Mary Somerville

1969 ◽  
Vol 4 (4) ◽  
pp. 311-339 ◽  
Author(s):  
Elizabeth C. Patterson
Keyword(s):  
Nineteenth Century ◽  
Full Length ◽  
Equal Length ◽  
The World ◽  
High Regard ◽  
The Times ◽  
Obituary Notice

“Whatever difficulty we might experience in the middle of the nineteenth century in choosing a king of science”, read the obituary notice in The Morning Post of Monday, 2 December 1872, “there could be no question whatever as to the queen of science.”1 And in a full-length column the death in Naples on the preceding Friday of Mary Somerville was announced. The Times of the same date, in a notice 2 of equal length and somewhat more scientific detail, spoke of the high regard in which her services to science were held both by men of science and by the nation. She had been for almost half a century the most famous of English scientific ladies and in achieving that role had become the first scientific lady of the world.

A Bibliography of British Travel Books on Argentina: 1810-1860

1959 ◽  
Vol 16 (2) ◽  
pp. 133-143 ◽  
Author(s):  
S. Samuel Trifilo
Keyword(s):  
Nineteenth Century ◽  
Great Britain ◽  
Travel Literature ◽  
Literary Form ◽  
Full Length ◽  
Living Room ◽  
Travel Books ◽  
The World ◽  
Written Word ◽  
Source Of Information

Books of travel and books inspired by travel have probably been more popular in Great Britain than any other literary form, with the exception of novels.This was especially true in the nineteenth century, when travel, owing to the lack of today's facilities, was reserved for the relative few. During that period, photography had not yet replaced the written word, as is happening in our own generation. The nineteenth-century Englishman wandered through the medium of a travel book and not through newsreels, travelogues, and even full-length movies. Today, the Englishman, like the American, is able to sit in his living room and see the world on his television screen. He is not dependent on literature to the extent that his grandfather or great-grandfather was. For the Englishman of the nineteenth century, therefore, travel literature was very important. Often, these books furnished the only source of information concerning strange lands and strange peoples.

Signs of the Times

Prospects ◽  
1982 ◽  
Vol 7 ◽  
pp. 187-197
Author(s):  
V. P. Bynack
Keyword(s):  
Nineteenth Century ◽  
Popular Culture ◽  
American Culture ◽  
The Self ◽  
Rapid Succession ◽  
American Scholar ◽  
Linguistic Model ◽  
The World ◽  
The Times ◽  
Fredric Jameson

The topic “Criticism, Biography, and Popular Culture” raises issues that epitomize current intellectual possibilities and problems. As Emerson said of his own time in “The American Scholar,” this is a moment when “the old and the new stand side by side and admit of being compared; when the energies of men are being searched by fear and hope.… This time, like all times, is a very good one, if we but know what to do with it.” If anyone's “energies” are being “searched by fear and hope” today, it's because we face a similar situation. The two preceding essays brought to bear in rapid succession two historically different models of how the world works. These models, which I will follow Fredric Jameson in calling the “organic” model of the nineteenth century and the “linguistic” model of the twentieth, imply two different versions of the character and status of language, two different versions of what literature is, two different versions of what the self is, and two different versions of what we could mean by saying that we use these things to study American “culture.”

‘Otherwise in London’ or, the ‘Essence of Things’: Modernity and Estrangement in the Nineteenth-Century Cityscape

2015 ◽  
Vol 5 (1) ◽  
pp. 17-35
Author(s):  
Julian Wolfreys
Keyword(s):  
Nineteenth Century ◽  
William Wordsworth ◽  
Urban Landscape ◽  
Thomas De Quincey ◽  
Urban Centre ◽  
Early Nineteenth Century ◽  
Urban Representation ◽  
Robert Southey ◽  
The World ◽  
The City

Writers of the early nineteenth century sought to find new ways of writing about the urban landscape when first confronted with the phenomena of London. The very nature of London's rapid growth, its unprecedented scale, and its mere difference from any other urban centre throughout the world marked it out as demanding a different register in prose and poetry. The condition of writing the city, of inventing a new writing for a new experience is explored by familiar texts of urban representation such as by Thomas De Quincey and William Wordsworth, as well as through less widely read authors such as Sarah Green, Pierce Egan, and Robert Southey, particularly his fictional Letters from England.

Mirrors, Masks, and Masculinity: The Homosocial Legacy from Dickens to Machen

2016 ◽  
Vol 6 (3) ◽  
pp. 256-275
Author(s):  
Molly C. O'Donnell
Keyword(s):  
Nineteenth Century ◽  
Victorian Novel ◽  
Specific Context ◽  
Clear Cut ◽  
The World ◽  
Speech Genre

All the narrators and characters in J. Sheridan Le Fanu's In a Glass Darkly are unreliable impostors. As the title suggests, this is also the case with Arthur Machen's The Three Impostors, which similarly presents a virtual matryoshka of unreliability through a series of impostors. Both texts effect this systematic insistence on social constructedness by using and undermining the specific context of the male homosocial world. What served as the cure-all in the world of Pickwick – the homosocial bond – has here been exported, exposed, and proven flawed. The gothic is out in the open now, and the feared ghost resides without and within the group. The inability of anyone to interpret its signs, communicate its meaning, and rely on one's friends to talk one through it is the horror that cannot be overcome. Part of a larger project on the nineteenth-century ‘tales novel’ that treats the more heterogeneric and less heteronormative Victorian novel, this article examines how In a Glass Darkly and The Three Impostors blur the clear-cut gender division articulated in prior masculine presentations like The Pickwick Papers and feminine reinterpretations such as Cranford. These later texts challenge binaries of sex, speech, genre, and mode in enacting the previously articulated masculine and feminine simultaneously.

