The World of the Gorrlaus Slatts: A Morphological Investigation of a Branch of Norwegian Fiddle Music Tradition

1993 ◽  
Vol 25 ◽  
pp. 163
Author(s):  
Pandora Hopkins ◽  
Morten Levy
Keyword(s):  
Morphological Investigation ◽  
Fiddle Music ◽  
The World ◽  
Music Tradition

The World of the Gorrlaus Slatts: A Morphological Investigation of a Branch of Norwegian Fiddle Music Tradition

1998 ◽  
Vol 42 (1) ◽  
pp. 160
Author(s):  
Sharon Poulson Graf ◽  
Morton Levy ◽  
Gunver Krabbe
Keyword(s):  
Morphological Investigation ◽  
Fiddle Music ◽  
The World ◽  
Music Tradition

scholarly journals Gereja Karismatik dan Inkulturasi Musik di Dalam Sistem Ibadahnya

SELONDING ◽  
2019 ◽  
Vol 13 (13) ◽  
Author(s):  
Hari Sasongko
Keyword(s):  
The United States ◽  
Gospel Music ◽  
Religious Community ◽  
World War ◽  
Charismatic Movement ◽  
Musical Tradition ◽  
The World ◽  
Church In The World ◽  
The Church ◽  
Music Tradition

The charismatic movement is an embryo of  the birth of  charismatic church in the world. The movement was began before the World War where the situation was marked by the economical decadence, particularly in the United States of America that caused uneasiness in several live of young community. The church model based on the power of Holly Spirit in the comprehension of Christian traditional faith. It is differenced from another church that grows in Europe.  The church has been developing and finally, it is taking root on Western culture tradition, and then it appeared gospel music tradition. Unfortunately the members of this religious community are disposed another musical tradition that lives around them whereas they are something important to the success of progress of cultural dialog, so the charismatic chruch seem exclusive.  By mean of historical studies, the writer try to critise on the prospect dialog between charismatic church and local tradition. The dialog will open the posibility of cultural spirit to furnish, support, and appreciate one to another. Keywords: charismatic, local music tradition, dialog, religious.

Images of the Italian South within and beyond World Music

2017 ◽  
Author(s):  
Incoronata Inserra
Keyword(s):  
World Music ◽  
The World ◽  
Song Lyrics ◽  
The Mediterranean ◽  
Music Tradition

This chapter puts the spotlight on song lyrics and music arrangements as a way to explore the transformation of the tarantella music tradition from the 1970s until today. In particular, the chapter focuses on the work of Neapolitan musician Eugenio Bennato and his involvement with the tarantella rhythms both within and beyond the larger world music context. These examples illustrate how the world music label has not only provided greater access to these local voices but also spurred local and national debates; these debates echo ethnomusicologists’ warnings about the risk of exoticizing local music that is embedded in the world music label. In addition, the chapter discusses the ways that this revival contributes to the Southern Question debate, as exemplified by Bennato’s music career since the 1970s; it also considers its contribution to current postcolonial scholarship in Italy, which examines the South’s position as a postcolonial entity within contemporary Italy and the Mediterranean.

scholarly journals IN THE PRESENT DAY, "EMPLOYING MUSIC ART" IS AN IMPORTANT DIMENSION IN HIGHER EDUCATION

2015 ◽  
Vol 3 (1SE) ◽  
pp. 1-4
Author(s):  
Lata Jain
Keyword(s):  
Higher Education ◽  
Fine Art ◽  
The World ◽  
Human World ◽  
Ancient Music ◽  
Music Tradition

The music tradition in India is very ancient. Music has been related to life in any field, be it Indian or Western, since time immemorial. It is a fine art in which the musician expresses his feelings through tone, rhythm, rhythm. Music has the power to make the entire human world self-reliant, this is an art that is loved by everyone in the world. There is no place in the world where people are not involved in music, so Bhartrihari has treated a music-less human like an animal without horns and tail. भारत में संगीत परम्परा बहुत प्राचीन है। संगीत किसी भी क्षेत्र का हो, चाहे भारतीय हो अथवा पाश्चात्य, आदिकाल से ही उसका जनजीवन से संबंध रहा है। यह एक ऐसी ललित कला है जिसमें संगीतज्ञ स्वर, लय, ताल के माध्यम से अपने मनोभावों को व्यक्त करता है। संगीत में सम्पूर्ण मानव जगत को आत्मविभोर करने की शक्ति होती है यह ऐसी कला है जो विश्व में सभी को प्रिय है। संसार की कोई भी ऐसी जगह नहीं है जहाँ के लोग संगीत से जुड़े न हांे, इसलिए भर्तृहरि ने संगीत विहीन मानव को बिना सींग और पूँछ वाले पशु के समान माना है।

scholarly journals Soundscape composition: the convergence of ethnography and acousmatic music

