Robert M. Crunden's 'A Brief History of American Culture'

1992 ◽  
Vol 24 (1) ◽  
pp. 58-59
Author(s):  
Mark Shackleton
Keyword(s):  

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Author(s):  
Annelise Heinz

Mahjong: A Chinese Game and the Making of Modern American Culture illustrates how the spaces between tiles and the moments between games have fostered distinct social cultures in the United States. When this mass-produced game crossed the Pacific it created waves of popularity over the twentieth century. Mahjong narrates the history of this game to show how it has created a variety of meanings, among them American modernity, Chinese American heritage, and Jewish American women’s culture. As it traveled from China to the United States and caught on with Hollywood starlets, high society, middle-class housewives, and immigrants alike, mahjong became a quintessentially American pastime. This book also reveals the ways in which women leveraged a game for a variety of economic and cultural purposes, including entrepreneurship, self-expression, philanthropy, and ethnic community building. One result was the forging of friendships within mahjong groups that lasted decades. This study unfolds in two parts. The first half is focused on mahjong’s history as related to consumerism, with a close examination of its economic and cultural origins. The second half explores how mahjong interwove with the experiences of racial inclusion and exclusion in the evolving definition of what it means to be American. Mahjong players, promoters, entrepreneurs, and critics tell a broad story of American modernity. The apparent contradictions of the game—as both American and foreign, modern and supposedly ancient, domestic and disruptive of domesticity—reveal the tensions that lie at the heart of modern American culture.


1995 ◽  
Vol 23 (4) ◽  
pp. 148-148
Author(s):  
Kenneth J. Bindas
Keyword(s):  

Author(s):  
James Crossley

Abstract This article takes a different look at the work of Burton Mack on apocalypticism and the post-historical Jesus crystallisation of the Christian ‘myth of innocence’ in terms of the social history of scholarship. After a critical assessment of previous receptions of Mack’s work from the era of the ‘Jesus wars’, there is a discussion of Mack’s place in broader cross-disciplinary tendencies in the study of apocalypticism with reference to the influence of liberal and Marxist approaches generally and those of Norman Cohn and Eric Hobsbawm specifically. Mack’s approach to apocalypticism should be seen as a thoroughgoing updating of Cold War liberal constructions of apocalypticism for an era of American ‘culture wars’, from Reagan to Trump. Part of this updating has also meant that, while much of his work against the apocalyptic Christian myth of innocence has been explicitly aimed at the de-legitimising the Right, it also continues the old Cold War intellectual battles by implicitly de-legitimising anything deemed excessively Marxist.


Author(s):  
Guven Buyukbaykal ◽  
Yildiray Kesgin

Modern entertainment is defined as the experience that is marketed to entertain a large and heterogeneous group of human beings. Products might be evaluated in different ways by those who have different cultural and historical backgrounds. The meanings evoked by a particular branch of sports may differ according to the demographic aspects and experiences of individuals, and even the history of their counties along with their cultures. On that note, the sports branch intertwined with American culture is undoubtedly American football. The Super Bowl, which might be considered an ordinary sports activity, has turned into a huge organization that is discussed for days and experienced as a festive occasion. In this chapter, the Super Bowl is analyzed with a literature review through the ideas of intellectuals as well as the figures and examples within the context of the concurrence between the sports and entertainment industries.


2019 ◽  
Vol 31 (4) ◽  
pp. 829-839
Author(s):  
Irvin J Hunt

Abstract This article reconsiders the recent turn in political theory to love as a countercapital affect, helping us endure when hope has lost its salience. The article offers the concept of “necromance” to attend to the ways the popular configuration of love as life-giving often overlooks how in the history of slavery and liberal empire love operates as life-taking. Distinct from necromancy, necromance is not a process of reviving the dead but of bringing subjects in ever closer proximity to the dead. Grounded in a reading of W. E. B. Du Bois’s romantic novel The Quest of the Silver Fleece (1911), particularly its vision of a cooperative economy and its response to the evolving meaning of love in American culture at the end of the nineteenth century, necromance is both a structure of feeling and a form of writing. As a resource for activism indebted to the creative powers of melancholic attachments, necromance contests the common conception that in order for grievances to become social movements or collective insurgencies they must be framed to create feelings of outrage, not of grief. By working inside existing conditions of irrevocable loss, necromantic love registers the feeling that the revolution is already here.


1995 ◽  
Vol 82 (1) ◽  
pp. 178
Author(s):  
Stephen J. Whitfield ◽  
Daniel Royot ◽  
Jean-Loup Bourget ◽  
Jean-Pierre Martin
Keyword(s):  

Author(s):  
Robert Jackson

Chapter 2 provides a history of southern migration and its impact on American culture at large. Most pointedly, black and white southern migrants to Los Angeles contributed in fundamental ways to the development of the Hollywood studio system, and the “southernization” of many of its institutions. Southern filmmakers included D. W. Griffith and many of his acolytes and younger peers. Other southerners occupied positions throughout the industry, and the enormous output of films registered southern history and culture in many ways: in the appearances of southern actors, in the presence of jazz, in films of every genre, and perhaps more than anything else in the ubiquitous presence of segregation, which the system as a whole had adopted for its own purposes.


2019 ◽  
Vol 29 (1) ◽  
pp. 36-64
Author(s):  
Erin Bartram

ABSTRACTIn the wake of the Civil War, Father Isaac Hecker launched several publishing ventures to advance his dream of a Catholic America, but he and his partners soon found themselves embroiled in a debate with other American Catholics, notably his friend and fellow convert Orestes Brownson, over the “use and abuse of reading.” Although the debate was certainly part of a contemporary conversation about the compatibility of Catholicism and American culture, this essay argues that it was equally rooted in a moment of American anxiety over a shifting social order, a moment when antebellum faith in the individual was being tested by the rights claims of women and Americans of color. Tacitly accepting and internalizing historical claims of intrinsic and through-going Catholic “difference,” claims offered both by American Protestants and American Catholics like Brownson, scholars often presume that debates within American Catholicism reflect “Catholic” concerns first and foremost, qualifying their utility as sources of “American” cultural history. By examining American Catholic discussions of reading, individual liberty, social order, and gender in the 1860s and 1870s, this essay argues that Brownson's arguments against the compatibility of American and Catholic life were in fact far more representative of ascendant ideas in American culture than Hecker's hopeful visions of a Catholic American future made manifest through the power of reading. In doing so, it demonstrates the ways that American Catholicism can be a valuable and complex site for studying the broader history of religion and culture in the United States.


1946 ◽  
Vol 7 (3) ◽  
pp. 211
Author(s):  
Theodore A. Zaremba ◽  
Stefan Wloszczewski
Keyword(s):  

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