Russian Empire’s Religious Institutions in the 18th - Early 20th Century: The Evolution of “Friend - Alien - Foe” Relations

2021 ◽  
Vol 20 (1) ◽  
pp. 8-31
Author(s):  
Alexandre Yu. Bendin
Keyword(s):  
20Th Century ◽  
Legal Status ◽  
18Th Century ◽  
Early 20Th Century ◽  
Religious Institutions ◽  
Religious Tolerance ◽  
Religious Discrimination ◽  
Old Believers ◽  
Institutional Relations ◽  
The Relationship

The Russian governments three principal institutions to regulate the empires diverse religions from the 18th to the early 20th century are examined. Its author describes the evolution of these bodies, their features and purpose, as well as defining the concept of religious security by analyzing its specific historical content. The author also discusses the relationship between the institutions of the official Russian Church, religious tolerance for foreign confessions, and discrimination against the Old Believers through the prism of friend - alien - foe relations. This approach helps us understand the hierarchical nature of the relations and contradictions that existed between the institutions, whose activities regulated the religious life of the Russian Empires subjects until 1905. The article goes on to analyze the relationship between the official legal status of the Russian Church, imperial tolerance, and religious discrimination. It concludes that the formation of the three state-religious institutions that began in the 18th century ended during the reign of Emperor Nicholas I. That time saw the beginning of the gradual evolution of friend - alien - foe inter-institutional relations, which peaked under Emperor Nicholas in 1904-1906. The author also considers the changes in the governments policy towards the Russian schism of the 17th century, which ultimately removed the friend-or-foe opposition in the relations between the Russian state, the Russian Church and the schismatic Old Believers. In accordance with the modernized legislation on religious tolerance, lawful Old Believers and sectarians moved from the category of religious and political foes to that of aliens, to which foreign confessions traditionally belonged. Under the new legal and political conditions, intolerance and religious discrimination against the schism ceased to be an instrument of state policy.

scholarly journals Restoration Work in the Main Sanctuary of Amun of the Temple of Hatshepsut in Deir el-Bahari

2019 ◽  
Vol 23 ◽  
pp. 51-71
Author(s):  
Urszula Kraśniewska
Keyword(s):  
20Th Century ◽  
18Th Century ◽  
Early 20Th Century ◽  
Significant Extent ◽  
Late 19Th Century ◽  
Restoration Work ◽  
Mediterranean Archaeology ◽  
The University ◽  
The Temple ◽  
Early 18Th Century

The Sanctuary of Amun of the Temple of Hatshepsut in Deir el-Bahari was, starting from the early 18th century, gradually discovered, and has been analyzed by many researchers and scientists. In the late 19th century E. Naville was the first to concentrate to an significant extent on the Sanctuary rooms, which resulted in the elaboration of a vast architectural description prepared by Somers Clarke, his cooperator. In the early 20th century, Herbert Winlock conducted studies and analyses of the Sanctuary rooms. In 1961, a concession for conducting works was assigned to the Polish Station of Mediterranean Archaeology of the University of Warsaw, directed by Prof. Kazimierz Michałowski. Since that time, Polish Missions have conducted numerous architectural and conservation as well as epigraphic works, gradually ordering and reconstructing the Sanctuary.

Djalkiri

2021 ◽  
Keyword(s):  
20Th Century ◽  
Early 20Th Century ◽  
Philosophical Foundations ◽  
Collaborative Community ◽  
Arnhem Land ◽  
New Type ◽  
The University ◽  
The Relationship ◽  
Over Time

Djalkiri are “footprints" – ancestral imprints on the landscape that provide the Yolŋu people of eastern Arnhem Land with their philosophical foundations. This book describes how Yolŋu artists and communities keep these foundations strong, and how they have worked with museums to develop a collaborative, community-led approach to the collection and display of their artwork. It includes contributions from Yolŋu elders and artists as well as Indigenous and non-Indigenous historians and curators. Together they explore how the relationship between communities and museums has changed over time. From the early 20th century, anthropologists and other collectors acquired artworks and objects and took photographs in Arnhem Land that became part of collections at the University of Sydney. Later generations of Yolŋu have sought out these materials and, with museum curators, proposed a new type of relationship, based on a deeper respect for Yolŋu intellectual frameworks and a commitment to their central role in curation. This book tells some of their stories.

