The Theological Revival in The French Reformed Church, 1830–1852

1968 ◽  
Vol 37 (1) ◽  
pp. 36-49
Author(s):  
J. Lynn Osen

The French Reformed Church merged from the period of the French Revolution and Napoleon stengthened by government recognition and support but weakened by the ideological offensive of the eighteenth-century Enlightenment. Although it enjoyed a secure official and financial position, it had yet to reconcile itself intellectually with the contrasting currents of eighteenth-century rationalism and nineteenth-century romanticism. This process of assimilation and reconciliation took place after 1815 and culminated, during the July Monarchy and the Second Republic, in a theological awakening and renewal.

Author(s):  
Klaus Ries

This chapter challenges the widespread assumption that terrorist ideology was invented in the mid-nineteenth century by such figures as Pierre-Joseph Proudhon and Mikhail Bakunin. Instead, the chapter argues, the foundations of terrorism were laid at the end of the eighteenth century by the Enlightenment philosopher Johann Gottlieb Fichte and his disciples, who in turn exerted a strong influence on later radical thinkers. In showing how the intellectual reverberations of the French Revolution gave rise to anarchist ideology as well as acts of terrorism in Germany, the chapter traces a link between the state terror of the French Revolution and the emergence of insurgent terrorism.


1984 ◽  
Vol 34 ◽  
pp. 47-69 ◽  
Author(s):  
J. R. Dinwiddy

IN 1965 a very distinguished Bentham scholar read a paper to this society on Bentham and the French Revolution. During the period dealt with by that paper Bentham became an honorary citizen of France (largely through his friendship with Brissot), but he remained little known either in Britain or on the Continent. Thirty years later, he was world-famous. In 1825 members of the Colombian Congress in Bogot were quoting Bentham at each other much as eighteenth-century Englishmen had quoted Cicero in the House of Commons; and among the leaders of the Decembrist mutiny of the same year in St Petersburg were men who confessed to having been influenced by Bentham's works. In 1829 a weekly newspaper was appearing at Boston, Massachusetts, which carried his phrase the greatest happiness of the greatest number as its motto, while a journal called L'Utilitaire was being published at Geneva to propagate his ideas. This paper will not tackle the large and controversial subject of the extent and significance of Bentham's influence. It will address itself to questions that are more limited, though they have some bearing on the larger topic. These questions are: how did those outside the circle of his followers react to his ideas, and what attempts were made to challenge or refute them?


Author(s):  
AVNER BEN-AMOS

The Panthéon and Arc de Triomphe are two neoclassical Parisian monuments that were created in the second half of the eighteenth century and the first half of the nineteenth century, respectively, and which have ever since been main sites of French official memory. However, they never had the same share of the stage: when one was prominent, the other was marginal, and vice versa. This chapter delineates the parallel histories of these monuments and analyses the relationship between them, from the French Revolution to the Fifth Republic. Although they are usually ascribed to different political camps – the Pantheon to the left and the Arc de Triomphe to the right – a close reading of the context of various commemorative acts that were performed inside and around these monuments shows that their identity was more complex.


Antiquity ◽  
1949 ◽  
Vol 23 (91) ◽  
pp. 115-125 ◽  
Author(s):  
Joan Evans

No one, so far as I know, has as yet made any particular study of the many local learned societies that were founded up and down France in the years after the French Revolution, and of their effect upon contemporary thought. These Sociétés d’Émulation differed from the local archaeological and historical societies of England in being more all-embracing ; they included in their scope pure literature, philosophy and science as well as the history and antiquities of the district, and often developed a philanthropic side as well. At the time of their foundation they were often of a free-thinking colour ; but as the balance of French life came to be restored after the Revolution this element was forgotten, and the more learned priests of the neighbourhood were often included among their members.These societies fostered a peculiar polymathic quality among those who regularly attended their frequent meetings. They were to a great extent self-supporting in the provision of papers and communications, and it would have been pure selfishness for any member with any claim to versatility to specialize too deeply. Their standards, too, were not those of the Metropolis, where a new professionalism was bringing higher and more exact criteria into every branch of knowledge and speculation. Rather, we can see in the Sociétés d’Émulation of the nineteenth century the continuance of the amateur spirit that in the eighteenth century had flourished in the aristocratic circles of Court and château : a spirit surviving in a less polished form among the lesser gentry of the provincial towns.


