HERMENEUTIKA HANS-GEORG GADAMER DAN SIGNIFIKANSINYA TERHADAP PENAFSIRAN AL-QUR’AN

2018 ◽  
Vol 2 (1) ◽  
pp. 93-108 ◽  
Author(s):  
Muh. Hanif

The paper discusses the introduction of hermeneutics, Gadamer's biography, Gadamer's hermeneutics and Quranic exegesis, and examples of interpreters using the Gadamer hermeneutics model. hermeneutics tried to grasp the meaning of the Quranic text. Meaning comes from the German "Meinen" which means "to be in the mind or right." Meanings are produced on the basis   of a fusion of horizon or a mixture of the author's horizon of thought, reader, and text.  interpretation is a productive act involving the subjectivity of the interpreter and is  influenced by the historical reality and the presupposition of the interpreter. Gadamer hermeneutics is widely applied in the way of interpretation of the Qur'an bi al-ra'yi.

2021 ◽  
Vol 23 (2) ◽  
pp. 132-147
Author(s):  
Kirstin A. Mills

This article examines the processes of fragmentation and haunting surrounding the explosion of competing translations, in 1796, of Gottfried August Bürger's German ballad ‘Lenore’. While the fragment has become known as a core narrative device of the Gothic, less attention has been paid to the ways that the fragment and fragmentation operate as dynamic, living phenomena within the Gothic's central processes of memory, inspiration, creation, dissemination and evolution. Taking ‘Lenore’ as a case study, this essay aims to redress this critical gap by illuminating the ways that fragmentation haunts the mind, the text, and the history of the Gothic as a process as much as a product. It demonstrates that fragmentation operates along lines of cannibalism, resurrection and haunting to establish a pattern of influence that paves the way for modern forms of gothic intertextuality and adaptation. Importantly, it thereby locates fragmentation as a process at the heart of the Gothic mode.


Author(s):  
Jesse Matz

Orlando and other texts express Woolf’s interest in subjective ‘time in the mind’, an interest she shared with other modernists who challenged chronological norms, but Woolf explored other forms of time as well. Some align her work with the theories of Henri Bergson, Mikhail Bakhtin, and Mary Sturt, and this variety—the way Woolf developed forms of time across her career as a writer—tracks with the phenomenological hermeneutics of Paul Ricoeur. His Time and Narrative explains the dialectical pattern according to which Woolf perpetually found new ways for time and narrative to shape each other, culminating in novels that thematize this reciprocal relationship between the art of narrative and possibilities for temporal engagement. Woolf’s early fiction breaks with linear chronology, starting a series of virtuoso performances of temporal poiesis.


2019 ◽  
Vol 25 (2) ◽  
pp. 251-257
Author(s):  
Bogdan-Alexandru Furduescu

Abstract One of the purposes of Neuro-Linguistic Programming (international acronym: NLP) is to motivate different skills from specific methods, techniques, tools, processes, theories and models into a single coherent and very Effective when implemented. Most of the methods, techniques, tools, processes, theories and specific models of NLP were created through the process called “modeling”, which, in principle, involves decipting the way in which the mind and how we think (neuro) operates through analyzing language (linguistic) patterns and non-verbal communication, the results of the analysis being integrated step by step in a strategy (programming) that can be used to transfer the ability of other individuals. The most important aspect of NLP is perhaps the practical-pragmatic, tracksuit programs and NLP concepts focusing on the interactive side and experiential learning, precisely in order for these concepts and principles to be fair and fully perceived and understood.


Author(s):  
Maria Luísa Ribeiro Ferreira ◽  

In this article we summarize the central thesis of A. Damásio in his book Descartes' Error. We appreciate the scientifical interest of this work but we criticize the way some philosophical questions are stated, namely the concept of reason and Descartes’ contribution to the mind - body problem. When Damásio accuses Descartes of being guilty for sustaining a «disimbodied mind», he forgets the works where this philosopher explores the mind-body interaction and his broad concept of thinking as including feeling and will. Therefore, we question the title of this work and the false expectations it can produce on his readers.


