KONFLIK SOSIAL DAN POLITIK DALAM KUMPULAN CERPEN DRAMA ITU BERKISAH TERLALU JAUH KARYA PUTHUT EA: KAJIAN SOSIOLOGI SASTRA

Buana Bastra ◽  
2021 ◽  
Vol 5 (1) ◽  
pp. 10-17
Author(s):  
Fithroh Wahidah

This study aimed to describe the social and political conflicts contained in the collection of short stories Drama Tells Too far work of Puthut EA and to describe thecorrelation between the short story collection The play was a story Too far work of PuthutEA with reality night history of Indonesian society. Sources of data in this study is the textcontained in the collection of short stories Drama Tells Too far work of Puthut EA. Whilethe research data is an excerpt sentence, description, dialogue, and other important mattersin the collection of short stories Drama Tells Too far work of Puthut EA. Data obtained byreading and writing techniques. Data were analyzed with the approach of sociology ofliterature and descriptive analysis techniques. The validity of the data obtained byconducting triangulation is triangualasi methods, sources of data and theory. These resultsindicate the existence of social and political conflict are contained in the collection of shortstories Drama Tells Too Far work of Puthut EA, containing social conflicts, among others:(1) gender conflict, namely: the oppression of women, (2) racial conflict, namely:discrimination of race Chinese, (3) inter-religious conflicts, namely: distrust ofcommunism, (4) conflict of interest, namely: the imposition of a leader, (5) interpersonal conflicts, namely: distrust of others, (6) the conflict between social classes, namely: socialinequality. Containing the political conflict, among others: (1) the weapons of battle and (2)the strategy politik. Correlation between the short story collection That play was a storyToo Far of Puthut EA works with historical reality of Indonesian society, among others: (1)The 1998 riots (2) The increase in fuel (3) Ethnic Discrimination (4) Dispute people of thesame religion (5) arrest Without Accompanied Official Letter (6) Violations of humanrights and (7) Poverty.  

2020 ◽  
Vol 8 (11) ◽  
pp. 159-166
Author(s):  
Anuranj C K

In 1979 Mahasweta Devi had written and published a short story collection in Bengali language. Later, the short story collection had been translated into English by Ipsita Chanda and published in 1998 under the title of Bitter Soil. This paper studies two short stories from this collection of translation, which entitled as Little Ones and Salt respectively. Mahasweta Devi made tremendous contribution to literary, social and cultural studies in this country and she always believed that the real history is made by the ordinary people as she is also a political activist. Both these short stories represent the history of post independent India. Mahasweta Devi’s empirical research into oral history and haunting tales of exploitation and struggle as it lives in the cultures and reminiscences of tribal communities is highly relevant today.  


LOKABASA ◽  
2019 ◽  
Vol 10 (2) ◽  
pp. 131-141
Author(s):  
Gita Kurnia Dewi ◽  
Ruhaliah Ruhaliah ◽  
Retty Isnendes

The background of the research is the personality conflict of the main characters in the short story collection Jurig Paséa jeung Nyi Karsih. The theory used in this study is Todorov's structural theory and Jacques Lacan's literary psychological theory. This research aimed to analyze and describe: 1) the structure the short story collection Jurig Paséa jeung Nyi Karsih, 2) the personality aspects of the main characters in the short story collection Jurig Paséa jeung Nyi Karsih, and 3) factors that influence the personality of the main character. The method used in this research is descriptive analysis method. The data source of this research is a short story collection Jurig Paséa jeung Nyi Karsih by Tini Kartini. Data collection techniques using a literature study technique. The techniques in processing data are using direct analysis techniques. The instruments in this research use table instruments and data analysis cards. The results of the research are, first, the structure of the story in the short story collection Jurig Paséa jeung Nyi Karsih made completely, it is formed by the whole syntactic and semantic aspects, and the story illustrates the imagination that is strengthened by consciousness in the history of the community and life. Second, the personality aspects of the main character can be clearly analyzed based on the results of their (real) needs, their deficiencies (which are imaginary), and their desires (which are symbolic). Third, the personality of the main character can be analyzed because of the factors that influence the personality of the main character consisting of internal factors and external factors. In conclusion, the short story collection of Jurig Paséa jeung Nyi Karsih has the personality aspect of the main character in the presence of the psychiatric element of the main character and the factors that influence the personality of the main character's personality.AbstrakPenelitian ini dilatarbelakangi oleh adanya konflik kepribadian para tokoh utama dalam kumpulan cerpen Jurig Paséa jeung Nyi Karsih. Teori yang digunakan dalam penelitian ini yaitu teori struktural Todorov dan teori psikologi sastra Jacques Lacan. Penelitian ini bertujuan untuk menganalisis dan mendeskripsikan: 1) struktur kumpulan cerpen Jurig Paséa jeung Nyi Karsih, 2) aspek kepribadian para tokoh utama dalam kumpulan cerpen Jurig Paséa jeung Nyi Karsih, dan 3) faktor yang mempengaruhi kepribadian tokoh utama. Metode yang digunakan dalam penelitian ini adalah metode deskriptif analisis. Sumber data penelitian ini adalah kumpulan cerpen Jurig Paséa jeung Nyi Karsih karya Tini Kartini. Teknik pengumpulan data dengan menggunakan teknik studi pustaka. Teknik dalam mengolah data yaitu menggunakan teknik analisis secara langsung. Adapun instrumen dalam penelitian ini menggunakan instrumen tabel dan kartu data analisis. Hasil penelitiannya yaitu, pertama, struktur cerita dalam kumpulan cerpen Jurig Paséa jeung Nyi Karsih dibuat dengan lengkap, artinya dibentuk oleh aspek sintaksis dan semantik yang menyeluruh, serta ceritanya menggambarkan imajinasi yang dikuatkan oleh kesadaran dalam sejarah masarakat dan kehidupan dahulu. Kedua, aspek kepribadian tokoh utama bisa dianalisis dengan jelas berdasarkan hasil kebutuhannya (yang nyata), kekurangannya (yang imajiner), dan hasrat keinginannya (yang simbolik). Ketiga, kepribadian tokoh utama bisa dianalisis karena adanya faktor-faktor yang mempengaruhi kepada kepribadian tokoh utama yang terdiri atas faktor internal dan faktor eksternal. Kesimpulannya, kumpulan carpon Jurig Paséa jeung Nyi Karsih mempunyai aspek kepribadian tokoh utama dengan adanya unsur kejiwaan tokoh utama dan faktor-faktor yang mempengaruhi kejiwaan pada kepribadian tokoh utama.