The Sound of India In Maurice Delage’s Quatre Poèmes Hindous

2020 ◽  
Vol 65 (2) ◽  
pp. 277-296
Author(s):  
Noémi Karácsony
Keyword(s):  
20Th Century ◽  
Point Of View ◽  
The Other ◽  
Western Music ◽  
Personal Contact ◽  
Early 20Th Century ◽  
French Music ◽  
Sound Effects ◽  
Instrumental Technique ◽  
The Relationship

"French composer and pianist Maurice Delage wrote several significant works inspired by his personal contact with the Orient. His travels to India inspired Delage to use innovative sound effects in his compositions, as well as to require his performers to adapt their vocal or instrumental technique to obtain the sound desired by the composer. His representation of the Orient is not a mere evocation of the Other, as is the case with most orientalist works, rather it reflects the composer’s desire to endow Western music with the purity, strength, and vivid colors which he discovered and admired in Indian music. The present paper presents the historical and artistic background which inspired and influenced Delage, the relationship between France and India in the early 20th century and reveals the composer’s idealistic point of view regarding India, its culture, and its music. The analysis focuses on the mélodie cycle Quatre poèmes hindous, composed between 1912 and 1913, striving to reveal the Indian influences in the work of Delage and the way orientalism is represented in French music from the first decades of the 20th century. Keywords: orientalism, France, India, 20th century, Maurice Delage"

scholarly journals Project PHaEDRA: Preserving Harvard’s Early Data and Research in Astronomy

2018 ◽  
Vol 186 ◽  
pp. 07003
Author(s):  
Daina Bouquin ◽  
Katie Frey ◽  
Maria McEachern ◽  
James Damon ◽  
Daniel Guarracino ◽  
...  
Keyword(s):  
20Th Century ◽  
18Th Century ◽  
Harvard University ◽  
Early Data ◽  
Early 20Th Century ◽  
Science Fair ◽  
Large Collection ◽  
Conceptual Frameworks ◽  
Harvard College ◽  
Harvard College Observatory

The staff of Wolbach Library, in collaboration with partners at both the Smith-sonian Institution and Harvard University, has begun a complex digitization and transcriptioneffort aimed at making a large collection of historical astronomy research more findable, accessible, interoperable, and reusable (FAIR). This collection of material was originally produced from the mid-18th century through the early 20th century by researchers at the Harvard College Observatory and was recently re-discovered in the HCO Plate Stacks holdings. The team of professionals supporting the effort to make this century and a half old science FAIR have developed a novel, distributed workflow to ensure that people can engage critically with this material to the fullest extent possible. The project’s workflow is guided by the collections as data imperative conceptual frameworks and is now being referred to as Project PHaEDRA, or Preserving Harvard’s Early Data and Research in Astronomy.

Classical Architecture in Europe and North America since 1700

Classics ◽  
2018 ◽  
Author(s):  
Elizabeth Macaulay-Lewis
Keyword(s):  
United States ◽  
20Th Century ◽  
19Th Century ◽  
18Th Century ◽  
The United States ◽  
Classical Antiquity ◽  
Early 20Th Century ◽  
Classical Architecture ◽  
Greco Roman ◽  
The 19Th Century