Author(s):  
Mark Philp

This expansive afterword reflects upon the whole volume’s arguments and contents. The focus is upon the concept of the miscellaneous: an eighteenth-century mode of organization and appreciation of culture, increasingly contested in the early nineteenth century. The author discusses issues of patriotism and audience reception, arguing for a more nuanced appreciation of the dynamics of political loyalism and dissent in Britain in the period following the French Revolution. Questions of identity and identification are seen as crucial, and as being formed at least in part within theatrical spaces. The author considers the difficult political interpretation of affective tropes such as humour and sentimentality, deftly relating them to the key issues of the day, while also paying attention to chronological change, and the need to recover ways of seeing and feeling that have been lost over the past two centuries.


1977 ◽  
Vol 19 (3) ◽  
pp. 287-304 ◽  
Author(s):  
George D. Sussman

The history of the professions in the West since the French Revolution is a success story, a triumph, but not always an easy one. From the beginning of the nineteenth century in continental Europe the professions had a great attraction as careers presumably open to talent, but the demand for professional services developed more slowly than interest in professional careers and more slowly than the schools that supplied the market. Lenore O'Boyle has drawn attention to this discrepancy and the revolutionary potential of the frustrated careerists produced by it.


Author(s):  
Michael Sonenscher

This chapter discusses the phrase, sans culottes, and its key role within the larger context of the French Revolution. The phrase has a bearing on the sequence of events that led from the fall of the Bastille to the beginning of the Terror. This is because the name sans-culottes was actually a neologism with a rather curious history. Although it can be taken initially to refer to someone simply wearing ordinary trousers, rather than the breeches usually worn in eighteenth-century public or professional life, the words themselves also had a more figurative sense. In this latter usage, the condition of not having breeches, or being sans culottes, had to do with the arrangements and values of eighteenth-century French salons. In this setting, the condition of not having breeches, or being sans culottes, was associated with a late seventeenth- or early eighteenth-century salon society joke.


Erard ◽  
2021 ◽  
pp. 19-23
Author(s):  
Robert Adelson

Today the word ‘piano’ connotes a large instrument with a powerful sonority, capable of doing battle with an entire orchestra in a romantic concerto. There are various features of the modern piano responsible for this image, including a case with a long wing shape reinforced by a cast iron frame, and the high degree of string tension that this frame makes possible. None of these features were present on pianos in eighteenth-century France, where the most common model was the rectangular-shaped piano carré (square piano), whose sound was scarcely more powerful than that of a harp. Before the French Revolution, the Erard firm produced square pianos and hybrid piano-organs. During this period, the Erards strengthened their ties with the French court, which resulted in several exceptional instruments made for Marie-Antoinette.


Author(s):  
Margarita Diaz-Andreu

The nineteenth century saw the emergence of both nationalism and archaeology as a professional discipline. The aim of this chapter is to show how this apparent coincidence was not accidental. This discussion will take us into uncharted territory. Despite the growing literature on archaeology and nationalism (Atkinson et al. 1996; Díaz-Andreu & Champion 1996a; Kohl & Fawcett 1995; Meskell 1998), the relationship between the two during the late eighteenth and early nineteenth centuries has yet to be explored. The analysis of how the past was appropriated during this era of the revolutions, which marked the dawn of nationalism, is not helped by the specialized literature available on nationalism, as little attention has been paid to these early years. Most authors dealing with nationalism focus their research on the mid to late nineteenth and twentieth centuries, when the ideas that emerged during the era of the revolutions bore fruit and the balance between civic and ethnic nationalism (i.e. between a nationalism based on individual rights and the sovereignty of the people within the nation and another built on the common history and culture of the members of the nation) definitively shifted towards the latter. The reluctance to scrutinize the first years of nationalism by experts in the field may be a result of unease in dealing with a phenomenon which some simply label as patriotism. The term nationalism was not often used at the time. The political scientist Tom Nairn (1975: 6) traced it back to the late 1790s in France (it was employed by Abbé Baruel in 1798). However, its use seems to have been far from common, to the extent that other scholars believed it appeared in 1812. In other European countries, such as England, ‘nationalism’ was first employed in 1836 (Huizinga 1972: 14). Despite this disregard for the term itself until several decades later, specialists in the Weld of nationalism consider the most common date of origin as the end of the eighteenth century with the French Revolution as the key event in its definition.


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