Introduction

2017 ◽  
Author(s):  
George E. Dutton
Keyword(s):  
Nineteenth Century ◽  
Vantage Point ◽  
15Th Century ◽  
The World ◽  
Catholic Mission ◽  
Historical Moment ◽  
The Impact ◽  
Main Figure

This chapter introduces the book’s main figure and situates him within the historical moment from which he emerges. It shows the degree to which global geographies shaped the European Catholic mission project. It describes the impact of the Padroado system that divided the world for evangelism between the Spanish and Portuguese crowns in the 15th century. It also argues that European clerics were drawing lines on Asian lands even before colonial regimes were established in the nineteenth century, suggesting that these earlier mapping projects were also extremely significant in shaping the lives of people in Asia. I argue for the value of telling this story from the vantage point of a Vietnamese Catholic, and thus restoring agency to a population often obscured by the lives of European missionaries.

Women and Agency in Bankim’s Rajmohan’s Wife and Tagore’s The Home and The World

2020 ◽  
Vol 12 (5) ◽  
Author(s):  
Manju Dhariwal ◽  
Keyword(s):  
Nineteenth Century ◽  
The Self ◽  
Indian English ◽  
Colonial India ◽  
English Novel ◽  
The World ◽  
The Status ◽  
Insight Into ◽  
Status Of Women

Written almost half a century apart, Rajmohan’s Wife (1864) and The Home and the World (1916) can be read as women centric texts written in colonial India. The plot of both the texts is set in Bengal, the cultural and political centre of colonial India. Rajmohan’s Wife, arguably the first Indian English novel, is one of the first novels to realistically represent ‘Woman’ in the nineteenth century. Set in a newly emerging society of India, it provides an insight into the status of women, their susceptibility and dependence on men. The Home and the World, written at the height of Swadeshi movement in Bengal, presents its woman protagonist in a much progressive space. The paper closely examines these two texts and argues that women enact their agency in relational spaces which leads to the process of their ‘becoming’. The paper analyses this journey of the progress of the self, which starts with Matangini and culminates in Bimala. The paper concludes that women’s journey to emancipation is symbolic of the journey of the nation to independence.

The Whole World in a Book

2019 ◽  
Keyword(s):  
Nineteenth Century ◽  
Social Mobility ◽  
White Men ◽  
Nation State ◽  
New Wave ◽  
Canadian French ◽  
Language And Literature ◽  
The World ◽  
Lower Status ◽  
Brazilian Sign Language

The nineteenth century saw a new wave of dictionaries, many of which remain household names. Those dictionaries didn’t just store words; they represented imperial ambitions, nationalist passions, religious fervour, and utopian imaginings. The Whole World in a Book explores a period in which globalization, industrialization, and social mobility were changing language in unimaginable ways. Dictionaries in the nineteenth century became more than dictionaries: they were battlefields between prestige languages and lower-status dialects; national icons celebrating the language and literature of the nation-state; and sites of innovative authorship where middle and lower classes, volunteers, women, colonial subjects, the deaf, and missionaries joined the ranks of educated white men in defining how people communicated and understood the world around them. This volume investigates dictionaries in the nineteenth century covering languages as diverse as Canadian French, English, German, Frisian, Japanese, Libras (Brazilian sign language), Manchu, Persian, Quebecois, Russian, Scots, and Yiddish.

Delhi in Transition, 1821 and Beyond

2018 ◽  
Keyword(s):  
Nineteenth Century ◽  
Lived Experience ◽  
English Translation ◽  
East India Company ◽  
Multiple Sources ◽  
Original Manuscript ◽  
English East India Company ◽  
The Times ◽  
First Time ◽  
The City

Commissioned by the English East India Company to write about contemporary nineteenth-century Delhi, Mirza Sangin Beg walked around the city to capture its highly fascinating urban and suburban extravaganza. Laced with epigraphy and fascinating anecdotes, the city as ‘lived experience’ has an overwhelming presence in his work, Sair-ul Manazil. Sair-ul Manazil dominates the historiography of eighteenth- and nineteenth-century compositions on Delhi in Persian and Urdu, and remains unparalleled in its architecture and detailed content. It deals with the habitations of people, bazars, professions and professionals, places of worship and revelry, and issues of contestation. Over fifty typologies of structures and several institutions that find resonance in the Persian and Ottoman Empires can also be gleaned from Sair-ul Manazil. Interestingly, Beg made no attempt to ‘monumentalize’ buildings; instead, he explored them as spaces reflective of the sociocultural milieu of the times. Delhi in Transition is the first comprehensive English translation of Beg’s work, which was originally published in Persian. It is the only translation to compare the four known versions of Sair-ul Manazil, including the original manuscript located in Berlin, which is being consulted for the first time. It has an exhaustive introduction and extensive notes, along with the use of varied styles in the book to indicate the multiple sources of the text, contextualize Beg’s work for the reader and engage him with the debate concerning the different variants of this unique and eclectic work.

Resurrection

2009 ◽  
Author(s):  
Leo Tolstoy
Keyword(s):  
Nineteenth Century ◽  
Social Life ◽  
The Novel ◽  
Recent Scholarship ◽  
The Social ◽  
The World

Resurrection (1899) is the last of Tolstoy's major novels. It tells the story of a nobleman's attempt to redeem the suffering his youthful philandering inflicted on a peasant girl who ends up a prisoner in Siberia. Tolstoy's vision of redemption achieved through loving forgiveness, and his condemnation of violence, dominate the novel. An intimate, psychological tale of guilt, anger, and forgiveness, Resurrection is at the same time a panoramic description of social life in Russia at the end of the nineteenth century, reflecting its author's outrage at the social injustices of the world in which he lived. This edition, which updates a classic translation, has explanatory notes and a substantial introduction based on the most recent scholarship in the field.

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