scholarly journals The French Roots of Duhem’s early Historiography and Epistemology

Author(s):  
Stefano Bordoni

Pierre Duhem can be looked upon as one of the heirs of a tradition of historical and philosophical researches that flourished in the second half of the nineteenth century. This tradition opposed the naïve historiography and epistemology of the positivist school. Beside the positivists of different leanings such as Littré, Laffitte, Wyrouboff, and Berthelot, we find Cournot, Naville, and Tannery, who developed sophisticated histories and philosophies of science focusing on the real scientific practice and its history. They unfolded elements of continuity and discontinuity in the history of science, and enlightened the complex relationship among experimental, mathematical, logical and philosophical components in scientific practice. In Pierre Duhem we find a systematic and vivid interpretation of these meta-theoretical issues, and a meaningful development of a cultural tradition that re-emerged in the second half of the twentieth century.

1993 ◽  
Vol 26 (4) ◽  
pp. 469-483 ◽  
Author(s):  
Ludmilla Jordanova

The production of big pictures is arguably the most significant sign of the intellectual maturity of a field. It suggests both that the field's broad contours, refined over several generations of scholarship, enjoy the approval of practitioners, and that audiences exist with an interest in or need for overviews. The situation is somewhat more complicated in the history of science, since the existence of big historical pictures precedes that of a well-defined scholarly field by about two centuries. Broadly conceived histories of science and medicine were being written in the eighteenth century, when such an all-encompassing vision was central to the claims about the progress of knowledge upon which Enlightenment ideologues set such store. The Plato to Nato style histories, characteristic of the earlier twentieth century, were written largely by isolated pioneers, and while these were used in teaching as the field was becoming professionalized, recent scholars have preferred to concentrate on a monographic style of research. Despite the existence of the series started by Wiley, and now published by Cambridge University Press, it is only in the last ten years or so that more conscious attempts have been made to generate a big-picture literature informed by new scholarship. It is noteworthy that most of this is addressed to students and general readers, although there is no logical reason why it should not tackle major theoretical issues of concern to scholars. My point about maturity still holds, then, since as a designated discipline the history of science is rather new; it is still feeling out its relationship with cognate disciplines. Big-picture histories have an important role to play in these explorations since they make findings and ideas widely available and thereby offer material through which ambitious interpretations can be debated, modified and transformed.


2013 ◽  
Vol 32 (1) ◽  
pp. 23-38 ◽  
Author(s):  
Teresa Mota ◽  
Ana Carneiro

For quite a while, scientific biography was relegated to a subordinate status in the history of science. In the last two decades, however, it has seen a revival, which can be explained both by its popularity among general audiences as it conveys a closer image of scientists and scientific practice, and science historians' reappraisal of biography as a literary genre and as a source for their research. When writing scientific biographies or using them as a source, however, historians have to contend with complex questions, such as the extent to which a particular biography is representative of larger patterns, and they face a variety of problems associated with the use of sources such as oral testimonies and obituaries. In this paper, the scientific lives of Joaquim Filipe Nery da Encarnação Delgado (1835-1908) and Francisco Luís Pereira de Sousa (1870-1931), both engineers working at the Portuguese Geological Survey, and Carlos Teixeira (1910-1982), a leading geologist working in the academia, will be analysed. Through this comparison, the authors aim to characterize the development of Portuguese geology in different contexts in the period spanning from the mid-nineteenth to the twentieth century.


Author(s):  
Michael D. Gordin

Dmitrii Mendeleev (1834–1907) is a name we recognize, but perhaps only as the creator of the periodic table of elements. Generally, little else has been known about him. This book is an authoritative biography of Mendeleev that draws a multifaceted portrait of his life for the first time. As the book reveals, Mendeleev was not only a luminary in the history of science, he was also an astonishingly wide-ranging political and cultural figure. From his attack on Spiritualism to his failed voyage to the Arctic and his near-mythical hot-air balloon trip, this is the story of an extraordinary maverick. The ideals that shaped his work outside science also led Mendeleev to order the elements and, eventually, to engineer one of the most fascinating scientific developments of the nineteenth century. This book is a classic work that tells the story of one of the world's most important minds.


1982 ◽  
Vol 12 (1) ◽  
pp. 17-24 ◽  
Author(s):  
Erwin H. Ackerknecht

SynopsisPsychosomatic medicine begins with the Greeks. It finds a place in Galen's system as diseases of passion, a concept current until the middle of the nineteenth century. The great French and German clinicians of the nineteenth century were all familiar with psychosomatic diseases. During the twentieth century the field was for a while monopolized by psychoanalysts. The psychosomatic specialist is essentially the doctor who listens to the patient.


