“Such Masculine Strokes”: Aphra Behn as Translator ofA Discovery of New Worlds

1996 ◽  
Vol 28 (2) ◽  
pp. 229-250 ◽  
Author(s):  
Sarah Goodfellow

Aphra Behn (1640–89) stands simultaneously at the center and on the edge of Restoration literature. As one of its most prolific writers, her success as a playwright was rivaled only by Dryden; however, as a woman, she defied and challenged contemporary ideas about sex, gender, and authorship. Behn was remarkably aware of the ambiguity of her position; a widow, a writer, and a professional, she inhabited and personified the grey areas of seventeenth-century gender roles. For these reasons, her work provides an interesting window through which to view the relationship between gender and literature in the late seventeenth century.The subject of several book-length studies and many more articles, Behn has experienced a renaissance in the academic community during the last ten to fifteen years and has been installed in the seventeenth-century literary canon. Two related aspects of her career however have been overlooked. The first is her interest in natural philosophy, including her criticism of philosophers for not sharing their knowledge. The second aspect is her work as a translator, especially as a translator of scientific texts. Perhaps the enduring perception of translation as an essentially derivative activity has led scholars to dismiss Behn's translations as uninteresting or unoriginal. In so far as natural philosophy was a “masculine” discipline, however, Behn's translations demonstrated her ability to participate in and translate between elite natural philosophy, often written in Latin (the most “masculine” language), and a general or female audience.

1970 ◽  
Vol 63 (2) ◽  
pp. 261-303 ◽  
Author(s):  
Arlene A. Miller

Now that the tremendous influence of Jacob Boehme (1575–1624) upon natural philosophy and religious thought has come to be more fully appreciated, the question of Boehme's relation to Luther's theology has come once again to be the subject of a lively scholarly discussion. This study proposes to compare the position of Luther and Boehme on certain key theological concepts and propositions as they are denned in the Genesis commentaries of the two men. This limited and concrete study may shed light upon the larger question of the relation of their theologies as a whole and the nature of the dependence of Boehme on Luther as mediated by seventeenth-century orthodoxy.


Nuncius ◽  
2017 ◽  
Vol 32 (1) ◽  
pp. 85-110
Author(s):  
Giuseppe Bruno-Chomin

Cometary theory had remained predominantly rooted in Aristotelianism until late in the seventeenth century. Yet concurrent with the expansion of astronomical understanding there persisted a steadfast vein of astrological superstition. While the newly emerging field of experimental natural philosophy successfully discredited many traditional principles, a notable discord still existed within the academic community regards cometary superstition and prognostication. The Neapolitan mathematician, Giovanni Alfonso Borelli, sought to rectify past misconceptions regarding the nature of comets. And literary figures Carlo de’ Dottori and Ciro di Pers textually document the cometary debate in two of their poems. This paper seeks to underscore the diverging paths that the interrelated fields of astrology and astronomy took by considering letters sent by Borelli to Dionigi Guerrini and two seventeenth century poetic works.


2007 ◽  
Vol 50 (2) ◽  
pp. 449-464 ◽  
Author(s):  
MICHAEL EDWARDS

The historiography of early modern Aristotelian philosophy and its relationship with its seventeenth-century critics, such as Hobbes and Descartes, has expanded in recent years. This article explores the dynamics of this project, focusing on a tendency to complicate and divide up the category of Aristotelianism into multiple ‘Aristotelianisms’, and the significance of this move for attempts to write a contextual history of the relationship of Hobbes and Descartes to their Aristotelian contemporaries and predecessors. In particular, it considers recent work on Cartesian and Hobbesian natural philosophy, and the ways in which historians have related the different forms of early modern Aristotelianism to the projects of the novatores.


