MICHEL SERRES’S ENCYCLOPEDIC PHILOSOPHICAL VISION OF AN EVER-CHANGING HUMAN LANDSCAPE

2017 ◽  
Vol 16 (0) ◽  
pp. 11
Keyword(s):  
Human Landscape

scholarly journals Placing human landscape legacies in a dynamic systems framework

2019 ◽  
Vol 106 (4) ◽  
pp. 517-519
Author(s):  
Nanci J. Ross ◽  
M. Henry H. Stevens
Keyword(s):  
Dynamic Systems ◽  
Systems Framework ◽  
Landscape Legacies ◽  
Human Landscape

scholarly journals Interaction among Controlling Factors on Riverine DIN Export in Small Mountainous Rivers of Taiwan: Inseparable Human-Landscape System

Water ◽  
2020 ◽  
Vol 12 (11) ◽  
pp. 2981
Author(s):  
Wen-Shiuan Lee ◽  
Jr-Chuan Huang ◽  
Chung-Te Chang ◽  
Shih-Chien Chan ◽  
Ying-San Liou ◽  
...  
Keyword(s):  
Inorganic Nitrogen ◽  
Seasonal Pattern ◽  
Water Quality Management ◽  
Negative Relationship ◽  
Dry Season ◽  
Mitigation Strategies ◽  
Minor Effect ◽  
Dominant Form ◽  
Wide Range ◽  
Human Landscape

Increasing anthropogenic nitrogen (N) emission via different pathways has shown prominent impact on aquatic ecosystems for decades, but the effects of interaction among climate-, landscape- and human-associated variables on riverine DIN (dissolved inorganic nitrogen, mainly NO3− and NH4+) export are unclear. In this study, the data of 43 watersheds with a wide range of climate-, landscape- and human-associated gradients across Taiwan were evaluated with partial redundancy analysis (pRDA) to examine their interactive controls on riverine DIN export. Results show that the annual riverine DIN export in Taiwan is approximately 3100 kg-N km−2 yr−1, spanning from 230 kg-N km−2 yr−1 in less disturbed watersheds (eastern and central Taiwan) to 10,000 kg-N km−2 yr−1 in watersheds with intensive human intervention (southwestern and northern Taiwan). NO3− is generally the single dominant form of DIN, while NH4+ renders significance in disturbed watersheds. Nearly all environmental variables display a positive correlation with DIN export, except for landscape setting variables (e.g., slope, area, channel length), which show a negative relationship. In terms of seasonal pattern, climate and human-landscape variables are related to NO3− export independently in the wet season, yet in the dry season climate-human variables jointly dominate NO3− export. Meanwhile, human-landscape (LH) variables (λ1 of LH > 0.60) control NH4+ exports in both seasons, and human-associated (H) variables (λ1 of H = 0.13) have a minor effect on NH4+ exports in dry season. Precisely, the contribution of controlling variables on DIN export vary with species and seasons, indicating water quality management could be time-dependent, which should be taken into consideration for designing mitigation strategies.

scholarly journals The role of a stylistic device in creating the image of the author

2020 ◽  
pp. 81-91
Author(s):  
N.V. Khalikova
Keyword(s):  
Main Subject ◽  
Artistic Style ◽  
The World ◽  
The Aesthetic ◽  
Subject Of Cognition ◽  
Artistic Image ◽  
Human Landscape ◽  
Stylistic Device ◽  
Book Culture

The purpose of the article is to compare the definitions of a stylistic device with modern philological ideas about the text and the image of the author as the main subject of cognition of reality in a feature. The methods of structural poetics make it possible to separate the stylistic means and methods as functionally different units of the artistic speech and the language of the writer. There is a steady connection between the worldview of the writer, their “image of the author” and their style. Autological and metalogical stylistic means are equally important for creating both an artistic and a non-artistic image (journalistic, scientific, everyday). Artistic means and techniques perform fundamentally different functions. Artistic means of image expressiveness contribute to the aesthetization of speech. Stylistic techniques organize the processes of meaning generation, preservation and transmission of meanings. The text records and reproduces artistic thinking, typical for this very writer, a set of ideas about a human, landscape, interior, ways of action and other classes of images. The artistic style is the same as the style of thinking, a level speech style of reflecting the perception of reality. The style can be adopted, it can be imitated and, thus, one can understand how the author thinks, what their manner of the aesthetic transformation of reality, forms of perception, is. The stylistic forms of the same author are reproduced from work to work, regardless of the plot and ideological content. To explain how the technique works is to identify the ways of the artistic thinking about the world (images). The stylistic device is closely connected with the intellectual book culture of society.

Reconstructing human–landscape interactions in the ancient Mediterranean harbour of Cartagena (Spain)

The Holocene ◽  
2018 ◽  
Vol 28 (6) ◽  
pp. 879-894 ◽  
Author(s):  
Trinidad Torres ◽  
Sebastián Ramallo ◽  
Yolanda Sánchez-Palencia ◽  
Milagros Ros ◽  
José E Ortiz ◽  
...  
Keyword(s):  
Coastal Plain ◽  
Salinity Gradient ◽  
Alluvial Fans ◽  
Aeolian Deposits ◽  
Holocene Transgression ◽  
South West ◽  
Marine Influence ◽  
The Relationship ◽  
Amino Acid Racemisation ◽  
Human Landscape

Here, we sought to reconstruct the Pleistocene and Holocene evolution of Cartagena Bay. Therefore, 16 borehole cores were analysed with the following aims: (1) to define a chronological framework; (2) to obtain data on the palaeoenvironment; and (3) to establish the relationship with human activities, especially focused on the reconstruction of the Carthago Nova (also known as Qart Hadasht) conquest. A total of 147 samples were recovered for amino acid racemisation (AAR) dating; 32 for radiocarbon dating (14C); and 159 for sedimentological, palaeontological, and biomarker determination. These approaches allowed us to elucidate the evolutionary phases of the palaeolandscape in Cartagena. The simultaneous use of AAR and 14C dating allowed the discrimination of spurious ages and the establishment of a chronological scale. During the Marine Isotope Stages (MIS) 7 and 5, the sea level (SL) in Cartagena Bay was almost the same as today. An alluvial plain developed in the northern area, and a delta was formed by an ephemeral river. In contrast, during MIS4, after a fall in SL, a wide sandy coastal plain emerged, leading to the accumulation of colluvial and aeolian deposits. The Holocene transgression was reflected in the hinterland in a late and temporarily floodable marsh fed by alluvial fans and creeks, producing a salinity gradient from freshwater to brackish and saline waters. Along the sea front, the marine influence was evident but not dominant, grading up and landwards to saline and freshwater marshes. Therefore, at the time of Scipio’s conquest, the geography of Carthago Nova was quite different from that described by Polybius. The Roman’s sudden attack seized Qart Hadasht from the south-west, avoiding the marshy area and not crossing a fast and deep ebb stream as it never existed on the Mediterranean Iberian coast.

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