2016 ◽  
Vol 27 (3) ◽  
pp. 591-609
Author(s):  
Maurizio Ferraris

In this paper I try to sketch a brief history of new realism. Starting from nineteenth century idealism, I then move on to discuss twentieth century postmodernism, which, I argue, is the heir of idealism and the theoretical enemy of new realism. Finally, I offer a reconstruction of how and why contemporary new realism came into being and propose a few remarks on its future perspectives.


2020 ◽  
Vol 34 (3) ◽  
pp. 537-596
Author(s):  
Carlos S. Alvarado

There is a long history of discussions of mediumship as related to dissociation and the unconscious mind during the Nineteenth Century. After an overview of relevant ideas and observations from the mesmeric, hypnosis, and spiritualistic literatures, I focus on the writings of Jules Baillarger, Alfred Binet, Paul Blocq, Théodore Flournoy, Jules Héricourt, William James, Pierre Janet, Ambroise August Liébeault, Frederic W.H. Myers, Julian Ochorowicz, Charles Richet, Hippolyte Taine, Paul Tascher, and Edouard von Hartmann. While some of their ideas reduced mediumship solely to intra-psychic processes, others considered as well veridical phenomena. The speculations of these individuals, involving personation, and different memory states, were part of a general interest in the unconscious mind, and in automatisms, hysteria, and hypnosis during the period in question. Similar ideas continued into the Twentieth Century.


Lituanistica ◽  
2020 ◽  
Vol 66 (1) ◽  
Author(s):  
Laurynas Giedrimas

The article deals with the households of the nobles and peasants in the first half of the nineteenth century in Užventis parish, Samogitia. In the middle of the twentieth century, John Hajnal and Peter Laslett started researching the history of resident households. The researchers formulated theoretical and methodological foundations for household analysis and encouraged other historians and demographers to undertake similar studies. The researchers who analysed the households of Central and Eastern Europe either refuted or corrected many of the statements proposed by John Hajnal and Peter Laslett and established that the most common household in Central and Eastern Europe was a nuclear household, although in many cases it was also possible to find an extended household. However, it was not clarified at what age people started building new households and which household model dominated in Samogitia. Also, it was not known what the difference between a household of nobles and a household of peasants was. The data on the households of the nobles and peasants also interconnected. The households of landlords were bigger than the households of peasants and the petty nobility, because the menage of a landlord used to be part of the household. After analysing the aforementioned data, it has been discovered that in the first half of the nineteenth century, nuclear household dominated Užventis parish. Extended household models were often found as well. The Catholic inhabitants of Užventis parish married late and had a child every two years. Around 3500 Catholic residents lived in Užventis parish in the first half of the nineteenth century. The analysis of the data showed that nuclear household dominated the Užventis parish in the first half of the nineteenth century.


2004 ◽  
Vol 27 (3) ◽  
pp. 230-262 ◽  
Author(s):  
David Berry

In this essay, I explore historical and theoretical issues germane to an understanding of an 1885 piano composition with an intriguing title: LisztÕs Bagatelle ohne Tonart--a bagatelle "without tonality" or "without a key." After briefly describing the workÕs history and musical associations with other compositions by Liszt, I survey two present-day approaches that reveal ways in which the work defies tonality: octatonic interpretations via set-class examinations, and Schenker-influenced prolongational models. I then turn to focus instead on how the Bagatelle fit within the framework of nineteenth-century musical thought; how its processes were supported by contemporaneously evolving theories of chromaticism. Partly through an analysis based on the practice of Gottfried Weber (1779-1839), I demonstrate that the Bagatelle is not a piece "without tonality" as much as it is one "without the fulfillment of the tonic." It maintains harmonic tension by avoiding anticipated resolutions, as well as by preserving a sense of ambiguity as to what the actual "missing" key is. Next, I consider why Liszt was prompted to write a piece in such a manner. We know that he was a proponent of musical progress--of Zukunftsmusik ("music of the future")--but for this fact to be relevant we must confirm, first, that Liszt had definite ideas about a Zukunftsharmoniesystem; and second, that such a system is reflected in the processes exhibited by the Bagatelle. I argue that the BagatelleÕs traits are indeed in accordance with theoretical views about musicÕs future direction, to which Liszt subscribed. Relevant theories of Karl Friedrich Weitzmann (1808-80) and Franois-Joseph FŽtis (1784-1871) are assessed. Lastly, in a "Schoenbergian epilogue" I explore connections between LisztÕs operations and SchoenbergÕs ideas, addressing historical associations that conjoin their views of composing "ohne Tonart."I conclude that the 1885 BagatelleÕs attenuation of tonality was part of a tradition that extended from the mid-nineteenth into the early twentieth century--one that stretched from Liszt and his contemporaries through Schoenberg and his pupils and beyond, embracing along the way the theoretical prescriptions of Weitzmann, FŽtis, and Schoenberg himself. The various threads of theory and analysis explored in this article contribute to an understanding of the same strand of musical evolution: the increasing circumvention of tonality to the point that a piece could be written "ohne Tonart."


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