Saladin’s Religious Personality, Policy, and Image

2018 ◽  
pp. 309-322
Author(s):  
MICHAEL WINTER
2021 ◽  
Vol 22 (1) ◽  
pp. 256-265
Author(s):  
Zainun Mustafa ◽  
Nooraida Yakob

Abstract This article discusses the findings of a study that measures the level of religiosity of students who participated in a tauhidic science education program for six months. The study aims to gauge the worldview and personality of students after being exposed with science education interdisciplinary with Islamic religious education. This study employs the set of Muslim Religiosity Personality Index (MRPI). Based on the findings of this study, this group of students has a moderate level of Islamic Worldview, but high Religious Personality. The findings of this study provide information about the religious experience among students based on the program in which they have enrolled. Keywords: Religiosity, MRPI, worldview, personality, Islamic Science   Abstrak Artikel ini membincangkan dapatan kajian yang mengukur tahap religiositi murid yang mengikuti    program pendidikan Sains secara tauhidik selama enam bulan. Kajian ini bertujuan untuk memahami tahap pandangan hidup dan personaliti murid yang mengikuti pendidikan Sains secara inter disiplin dengan pendidikan agama Islam. Kajian ini menggunakan set Muslim Religiosity Personality Index (MRPI). Berdasarkan dapatan kajian, kumpulan murid ini mempunyai tahap Islamic Worldview yang sederhana, namun Religious Personality yang tinggi. Dapatan kajian ini memberikan maklumat tentang pengalaman beragama dalam kalangan murid dan berkenaan program yang telah dijalankan.  Kata Kunci: Religiositi, MRPI, pandangan hidup, Personaliti, Sains Islam  


2021 ◽  
Vol 2 (01) ◽  
pp. 59-76
Author(s):  
Muhammad Soleh Ritonga

Character building must follow the example of the Prophet Muhammad. Because he is the incarnation of the Al-Qur'an, a human being who is successful in his life in the world with the various problems he faces and the several professions he does. Allah gave him success in this world and the hereafter. We can see this in Surah al-Mukminun verses 1-11. There, the tips for becoming a successful person are explained by implementing the characters implied in these verses. The first character that must be possessed is a religious personality. The second personal character is focused on concentration, praying seriously '. This prayer is like the head of all deeds. If the prayer is good, other deeds will be good, but if the prayer is not good, it will also affect the unworthiness of the other deeds. After prayer there is a character of discipline by keeping away from useless things that are not useful, be it deeds or words. then the character of obedience in paying zakat, shows a sense of social or caring. Then the personal character who is responsible by maintaining self-respect by using the available facilities in a halal way. Furthermore, a personal character that is trustworthy, the importance of maintaining trust and promise is a form of character of a person who can be trusted. And lastly is a consistent character, maintaining prayers regularly and working hard, istiqamah which shows that the person is able to be consistent in maintaining goodness. According to Al-Mâwardiy, carrying out these characters results in success in any field, be it education, economy, profession and so on. Even lasting success will be found in the afterlife.


Numen ◽  
1984 ◽  
Vol 31 (1) ◽  
pp. 74
Author(s):  
Ellison Banks Findly

2006 ◽  
Vol 45 (3) ◽  
pp. 397-406 ◽  
Author(s):  
WADE C. ROWATT ◽  
JO-ANN TSANG ◽  
JESSICA KELLY ◽  
BROOKE LaMARTINA ◽  
MICHELLE McCULLERS ◽  
...  

Horizons ◽  
1978 ◽  
Vol 5 (1) ◽  
pp. 1-16 ◽  
Author(s):  
William Cenkner

AbstractIf greater intelligibility is to be achieved in the study of religious figures, the work of symbol in the life of individuals should be probed. Method grounded in sociological and psychological theory holds this possibility. Three considerations center this approach to understanding: (a) the religious figure is formed as he intersects with a symbol system, a process of creative resymbolization; (b) the religious figure is differentiated from others and understood within one of many distinct fields of experience, each field having significant psychological effects on spiritual development; (c) the understanding one achieves is contained by the questions brought to the datum. When more personalistic questions are raised of the religious figure within his symbol system, important differences in meaning result. Taken together, these meanings may approach integral understanding.


Author(s):  
نعيم عموري (Naiem Amouri) ◽  
خليل پرويني (Khalil Sarwayne) ◽  
كبرا روشنفكر (Capra Rochnevkr) ◽  
علي گنجيان خناري (Ali Kangjian Khanari)

