scholarly journals Fantasmas do Levante Cabano: entre o heroísmo do sujeito revoltado e a ira das multidões sediciosas

ILUMINURAS ◽  
2021 ◽  
Vol 22 (56) ◽  
Author(s):  
Leandro Rodrigues Lage ◽  
Julia Mota França
Keyword(s):  
Political Anthropology ◽  
Political Resistance ◽  
Historical Time ◽  
Visual Form ◽  
Political Conflicts ◽  
Political Dimensions ◽  
The Aesthetic ◽  
Aby Warburg ◽  
Visual History

O objetivo deste artigo é investigar as dimensões estéticas e políticas das imagens alusivas ao levante histórico da Cabanagem (1835-1840), tensionando seu trabalho de dar forma visual ao tempo histórico daquela revolta e sua capacidade de desvelar a sobrevivência de gestos e afetos de resistência política dos povos amazônicos. A argumentação se inicia pelas premissas relativas à historicidade da Cabanagem como a única revolta popular do período regencial que efetivamente conseguiu a tomada do poder. Em seguida, exploramos uma antropologia política das imagens à luz das perspectivas de Georges Didi-Huberman e Aby Warburg, buscando entender o papel das imagens nos conflitos políticos dessa natureza, reconhecendo-as como repositórios de uma história visual e também dos desejos sobreviventes, da dimensão sensível subjacente à dinâmica das sublevações. Por fim, analisamos, em certa iconografia da Cabanagem, as figurações do heroísmo do homem revoltado e da ira das massas sanguinárias como elementos estético-expressivos (im)próprios dessas imagens. Palavras-chave: Levantes. Cabanagem. Imagem. Ghosts of the Cabanagem uprising: between the heroism of revolted and the wrath of the seditious crowds Abstract: The aim of this article is to investigate the aesthetic and political dimensions of images alluding the historical uprising of the Cabanagem (1835-1840), tensioning its work to shape visual form to the historical time of that revolt and its ability to unveil the survival of gestures and affections of political resistance of the Amazonian peoples. The argument begins with the premises related to historicity of the Cabanagem as the only popular uprising of the regency period that effectively managed to reach power. Then, we explored a political anthropology of images in the light of the perspectives of Georges Didi-Huberman and Aby Warburg, seeking to understand the role of the images in political conflicts of this nature, recognizing them as repositories of a visual history and also of the surviving desires, of the sensible dimension underlying the dynamics of the uprisings. Finally, we analyzed, in a certain iconography of the Cabanagem, the figurations of the revolted man's heroism and the wrath of the seditious crowds as aesthetic-expressive elements (im)proper to these images.Keywords: Uprising. Cabanagem. Image.

Jazz als gelungene Performance – Ästhetische Normativität und Improvisation

2014 ◽  
Vol 59 (1) ◽  
pp. 105-140 ◽  
Author(s):  
Alessandro Bertinetto
Keyword(s):  
Successful Performance ◽  
The Aesthetic ◽  
The Right