2006 ◽  
Vol 39 (2) ◽  
pp. 207-229 ◽  
Author(s):  
PAUL Elliott ◽  
STEPHEN Daniels

Freemasonry was the most widespread form of secular association in eighteenth-century England, providing a model for other forms of urban sociability and a stimulus to music and the arts. Many members of the Royal Society and the Society of Antiquaries, for instance, were Freemasons, while historians such as Margaret Jacob have argued that Freemasonry was inspired by Whig Newtonianism and played an important role in European Enlightenment scientific education. This paper illustrates the importance of natural philosophy in Masonic rhetoric and utilizes material from Masonic histories, lodge records and secondary works to demonstrate that scientific lectures were indeed given in some lodges. It contends, however, that there were other sources of inspiration for Freemasonry besides Newtonianism, such as antiquarianism, and that many other factors as well as the prevalence of Masonic lodges determined the geography of English scientific culture. Although the subject of Freemasonry and natural philosophy has great potential, as Jacob has demonstrated so well, much further work, especially in the form of prosopographical studies of provincial lodges, is required before the nature of the relationship between the two can be fully appreciated.


Nuncius ◽  
2018 ◽  
Vol 33 (3) ◽  
pp. 505-536 ◽  
Author(s):  
Anna Marie Roos ◽  
Edwin D. Rose

Abstract The Lithophylacii Britannicii ichnographia [British figured stones] (1699) by Edward Lhwyd, the second keeper of the Ashmolean Museum, was the first illustrated field guide to English fossils. We analyse this book’s physical creation – the collection of specimens, their engravings and their use and reuse in eighteenth-century editions and collections that were in the transition to binomial taxonomy. With particular concentration on the Lithophylacii’s illustrations of fossils, this paper will first analyse how the specimens were collected. We will then examine the use of these specimens and subsequent editions of Lhwyd’s book, with a focus upon how the relationship between them was drawn on by collectors such as Sir Hans Sloane and Daniel Solander from 1680 to 1760. Finally, we will demonstrate how Ashmolean Keeper William Huddesford repurposed the illustrations for Lhwyd’s book for his eighteenth-century edition of the field guide, incorporating new classificatory schemes. Our analysis will give insight into how a late seventeenth-century book of natural philosophy was used and repurposed by natural historians and collectors before and during the development of Linnaean taxonomy.


2021 ◽  
Vol 22 ◽  
pp. e23897
Author(s):  
Carlos Enrique George Reyes ◽  
Leonardo David Glasserman Morales

This study starts from the need to identify which are the research competencies mediated by technologies, required to support the acquisition of knowledge in higher education institutions. The work developed here aims to analyze the scientific production related to the subject with the intention of identifying current research trends. To achieve this, the method of systematic review of literature adjusted to social sciences was used, taking as a source of information the Scopus database. The results indicate that most of the scientific texts have been produced in English, and that the treatment of the topic has been constantly developed since 2016, mostly from the approach of the relationship between research strategies with digital literacy, information literacy, access to digital library databases and the development of critical thinking.


2021 ◽  
pp. 130-157
Author(s):  
Julianne Werlin

Beginning in the seventeenth century, English literary authors began to be printed and read in translation in European vernaculars. This chapter traces the relationship between capitalist England’s emergence as an international commercial and colonial power and the circulation of English literature on the Continent. Taking the career of John Milton as a case study, it argues that the English Revolution marked a turning point in England’s political and economic influence, and as a direct result, in the reception of its literature. By the end of the seventeenth century, England’s capitalist development enabled vernacular writers such as Milton, Shakespeare, and Bacon to enter the European literary canon.


