A Bibliography of British Travel Books on Argentina: 1810-1860

1959 ◽  
Vol 16 (2) ◽  
pp. 133-143 ◽  
Author(s):  
S. Samuel Trifilo
Keyword(s):  
Nineteenth Century ◽  
Great Britain ◽  
Travel Literature ◽  
Literary Form ◽  
Full Length ◽  
Living Room ◽  
Travel Books ◽  
The World ◽  
Written Word ◽  
Source Of Information

Books of travel and books inspired by travel have probably been more popular in Great Britain than any other literary form, with the exception of novels.This was especially true in the nineteenth century, when travel, owing to the lack of today's facilities, was reserved for the relative few. During that period, photography had not yet replaced the written word, as is happening in our own generation. The nineteenth-century Englishman wandered through the medium of a travel book and not through newsreels, travelogues, and even full-length movies. Today, the Englishman, like the American, is able to sit in his living room and see the world on his television screen. He is not dependent on literature to the extent that his grandfather or great-grandfather was. For the Englishman of the nineteenth century, therefore, travel literature was very important. Often, these books furnished the only source of information concerning strange lands and strange peoples.

All That Glittered

2019 ◽  
Author(s):  
Timothy Alborn
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Great Britain ◽  
International Monetary System ◽  
Social Hierarchy ◽  
British Society ◽  
Monetary System ◽  
The World ◽  
Origin Story ◽  
At Home

From the early eighteenth century into the 1830s, Great Britain was the only major country in the world to adopt gold as the sole basis of its currency, in the process absorbing much of the world’s supply of that metal into its pockets, cupboards, and coffers. During the same period, Britons forged a nation by distilling a heady brew of Protestantism, commerce, and military might, while preserving important features of its older social hierarchy. All That Glittered argues for a close connection between these occurrences, by linking justifications for gold’s role in British society—starting in the 1750s and running through the mid-nineteenth century gold rushes in California and Australia—to contemporary descriptions of that metal’s varied values at home and abroad. Most of these accounts attributed British commercial and military success to a credit economy pinned on gold, stigmatized southern European and subaltern peoples for their nonmonetary uses of gold, or tried to marginalize people at home for similar forms of alleged misconduct. This book tells a primarily cultural origin story about the gold standard’s emergence after 1850 as an international monetary system, while providing a new window on British exceptionalism during the previous century.

Australian and Indian Plants: Making Connexions in Nineteenth-Century Botany

2012 ◽  
Vol 23 (2) ◽  
pp. 107 ◽  
Author(s):  
Sara Maroske
Keyword(s):  
Nineteenth Century ◽  
Great Britain ◽  
The Netherlands ◽  
Distribution Pattern ◽  
Plant Distribution ◽  
Northern Australia ◽  
Species Limits ◽  
The World ◽  
Joseph Hooker

Despite the expectation in nineteenth-century botany that the plants of one country were most similar to those of adjacent countries, by the middle of the century it was accepted that there was a connexion between flora of northern Australia and ?India'. The pattern and reasons for plant distribution around the world were studied in the emerging science of phytogeography, but this paper suggests that the strength of the Indo-Australian connexion was influenced by species limits in the established science of phytography or descriptive botany. This paper also shows that while the botany of Australia and ?India' was predominantly studied in European nations, Ferdinand Mueller used resources obtained from Joseph Hooker in Great Britain, and Friedrich Miquel in the Netherlands to add new details to the distribution pattern of ?Indian' plants in northern Australia. Although Mueller was unwilling to reflect on these findings himself, they seemed to challenge attempts to introduce evolutionary and geological explanations into phytogeography.

scholarly journals Some aspects on the Pictures of the North

Nordlit ◽  
2008 ◽  
Vol 12 (1) ◽  
pp. 251
Author(s):  
Lennart Pettersson
Keyword(s):  
Travel Literature ◽  
Quantitative Methods ◽  
High Light ◽  
Written Text ◽  
The North ◽  
Travel Books ◽  
The World ◽  
Generalized Knowledge ◽  
The 19Th Century ◽  
Different Parts

