"Prodigious Poop": Comic Context and Psychological Subtext in Irving's Knickerbocker History

1995 ◽  
Vol 49 (4) ◽  
pp. 483-512
Author(s):  
Jonathan A. Cook
Keyword(s):  
New York ◽  
Seventeenth Century ◽  
North America ◽  
Human Development ◽  
Body Politic ◽  
The Body ◽  
Psychological Development ◽  
Human Reproduction ◽  
New Amsterdam ◽  
History Of

This essay attempts to elucidate the structual principles of Irving's "low" humor in the Knickerbocker History of New York by showing that the History is predicated on a schema of human development. In this comprehensive comic allegory the "peopling" of North America suggests the process of human reproduction while the "infant history" of seventeenth-century New York parallels the process of childhood psychological development according to a Freudian psychoanalytic model. As clusters of comic imagery and episode reveal, the reigns of Irving's three Dutch governors-Walter the Doubter, William the Testy, and Peter the Headstrong-embody the oral, anal, and genital (phallic) stages of child development. Similarly, the instinctual orientation of the gubernatorial body is mirrored in the body politic. The reign of Peter Stuyvesant, which occupies the most space in the History, is also notable for a pair of allegorical doublets, Jacobus Von Poffenburgh and Antony Van Corlear, who represent Peter's false and true phallic heroes, respectively. During Peter's reign, an implied contest between these two phallic personages transpires, ending with the English takeover of New Amsterdam.

The Pinkster King and the King of Kongo

2016 ◽  
Author(s):  
Jeroen Dewulf
Keyword(s):  
New York ◽  
African American ◽  
Seventeenth Century ◽  
New Jersey ◽  
Central Africa ◽  
Mutual Aid ◽  
New Amsterdam ◽  
History Of ◽  
New Interpretation ◽  
European Standards

This book presents the history of the nation’s forgotten Dutch slave community and free Dutch-speaking African-Americans from seventeenth-century New Amsterdam to nineteenth-century New York and New Jersey. It also develops a provocative new interpretation of one of America’s most intriguing black folkloric traditions, Pinkster. Dewulf rejects the traditional interpretation of this celebration of a “slave king” as a form of carnival. Instead, he shows that it is a ritual rooted in mutual aid and slave brotherhood traditions. By placing Pinkster in an Atlantic context, Dewulf identifies striking parallels to royal election rituals in slave communities elsewhere in the Americas, which he relates to the ancient Kingdom of Kongo and the historical impact of Portuguese culture in West-Central Africa. Whereas the importance of African-American fraternities providing mutual aid has long been acknowledged for the post-slavery era, Dewulf’s focus on the social capital of slaves traces concern for mutual aid back to seventeenth-century Manhattan. He suggests a stronger impact of Manhattan’s first slave community on the development of African-American identity in New York and New Jersey than has hitherto been assumed. While the earliest historians working on slave culture in a North American context were mainly interested in an assumed process of assimilation according to European standards, later generations pointed out the need to look for indigenous African continuities. The findings of this book suggest the necessity to complement the latter with an increased focus on the contact Africans had with European?primarily Portuguese?culture before they were shipped as slaves to the Americas.

Dutch Contributions to Religious Toleration

2010 ◽  
Vol 79 (3) ◽  
pp. 585-613 ◽  
Author(s):  
Jeremy Dupertuis Bangs
Keyword(s):  
New York ◽  
Seventeenth Century ◽  
Religious Freedom ◽  
Religious Pluralism ◽  
Basic Assumption ◽  
Director General ◽  
Religious Toleration ◽  
New Netherland ◽  
New Amsterdam ◽  
History Of

Historians have neglected a seventeenth-century hero whose actions and words laid the groundwork for America's democratic diversity and religious toleration—at least that is the theme of a best-selling history of the Dutch colony of New Netherland, the predecessor of New York. This courageous but forgotten lawyer, Adriaen van der Donck, went out from Holland in 1641 as a young man to serve as “schout” (chief judicial officer, both sheriff and prosecutor) of Rensselaerwyck, then moved to New Amsterdam where he eventually became the spokesman of colonists irked by the arbitrary highhandedness of the Director General, Petrus Stuyvesant. Van der Donck is now proclaimed to have ensured that Dutch religious toleration became the basic assumption and pattern that evolved into modern American religious pluralism. The great popularity of this recent revelation ensures that thousands of people, from general readers to professional historians whose specialty lies elsewhere, now believe that religious toleration in America originated in New Amsterdam/ New York, where Dutch customs of toleration contrasted with the theocratic tendencies of English colonies. Is this claim true? In my opinion—no. Should historians pay attention to journalistic jingoism? Perhaps—because unexamined assumptions affect topics treated more seriously. What, then, can be said about the fabled Dutch tradition of toleration and its contribution to the discussion of religious freedom in America in the seventeenth and eighteenth centuries?

