other things, the subject of Pushkin’s parody in his Detskaia Knizhka (1830).

Author(s):  
Ann Jefferson

This chapter surveys the children's literature detailing genius-level exemplarity and performance. The association between genius and childhood was already implicit in the image of innate genius in the eighteenth century, gearing it essentially to youth. From the start of the nineteenth century to the mid-twentieth century, child prodigies and the childhood of genius—though not necessarily the same thing—became the focus of new forms of attention that subjected them to particularly intense scrutiny in three major areas: children's literature, experimental psychology, and, in the middle of the twentieth century, the popular press. The chapter first examines Charles Baudelaire's claim that “genius is simply childhood recovered at will,” before turning to the subject of famous children as well as children's literature.


2021 ◽  
Vol 16 (2) ◽  
pp. 200-210
Author(s):  
Małgorzata Sokołowicz

The present paper describes some orientalist stereotypes concerning women and manifesting themselves in Le Harem entr’ouvert (1919), a short story collection by Aline Réveillaud de Lens (1881–1925), a French painter and writer, whose works are devoted mainly to North Africa. The paper focuses on three, most common, stereotypical representations of the Oriental woman according to which she is, firstly, a beautiful odalisque serving the man; secondly, extremely sensual and thus unfaithful and, finally, jealous and, sometimes, very cruel. The author attempts to explain the origins of those representations and to answer the question why A.-R. de Lens used them in her writings


2020 ◽  
Vol 6 (2) ◽  
pp. 321-331
Author(s):  
Tatiana Ternopol

This study investigates the intertextual use of Greek mythology in Agatha Christie’s short stories Philomel Cottage, The Face of Helen, and The Oracle at Delphi, a short story collection The Labours of Hercules, and a novel, Nemesis. The results of this research based on the hermeneutical and comparative methods reveal that A. Christie’s intertextual formula developed over time. In her early works, allusions were based on characters' appearances and functions as well as on the use of motifs and themes from Greek myths. Later on, she turned to using allusory character names; this would mislead her readers who thought they already knew the formula of her stories. Although not a postmodern writer, A. Christie enjoyed playing games of allusion with her readers. She wanted them not only to solve a case but also to discover and interpret the intertextual references.


2020 ◽  
Vol 10 (6) ◽  
pp. 36
Author(s):  
Barnali Talukder

The concepts of language and cultural identity of a speaker are entwined as they complement each other. However, translation poses a challenge to the identity language predominantly constructs. Therefore, translatable elements of language get the stage of universality while the untranslatable-s essentially bring forth the culture they are descended from. In this study, a short story collection from Bangladesh, Matijaner Meyera, where there is a celebration of diverse branches of Bengali language, has been brought to light to show how untranslatability of a number of culture-oriented vocabularies vibrantly tells about Bengali culture. The primary resource includes a lot many culture-oriented vocabularies as well as few phrases that English, as a language, cannot accommodate in it. Inability of other languages to penetrate such culture-rooted belongings of Bengali language showcases the power a language retains to protect itself from any invading force. This study has argued in favor of the untranslatable base of Bengali that English, due to cultural distance, cannot embrace linguistically. Therefore, such cultural difference eventually develops a distinct linguistic identity of Bengali through untranslatability that this study has attempted to divulge.


Buana Bastra ◽  
2021 ◽  
Vol 5 (1) ◽  
pp. 10-17
Author(s):  
Fithroh Wahidah

This study aimed to describe the social and political conflicts contained in the collection of short stories Drama Tells Too far work of Puthut EA and to describe thecorrelation between the short story collection The play was a story Too far work of PuthutEA with reality night history of Indonesian society. Sources of data in this study is the textcontained in the collection of short stories Drama Tells Too far work of Puthut EA. Whilethe research data is an excerpt sentence, description, dialogue, and other important mattersin the collection of short stories Drama Tells Too far work of Puthut EA. Data obtained byreading and writing techniques. Data were analyzed with the approach of sociology ofliterature and descriptive analysis techniques. The validity of the data obtained byconducting triangulation is triangualasi methods, sources of data and theory. These resultsindicate the existence of social and political conflict are contained in the collection of shortstories Drama Tells Too Far work of Puthut EA, containing social conflicts, among others:(1) gender conflict, namely: the oppression of women, (2) racial conflict, namely:discrimination of race Chinese, (3) inter-religious conflicts, namely: distrust ofcommunism, (4) conflict of interest, namely: the imposition of a leader, (5) interpersonal conflicts, namely: distrust of others, (6) the conflict between social classes, namely: socialinequality. Containing the political conflict, among others: (1) the weapons of battle and (2)the strategy politik. Correlation between the short story collection That play was a storyToo Far of Puthut EA works with historical reality of Indonesian society, among others: (1)The 1998 riots (2) The increase in fuel (3) Ethnic Discrimination (4) Dispute people of thesame religion (5) arrest Without Accompanied Official Letter (6) Violations of humanrights and (7) Poverty.  


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