The objectives of this article are to draw the attention to, in my view, two necessities in the field of research on illustrated travel literature. I will argue that in order to understand the nature of illustrated travel literature the research has to be multidisciplinary and has to deal with the written text as well as the illustrations. The reader gained their perceptions of the places described from both pictures and texts and in order to retrieve how different parts of the world were, and still is, perceived according to certain criteria stated in travel literature, scholars must work with a variety of visual and textual communication strategies. The secondof my "necessities" is that this material urges scholars to study it with quantitative methods. There are so many different illustrated travel books that it would be a loss if researcher did not try to study them as one unit and thereby gain generalized knowledge on the field. Having stated these two "necessities" I must also state that I do not mean that all research into travel literature must have these approaches but I hope that they will be important factors in the discourses the coming years.In order to show some of the possibilities of the methods mentioned above I will discuss some of the possible aspects of a quantitative study of the pictures of the north as they appear in illustrated travel literature of the nineteenth century. I will present statistics dealing with artistic subjects, differences between the patterns of illustrations in books published in different languages and how the pictorial revolution in the 19th century changed the travel literature. In the second part of the article I will examine one illustrated travel book in order to high-light how text and illustration complemented each other and created significance together.

Beethoven im „Brockhaus“

2021 ◽  
Vol 74 (3) ◽  
pp. 210-228
Author(s):  
Arnold Jacobshagen
Keyword(s):  
Nineteenth Century ◽  
Middle Class ◽  
19Th Century ◽  
Ludwig Van Beethoven ◽  
Full Length ◽  
Reading Public ◽  
The 19Th Century ◽  
Source Of Information

Full-length biographies about Ludwig van Beethoven were not published until after the composer's death. During his lifetime, biographical articles in dictionaries and encyclopaedias were therefore a particularly important source of information, since general encyclopaedias achieved a much wider circulation than specialist music publications. The first entry on Beethoven appeared as early as 1790 in Ernst Ludwig Gerber's Historisch-Biographisches Lexicon der Tonkünstler. The most widely read encyclopaedia for the educated middle class was the Conversations-Lexicon oder enzyklopädisches Handwörterbuch für gebildete Stände, first published by Brockhaus in 1809. This paper comparatively examines the articles on Beethoven from the first decades of the 19th century until the eleventh edition of 1863 and with regard to the emergence of typical narratives. It is noteworthy that the early entries on Beethoven, were shorter than those for other contemporary composers, contained false biographic information and were reluctant in their assessment of Beethoven’s oeuvre. This only changes after the composer’s death and raises the question whether, in the eyes of the general reading public, Beethoven really was the predominant musical figure in the first decades of the nineteenth century.

scholarly journals ‘Coi libri o col mondo?’

2021 ◽  
Vol 36 (1) ◽  
pp. 60-74
Author(s):  
Bianca Del Buono
Keyword(s):  
Travel Literature ◽  
Point Of View ◽  
Theoretical Interpretation ◽  
Theoretical Point ◽  
Main Character ◽  
Travel Books ◽  
The World ◽  
Alienation Effect ◽  
Travel Writings ◽  
Narrative Techniques

‘With books or with the world?’ Alienation effects without disorientation in Viaggio e maravigliose avventure d’un veneziano by Francesco Contarini This paper investigates the forms and effects of displacement in Viaggio e maravigliose avventure d’un veneziano ch’esce per la prima volta dalle lagune e si reca a Padova e a Milano, published anonymously in Milan in 1818. According to Luigi Catucci, the author is Francesco Contarini, who translated many travel books for the editor Sonzogno between 1816 and 1817: this would explain the noticeable intertextual dialogue between the Viaggio and other travel writings, both fictional and non-fictional. Some allusions to Vasco de Gama’s and James Cook’s geographical explorations reveal the author’s interest in travel as an anthropological experience, while quotations from Swift and De Maistre suggest a familiarity with the literary conventions and the most recent renewal of the European novel.  From a theoretical point of view, the essay examines the interaction between travel literature, (anti-)novel, récit excentrique, and parody, in order to show that literary contamination works as an estrangement device. At the same time, this theoretical interpretation is evaluated (from an analytical and interpretative point of view) in relation to the narrative techniques through which Contarini expresses the alienation-effect of the first-person dramatized narrator, prompting a strong sense of disorientation in the reader (but not in the main character). 