ملخص البحث:النقد الأدبي علم حيّ ومتطور بتطور المجتمع والأفکار، وهو ذو صلة بالعلوم الإنسانية الأخری ولهذا له إفرازات عدّة، منها نظرية التناص التي لها مفاهيم قريبة في  النقد الأدبي العربي القديم؛ من إقتباس وسرقة أدبية وتضمين، إلاّ انّ التناص ممهد له ومقصود ولا يأتي عفو الخاطر. للتناص أنواع عدّة ومن أبرزها التناص القرآني الذي استخدمه  نجيب محفوظ في رواياته وقد کشفنا عنه في رواية (اللص والکلاب) محاولين إظهار أثر القرآن الكريم في هذه الرواية عبر التناص  الخارجي والداخلي، فيما يجول بخاطر الکاتب في روايته هذه، ونحاول کشف ماوراء هذا التناص القرآني من تلميحات وإشارات ورموز حتی نصل إلی المفاهيم الماورائية للتانص القرآني في هذه الرواية، ومن نتائج الدراسة أن نجيب محفوظ كان يهتم كثيرا بالدين والشخصية الدينية، وكثرة الرمز والتصوف في روايته وبروز القرآن الكريم في روايته.الكلمات المفتاحية: التناص القرآني- التناص الخارجي والداخلي- اللص والکلاب- نجيب محفوظ- التأثر.Abstract:Literary Criticism is living branch of knowledge that is developing with the progress of thought and society. It is related to other branches of human sciences and this is why it has various other off shoots of which is the theory of intertextuality with the concepts that are close to classical Arabic literary criticism such as adaptation, plagiarism and modulation. Intertextuality is something which is paved for and deliberate, thus it does not come about by the spontaneity of the impluses. There are different types of intertextuality of which the Quranic intertextuality is among the most stand out among these types. It has been used by Najīb Mahfūẓ in his novels. We have managed to uncover this aspect in his Al-Liṣṣ and Al-Kilāb novel by pointing out the influence of Quranic intertextuality in this particular novel through the internal and external intertextuality including what comes to the mind of the writer. We would also try to uncover the implied meanings, signs and symbols until we are able to arrive at the metaphysical concepts of Quranic intertextuality in this novel. The study concluded that Najīb Mahfūẓ was a writer who is concerned with religion and the religious personality in addition to his concerned in using symbols, Sufism and the Quran itself in his novel.Keywords: Quranic Intertextuality– External/Internal Intertextuality– Al-Liṣṣ and Al-Kilāb– Najīb Mahfūẓ– Influence. Abstrak: Kritikan sastera ialah cabang ilmu pengetahuan yang hidup dan membangun selari dengan kemajuan berfikir dan pembangunan masyarakat. Ia berkaitan dengan sains-sains kemanusiaan lain dan ini adalah mengapa ia mempunyai pengaruh dalam pelbagai bidang lain yang antaranya ialah teori intertekstualiti yang turut mempunyai konsep-konsep yang hampir dengan kupasan kritikan sastera Arab klasik seperti penyesuaian, plagiarisme dan modulasi. Intertekstualiti adalah sesuatu yang lahir dengan sengaja kerana ia tidak berlaku rentetan kespontanan tindak balas. Terdapat jenis-jenis intertekstualiti yang berbeza di mana ciri intertekstualiti dalam Al-Quran ialah antara yang paling menonjol di antara jenis-jenis ini. Ia telah turut digunakan oleh Najīb Mahfūẓ dalam novel-novelnya. Kami telah berjaya menemukan aspek ini dalam novelnya: Al-Liṣṣ and Al-Kilāb dengan menjelaskan pengaruh intertekstualiti Quran dalam novel tersebut melalui intertekstualiti yang berbentuk dalaman dan luaran termasuk juga apa terlintas bagi fikiran penulisnya. Kami juga telah berusaha untuk mendedahkan makna-makna yang tersirat, tanda-tanda dan juga simbol-simbol tertentu sehinggalah kami mampu sampai kepada konsep-konsep metafizikal intertekstualiti di dalam novel tersebut. Kajian ini menyimpulkan bahawa Najīb Mahfūẓ merupakan seorang penulis yang mempunyai kesan keagamaan yang mendalalam dalam hasil kerjanya. Dia juga mempunyai personality yang cenderung kepada keagamaan sebagaimana yang terlihat dalam penggunaan simbol-simbol, aspek Sufisme dan Al-Quran itu sendiri sendiri di dalam novelnya.Kata kunci: Intertekstualiti Al-Quran– Luaran/Dalaman– Al-Liṣṣ and Al-Kilāb– Pengaruh.


2003 ◽  
Vol 46 (2) ◽  
pp. 341-374 ◽  
Author(s):  
JONATHAN CONLIN

Although his activity as a private collector has been documented, the extent to which William Ewart Gladstone's interest in art was implicated in his thought on church and state has been overlooked. Previously unnoticed memoranda and correspondence of the 1830s and 1840s with the French art historian and Roman Catholic thinker, François Rio, demonstrate a fascination with religious painting of early Renaissance Italy, of the sort which only came to be appreciated in Britain many years later. For Rio, however, introducing Gladstone to ‘Christian art’ was as much about encouraging Gladstone in his hopes of reuniting the Protestant and Catholic churches as it was about reforming his taste. The manuscripts considered here show Gladstone to have viewed art history in terms of a struggle between sanctity and sensuality, visualized in terms both of the individual as well as of nationalities. In so far as the young Conservative politician formulated this history in tandem with his theory of the religious personality of the state, a study of his model of Christian art's development affords a new path into an old debate: did Gladstone betray the principles of his first book, The state in its relations with the church (1838) in his subsequent political evolution into Liberal statesman?


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