scholarly journals Rumah Kutai Perak in Watercolor Painting

2021 ◽  
Vol 6 (2) ◽  
pp. 67-77
Author(s):  
Siti Humaini Said Ahmad @ Syed Ahmad ◽  
◽  
Muhamad Rozali Othman ◽  
Issarezal Ismail ◽  
Syed Alwi Syed Abu Bakar ◽  
...  

This study is done to write an article related to the art exhibition for "Kami SI + SA" entitled Rumah Kutai Perak and identify the systematic process of artwork making. This artwork's process is based on the theory and practice of Ocvirk, Stinson, Wigg, Bone, Cayton (2009) who stated that an artwork contains three basic parts, namely subject, form and content. Subject refers to a person, a thing or an idea while form refers to elements and principles of design that produce equal unity. On the other hand, content is a message or emotion in work, statement, expression or feeling desired by the artist and read by the observer. As a result of Rumah Kutai Perak artwork, an "Artwork Making Process Flow" has been identified. The process flow begins with identifying the subject and idea, followed by capturing the subject through photography. Photography record involved four important factors, such as viewpoint, light and shadow, focal point, and photo quality. These four factors are important because they will affect the final work. The next process is to paint and draw. The elements such as technique identification, colour value application, medium choice and reference artists served as guides for the researcher throughout the artwork making process. After the work is completed, an artist statement was written to describe the artwork. This artist statement informs the message to be conveyed through the artwork, a brief description of the making process, the sources of ideas, and the elements and principals in the artwork's processing. It is hoped that this work process can be used as a reference for other artists to produce artwork in the same context.

Author(s):  
بوهدة غالية ◽  
حبيب الله زكريا

 الملخّص                                                                                                                إن قضية تعدد الزوجات تُعَدُّ من القضايا المثيرة في عصرنا الحاضر، وذلك نتيجةً لما يشهده الواقع من اضطراب المواقف والممارسات تجاهه. ولم يقتصر الأمر على ذلك؛ بل تعدّاه إلى النظر في خطابات القرآن تجاه قضية التعدد، وهو المسوّغ الذي جعل بعض الباحثين يشكك في شرعية التعدد في الإسلام. وتكمن المشكلة في أن ظواهر بعض الآيات تشير إلى إباحة التعدد، بيد أن الأخرى تقيّدها بالعدل، وذلك في قوله: ﴿فَإِنْ خِفْتُمْ أَلَّا تَعْدِلُوا فَوَاحِدَةً أَوْ مَا مَلَكَتْ أَيْمَانُكُمْ ذَلِكَ أَدْنَى أَلَّا تَعُولُوا﴾، وفي الوقت نفسه يبيّن ظاهر بعض الخطابات القرآنية أن العدل المنشود من المعدّد تجاه زوجاته غايةٌ لا تدرك ﴿وَلَنْ تَسْتَطِيعُوا أَنْ تَعْدِلُوا بَيْنَ النِّسَاءِ وَلَوْ حَرَصْتُمْ﴾. ومن هذا المنطلق تهدف هذه الورقة إلى كشف النقاب عن العدل المنشود في ضوء الآيات التي جاءت في قضية التعدّد في القرآن، وحيث إن هذه القضية لها أبعادها الاجتماعية في استقرار الأسرة المسلمة، فإن هذا البحث يحاول معالجة شرعية التعدد بين النظرية والتطبيق في ضوء مقاصد الشريعة. وستنتهج الدراسة كلاّ من المنهجين الاستقرائي والتحليلي في تتبع وجمع المادة العلمية وتحليليها وتقييمها بما يسهم في بناء موقف موضوعي ووسطي تجاه القضية. الكلمات المفتاحية: تعدد الزوجات، القرآن الكريم،  المفسرون، مقاصد الشريعة، قيود التعدد.        Abstract The issue of polygamy is among the prominent issues of our contemporary time.  This is the result of the confusing opinions and practices of polygamy. The matter is not limited to this aspect; it has rather related to the insight of the Qur’anic discourses. It has become a justification for some of the researchers to doubt the SharÊ‘ah legality of polygamy in Islam. This problem is based on the evident meaning of the verses pointing towards permissibility of polygamy, whereas the other verse restricts polygamy with justice. The Qur’an states (4: 3): “But if you fear that you shall not be able to deal justly (with them), then only one, or (a captive) that your right hands possess, that will be more suitable, to prevent you from doing injustice.” At the same time, another evident Qur’anic discourse refers that the justice sought from the husband towards his wives is not achievable. The Qur’an states (4: 129): “You are never able to be fair and just as between women, even if it is you ardent desire.” From this premise, this research aims to unveil the pursued justice in the light of verses related to polygamy in the Qur’an, due to the fact that this issue has a social dimension in establishing Muslim family. This work attempts to reconcile between theory and practice of legality of polygamy in the light of the SharÊ‘ah objectives. The study drew its conclusion using both inductive and analytical methods so as to trace, collect, analyze and evaluate the relevant materials in order to build an objective and balanced position about the subject matter.  Keywords: Polygamy, the Noble Qur’an, the Qur’anic commentators, SharÊ‘ah Objectives, Conditions of polygamy.