Mary Somerville

1969 ◽  
Vol 4 (4) ◽  
pp. 311-339 ◽  
Author(s):  
Elizabeth C. Patterson
Keyword(s):  
Nineteenth Century ◽  
Full Length ◽  
Equal Length ◽  
The World ◽  
High Regard ◽  
The Times ◽  
Obituary Notice

“Whatever difficulty we might experience in the middle of the nineteenth century in choosing a king of science”, read the obituary notice in The Morning Post of Monday, 2 December 1872, “there could be no question whatever as to the queen of science.”1 And in a full-length column the death in Naples on the preceding Friday of Mary Somerville was announced. The Times of the same date, in a notice 2 of equal length and somewhat more scientific detail, spoke of the high regard in which her services to science were held both by men of science and by the nation. She had been for almost half a century the most famous of English scientific ladies and in achieving that role had become the first scientific lady of the world.

Correspondence between Adolphe Brongniart and Robert Schomburgk: trading natural history collections for honours

2002 ◽  
Vol 29 (3) ◽  
pp. 333-336
Author(s):  
PIOTR DASZKIEWICZ ◽  
MICHEL JEGU
Keyword(s):  
Nineteenth Century ◽  
Natural History ◽  
Dominican Republic ◽  
Southeast Asia ◽  
Herbarium Specimens ◽  
British Guiana ◽  
Natural History Collections ◽  
History Of ◽  
Source Of Information ◽  
German Naturalist

ABSTRACT: This paper discusses some correspondence between Robert Schomburgk (1804–1865) and Adolphe Brongniart (1801–1876). Four letters survive, containing information about the history of Schomburgk's collection of fishes and plants from British Guiana, and his herbarium specimens from Dominican Republic and southeast Asia. A study of these letters has enabled us to confirm that Schomburgk supplied the collection of fishes from Guiana now in the Laboratoire d'Ichtyologie, Muséum National d'Histoire Naturelle, Paris. The letters of the German naturalist are an interesting source of information concerning the practice of sale and exchange of natural history collections in the nineteenth century in return for honours.

‘Otherwise in London’ or, the ‘Essence of Things’: Modernity and Estrangement in the Nineteenth-Century Cityscape

2015 ◽  
Vol 5 (1) ◽  
pp. 17-35
Author(s):  
Julian Wolfreys
Keyword(s):  
Nineteenth Century ◽  
William Wordsworth ◽  
Urban Landscape ◽  
Thomas De Quincey ◽  
Urban Centre ◽  
Early Nineteenth Century ◽  
Urban Representation ◽  
Robert Southey ◽  
The World ◽  
The City

Writers of the early nineteenth century sought to find new ways of writing about the urban landscape when first confronted with the phenomena of London. The very nature of London's rapid growth, its unprecedented scale, and its mere difference from any other urban centre throughout the world marked it out as demanding a different register in prose and poetry. The condition of writing the city, of inventing a new writing for a new experience is explored by familiar texts of urban representation such as by Thomas De Quincey and William Wordsworth, as well as through less widely read authors such as Sarah Green, Pierce Egan, and Robert Southey, particularly his fictional Letters from England.

Mirrors, Masks, and Masculinity: The Homosocial Legacy from Dickens to Machen

2016 ◽  
Vol 6 (3) ◽  
pp. 256-275
Author(s):  
Molly C. O'Donnell
Keyword(s):  
Nineteenth Century ◽  
Victorian Novel ◽  
Specific Context ◽  
Clear Cut ◽  
The World ◽  
Speech Genre

All the narrators and characters in J. Sheridan Le Fanu's In a Glass Darkly are unreliable impostors. As the title suggests, this is also the case with Arthur Machen's The Three Impostors, which similarly presents a virtual matryoshka of unreliability through a series of impostors. Both texts effect this systematic insistence on social constructedness by using and undermining the specific context of the male homosocial world. What served as the cure-all in the world of Pickwick – the homosocial bond – has here been exported, exposed, and proven flawed. The gothic is out in the open now, and the feared ghost resides without and within the group. The inability of anyone to interpret its signs, communicate its meaning, and rely on one's friends to talk one through it is the horror that cannot be overcome. Part of a larger project on the nineteenth-century ‘tales novel’ that treats the more heterogeneric and less heteronormative Victorian novel, this article examines how In a Glass Darkly and The Three Impostors blur the clear-cut gender division articulated in prior masculine presentations like The Pickwick Papers and feminine reinterpretations such as Cranford. These later texts challenge binaries of sex, speech, genre, and mode in enacting the previously articulated masculine and feminine simultaneously.

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