ΚΥΡΙΕ, ΔΕΣΠΟΤΑ, Domine. Greek Politeness in the Roman Empire

2001 ◽  
Vol 121 ◽  
pp. 1-11 ◽  
Author(s):  
Eleanor Dickey
Keyword(s):  
Roman Empire ◽  
New Testament ◽  
Roman Period ◽  
Seventh Century ◽  
The Other ◽  
Classical Period ◽  
Late Period ◽  
Comprehensive Search

AbstractWhy did the Greeks of the Roman period make such extensive use of the vocative κύριε, when Greeks of earlier periods had been content with only one vocative meaning ‘master’, δέσποτα? This study, based primarily on a comprehensive search of documentary papyri but also making extensive use of literary evidence (particularly that of the Septuagint and New Testament), traces the development of both terms from the classical period to the seventh century AD. It concludes that κύριε was created to provide a translation for Latin domine, and that domine, which has often been considered a translation of κύριε, had a Roman origin. In addition, both κύριε and domine were from their beginnings much less deferential than is traditionally supposed, so that neither term underwent the process of ‘weakening’ which converted English ‘master’ into ‘Mr’. δέσποτα, which was originally far more deferential than the other two terms, did undergo some weakening, but not (until a very late period) as much as is usually supposed. These findings in turn imply that Imperial politeness has been somewhat misunderstood and suggest that the Greeks of the first few centuries AD were much less servile in their language than is traditionally assumed.

Greek Necromancy: Reality or Myth?

2021 ◽  
Vol 60 (1-2) ◽  
pp. 27-51
Author(s):  
Tomáš Vítek
Keyword(s):  
Historical Context ◽  
Roman Period ◽  
The Other ◽  
Classical Period ◽  
The Dead ◽  
The One ◽  
Source Ability

SummaryThe article investigates the extent to which Greek necromancy fits into the wider eschatological, cultic and historical context of an epoch demarcated on the one hand by Homer and on the other by the Classical period. The oldest purported necromantic ritual, with the help of which Odysseus descended into the underworld, is a literary construct inspired especially by the heroic tomb-cults. Scenes depicting funereal necromancy, written by dramatists of the Classical period, were also drawn from this source. Ability, behavior and appearance of heroes were additionally ascribed to the so-called restless spirits and revenants and later came to include all the dead. The main cause of this was a change in eschatological ideas and especially heroization, which in the Roman period spread nominally to all the dead. Reports about necromancy include a high percentage of mythical and literarily-dramatized elements that simply do not correspond with contemporary ideas about the soul, the dead, the underworld and chthonic deities. It therefore appears almost certain that, at least to the end of the period described, necromancy was not carried out in reality but remained only the literary surmise of the possibility indicated by Homer.

Brooches of type Almgren Group VII, Series I, Variation with Headknob and Vertical Catchplate, from East and South-East Romania (the Barbarian World)

2021 ◽  
Vol 30 ◽  
pp. 137-180
Author(s):  
Sorin Cociș ◽  
Vitalie Bârcă
Keyword(s):  
Roman Empire ◽  
Early Stage ◽  
Geographical Area ◽  
Time Span ◽  
The Other ◽  
Late Period ◽  
North East ◽  
Current State ◽  
State Of Research ◽  
Chronological Time