2002 ◽  
Vol 7 (1) ◽  
pp. 21-27 ◽  
Author(s):  
John Levack Drever
Keyword(s):  
Methodological Issue ◽  
Acoustic Ecology ◽  
Environmental Sound ◽  
World Today ◽  
The World ◽  
Soundscape Studies ◽  
Acousmatic Music ◽  
Music Tradition

Despite roots in acoustic ecology and soundscape studies, the practice and study of soundscape composition is often grouped with, or has grown out of the acousmatic music tradition. This can be observed in the positioning of soundscape compositions juxtaposed with acousmatic music compositions in concert programmes, CD compilations and university syllabuses. Not only does this positioning inform how soundscape composition is listened to, but also how it is produced, sonically and philosophically. If the making and presenting of representations of environmental sound is of fundamental concern to the soundscape artist, then it must be addressed. As this methodological issue is outside of previous musical concerns, to this degree, we must look to other disciplines that are primarily engaged with the making of representation, and that have thoroughly questioned what it is to make and present representations in the world today. One such discipline is ethnography. After briefly charting the genesis of soundscape composition and its underlying principles and motivations, the rest of the paper will present and develop one perspective, that of considering soundscape composition as ethnography.

A pragmatist philosophy of psychological science and its implications for replication

2018 ◽  
Vol 41 ◽  
Author(s):  
Ana Gantman ◽  
Robin Gomila ◽  
Joel E. Martinez ◽  
J. Nathan Matias ◽  
Elizabeth Levy Paluck ◽  
...  
Keyword(s):  
William James ◽  
Mental Processes ◽  
Psychological Science ◽  
Behavioral Measurement ◽  
The World ◽  
Pragmatist Philosophy

AbstractA pragmatist philosophy of psychological science offers to the direct replication debate concrete recommendations and novel benefits that are not discussed in Zwaan et al. This philosophy guides our work as field experimentalists interested in behavioral measurement. Furthermore, all psychologists can relate to its ultimate aim set out by William James: to study mental processes that provide explanations for why people behave as they do in the world.

Culture and the plasticity of perception

2020 ◽  
Vol 43 ◽  
Author(s):  
Michael Lifshitz ◽  
T. M. Luhrmann
Keyword(s):  
Cultural Context ◽  
Sensory Experience ◽  
Cultural Learning ◽  
The World

Abstract Culture shapes our basic sensory experience of the world. This is particularly striking in the study of religion and psychosis, where we and others have shown that cultural context determines both the structure and content of hallucination-like events. The cultural shaping of hallucinations may provide a rich case-study for linking cultural learning with emerging prediction-based models of perception.

Let's call a memory a memory, but what kind?

2019 ◽  
Vol 42 ◽  
Author(s):  
Nazim Keven
Keyword(s):  
Episodic Memory ◽  
Animal Cognition ◽  
The World

Abstract Hoerl & McCormack argue that animals cannot represent past situations and subsume animals’ memory-like representations within a model of the world. I suggest calling these memory-like representations as what they are without beating around the bush. I refer to them as event memories and explain how they are different from episodic memory and how they can guide action in animal cognition.

Rotational Characteristics of the Green Solar Corona: 1947-1991

1994 ◽  
Vol 144 ◽  
pp. 139-141 ◽  
Author(s):  
J. Rybák ◽  
V. Rušin ◽  
M. Rybanský
Keyword(s):  
Solar Corona ◽  
World Wide ◽  
Rotation Period ◽  
Original Data ◽  
Coronal Emission ◽  
Time Intervals ◽  
Data Set ◽  
The World ◽  
Coronal Emission Line ◽  
Homogeneous Data

AbstractFe XIV 530.3 nm coronal emission line observations have been used for the estimation of the green solar corona rotation. A homogeneous data set, created from measurements of the world-wide coronagraphic network, has been examined with a help of correlation analysis to reveal the averaged synodic rotation period as a function of latitude and time over the epoch from 1947 to 1991.The values of the synodic rotation period obtained for this epoch for the whole range of latitudes and a latitude band ±30° are 27.52±0.12 days and 26.95±0.21 days, resp. A differential rotation of green solar corona, with local period maxima around ±60° and minimum of the rotation period at the equator, was confirmed. No clear cyclic variation of the rotation has been found for examinated epoch but some monotonic trends for some time intervals are presented.A detailed investigation of the original data and their correlation functions has shown that an existence of sufficiently reliable tracers is not evident for the whole set of examinated data. This should be taken into account in future more precise estimations of the green corona rotation period.

Where in the world is the hip hop nation?

Popular Music ◽  
2003 ◽  
Vol 22 (2) ◽  
pp. 241-245
Author(s):  
Inez H. Templeton
Keyword(s):  
Hip Hop ◽  
The World
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