The discussions about the use of headscarves and veils shape the living conditions of Muslim women in the Middle East and in Europe to this day. To overcome this situation, a thorough and dispassionate documentation of the cultural history of veiling is necessary. This paper will give a short overview of the long history of veiling and it will deal in detail with five different aspects of this phenomenon and with the various connections between Europe and the Middle East: the relationship between death and the veil in the Ancient Near East; the veil in early Christianity; the hair as an erotic symbol in the Ancient Near East; the traditional costume of the Transylvanian Saxons as a European example of the use of veils and the veil of mystery.
This paper summarizes some of the main results that have been obtained through the archaeozoological study of the large Cypriot Pre-Pottery Neolithic site of Shillourokambos, dated between 8300 and 7000 cal bc. It shows how the presence of the archaeozoologists in the field, as well as an original faunal-based critical approach of the relative chronology of the different phases of occupation of this site, can improve the quality of the archaeozoological contribution to the cultural history of the region. Special attention is also paid to the osteometric study of sexually dimorphic ungulates. The results concern the evolution of the system of exploitation of the animal resources during this important phase of the Near Eastern Neolithic transition. They also evidence the long-distance exchanges between early Neolithic villages and they indirectly document the early history of navigation in the eastern Mediterranean.
This chapter introduces the themes of the volume and the individual contributions. It argues that the cultural history of the Hellenistic East transcends the political time frame often associated with the period in Anglophone publications. Therefore, the framework of this study is extended to include the fourth century BCE as well as the first three centuries CE in order to closely investigate the processes of cultural interaction often associated with the term Hellenism. It offers examples of the presence of adapted Greek cultural and political elements in the communities of the Eastern Mediterranean, it raises the question of cross-cultural exchange and its impact on Greekness itself, and it opens the debate on whether terms such as Hellenism, Hellenistic, and Hellenization are still useful to describe the cultural processes in the period under investigation.
This book covers the whole of the period in which Rome dominated the Mediterranean world. The belief shared by all the contributors is that the Roman empire is best understood from the standpoint of the Mediterranean world looking in to Rome, rather than from Rome looking out. The chapters focus on the development of political institutions in Rome itself and in her empire, and on the nature of the relationship between Rome and her provincial subjects. They also discuss historiographical approaches to different kinds of source material, literary and documentary — including the major Roman historians, the evidence for the pre-Roman near east, and the Christian writers of later antiquity. The book reflects the immense complexity of the political and cultural history of the ancient Mediterranean, from the late Republic to the age of Augustine.
AbstractAlthough the “new social history” of the 1960s and 1970s quickly bequeathed its universal ambitions to a “new cultural history” in the 1980s, the attraction of the social historical category for study of the ancient Near East remains its potential to transform how we see the entire landscape of each past setting, still evoking E. P. Thompson’s history “from the bottom up.” Cuneiform writing offers a wealth of materials from the transactions of everyday life, in spite of the fact that the scribal profession served the centers of power and families of means, and a social historical perspective allows even documents from administrative archives to be viewed from below as well as from the rulers’ vantage. The potential for examining ancient society from below, in all its variety and lack of order, is illustrated in the archives of Late Bronze Age Emar in northwestern Syria. It is to be hoped that specialists in the ancient Near East will join a larger conversation among historians about how to approach the movement of societies through time.
« Achaemenid iconography as evidenced by glyptic art: subject matter, social function, audience and diffusion », in : Chr. Uehlinger (Hg.), « Images as media. Sources for the cultural history of the Near East and the Eastern Mediterranean (Ist mill