We attempt herein, based on archaeological finds, to analyse brooches of type Almgren VII, Series I, the headknob and external chord variation from territories east and south-east of Romania. The authors discuss a number of 46 such brooches. The typological analysis of the finds as well as the approach of the other issues these raise, also considered similar specimens diffused on a vast geographical area and a chronological time span comprised between the last decades of the 2nd century – early 4th century AD. Out of the total analysed exemplars, 35 were discovered in settlements and 11 in cemeteries, of which four were identified in inhumations. Out of the total brooches, only three are in silver, while with respect to the spring making type, 24 are single springed, five are provided with a double spring while in the case of 17 exemplars, it was impossible to say with certainty whether they had a single spring and chord inserted through the second hole of the support or were double-springed. Subsequent to the analysis of these type brooches and the contexts and features where they were discovered, the authors concluded that chronologically, the specimens date in the area under discussion mainly to stage C1b – early stage C3 (AD 230-320/330), though emerging in the late period of stage C1a. The authors noted, based on finds yielded by certain graves, that these were often worn in pairs, a custom specific mainly to the Germanic world, ascribing their wear to women. Based on the examination of the finds, the authors further noted that in the area discussed here it may be currently assumed that brooches of the sort were manufactured only at Bucharest-Străulești, reminding though both their making in several other sites within territories located outside the Roman empire and by possible travelling artisans. Also, it is mentioned again that these brooches of type Almgren, group VII, series I, emerged in the Przeworsk and Wielbark culture environments, where many such brooch finds are found, together with most numerous subvariants. The authors also conclude that the presence of these brooches may be related to the territories north and north-east of the Upper Dniester and that they are indicative, beside other artefacts, of the arrival and settlement in the discussed area, starting with the end phase of stage C1a – early stage C1b, of certain groups of Germanic populaces from the region of the Upper Dniester and territories north of it. Last but not least, the authors construe that in the current state of research, it is impossible to reach more definite conclusions on who were the bearers of these brooches, mentioning though that it is not excluded that their emergence is connected to the arrival of the bearers of the early stage (beginning) of the Sântana de Mureș-Chernyakhov culture on the territory east and south of the Carpathians.

The Middle Kingdom and Second Intermediate Period

2020 ◽  
pp. 637-656
Author(s):  
Wolfram Grajetzki
Keyword(s):  
Roman Period ◽  
Classical Period ◽  
Late Period ◽  
Middle Kingdom ◽  
The South ◽  
Intermediate Period ◽  
Western Asia ◽  
Short Period

The ancient Egyptians of later times saw the Middle Kingdom as their classical period. Its language was used in temple and tomb inscriptions until the Roman Period, and its literature was still read and copied hundreds years after it was written. Its sculpture was the prototype for that of the Late Period, more than a thousand years later. The basic outlines of this period are relatively straightforward: the Eleventh-Dynasty king Mentuhotep II unified the country around 2000 bc, and subsequently the kings of the Twelfth Dynasty built a strong administration and centralized the country. Lower Nubia was conquered and raids into Western Asia are attested. In the Thirteenth Dynasty there is a detectable process of political decline, with a high number of kings ruling over a short period of time. Around 1650 bc, foreign (Hyksos) rulers took over parts of the Delta, while, in the south, Egypt fought against the Nubian Kerma empire, but in about 1550 bc the Theban ruler Ahmose managed to defeat the Hyksos and unite the country.

Getting Over Athens

2018 ◽  
Author(s):  
Nicolas Wiater
Keyword(s):  
Roman Empire ◽  
The Other ◽  
The Political ◽  
New Model ◽  
Dionysius Of Halicarnassus ◽  
The One

This chapter examines the ambivalent image of Classical Athens in Dionysius of Halicarnassus’ Roman Antiquities. This image reflects a deep-seated ambiguity of Dionysius’ Classicist ideology: on the one hand, there is no question for Dionysius that Athenocentric Hellenicity failed, and that the Roman empire has superseded Athens’ role once and for all as the political and cultural centre of the oikoumene. On the other, Dionysius accepted Rome’s supremacy as legitimate partly because he believed (and wanted his readers to believe) her to be the legitimate heir of Classical Athens and Classical Athenian civic ideology. As a result, Dionysius develops a new model of Hellenicity for Roman Greeks loyal to the new political and cultural centre of Rome. This new model of Greek identity incorporates and builds on Classical Athenian ideals, institutions, and culture, but also supersedes them.

Who Is the Text? The Gendered and Racialized New Testament

2019 ◽  
pp. 135-155
Author(s):  
Yii-Jan Lin
Keyword(s):  
New Testament ◽  
Textual Criticism ◽  
The Other ◽  
Creative Power ◽  
Clement Of Alexandria ◽  
Other Hand ◽  
The New Testament

This chapter contends that the study of gender, sexuality, and the New Testament is not limited to the content of texts or their historical contexts. On the contrary, how we formulate a textual entity and how we approach that entity contribute to the dynamics that constitute identity, and are thus important to the discussion. In the case of the New Testament, Western Christianity has understood the active Word, or Logos, of God as “masculine” in its creative power. The text of the New Testament, on the other hand, requires historical and philological study, and is decidedly “feminine” in its vulnerability to disease and adulteration, especially in the field of textual criticism. Disrupting metaphors and conceptions of text and speech, masculine and feminine, can be found in ancient Judaism’s formulation of the Written and Oral Torah, as well as in Clement of Alexandria, the Odes of Solomon, and in Plato.

