Burke's Theory Concerning Words, Images, and Emotion

PMLA ◽  
1940 ◽  
Vol 55 (1) ◽  
pp. 167-181 ◽  
Author(s):  
Dixon Wecter
Keyword(s):  
The Sublime ◽  
Abstract Ideas ◽  
The Mind ◽  
The Way

Edmund Burke's youthful essay on The Sublime and Beautiful, first published in 1757, sets forth a theory that the impassioned language of poetry and oratory may rouse emotion without the entry of any clear images into the mind. This proposal—audacious if read by the light of the Augustan sunset, but prophetic of romanticism—has received occasional notice from historians of criticism because it anticipates Lessing's brilliant attack upon Wortmalerei in Laokoon (1766). But the way in which Burke seems to have invented his theory from scraps of Locke and Berkeley, left on the battlefield where the contest over abstract ideas had once been waged, has gone apparently unnoticed.

HERMENEUTIKA HANS-GEORG GADAMER DAN SIGNIFIKANSINYA TERHADAP PENAFSIRAN AL-QUR’AN

2018 ◽  
Vol 2 (1) ◽  
pp. 93-108 ◽  
Author(s):  
Muh. Hanif
Keyword(s):  
Text Interpretation ◽  
Historical Reality ◽  
The Mind ◽  
Hans Georg Gadamer ◽  
The Way

The paper discusses the introduction of hermeneutics, Gadamer's biography, Gadamer's hermeneutics and Quranic exegesis, and examples of interpreters using the Gadamer hermeneutics model. hermeneutics tried to grasp the meaning of the Quranic text. Meaning comes from the German "Meinen" which means "to be in the mind or right." Meanings are produced on the basis   of a fusion of horizon or a mixture of the author's horizon of thought, reader, and text.  interpretation is a productive act involving the subjectivity of the interpreter and is  influenced by the historical reality and the presupposition of the interpreter. Gadamer hermeneutics is widely applied in the way of interpretation of the Qur'an bi al-ra'yi.

Haunted by ‘Lenore’: The Fragment as Gothic Form, Creative Practice and Textual Evolution

2021 ◽  
Vol 23 (2) ◽  
pp. 132-147
Author(s):  
Kirstin A. Mills
Keyword(s):  
Creative Practice ◽  
Critical Gap ◽  
Narrative Device ◽  
History Of ◽  
The Mind ◽  
The Way

This article examines the processes of fragmentation and haunting surrounding the explosion of competing translations, in 1796, of Gottfried August Bürger's German ballad ‘Lenore’. While the fragment has become known as a core narrative device of the Gothic, less attention has been paid to the ways that the fragment and fragmentation operate as dynamic, living phenomena within the Gothic's central processes of memory, inspiration, creation, dissemination and evolution. Taking ‘Lenore’ as a case study, this essay aims to redress this critical gap by illuminating the ways that fragmentation haunts the mind, the text, and the history of the Gothic as a process as much as a product. It demonstrates that fragmentation operates along lines of cannibalism, resurrection and haunting to establish a pattern of influence that paves the way for modern forms of gothic intertextuality and adaptation. Importantly, it thereby locates fragmentation as a process at the heart of the Gothic mode.

Nature and the Sublime

2021 ◽  
Author(s):  
Mark Sandy
Keyword(s):  
William Wordsworth ◽  
Percy Bysshe Shelley ◽  
John Keats ◽  
Natural World ◽  
Gothic Fiction ◽  
John Clare ◽  
Nature And Culture ◽  
The Sublime ◽  
The Many ◽  
The Mind

An account of Edmund Burke’s central ideas about the Sublime and the Beautiful shows how the emphasis Burke gave to terror helped to shape the Gothic fiction of Ann Radcliffe and Mary Shelley. Focusing on examples from the poetry of William Wordsworth, Lord Byron, Charlotte Smith, Percy Bysshe Shelley, John Keats, and John Clare, the remainder of this essay explores the ways in which Romantic poets both thought about and attempted to represent those elements of the sublime that were instigated by their encounters with the natural world. What emerges as defining about these interactions between the mind and world is how imaginative impulses towards a sense of the sublime often led to a renewed sense of the material world and the very contingencies of existence they sought to transcend. Even Wordsworth’s more reverential response to the natural world as sacrosanct recognises the ‘awe’ of the sublime can be as much consoling as it is disturbing. These disturbing aspects of natural process and the sublime are self-consciously explored in the poetry of Shelley, who subjects notions of transcendence and idealism to sceptical scrutiny. With varying degrees of emphases, the poetry of Byron, Smith, and Clare elide distinctions between nature and culture to acknowledge a sublime more explicitly shaped by temporal and material processes. Finally, a key episode in Keats’s Ode to a Nightingale is read as exemplifying the many difficulties and complexities of the Romantic imagination’s encounter with, and its attempts, to represent transcendence and the sublime.