Receptions of the Past: Commemoration, Racism, Desire

Somatechnics ◽  
2017 ◽  
Vol 7 (2) ◽  
pp. 288-303
Author(s):  
Michael Connors Jackman
Keyword(s):  
Critical Point ◽  
Social Relations ◽  
White Privilege ◽  
Body Politic ◽  
The Body ◽  
Race And Racism ◽  
Lesbian And Gay ◽  
The Past ◽  
History Of

This article investigates the ways in which the work of The Body Politic (TBP), the first major lesbian and gay newspaper in Canada, comes to be commemorated in queer publics and how it figures in the memories of those who were involved in producing the paper. In revisiting a critical point in the history of TBP from 1985 when controversy erupted over race and racism within the editorial collective, this discussion considers the role of memory in the reproduction of whiteness and in the rupture of standard narratives about the past. As the controversy continues to haunt contemporary queer activism in Canada, the productive work of memory must be considered an essential aspect of how, when and for what reasons the work of TBP comes to be commemorated. By revisiting the events of 1985 and by sifting through interviews with individuals who contributed to the work of TBP, this article complicates the narrative of TBP as a bluntly racist endeavour whilst questioning the white privilege and racially-charged demands that undergird its commemoration. The work of producing and preserving queer history is a vital means of challenging the intentional and strategic erasure of queer existence, but those who engage in such efforts must remain attentive to the unequal terrain of social relations within which remembering forms its objects.

The Achievements of the Douglass Company in North America: 1758–1774

1982 ◽  
Vol 23 (2) ◽  
pp. 141-149 ◽  
Author(s):  
David D. Mays
Keyword(s):  
New York ◽  
North America ◽  
West Indies ◽  
Theatre History ◽  
The West ◽  
American Theatre ◽  
History Of ◽  
American Theatre History ◽  
A Company

On Monday, October 16, 1758., Hugh Gaine reported a novelty. “Friday last,” he told his readers in the New-York Mercury, “arrived here from the West Indies, a Company of Comedians; some Part of which were here in the Year 1753.” This brief notice, which went on to assure its readers that the company had “an ample Certificate of their Private as well as publick Qualifications,” marks the beginning of the most significant event in American theatre history: the establishment of the professional theatre on this continent. The achievements of the Company of Comedians during its sixteen-year residence in North America are virtually without parallel in the history of the theatre, and have not received sufficient recognition by historians and scholars.

From Hard-Copy to Digital Law via “Illustrated Courtrooms”: Visualising the History of Legal English

Pólemos ◽  
2017 ◽  
Vol 11 (1) ◽  
Author(s):  
Matteo Nicolini
Keyword(s):  
English Language ◽  
Body Politic ◽  
The Body ◽  
Hard Copy ◽  
Legal Language ◽  
History Of ◽  
Judicial Proceedings ◽  
Three Stages ◽  
The Law ◽  
Digital Law

Abstract This essay addresses different patterns of the visualisation of the law. It examines how scholars attempt to depict, represent, and perform the law and its founding authority. It also focuses on the pragmatics of legal language: written and spoken standard legal English are pragmatically enriched within contexts where the law is interpreted, uttered, or performed. The linguistic notion of “context” discloses the interrelations between the agendas of law and power and reveals how the law conveys its content to the body politic as its ultimate addressee. It then proposes a renewed concept of legal linguistics. In order to determine the different ideologies underpinning the evolution of English legal language, as well as its prototypical forms of the visualisation of the law, three stages in the history of the English language will be examined: Late Middle English, Early Modern English, and Contemporary English. Each of these stages will be likened to the different parts of judicial proceedings. This will allow us to examine how English legal language has been used in a specific context, the trial, where the law is both uttered and performed.

Sign in / Sign up

Export Citation Format

Share Document