Mary Magdalene

2019 ◽  
pp. 427-447
Author(s):  
Ann Graham Brock
Keyword(s):  
New Testament ◽  
The Other ◽  
Good News ◽  
Mary Magdalene ◽  
The New Testament ◽  
Visionary Leader

The New Testament gospels and numerous extracanonical texts portray Mary Magdalene as one of the most significant of Jesus’s disciples, present at Jesus’s crucifixion and primary among the resurrection witnesses. Moreover, many of these ancient sources portray Jesus or heavenly messengers or both commissioning her to tell the other disciples the good news. As a result, many claim apostolic authority for her, and some even call her “apostle of the apostles.” Among key texts that feature her are the Gospel of Philip, Pistis Sophia, and the Manichaean Psalms. She may also be the protagonist in the Gospel of Mary, although a few suppose her to be Mary the Mother or Mary of Bethany. The portrayals of Mary Magdalene often feature her as an especially prominent, outspoken, visionary leader, who, in postresurrection dialogues with Jesus, frequently demonstrates insights beyond other disciples, including Peter, who often challenges her.

Roman Imperial Culture

2019 ◽  
pp. 256-276
Author(s):  
Davina C. Lopez
Keyword(s):  
Roman Empire ◽  
Sexual Violence ◽  
New Testament ◽  
Visual Representation ◽  
Power Relationships ◽  
Roman Emperor ◽  
Imperial Culture ◽  
The New Testament ◽  
Imperial Ideology

This chapter discusses several aspects of Roman imperial culture that offer resonances with the study of the New Testament. Herein several gendered and sexualized tropes of Roman imperial ideology, which serve to discursively naturalize power relationships and differences in hierarchy, are considered. These include the impenetrable manliness of the Roman emperor, the link between military conquest and sexual violence and feminization of conquered barbarian “others,” and the characterization of the Roman Empire as an endlessly fertile family. Special attention is given to the rhetorical and representational dimensions of Roman imperial culture, and particular emphasis is afforded to visual representation. Finally, the article considers several areas wherein the intersection of gender, sexuality, Roman imperial culture, and the study of the New Testament might further be explored.

History of Recording Demotic Epigraphy

2020 ◽  
pp. 491-507
Author(s):  
Jan Moje
Keyword(s):  
Nineteenth Century ◽  
Seventh Century ◽  
First Century ◽  
Third Century ◽  
Late Period ◽  
Greco Roman ◽  
Rosetta Stone ◽  
Roman Egypt ◽  
History Of ◽  
Twenty First Century

This chapter gives an overview of the history of recording and publishing epigraphic sources in Demotic language and script from the Late Period to Greco-Roman Egypt (seventh century bce to third century ce), for example, on stelae, offering tables, coffins, or votive gifts. The history of editing such texts and objects spans over two hundred years. Here, the important steps and pioneering publications on Demotic epigraphy are examined. They start from the beginning of the nineteenth century, when Napoleon’s expedition to Egypt found the Rosetta stone, until the twenty-first century.

scholarly journals The Orderliness of Music from the Perspective of Complex Information Systems

Proceedings ◽  
2020 ◽  
Vol 47 (1) ◽  
pp. 55
Author(s):  
Shan Zhang
Keyword(s):  
Information Systems ◽  
20Th Century ◽  
Natural Science ◽  
The Other ◽  
Western Music ◽  
Classical Period ◽  
20Th Century Music ◽  
Complex Information ◽  
History Of ◽  
The One

By applying the concept of natural science to the study of music, on the one hand, we can understand the structure of music macroscopically, on the other, we can reflect on the history of music to a certain extent. Throughout the history of western music, from the classical period to the 20th century, music seems to have gone from order to disorder, but it is still orderly if analyzed carefully. Using the concept of complex information systems can give a good answer in the essence.

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