Author(s):  
Roland Végső

The chapter examines Hannah Arendt’s critique of martin Heidegger and concentrates on the way Arendt tries to subvert the Heideggerian paradigm of worldlessness. While for Heidegger, the ontological paradigm of worldlessness was the lifeless stone, in Arendt’s book biological life itself emerges as the worldless condition of the political world of publicity. The theoretical challenge bequeathed to us by Arendt is to draw the consequences of the simple fact that life is worldless. The worldlessness of life, therefore, becomes a genuine condition of impossibility for politics: it makes politics possible, but at the same time it threatens the very existence of politics. The chapter traces the development of this argument in three of Arendt’s major works: The Origins of Totalitarianism, The Human Condition, and The Life of the Mind.


2021 ◽  
pp. 320-342
Author(s):  
Valia Allori

Quantum mechanics is a groundbreaking theory: it not only is extraordinarily empirically adequate but also is claimed to having shattered the classical paradigm of understanding the observer-observed distinction as well as the part-whole relation. This, together with other quantum features, has been taken to suggest that quantum theory can help one understand the mind-body relation in a unique way, in particular to solve the hard problem of consciousness along the lines of panpsychism. In this chapter, after having briefly presented panpsychism, Valia Allori discusses the main features of quantum theories and the way in which the main quantum theories of consciousness use them to account for conscious experience.


2020 ◽  
pp. 57-98
Author(s):  
Megan Kaes Long

Composers of homophonic partsongs developed formulaic text-setting schemas that translated poetic meter into musical meter: line lengths determine phrase lengths, poetic accents establish musical accents, and poetic form controls cadences and formal boundaries. Consequently, text-setting establishes an increasingly deep mensural hierarchy. At the same time, schematic text-setting codifies an organizational framework that parallels the way the mind constructs musical meter. According to dynamic attending theory, listener attention peaks in response to environmental regularities; this theory suggests that regular metrical frameworks like those in homophonic partsongs facilitate tonal expectation by drawing listener attention toward metrically accented harmonic events. Regular text-setting contributes to musical meter in a period when mensural structures are giving way to metrical ones. A new metrical style and a new tonal language emerge in tandem in the early seventeenth century, and the balletto repertoire highlights the close relationship between these evolving musical systems.


Author(s):  
Simon Blackburn

‘Projectivism’ is used of philosophies that agree with Hume that ‘the mind has a great propensity to spread itself on the world’, that what is in fact an aspect of our own experience or of our own mental organization is treated as a feature of the objective order of things. Such philosophies distinguish between nature as it really is, and nature as we experience it as being. The way we experience it as being is thought of as partly a reflection or projection of our own natures. The projectivist might take as a motto the saying that beauty lies in the eye of the beholder, and seeks to develop the idea and explore its implications. The theme is a constant in the arguments of the Greek sceptics, and becomes almost orthodox in the modern era. In Hume it is not only beauty that lies in the eye (or mind) of the beholder, but also virtue, and causation. In Kant the entire spatio-temporal order is not read from nature, but read into it as a reflection of the organization of our minds. In the twentieth century it has been especially non-cognitive and expressivist theories of ethics that have adopted the metaphor, it being fairly easy to see how we might externalize or project various sentiments and attitudes onto their objects. But causation, probability, necessity, the stances we take towards each other as persons, even the temporal order of events and the simplicity of scientific theory have also been candidates for projective treatment.


Archaeologia ◽  
1806 ◽  
Vol 15 ◽  
pp. 192-197
Author(s):  
Robert Studley Vidal
Keyword(s):  
The Mind ◽  

I consider myself flattered by the wish you express of knowing more of the work in which I am engaged, and to which I alluded in my former letter. The subject, from its having much of a professional cast, may perhaps fail to interest you, but since you desire to have the particulars of my plan, I send them to you with the greatest pleasure. Having, in common with many others, had frequent cause to lament that the study of our laws (if meant to be pursued with effect) requires an almost total dereliction of every other pursuit; yet, finding that the mind must have some relaxation, it occurred to me, that by noting down any curious or otherwise remarkable particulars that might meet with respecting the forensic proceedings of early times, a species of amusement might be discovered, which so far from interrupting or impeding my progress in the regular line of study, would in some measure become a stimulus, and render me less attentive to the ruggedness and difficulties of the way.


Sign in / Sign up

Export Citation Format

Share Document