Die Hauptfrage, die ich in diesem Aufsatz diskutieren will, ist die folgende: Welche sind die ästhetisch-normativen Voraussetzungen für das richtige Verständnis und die richtige Evaluation von Jazz? Meine These lautet: Die Jazzästhetik ist eine Ästhetik der gelungenen Performanz. Sie ist nicht eine Ästhetik der Unvollkommenheit. Ich werde meine Argumentation in die folgenden Abschnitte gliedern. Nach der Einleitung (I.) wird in Abschnitt II. die ›These der Unvollkommenheit‹ dargestellt und in III. werden anschließend einige Argumente dagegen diskutiert. In den Abschnitten IV. und V. werden die für die Jazzästhetik wichtige Frage nach dem »Fehler« und das entscheidende Thema der Normativität untersucht. Dazu werde ich geltend machen, dass die ›These der Unvollkommenheit‹ insbesondere deswegen unbefriedigend ist, weil sie die spezifische Normativität von Jazz als Improvisationskunst missversteht. In Abschnitt VI. wird schließlich erklärt, in welchem Sinne von einer Normativität der gelungenen Performanz die Rede sein kann und warum dies für unser Verständnis von Jazz bedeutend ist. Abschließend (VII.) wird diese Idee gegen mögliche Einwände verteidigt.<br><br>In this paper I aim at discussing the aesthetic-normative conditions for the right understanding and the right evaluation of jazz. My main point is this: The aesthetics of jazz is an aesthetics of the successful performance, rather than an aesthetics of imperfection. The paper will be structured as follows. SectionI introduces the topic. SectionII presents the ›imperfection thesis‹, while III discusses some arguments against it. Sections IV and V investigate two related questions: the first is about the role of the »mistake« in jazz; the second concerns the crucial topic of normativity. At this regard I will maintain that the ›imperfection thesis‹ does not work, especially because it misunderstands the specific normativity of jazz as improvisational art. Section VI is devoted to clarifying both in which sense the idea of a normativity of the successful performance is sound and why this idea is important for understanding jazz. Finally (VII) I defend this view against possible objections.

ECONOMIZATION OF ETHNO-POLITICAL CONFLICTS RESOLUTION IN GEORGIA

2019 ◽  
Vol 3 (2) ◽  
pp. 192-200
Author(s):  
M.D. Tokmazishvili
Keyword(s):  
Economic Growth ◽  
Ethnic Groups ◽  
Social Goals ◽  
The Caucasus ◽  
Conflict Zones ◽  
Political Conflicts ◽  
Regional Market ◽  
Social Events ◽  
Conflicts Resolution

Resolution of ethno-political conflicts in the Caucasus by political means is in a “deadlock”, and peaceful economic projects in conflict zones face political obstacles. The economic isolation of states and the fragmentation of the regional market impede the development of countries, and the resolution of conflicts is hampered by opposing strategic political vectors of regional states, that negatively affect their economic growth. In this context, the article states that when political tools are not sufficient for integration, economic and social goals should be rationalized for the purpose of cohabitation and coexistence of people of different ethnic groups and cultures in the region. In the article, the author attempts to investigate the role of economic and social events as factors for mitigating ethnopolitical conflicts; determines how the economization of conflicts can affect the integration processes and strategies of Georgia in relation to the breakaway republics.

Idleness and Freedom in Michel de Montaigne’s “Essays”

2019 ◽  
Vol 29 (1) ◽  
pp. 189-202
Keyword(s):  
Intellectual History ◽  
Ancient Rome ◽  
Spiritual Quest ◽  
Guiding Principle ◽  
Sextus Empiricus ◽  
History Of ◽  
Self Knowledge ◽  
The Aesthetic ◽  
The Relationship

The article advances a hypothesis about the composition of Michel de Montaigne’s Essays. Specialists in the intellectual history of the Renaissance have long considered the relationship among Montaigne’s thematically heterogeneous thoughts, which unfold unpredictably and often seen to contradict each other. The waywardness of those reflections over the years was a way for Montaigne to construct a self-portrait. Spontaneity of thought is the essence of the person depicted and an experimental literary technique that was unprecedented in its time and has still not been surpassed. Montaigne often writes about freedom of reflection and regards it as an extremely important topic. There have been many attempts to interpret the haphazardness of the Essays as the guiding principle in their composition. According to one such interpretation, the spontaneous digressions and readiness to take up very different philosophical notions is a form of of varietas and distinguo, which Montaigne understood in the context of Renaissance philosophy. Another interpretation argues that the Essays employ the rhetorical techniques of Renaissance legal commentary. A third opinion regards the Essays as an example of sprezzatura, a calculated negligence that calls attention to the aesthetic character of Montaigne’s writing. The author of the article argues for a different interpretation that is based on the concept of idleness to which Montaigne assigned great significance. He had a keen appreciation of the role of otium in the culture of ancient Rome and regarded leisure as an inner spiritual quest for self-knowledge. According to Montaigne, idleness permits self-directedness, and it is an ideal form in which to practice the freedom of thought that brings about consistency in writing, living and reality, in all of which Montaigne finds one general property - complete inconstancy. Socratic self-knowledge, a skepticism derived from Pyrrho of Elis and Sextus Empiricus, and a rejection of the conventions of traditional rhetoric that was similar to Seneca’s critique of it were all brought to bear on the concept of idleness and made Montaigne’s intellectual and literary experimentation in the Essays possible.

