Hazlitt as a Shakespearean Critic

PMLA ◽  
1932 ◽  
Vol 47 (1) ◽  
pp. 191-199 ◽  
Author(s):  
Harry T. Baker
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
Early Nineteenth Century ◽  
The Past ◽  
William Hazlitt ◽  
Political Views ◽  
Literary Fame ◽  
The French Revolution

When William Hazlitt died, in 1830, his literary fame was obscured by his political views. The man who admired Napoleon and wrote a biography of him and who championed the radical creed of the French Revolution could hardly have been expected to be popular among Englishmen of the early nineteenth century. During the past twenty-five years, however, several volumes containing selections from his essays have been issued; and most editions of Shakespeare enrich themselves by quoting his opinions. His Characters of Shakespeare's Plays, printed in 1817, is still very much alive. Heine, in his volume Shakespeare's Mädchen und Frauen (1838), declared: “With the exception of William Hazlitt, England has given us no Shakespearean commentator of any consequence.” And this verdict, though decidedly exaggerated, gains new interest when we append the Teutonic explosion: “It takes the very heart out of me when I remember that Shakespeare is an Englishman, and belongs to the most repulsive race which God in his wrath ever created.”

Afterword

2018 ◽  
Author(s):  
Mark Philp
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
French Revolution ◽  
Audience Reception ◽  
Early Nineteenth Century ◽  
The Past ◽  
Chronological Change ◽  
Key Issues ◽  
Political Interpretation ◽  
The French Revolution

This expansive afterword reflects upon the whole volume’s arguments and contents. The focus is upon the concept of the miscellaneous: an eighteenth-century mode of organization and appreciation of culture, increasingly contested in the early nineteenth century. The author discusses issues of patriotism and audience reception, arguing for a more nuanced appreciation of the dynamics of political loyalism and dissent in Britain in the period following the French Revolution. Questions of identity and identification are seen as crucial, and as being formed at least in part within theatrical spaces. The author considers the difficult political interpretation of affective tropes such as humour and sentimentality, deftly relating them to the key issues of the day, while also paying attention to chronological change, and the need to recover ways of seeing and feeling that have been lost over the past two centuries.

James Mill's ‘The History of British India’ and Utilitarianism as a Rhetoric of Reform

1990 ◽  
Vol 24 (2) ◽  
pp. 209-224 ◽  
Author(s):  
J. Majeed
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
Cultural Identities ◽  
Jeremy Bentham ◽  
British India ◽  
Early Nineteenth Century ◽  
Late Eighteenth ◽  
History Of ◽  
The French Revolution

This paper is about the emergence of new political idioms in the late eighteenth and early nineteenth centuries in Britain, and how this was closely involved with the complexities of British imperial experience in India. In particular, I shall concentrate on the radical rhetoric of Utilitarianism expressed by Jeremy Bentham, and especially by James Mill. This rhetoric was an attack on the revitalized conservatism of the early nineteenth century, which had emerged in response to the threat of the French revolution; but the arena for the struggle between this conservatism and Utilitarianism increasingly became defined in relation to a set of conflicting attitudes towards British involvement in India. These new political languages also involved the formulation of aesthetic attitudes, which were an important component of British views on India. I shall try to show how these attitudes, or what we might call the politics of the imagination, had a lot to do with the defining of cultural identities, with which both political languages were preoccupied.

“Children of Liberty”: Idealist Historiography in Staël, Shelley, and Sand

PMLA ◽  
2003 ◽  
Vol 118 (3) ◽  
pp. 502-520 ◽  
Author(s):  
Kari Lokke
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
Mary Shelley ◽  
George Sand ◽  
The Past ◽  
The Future ◽  
Spirit World ◽  
Historical Agency ◽  
The French Revolution

This essay explores the contributions of a tradition of nineteenth-century Künstlerromane by Germaine de Staël, Mary Shelley, and George Sand to European idealist historiography as exemplified in Kant's writings on perfectibility. Corinne, Valperga, and Consuelo represent the historical agency of the intellectual and artist as communication with a spirit world inhabited by ghosts of the past so that their secrets and wisdom can be transmitted to the future. In canonical Romanticism, contact with these phantasms provokes crippling guilt over the failure of past projects of perfectibility like the French Revolution (doomed by violence and bloodshed), guilt that is figured in the interdependent tropes of the titanic hero and Romantic melancholy. The novels discussed here perform an explicit critique of masculinist individualism in the name of women and humanity as a whole, replacing melancholy with enthusiasm and deploying spirits aesthetically, as sublime signs of future historical potentiality.