Since the Western Roman Empire collapsed, classical, or Greco-Roman, architecture has served as a model to articulate the cultural, artistic, political, and ideological goals of later civilizations, empires, nations, and individuals. The Renaissance marked the first major, widespread re-engagement with classical antiquity in art, literature, and architecture. Debates over classical antiquity and its relation to the modern world continued ever since. One such important debate was that of the quarrel between the Ancients and Moderns, which resulted when Charles Perrault published his Parallèles des anciens et des modernes in 1688. This dispute focused on whether the modern age could surpass antiquity, especially in literature. The Greco-Roman controversy (1750s and 1760s) was another example of Europeans engaging with the classical past; this debate focused on whether Greek or Roman art was of greater historical value; an argument has continued unabated to this day. Figures like Johann Joachim Winckelmann argued (in publications such as Winckelmann 1764, cited under Early Archaeological Publications on Greece and Classical Ruins in the Roman East, on Greek art) for the supremacy of Greek forms, while others like Giovanni Battista Piranesi (whose 1748–1778 views of Rome are reproduced in Ficacci 2011, cited under Early Archaeological Publications on Italy) advocated for Rome’s preeminence. Such debates demonstrate how classical antiquity was an essential part of the intellectual and artistic milieu of 18th-century Europe. This bibliography focuses on the appropriation of classical architecture in the creation of built forms from 1700 to the present in Europe and North America, which is typically called neoclassical or neo-classical, both of which are acceptable. Scholars often define the neoclassical period as lasting from c. 1750 to 1830, when European art and architecture predominantly appropriated classical forms and ideas. The influence of classical architecture continued in popularity throughout the 19th century and early 20th century in the United States. The early 19th century saw the flourishing of the Greek Revival, where Greek forms dominated artistic and architectural production, both in Europe and the United States. The ascendance of Queen Victoria in 1837 marked a shift toward a preference for the Gothic and Medieval forms. Neoclassical forms saw a resurgence in the second half of the 19th century, as Roman architectural forms became increasingly popular as an expression of empire. The term “Neo-classical” was coined as early as January 1872 by Robert Kerr, who used the term positively. It later took on certain negative overtones, when it was used as a derogatory epithet by an unknown writer in the Times of London in 1892. Neoclassical architecture has fared no better with the rise of modernism in the early 20th century onward and since then it has been seen as old-fashioned and derivative. Neoclassical architecture was not a mindless imitation of classical architectural forms and interiors. The interest in classical architecture and the creation of neoclassical architecture was spurred on by important archaeological discoveries in the mid-18th century, which widened the perception of Greek and Roman buildings. The remarkable flexibility of ancient architecture to embody the grandeur of an empire, as well as the principles of a nascent democracy, meant that it had great potential to be interpreted and reinterpreted by countless architects, patrons, empires, and nation states—in different ways and at different times from the 18th to the 20th century. This bibliography is organized thematically (e.g., General Overviews; Companions, Handbooks, and Theoretical Works; Reference Works; Early General Archaeological Publications; The Reception of Pompeii, Herculaneum, and the Bay of Naples; and World’s Fairs and Expositions) and then geographically, creating country- or region-specific bibliographies. While this model of organization has some flaws, it aims to avoid repetition and highlights the interconnected nature and process of the reception of classical architecture in later periods.

EVOLUTION OF THE LEGAL STATUS OF THE PARTICIPANTS OF ENFORCEMENT PROCEEDING IN RUSSIA IN 19th — BEGINNING OF 20th CENTURY

10.12737/899 ◽  
2013 ◽  
Vol 1 (1) ◽  
pp. 51-59
Author(s):  
Владимир Захаров ◽  
Vladimir Zakharov
Keyword(s):  
20Th Century ◽  
Legal Status ◽  
Mixed Model ◽  
Early 20Th Century ◽  
Civil Justice ◽  
Court Reform ◽  
Civil Cases

The article presents the analysis of the evolution of the legal status of the main participants in the context of enforcement proceedings of the court reform and civil justice in the 19th — early 20th century. Conclusions on the expansion of the scope of rights and obligations of the creditor and the debtor as a result of the transition from a public to a mixed model of enforcement of judgments in civil cases.

The Relationship Between Microstructure and Mechanical Properties of Late 19th/Early 20th Century Wrought Iron Using the Generalized Method of Cells Model

2002 ◽  
Vol 712 ◽  
Author(s):  
Jennifer J. Hooper ◽  
Lori Graham ◽  
Tim Foecke ◽  
Timothy P. Weihs
Keyword(s):  
Mechanical Properties ◽  
20Th Century ◽  
Mechanical Response ◽  
Early 20Th Century ◽  
Inelastic Behavior ◽  
Silicate Slag ◽  
Wrought Iron ◽  
Generalized Method Of Cells ◽  
The Relationship

ABSTRACTThe discovery of the RMS Titanic has led to a number of scientific studies, one of which addresses the role that the structural materials played in the sinking of the ship. Chemical, microstructural, and mechanical analysis of the hull steel suggests that it was state-of-the-art for 1912 with adequate fracture toughness for the application. However, the quality of the wrought iron rivets may have been an important factor in the opening of the steel plates during flooding. Preliminary studies of Titanic wrought iron rivets revealed an orthotropic, inhomogeneous composite material composed of glassy iron silicate (slag) particles embedded in a ferrite matrix. To date, very little is understood about the properties of wrought iron from that period. Therefore, in order to assess the quality of the Titanic material, contemporary wrought iron was obtained from additional late 19th/early 20th century buildings, bridges, and ships for comparison. Image analysis completed on the Titanic wrought iron microstructure showed a high slag content that is very coarse and unevenly distributed. To investigate how microstructure impacts the mechanical properties, and hence the quality of late 19th/early 20th century wrought iron, a detailed analysis of the relationship between the microstructural features and the mechanical behavior was completed. Here we present the first step in that process: the use of the Generalized Method of Cells (GMC) to predict the mechanical response of composites with variable microstructural properties. The GMC tool is used to generate the effective inelastic behavior of the composite from the individual constituent properties.

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