Time

2021 ◽  
pp. 163-179
Author(s):  
Jesse Matz
Keyword(s):  
Mikhail Bakhtin ◽  
Paul Ricoeur ◽  
Reciprocal Relationship ◽  
Henri Bergson ◽  
Subjective Time ◽  
Phenomenological Hermeneutics ◽  
Paul Ricœur ◽  
The Mind ◽  
The Way

Orlando and other texts express Woolf’s interest in subjective ‘time in the mind’, an interest she shared with other modernists who challenged chronological norms, but Woolf explored other forms of time as well. Some align her work with the theories of Henri Bergson, Mikhail Bakhtin, and Mary Sturt, and this variety—the way Woolf developed forms of time across her career as a writer—tracks with the phenomenological hermeneutics of Paul Ricoeur. His Time and Narrative explains the dialectical pattern according to which Woolf perpetually found new ways for time and narrative to shape each other, culminating in novels that thematize this reciprocal relationship between the art of narrative and possibilities for temporal engagement. Woolf’s early fiction breaks with linear chronology, starting a series of virtuoso performances of temporal poiesis.

scholarly journals Theories used in NLP for motivation. 2nd part

2019 ◽  
Vol 25 (2) ◽  
pp. 251-257
Author(s):  
Bogdan-Alexandru Furduescu
Keyword(s):  
Experiential Learning ◽  
Verbal Communication ◽  
Linguistic Patterns ◽  
The Mind ◽  
The Way

Abstract One of the purposes of Neuro-Linguistic Programming (international acronym: NLP) is to motivate different skills from specific methods, techniques, tools, processes, theories and models into a single coherent and very Effective when implemented. Most of the methods, techniques, tools, processes, theories and specific models of NLP were created through the process called “modeling”, which, in principle, involves decipting the way in which the mind and how we think (neuro) operates through analyzing language (linguistic) patterns and non-verbal communication, the results of the analysis being integrated step by step in a strategy (programming) that can be used to transfer the ability of other individuals. The most important aspect of NLP is perhaps the practical-pragmatic, tracksuit programs and NLP concepts focusing on the interactive side and experiential learning, precisely in order for these concepts and principles to be fair and fully perceived and understood.

'Erro de Descartes' ou Erro de um Título?

1996 ◽  
Vol 4 (7) ◽  
pp. 163-170
Author(s):  
Maria Luísa Ribeiro Ferreira ◽  
Keyword(s):  
Body Problem ◽  
Body Interaction ◽  
Central Thesis ◽  
Broad Concept ◽  
Mind Body Problem ◽  
The Mind ◽  
Philosophical Questions ◽  
The Way

In this article we summarize the central thesis of A. Damásio in his book Descartes' Error. We appreciate the scientifical interest of this work but we criticize the way some philosophical questions are stated, namely the concept of reason and Descartes’ contribution to the mind - body problem. When Damásio accuses Descartes of being guilty for sustaining a «disimbodied mind», he forgets the works where this philosopher explores the mind-body interaction and his broad concept of thinking as including feeling and will. Therefore, we question the title of this work and the false expectations it can produce on his readers.

The Politics of Worldlessness

2020 ◽  
pp. 80-127
Author(s):  
Roland Végső
Keyword(s):  
Martin Heidegger ◽  
Human Condition ◽  
The Political ◽  
Simple Fact ◽  
Political World ◽  
Life Of The Mind ◽  
Life Itself ◽  
The Mind ◽  
The Way ◽  
The Human Condition

The chapter examines Hannah Arendt’s critique of martin Heidegger and concentrates on the way Arendt tries to subvert the Heideggerian paradigm of worldlessness. While for Heidegger, the ontological paradigm of worldlessness was the lifeless stone, in Arendt’s book biological life itself emerges as the worldless condition of the political world of publicity. The theoretical challenge bequeathed to us by Arendt is to draw the consequences of the simple fact that life is worldless. The worldlessness of life, therefore, becomes a genuine condition of impossibility for politics: it makes politics possible, but at the same time it threatens the very existence of politics. The chapter traces the development of this argument in three of Arendt’s major works: The Origins of Totalitarianism, The Human Condition, and The Life of the Mind.

Contemporary Echoes of the World Soul

2021 ◽  
pp. 320-342
Author(s):  
Valia Allori
Keyword(s):  
Quantum Mechanics ◽  
Quantum Theory ◽  
Conscious Experience ◽  
Hard Problem ◽  
Quantum Theories ◽  
The World ◽  
The Hard Problem ◽  
The Mind ◽  
The Way

Quantum mechanics is a groundbreaking theory: it not only is extraordinarily empirically adequate but also is claimed to having shattered the classical paradigm of understanding the observer-observed distinction as well as the part-whole relation. This, together with other quantum features, has been taken to suggest that quantum theory can help one understand the mind-body relation in a unique way, in particular to solve the hard problem of consciousness along the lines of panpsychism. In this chapter, after having briefly presented panpsychism, Valia Allori discusses the main features of quantum theories and the way in which the main quantum theories of consciousness use them to account for conscious experience.

The Work of the Words

2020 ◽  
pp. 57-98
Author(s):  
Megan Kaes Long
Keyword(s):  
Seventeenth Century ◽  
Poetic Form ◽  
Text Setting ◽  
Tonal Language ◽  
Close Relationship ◽  
Organizational Framework ◽  
Musical Systems ◽  
Regular Text ◽  
The Mind ◽  
The Way

Composers of homophonic partsongs developed formulaic text-setting schemas that translated poetic meter into musical meter: line lengths determine phrase lengths, poetic accents establish musical accents, and poetic form controls cadences and formal boundaries. Consequently, text-setting establishes an increasingly deep mensural hierarchy. At the same time, schematic text-setting codifies an organizational framework that parallels the way the mind constructs musical meter. According to dynamic attending theory, listener attention peaks in response to environmental regularities; this theory suggests that regular metrical frameworks like those in homophonic partsongs facilitate tonal expectation by drawing listener attention toward metrically accented harmonic events. Regular text-setting contributes to musical meter in a period when mensural structures are giving way to metrical ones. A new metrical style and a new tonal language emerge in tandem in the early seventeenth century, and the balletto repertoire highlights the close relationship between these evolving musical systems.

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