Nation and Generation in A Tale of Two Cities

PMLA ◽  
1978 ◽  
Vol 93 (3) ◽  
pp. 448-462 ◽  
Author(s):  
Albert D. Hutter
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
The Novel ◽  
Generational Conflict ◽  
The Past ◽  
Two Cities ◽  
Critical Model ◽  
The Individual ◽  
Critical Methods ◽  
The French Revolution

A Tale of Two Cities, the French Revolution becomes a metaphor for the conflicts between generations and between classes that preoccupied Dickens throughout his career. Dickens uses a double plot and divided characters to express these conflicts; his exaggerated use of “splitting”—which the essay defines psychoanalytically—sometimes makes A Tale of Two Cities‘ language and structure appear strained and humorless. We need to locate A Tale of Two Cities within a framework of nineteenth-century attitudes toward revolution and generational conflict by using a combination of critical methods—literary, historical, psychoanalytic. This essay relates the reader's experience to the structure of the text; and it derives from Dickens’ language, characterization, and construction a critical model that describes the individual reader's experience while explaining some of the contradictory assessments of the novel over the past hundred years.

POLITICAL CULTURE, POLITICAL CLASS, AND POLITICAL COMMUNITY

1998 ◽  
Vol 41 (1) ◽  
pp. 311-315
Author(s):  
D. L. L. PARRY
Keyword(s):  
Nineteenth Century ◽  
Political Culture ◽  
French Revolution ◽  
Political Community ◽  
French History ◽  
New Haven ◽  
Yale University ◽  
Political Class ◽  
The Past ◽  
The French Revolution

The past in French history. By Robert Gildea. New Haven and London: Yale University Press, 1994. Pp. xiv+418. £30.00. ISBN 0-300-05799-7Napoleon and his artists. By Timothy Wilson-Smith. London: Constable, 1996. Pp. xxx+306. £23.00. ISBN 0-094-76110-8Revolution and the meanings of freedom in the nineteenth century. Edited by Isser Woloch. Stanford: Stanford University Press, 1996. Pp. viii+447. £40.00. ISBN 0-804-72748-1Over the past twenty years, Keith Baker, François Furet, Lynn Hunt, Mona Ozouf et al. have argued that the French Revolution gave birth to a new political culture, and by implication that one should study politics through this culture rather than through l'histoire événementielle of ministries and elections. The three books reviewed here all relate to political culture in the wake of the French Revolution, explicitly in The past in French history and implicitly in the other two volumes: under Napoleon, artistic culture was politicized and regimented, and after his fall nineteenth-century Europe was left to nurse the awkward offspring of 1789, the ideologies of revolution and freedom. Yet whilst these books provide fine studies of political culture, they make only passing references to two less clearly defined concepts which may be necessary adjuncts to such an approach. The first is that of a ‘political class’, meaning those who occupy office, usually by election and regardless of party, which enables one to put l'histoire événementielle aside, since elections or changes of cabinet are merely reshuffles within the political class. The second concept concerns the communities that create political cultures. What, though, creates these communities?

Early-Nineteenth-Century Reactions to Benthamism

1984 ◽  
Vol 34 ◽  
pp. 47-69 ◽  
Author(s):  
J. R. Dinwiddy
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
French Revolution ◽  
House Of Commons ◽  
Early Nineteenth Century ◽  
Controversial Subject ◽  
The French Revolution

IN 1965 a very distinguished Bentham scholar read a paper to this society on Bentham and the French Revolution. During the period dealt with by that paper Bentham became an honorary citizen of France (largely through his friendship with Brissot), but he remained little known either in Britain or on the Continent. Thirty years later, he was world-famous. In 1825 members of the Colombian Congress in Bogot were quoting Bentham at each other much as eighteenth-century Englishmen had quoted Cicero in the House of Commons; and among the leaders of the Decembrist mutiny of the same year in St Petersburg were men who confessed to having been influenced by Bentham's works. In 1829 a weekly newspaper was appearing at Boston, Massachusetts, which carried his phrase the greatest happiness of the greatest number as its motto, while a journal called L'Utilitaire was being published at Geneva to propagate his ideas. This paper will not tackle the large and controversial subject of the extent and significance of Bentham's influence. It will address itself to questions that are more limited, though they have some bearing on the larger topic. These questions are: how did those outside the circle of his followers react to his ideas, and what attempts were made to challenge or refute them?

scholarly journals Freedom and liberty: the influence of the ideology of the polish uprising of 1830 on Russian philosophy and literature

2021 ◽  
Vol 24 (2) ◽  
pp. 74-84
Author(s):  
Tetiana Murha
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
National Identities ◽  
Russian Philosophy ◽  
Early Nineteenth Century ◽  
Philosophy And Literature ◽  
Late Eighteenth ◽  
History Of ◽  
Political Principles ◽  
The French Revolution

The relevance of the topic is due to the history of the concept of freedom in the Russian, Polish and Ukrainian thesauri in the late eighteenth and early nineteenth centuries. Because the concept of "freedom" is important in shaping the national identities of these Slavic peoples.The aim of the article was to consider the causes of metamorphoses that occurred in the use of words and changes in the connotations of the concept of "freedom". It is determined that the development of philosophical ideas about freedom in Russia in the early nineteenth century is influenced by two contradictory tendencies: nihilistic-deterministic and religious-libertarian. It is studied that in the Soviet official philosophy and ideology the concept of "freedom" acquires ritual-official and rational-determinist meaning ("freedom as a known necessity"). In contrast, "freedom" is replaced by the concept of "freedom", which has acquired positive connotations. At the same time, the identification of "freedom" with "arbitrariness" in recent years has been a source of Russian anti-liberal discourse.Conclusions. The concept of "freedom" in literature, official documents and philosophical considerations originally had two verbal reflections "liberty" and "freedom". And the first of them actually dominated until the early nineteenth century. Its meanings were related to the influence of Polish political principles and the Ukrainian Orthodox tradition, which was spread by graduates of the Kyiv-Mohyla Collegium (Academy). At the same time, it was gradually supplanted by another word, "liberty," especially under the influence of the reaction to the events and slogans of the French Revolution.