2014 ◽  
Vol 16 (3) ◽  
pp. 157-173
Author(s):  
Dina Amin

The relationship between religion and theatre is an ancient one; in fact this relationship has been the essence and raison d’être of theatre from ancient Egypt and Greece until the present day. However, in today's world, to borrow from, or be inspired by, a holy scripture is not only to debate issues pertaining to faith, but rather to aim for a dialectics between the dramatic work and the modern-day readers/spectators and their contemporary sociopolitical conditions. Indeed, it was his recourse to a Qur'anic story as plot for Ahl al-kahf (‘Sleepers of the Cave’, 1933) that helped Tawfīq al-Ḥakīm to initiate drama as an intrinsic genre into the literary canon, theatre having long been deemed an unessential art form within the Arabo-Islamic world. The subject of the current article, ʿAlī Aḥmad Bā Kathīr (1910–69), likewise wrote a substantial number of works for the stage derived from Islamic history and tradition. As a member of the cultural sector of the Muslim Brotherhood in the 1940s and 1950s and a major contributor to al-masraḥ al-dīnī (‘the theatre of religion’) in Egypt, it is no surprise that Bā Kathīr devoted a large portion of his prolific dramatic writing to narratives inspired by the Qur'an and other religious sources. His play Hārūt wa-Mārūt (‘The Angels Hārūt and Mārūt’, 1962) is a very good example of this vein in his writing. Based in the Qur'anic story mentioned in Sūrat al-Baqara, it recounts the story of the two angels, who are transformed into humans and descend to earth, to demonstrate that sin can be combated by the practice of chastity, willpower, and self-restraint.


Nuncius ◽  
1986 ◽  
Vol 1 (2) ◽  
pp. 13-47
Author(s):  
PAOLO GOZZA

Abstract<title> SUMMARY </title>The leit-motiv of the present description of the relationship between music and natural philosophy in Italy in the seventeenth century is a recurrent theme: the mathematical or « Pythagorean » approach to music as opposed to the experimental or « Aristoxenian » approach. During the sixteenth and seventeenth centuries this opposition, rendered pertinent by the cultural transformations that accompanied the consolidation of modern science, gained in complexity and took on original forms and meanings. The present paper, in the first instance, outlines the major traditions of classical musical thought and its medieval heritage. Secondly, it provides a survey of the more significant attempts at renewing musical theory that were carried out during the second half of the Cinquecento in the light of the Italian renaissance of mathematics of the XV and XVI centuries. It continues with an examination of the musical ideas of Galileo and offers a primary documentation of the interest displayed by representatives of the Galilean school in the science of sound during the first half of the Seicento.Finally it discusses, for the first time, the theories of sound of F. M. Grimaldi and D. Bartoli and the musical doctrines of P. Mengoli within the framework of the principal philosophical elements of Italian culture between 1660 and 1680.


Author(s):  
Marta Sierra

Resumen: La obra de Luisa Futoransky se construye como una “literatura menor” tal como la definen Deleuze y Guattari. Sus poemas y novelas emplean el collage como una forma de “subal-ternizar” el lenguaje literario a fin de cuestionar las grandes narrativas nacionales. Sus textos expresan un pensamiento de fronteras que está traspasado por inquietudes feministas. En el presente trabajo se analiza el modo en que la memoria transatlántica construye el lugar de la “subalternización” en los textos de Futoransky. Por medio de un análisis del uso del collage y otros mecanismos narrativos y poéticos, el trabajo propone leer la obra de Futoransky a partir de una estética desterri-torializadora que se caracteriza por: la disolución del sujeto, el uso del collage, la cita como un mecanismo posmoderno; la estética desfami-liarizadora, el humor y el artificio, y la memoria como la fuente de una estética trasatlántica. El trabajo analiza el modo en que Futoransky explora las tensiones en la relación entre memoria y lugar a partir de un análisis de las tensiones entre lo global y lo local. Palabras clave: Futoransky, literatura menor, subalternización, desterritorlización.Abstract: The works by Luisa Futoransky are representative of what Deleuze and Guattari define as a “minor literature”, a literature that questions the relationship between nation and literary canon. Her novels and poems use collage as a way to represent this “minor literature”, a medium to create a subaltern voice in her literature. Hers is a literature that lives in the borderlands, experiencing the border from a feminist perspective. In this essay, I propose a reading of Futoransky’s works from a transatlantic and subaltern perspective. Her aesthetic project breaks the bonds between language and territory. The main strategies analyzed here are: the dissolution of the subject, the use of collage and quotation as postmodern techniques to destabilize meaning, humor, and a poetic memory that challenges national borders. This paper analyzes how Futoransky explores the tensions between memory and place from the complexities of global and local dynamics. Keywords: Futoransky, Minor Literature, Subalternization, Deterritorialization.


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