2020 ◽  
Vol 6 (2) ◽  
pp. 321-331
Author(s):  
Tatiana Ternopol

This study investigates the intertextual use of Greek mythology in Agatha Christie’s short stories Philomel Cottage, The Face of Helen, and The Oracle at Delphi, a short story collection The Labours of Hercules, and a novel, Nemesis. The results of this research based on the hermeneutical and comparative methods reveal that A. Christie’s intertextual formula developed over time. In her early works, allusions were based on characters' appearances and functions as well as on the use of motifs and themes from Greek myths. Later on, she turned to using allusory character names; this would mislead her readers who thought they already knew the formula of her stories. Although not a postmodern writer, A. Christie enjoyed playing games of allusion with her readers. She wanted them not only to solve a case but also to discover and interpret the intertextual references.


2020 ◽  
Vol 30 (2) ◽  
pp. 217-241
Author(s):  
LORELY FRENCH

This article presents a close reading of the Romani characters and their actions in five stories by Viennese Romani writer and activist Samuel Mago and in two stories by his brother, Hungarian award-winning journalist Károly Mágó, in their bilingual Romani and German collection glücksmacher - e baxt romani. Brief biographies and an outline of the history of Roma and antiziganism in Austria provide background to textual analysis that focuses on how characters in the stories engender baxt/“Glück,” which means both happiness and luck. This dual meaning has inspired philosophical, psychological, economic, and anthropological studies, but literary scholars have rarely examined the concept in texts by Roma. For the protagonists in the brothers’ stories, happiness and luck become based less on monetary fortunes than on other means to live and survive in dark times of persecution and discrimination. The characters’ decisions unveil perceptions of baxt that rely largely on acquiring food, preserving and passing down family heirlooms, receiving an education, and freeing oneself and one’s family from persecution.


2020 ◽  
Vol nr specjalny 1(2020) ◽  
pp. 498-518
Author(s):  
Elżbieta Dutka ◽  

Włodzimierz Odojewski is one of the most famous émigré writers who still deals with the topic of emigration, even in his books published long after his both symbolic and real return to the homeland. Significant extension and dwelling on the said topic can be observed in the book „…i poniosły koine” […and the horses bolted]. The aim of this paper is to provide an interpretation of the short stories gathered in the volume (published in 2006) from the perspective of the biographical context, the rest of Odojewski’s writings, as well as his opinions on various aspects of exile. Such interpretation reveals a more existential and internalized dimension of emigration but also its universal meanings. Thus, emigration is considered to be a metaphor of human fate.


2019 ◽  
Vol 41 (2) ◽  
pp. e45888
Author(s):  
Cielo Griselda Festino

This article brings a reading of the short-story collection Monção [Monsoon] ( 2003) by the Goan writer Vimala Devi (1932-). The collection can be read as a short-story cycle, a group of stories related by locality, Goa, character, Goans, from all walks of life, and theme, in particular women´s milieu, among other literary categories. In her book, written from her self-imposed exile in Portugal, Devi recreates Goa, former Portuguese colony, in the 1950s, before its annexation to India. A member of the Catholic gentry, Devi portrays the four hundred years of conflictive intimacy between Catholics and Hindus. Our main argument is that Devi´s empathy for her culture becomes even more explicit in Monção when her voice becomes one with that of all her women characters. Though they might be at odds, due to differences of caste, class and religion, Devi makes a point of showing that they are all part of the same cultural identity constantly remade through their own acts of refusal and recognition. This discussion will be framed in terms of Sidonie Smith and Julia Watson’s theory of autobiography (2001) as well as the studies on Goan women by the Goan critics Propércia Correia Afonso (1928-1931), Maria Aurora Couto (2005) and Fátima da Silva Gracias (2007).