scholarly journals Historiographical Approaches on Experience and Empiricism in the Early Nineteenth-Century: Degérando and Tennemann

2019 ◽  
Vol 27 (5) ◽  
pp. 655-679
Author(s):  
Silvia Manzo
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
Critical Philosophy ◽  
Early Nineteenth Century ◽  
Ideological Commitment ◽  
True Knowledge ◽  
The French Revolution

This paper examines the views of Joseph-Márie Degérando and Wilhelm Gottlieb Tennemann about empiricism, and the scope and limits of experience as well as its relation to reason and its role in the attainment of true knowledge. While Degérando adopted the “philosophy of experience” and Tennemann advocated Kant’s critical philosophy, both authors blamed each other for the same mistake: if Degérando considered that, despite all appearances to the contrary, critical philosophy fell into empiricism, Tennemann judged that the philosophy of experience was nothing but pure and simple empiricism. Degérando’s and Tennemann’s discrepancies involved not only a discussion of “nomenclatures” and of the role and limits of experience in knowing, but also an epistemological and ideological commitment to the pacification of the intellectual field in the aftermath of the French Revolution. In this line, Degérando’s alignment with the philosophy of experience attempted to distance himself from the politically dangerous sensualism attributed to the idéologie. But, unlike his countryman Charles Villers, he did not want to replace the sensualism by critical philosophy. His opposition to philosophical novelty (which he associated with political revolution) led him to praise only the “eclectic” spirit of Kant’s philosophy.

THE BIRTH OF MODERN MEMORY

2006 ◽  
Vol 3 (1) ◽  
pp. 167-178
Author(s):  
MATTHEW LEVINGER
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
Harvard University ◽  
Historical Imagination ◽  
Historical Inquiry ◽  
Early Nineteenth Century ◽  
Cambridge University ◽  
The Past ◽  
European Culture ◽  
University Of Chicago Press

John Edward Toews, Becoming Historical: Cultural Reformation and Public Memory in Early Nineteenth-Century Berlin. Cambridge: Cambridge University Press, 2004. pp. xxiv + 466.George S. Williamson, The Longing for Myth in Germany: Religion and Aesthetic Culture from Romanticism to Nietzsche. Chicago: University of Chicago Press, 2004. pp. xiv + 428.Peter Fritzsche, Stranded in the Present: Modern Time and the Melancholy of History. Cambridge: Harvard University Press, 2004. pp. 268.Each generation chooses its own objects of historical inquiry. Over the past decade or two, many historians have moved away from perennial topics in social and political history, turning their gaze on more ethereal questions in the realm of “memory studies.” The three splendid books under review here examine elusive phenomena in nineteenth-century Europe: the transformation of historical consciousness, the invention of national myths, and the emergence of nostalgia as a prominent element of European culture after the French Revolution and the Napoleonic age. Taken together, these works vividly illustrate both the value and the challenges of scholarship on the modern historical imagination.

Burney's The Wanderer and Early-Nineteenth-Century Commodity Fetishism

2002 ◽  
Vol 57 (1) ◽  
pp. 1-30 ◽  
Author(s):  
Andrea Henderson
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
Social Changes ◽  
Commodity Fetishism ◽  
Early Nineteenth Century ◽  
Labor Theory ◽  
History Of ◽  
Theory Of Value ◽  
Historical Moment ◽  
The Wanderer

This essay explores a particular moment in the history of commodity fetishism by means of an examination of Frances Burney's The Wanderer (1814). The novel, which is explicitly concerned with the social changes facing early-nineteenth-century England, reveals that at this historical moment the commodity inspired emotions of a particular kind: it was idealized and perceived as attractively individualized, aloof, exotic, and changeable, and it elicited a passionate and sometimes even painful form of desire. In The Wanderer Burney explores the human repercussions of this new way of engaging with objects in the marketplace. She reveals, moreover, the extent to which the fetishism of the commodity reflected not just developments within the economy but also political change: under the influence of the French Revolution the charisma once generated by social status was transferred to the economic realm, where, embodied in the commodity, it gave rise to a pleasurable but masochistic reverence. Burney'sargument for the usefulness of economic independence necessarily leads her to appreciate the commodity fetishism she describes: even while she develops a labor theory of value, Burney promotes a mystification of the commodity by insisting on the aloof independence of both labor and its products. Thus, Burney uses the apparent autonomy of things——which Marx decries——as a means to argue for the autonomy of the makers of those things.

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