Schopenhauer and the Paradox of the Sublime

2020 ◽  
pp. 237-255
Author(s):  
Bart Vandenabeele
Keyword(s):  
Aesthetic Experience ◽  
Human Being ◽  
Aesthetic Object ◽  
Human Reason ◽  
The Sublime ◽  
The World ◽  
The Aesthetic

Schopenhauer explores the paradoxical nature of the aesthetic experience of the sublime in a richer way than his predecessors did by rightfully emphasizing the prominent role of the aesthetic object and the ultimately affirmative character of the pleasurable experience it offers. Unlike Kant, Schopenhauer’s doctrine of the sublime does not appeal to the superiority of human reason over nature but affirms the ultimately “superhuman” unity of the world, of which the human being is merely a puny fragment. The author focuses on Schopenhauer’s treatment of the experience of the sublime in nature and argues that Schopenhauer makes two distinct attempts to resolve the paradox of the sublime and that Schopenhauer’s second attempt, which has been neglected in the literature, establishes the sublime as a viable aesthetic concept with profound significance.

scholarly journals The Clash of Cultures of Radical Enlightenment and Humanism Open to Transcendence. The Perspective of Pope Benedict XVI

Religions ◽  
2021 ◽  
Vol 12 (7) ◽  
pp. 460
Author(s):  
Janusz Węgrzecki
Keyword(s):  
Positive Answer ◽  
Political Anthropology ◽  
The Public ◽  
Pope Benedict Xvi ◽  
Benedict Xvi ◽  
Radical Enlightenment ◽  
Clash Of Cultures ◽  
The Public Sphere ◽  
Role Of Religion

The article analyzes the content of the Pope’s speeches discussing, reconstructing and interpreting the concept of two dominant western cultures and their mutual relationships to the perspective of Pope Benedict XVI, who calls them the culture of radical enlightenment and the culture of humanism that is open to transcendence. The article identifies fundamental contentious issues including: anthropological issues, human dignity, political anthropology, freedom, reason, its rationality, and the role of religion in the public sphere. Thus, the article provides a positive answer to the question of whether the perspective of the clash of cultures outlined by Samuel Huntington can be cognitively used in interpreting the contrast of cultures presented from the perspective of Pope Benedict XVI. However, contrary to Huntington, who describes the clash of western cultures with other, non-western cultures, Pope Benedict XVI claims that there is a clash between two dominant western cultures.

La troisième dimension — De la fonction éthique et esthétique du décor dans le théâtre de machines français du XVIIe siècle

2020 ◽  
Vol 71 (1) ◽  
pp. 130-168
Author(s):  
Kirsten Dickhaut
Keyword(s):  
Seventeenth Century ◽  
Character Traits ◽  
Optical Illusion ◽  
Stage Design ◽  
The Third ◽  
Adequate Representation ◽  
Third Dimension ◽  
Xviie Siecle ◽  
The Aesthetic

AbstractThe machine theatre in France achieves its peak in the second half of the seventeenth century. It is the construction of machines that permits the adequate representation of the third dimension on stage. This optical illusion is created by flying characters, as heroes, gods, or demons moving horizontally and vertically. The enumeration indicates that only characters possessing either ethically exemplary character traits or incorporating sin are allowed to fly. Therefore, the third dimension indicates bienséance – or its opposite. According to this, the following thesis is deduced: The machine theatre illustrates via aesthetic concerns characterising its third dimension an ethic foundation. Ethic and aesthetics determine each other in the context of both, decorum and in theatre practice. In order to prove this thesis three steps are taken. First of all, the machine theatre’s relationship to imitation and creation is explored. Second, the stage design, representing the aesthetic benefits of the machines in service of the third dimension, are explained. Finally, the concrete example of Pierre Corneille’s Andromède is analysed by pointing out the role of Pegasus and Perseus.