Author(s):  
Milica Aleksić

In this paper we discuss the doubling of characters' identities in Borisav Stanković's short story collection Stari dani (1902), and a conscious or unconscious selection of another protagonist as an alternative for performing a particular protagonist’s activity the doubling of the actual narrative world through counter-narrative, simulated narrative, comparison and narrative negation will be analyzed. We will try to show how the patriarchal context determines this otherness of worlds and protagonists, and what the cause-effect relations has to do with the psychologization of Stanković's protagonists and the development of the story in nine short stories of the aforementioned collection.


2017 ◽  
Vol 9 (2) ◽  
pp. 225
Author(s):  
Mega Subekti

Tulisan ini ditujukan untuk mengungkapkan identitas budaya hibrid yang ditampilkan dalam tiga cerpen yang ditulis oleh pengarang Afrikadalam buku kumpulan cerpen L’Europe Vue D’Afrique (Eropa dilihat  Afrika). Tiga cerpen itu berjudul ”Femme de Gouverneur” (LFG) karya Ken Bugul, “La Bibliothèque d’Ernst” (LBE) karya Patrice Nganang, dan “Âllo” karya Aziz Chouaki. Identitas budaya hibrid itu tercermin melalui pandangan Eropasentris para tokoh utama dan mimikriyang mereka lakukan sebagai individu hibrid (Afrika-Eropa). Homi Bhabha (1994) dalam The Location of Culture, mengungkapkan bahwa konsep mimikri tidak berarti sepenuhnya meniru karena terkandung juga unsur mengejek (mockery). Oleh karena itu, budaya hibrid yang muncul itu dapatdianggap sebagai senjata untuk meresistensi pengaruh budaya Eropa pada diri mereka, juga untuk mengkritik pengaruh budaya Eropa yang selama ini telah dianggap baik oleh masyarakat Afrika.Abstract: This paper  aims  to describe the hybrid cultural identity shown in three short stories, which were written by African authors in the book of the short story collection “L’Europe Vue D’Afrique”. The three short stories are Ken Bugul’s La Femme de Gouverneur (LFG), Patrice Nganang’s La Bibliothèque d’Ernst (LBE) , and Aziz Chouaki’s Allo. The hybrid cultural identity is reflected through the Eurocentric perspective and mimicry of the main character as individual hybrid (African-European). Homi Bhabha (1994) in “The Location of Culture” describes that the concept of mimicry not only   mimics something but also contains mockery. Therefore, the hybrid culture represented in the short stories can be considered  a weapon to resist the influence of European culture on them and to criticize the influence of European culture, which has been considered superior by the African society.


Author(s):  
Aniket Jaaware

A major inspiration to a younger generation of Marathi ‘Dalit’ authors, Baburao Bagul’s literary and critical writing is somewhat atypical of what subsequently became famous as ‘Dalit’ literature (literature of the oppressed) after 1972. Bagul was also actively involved in the discussions that would lead to the founding of the Dalit Panthers. Having published stories in magazines earlier, he published his first volume of short stories called JevhaMiJaatChorliHoti (When I Hid My Caste, 1963). He reinforced his reputation with his short story collection MaranSwasta Hot Ahe (Death is Becoming Cheaper, 1969). Most of his stories explore ‘lumpen’ characters and the ethical implications of their actions as they fight to survive the unrelenting misery and poverty of urban modernity. His characters are ones who survive (or not) in limit situations of hunger and criminality, in dwellings without any civic amenities, and often exploit or violate other characters in similar circumstances.


2021 ◽  

Five Short Stories brings together a diverse selection of Walter Scott’s shorter fictions produced over a five-year span late in his long career. First published within the three-volume novel Redgauntlet (1824), “Wandering Willie’s Tale” remains a staple of Gothic anthologies. Two Scottish tales, “The Highland Widow” and “The Two Drovers”, come from Chronicles of the Canongate (1827), Scott’s only official short story collection. Two other works intended for a second series of Chronicles, “My Aunt Margaret’s Mirror” and “The Tapestried Chamber”, eventually appeared in a fashionable gift-book, The Keepsake for 1829. A grisly murder and a journey into a hellish underworld; a drug-induced desertion followed by a military execution; a simmering rivalry leading to a homicide; bigamy exposed by a magic lantern show; and an ornate room furnished with the ghost of an evil aristocrat: these short stories amply showcase Scott’s darker imagination.


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