scholarly journals History Moves: Mobilizing Public Histories in Post-Digital Space

2016 ◽  
Vol 7 (2/3) ◽  
Author(s):  
Matthew Wizinsky ◽  
Jennifer Brier
Keyword(s):  
Public Space ◽  
Public History ◽  
Media History ◽  
Participatory Process ◽  
Digital History ◽  
Digital Space ◽  
Women Living With Hiv ◽  
History Of ◽  
Living With Hiv

Similar to most cultural forms today, history is collected, edited, manipulated, stored, displayed, distributed, and otherwise produced through a complex network of post-digital techniques and media. It is often produced only by historians. History Moves is a public history project that aims to produce cogent and collective historical experiences within the cultural frame of mutable and highly distributed media forms. It does this by bringing history, design, and historical subjects into conversation to shape public space. The project uses a participatory process that mobilizes people to interpret history by mobilizing digital and analogue media. History Moves transforms historical subjects into history-makers while simultaneously and repeatedly transfiguring media into forms that are engaging and accessible to widely distributed audiences. This article recounts a case study where History Moves worked with a group of women living with HIV/AIDS to present a history of the epidemic and a women’s history of Chicago. We suggest that the example provides a model for how to build participatory digital history projects and collaborative history displays.

The Complexity of Work for Women who are HIV Positive: A Case Study in DKI Jakarta

2018 ◽  
Vol 23 (4) ◽  
pp. 203
Author(s):  
Andi Nur Faizah
Keyword(s):  
Qualitative Method ◽  
Family Members ◽  
Hiv Positive ◽  
Difficult Situation ◽  
Women Living With Hiv ◽  
Hiv Positive Women ◽  
And Gender ◽  
Gender Categories ◽  
Living With Hiv

<p>The phenomenon of HIV-AIDS transmission places women in a difficult situation. The loss of family members such as husbands due to AIDS leaves women living with HIV positive in a struggle to access sources of livelihood. The condition of themselves as PLWHA, concerns about being stigmatized, caring for family members, and earning a living are the burdens of life they have to face. In this regard, this paper explores the complexity of the work of HIV-positive women. This study uses a qualitative method with a feminist perspective to get a complete picture of the livelihood of HIV-positive women. Based on interviews with five HIV-positive women, the findings found a link between social, identity, and gender categories that affect their livelihoods. HIV-positive women also transform themselves into their “normal” self by pretending to be healthy, able to work, have quality, and be independent. This is done as a form of resistance to the stigma attached to PLWHA.</p><p> </p><p> </p>

Collecting Folk Histories

2015 ◽  
Vol 37 (3) ◽  
pp. 45-75
Author(s):  
William S. Walker
Keyword(s):  
New York ◽  
Collaborative Research ◽  
Public History ◽  
New York State ◽  
Field Research ◽  
Community Based ◽  
Community Based Research ◽  
Student Community ◽  
History Of

This article explores the shared intellectual tradition in folklore, public history, and oral history of involving students in community-based field research. This case study of the collaborative research New York State folklorist Harold W. Thompson and his students undertook in the 1930s contributes to ongoing efforts to enrich our understanding of public history’s genealogy. It also demonstrates that a counter-tradition to the “lone genius” model of humanities research emerged through faculty-student community-based research projects in history and folklore.

Queer Public History in Small-Town Wisconsin

2019 ◽  
Vol 41 (2) ◽  
pp. 70-93
Author(s):  
Christopher Hommerding
Keyword(s):  
Sexual Identity ◽  
Public History ◽  
Small Town ◽  
History Of Sexuality ◽  
Historic Site ◽  
History Of ◽  
Ways Of Thinking

This essay examines the interpretation of the lives and work of two queer men, Robert Neal and Edgar Hellum, at the Pendarvis Historic Site in the small town of Mineral Point, Wisconsin. Using this interpretation as a case study, the essay addresses how public historians might more fully incorporate the history of sexuality into historic site interpretative models. It suggests a number of strategies for helping visitors think critically about the history of sexuality and how our current understandings of sexual identity are not always useful or accurate ways of thinking about queer pasts.

Slavery Tourism

2017 ◽  
Author(s):  
Bayo Holsey
Keyword(s):  
African American ◽  
Public History ◽  
Slave Trade ◽  
Tourism Industry ◽  
Cape Coast ◽  
Radical Interpretation ◽  
Atlantic Trade ◽  
History Of

This chapter presents a case study of the slavery tourism industry in Ghana, tracing its development and noting some of the struggles it has faced. Based around the dungeons in the Cape Coast and Elmina castles used to warehouse slaves bound for the Atlantic trade, Ghana’s slavery tourism industry emerged in the 1990s through complex negotiations among different interested parties. The chapter notes in particular the disjuncture between Ghanaian understandings of the history of the slave trade and that of international and especially African American tourists. It also critiques the tourism industry’s focus on the triumph over slavery and considers the ways in which such an emphasis forecloses the possibility of a more radical interpretation of history. Finally, it places Ghanaian slavery tourism within the broader context of a global public history of slavery.