scholarly journals The aesthetics of political resistance: On silent politics

Thesis Eleven ◽  
2021 ◽  
pp. 072551362110351
Author(s):  
Katariina Kaura-aho
Keyword(s):  
Political Action ◽  
Effective Resistance ◽  
Representative Democracy ◽  
Political Resistance ◽  
Starting Point ◽  
The Aesthetic ◽  
Aesthetic Meaning ◽  
Political Subversion

This article analyses the aesthetics of silent political resistance by focusing on refugees’ silent political action. The starting point for the analysis is Jacques Rancière’s philosophy and his theorisation of the aesthetics of politics. The article enquires into the aesthetic meaning of silent refugee activism and interprets how refugees’ silent acts of resistance can constitute aesthetically effective resistance to what can be called the ‘speech system’ of statist, representative democracy. The article analyses silence as a political tactic and interprets the emancipatory meaning of silent politics for refugees. It argues that refugees’ silent acts of political resistance can powerfully affect aesthetic, political subversion in prevailing legal-political contexts.

The Role of Understanding on Architectural Beauty: Evidence From the Impact of Semantic Description on the Aesthetic Evaluation of Architecture

2021 ◽  
pp. 003329412110021
Author(s):  
Sizhe Liu ◽  
Wei Zhang ◽  
Xianyou He ◽  
Xiaoxiang Tang ◽  
Shuxian Lai ◽  
...  
Keyword(s):  
Aesthetic Experience ◽  
Supplementary Information ◽  
Aesthetic Evaluation ◽  
Abstract Description ◽  
Social Meanings ◽  
Different Types ◽  
Appearance Design ◽  
The Aesthetic ◽  
The Impact

There is evidence that greater aesthetic experience can be linked to artworks when their corresponding meanings can be successfully inferred and understood. Modern cultural-expo architecture can be considered a form of artistic creation and design, and the corresponding design philosophy may be derived from representational objects or abstract social meanings. The present study investigates whether cultural-expo architecture with an easy-to-understand architectural appearance design is perceived as more beautiful and how architectural photographs and different types of descriptions of architectural appearance designs interact and produce higher aesthetic evaluations. The results showed an obvious aesthetic preference for cultural-expo architecture with an easy-to-understand architectural appearance design (Experiment 1). Moreover, we found that the aesthetic rating score of architectural photographs accompanied by an abstract description was significantly higher than that of those accompanied by a representational description only under the difficult-to-understand design condition (Experiment 2). The results indicated that people preferred cultural-expo architecture with an easy-to-understand architectural appearance design due to a greater understanding of the design, providing further evidence that abstract descriptions can provide supplementary information and explanation to enhance the sense of beauty of abstract cultural-expo architecture.

Political dimensions to leisure and cultural activities in Canadian cities, 1880–1940

Urban History ◽  
1999 ◽  
Vol 26 (1) ◽  
pp. 55-70 ◽  
Author(s):  
Michèle Dagenais
Keyword(s):  
Municipal Government ◽  
Public Culture ◽  
Botanical Garden ◽  
Real Property ◽  
Cultural Activities ◽  
Contentious Issue ◽  
Political Dimensions ◽  
Definition Of

Under what circumstances did Canadian municipalities, charged with ensuring the existence of services which encouraged the development of real property, come to be involved in the field of culture and leisure? By examining the process through which the Municipal Library and the Botanical Garden were established in Montreal, this article attempts to answer this question. Because these projects constituted precedents in relation to the usual areas of Canadian municipal intervention, they provoked vigorous debate. Each in their own way, the projects served to call into question the definition of public culture and the democratization of knowledge. They also raised the equally contentious issue of the role of municipal government in the fields of leisure and culture.

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