A Digital Voice from the Dust: The Joseph Smith Papers at the Intersection of Public and Digital History1

Collections ◽  
2016 ◽  
Vol 12 (4) ◽  
pp. 409-418
Author(s):  
Brent M. Rogers
Keyword(s):  
Jesus Christ ◽  
Public History ◽  
Latter Day Saints ◽  
Digital History ◽  
Joseph Smith ◽  
Historical Figure ◽  
Authentic Voice ◽  
The Church ◽  
Documentary Editing

Like other documentary editing projects, the Joseph Smith Papers—an effort to produce a comprehensive edition of the papers of Joseph Smith, the founder of the Church of Jesus Christ of Latter-day Saints, more commonly known as Mormons—seeks to provide reliable access to “the authentic voice” of its eponymous historical figure in innovative ways. As a digital voice from the dust, the project makes Smith's words, character, and context accessible in the online representation of his papers in ways that forcefully illustrate the convergence of public and digital history. This article uses the Joseph Smith Papers Project (JSPP) as a case study to look at documentary collections at the intersection of digital and public history while exploring issues of scholarship, access, and transparency. The trends described here promise to have implications for the larger fields of digitally presented public history and documentary collections.

scholarly journals Perceived Barriers to HIV Care and Viral Suppression Comparing Newly Diagnosed Women Living with HIV in Rural Uganda with and without a History of Intimate Partner Violence

2021 ◽  
pp. 088626052110282
Author(s):  
Ijeoma Nwabuzor Ogbonnaya ◽  
Elizabeth Reed ◽  
Rhoda K. Wanyenze ◽  
Jennifer A. Wagman ◽  
Jay G. Silverman ◽  
...  
Keyword(s):  
Intimate Partner Violence ◽  
Partner Violence ◽  
Viral Suppression ◽  
Intimate Partner ◽  
Hiv Care ◽  
Newly Diagnosed ◽  
Women Living With Hiv ◽  
History Of ◽  
To Come ◽  
Living With Hiv

Intimate partner violence (IPV) is associated with poor HIV care linkage and retention, medication adherence, and viral suppression. However, limited knowledge exists regarding potential mechanisms linking IPV to these outcomes. We aimed to (a) identify the top barriers to accessing HIV care experienced by women living with HIV (WLHIV) who report a history of IPV and have suppressed viral load (VL) versus unsuppressed VL and (b) understand how these barriers influence VL, comparing WLHIV with a history of IPV to WLHIV without a history of IPV. Study data come from newly diagnosed WLHIV in rural Uganda participating in the standard-of-care control arm of a randomized trial ( n = 152). Descriptive results ranking mean scores from highest to lowest showed that, among women with a history of IPV, irrespective of viral suppression status, paying for transportation to come to clinic, having to wait at the clinic for long periods of time, and finding a clinic within reasonable travel distance were the top three barriers to accessing HIV care. WLHIV with a history of IPV were significantly more likely to have unsuppressed VL versus suppressed VL if they reported higher levels of difficulty finding a clinic within reasonable travel distance (RRR = 1.7, 95% CI [1.1–2.7]), getting permission to take time off from work (RRR = 1.5, 95% CI [1.0–2.9]), and finding time to come to the clinic for an appointment (RRR = 1.6, 95% CI [1.0–2.6]). The same relationships were not present among WLHIV without a history of IPV, suggesting these barriers and their effect on VL may be uniquely related to IPV. Interventions should address IPV and HIV care continuum outcomes in tandem, targeting barriers to accessing HIV care likely associated with IPV. Additional research is necessary to better understand how IPV relates to HIV care barriers and VL.

scholarly journals Presentism, Public History and Contemporary Russian Art

2020 ◽  
Author(s):  
Galina Yankovskaya
Keyword(s):  
Public Space ◽  
Contemporary Art ◽  
Public History ◽  
Expert Knowledge ◽  
Participatory Culture ◽  
Important Place ◽  
Russian Art ◽  
The Past ◽  
Art Practices ◽  
History Of

The article examines typical features of images and themes of the past as they appear in contemporary Russian art, within the context of the presentist regime of historicism and as a part of public history. This research focuses on the works by Mikhail Pavlyukevich and Olga Subbotina, as well as Chaim Sokol, all of them the artists for whom image of the present is determined by the experience of the past as an incomplete process. The analysis focuses on the factors that ground this important place that the past occupies within the space of contemporary art practices. The article explores intersections between history in public space and contemporary art. The author argues that the development of public history rooted in participatory culture, as well as de-monopolisation of expert knowledge and non-academic languages constituting the discourse on the past, shares similarities with many characteristics of contemporary art practices. In these practices the public actively participates in the artistic processes, an artist loses their status as a demiurge, while site-specific character of artistic projects necessarily rests upon the exlporation of the history of place and the immersion in memory. A palimpsest, in which inseparable interpenetrating layers of the past appear through one another, becomes a metaphor both of public history and of one of the trends in contemporary art. Keywords: presentism, public history, contemporary art, Mikhail Pavlyukevich, Olga Subbotina, Chaim Sokol

The Queerest House in Cambridge

2019 ◽  
Vol 41 (2) ◽  
pp. 44-69
Author(s):  
Hilary Iris Lowe
Keyword(s):  
Public History ◽  
Historic Sites ◽  
Historic Site ◽  
Historical Interpretation ◽  
House Museums ◽  
The Past ◽  
House Museum ◽  
Historic House ◽  
History Of

One of the great challenges for public historians in LGBTQ history is finding and developing interpretation of the history of sexuality for public audiences at current historic sites. This article answers this challenge by repositioning historic house museums as sites of some of the most important LGBTQ public history we have, by using the Longfellow House–Washington’s Headquarters National Historic Site in Cambridge, Massachusetts, as a case study. At this house museum, we can re-see historical interpretation through a queer lens and take on histories that have been until recently “slandered, ignored, and erased” from our public narratives of the past.1

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