1999 ◽  
Vol 14 (2) ◽  
pp. 169-190 ◽  
Author(s):  
MIRIAM MÜLLER

Since Vinogradoff described merchet payments as ‘the most odious’ of the numerous manorial exactions for which villein tenants were liable, the fine for marriage, classically defined as a levy due from the villein upon the marriage of his daughter, has received a good deal of attention from historians. Although the issue of marriage licences has accordingly been tackled from various perspectives, in recent years the subject at the heart of a number of contributions to the topic was the question of seigneurial control. In tackling this matter, one has to ask what kind of control a manorial lord could or would want to exercise over the matters of matrimony of his social inferiors.An important contribution to the debate was provided in 1979 by Eleanor Searle. A key element in her argument was that marriage licences essentially constituted a tax on the chattels taken as dowry by the bride into her marriage, and as such were not universally enforced. Further, in her view merchet did not so much constitute a test of the status of the individual as one of tenure. At the same time she argued that merchets could be used by the lord to vet prospective marriage partners and thus control the transfers of tenant property lest the latter should slip into freehold tenure. By imposing financial disincentives, merchets, it was argued, also encouraged endogenous marriages. Richard Smith, while arguing that the rates of licences to marry were unlikely to reflect a proportional tax on dowries, nevertheless showed that merchets were not universally exacted and tended to fall predominantly upon richer tenants. Thus he took issue with R. Faith, who in a rejoinder to Searle's contribution suggested that the marriage licence constituted a tax on the marriage itself and was as such universally exacted.In order to consider these problems and test some of the propositions that have been made, this study aims to examine the practice of seigneurial exaction and hence the function of marriage licences, on the one hand, and the relevance and nature of tenant evasion of merchet payments on the other, on one manor from 1330 to 1377. Changes in seigneurial policy towards merchet payments will be analysed and placed in the wider context of the demographic and socio-economic changes affecting manorial life in this period. Within this framework three intertwined aspects of the licence to marry will be examined. First, focusing on the question of which tenants were liable to pay merchets and what constituted the criteria for this liability, the theory and practice of merchet exaction will be considered. Secondly the reasons for the lord's interest in the marriages of his tenants in conjunction with the routes open to him to influence villein marriages to his advantage will be explored. Thirdly the extent and consequences of tenant evasion of merchet fines will be assessed, whilst the clash between lord and tenant over marriage fines will be viewed in the wider context of lord–tenant friction, especially in the post-Black Death period. Central to this discussion, the role and importance of women in this particular act of non-compliance will be examined.


2014 ◽  
Vol 8 (2) ◽  
pp. 133
Author(s):  
Silvia Fazzo

The textual transmission of Aristotle’s Metaphysics is currently described by Dieter Harlfinger’s stemma codicum. It appeared in 1979 within the acts of the 1972 Symposium Aristotelicum.1 With a single exception, the stemma has been accepted by scholars without discussion, or with minor relevances only. On the other side, at least until 2009 no stemmatically-based edition of a single book of the Metaphysics appeared. Still today, no new general edition is available. We are thus still left with Jaeger’s 1957 OCT – admittedly, an editio minor, which partly depends on Ross’ 1924 critical apparatus and textual choices. But things are evolving now, as we are about to see: this crucial theory and practice – editing Aristotle’s Metaphysics –is moving today faster than it has since the 19th century. Hence the interest in promoting a broader and a more articulated discussion, by pointing out some basic desiderata, which show the need for the subject to be taken into consideration anew.


Antiquity ◽  
1998 ◽  
Vol 72 (277) ◽  
pp. 680-686 ◽  
Author(s):  
M. Parker Pearson

It is the best of times and it is the worst of times. On one hand, there are more resources and people involved in archaeology than ever before; there is considerable public and media interest in the subject; and there have been exciting developments in archaeologists’ uses of social theory. On the other, competition is intense for locally scarce funding; most field research is constrained by non-archaeological considerations; and fragmentation, insecurity and disenchantment are rife. The split between theory and practice has certainly widened since David Clarke’s day, whilst theory has become not so much Clarke’s unifier within the morass of empirical detail but its own basis for division and often bitter disagreement within the profession.


Author(s):  
S.R. Allegra

The respective roles of the ribo somes, endoplasmic reticulum, Golgi apparatus and perhaps nucleus in the synthesis and maturation of melanosomes is still the subject of some controversy. While the early melanosomes (premelanosomes) have been frequently demonstrated to originate as Golgi vesicles, it is undeniable that these structures can be formed in cells in which Golgi system is not found. This report was prompted by the findings in an essentially amelanotic human cellular blue nevus (melanocytoma) of two distinct lines of melanocytes one of which was devoid of any trace of Golgi apparatus while the other had normal complement of this organelle.


2010 ◽  
Vol 4 (2) ◽  
pp. 135-156 ◽  
Author(s):  
Dorothea E. Schulz

Starting with the controversial esoteric employment of audio recordings by followers of the charismatic Muslim preacher Sharif Haidara in Mali, the article explores the dynamics emerging at the interface of different technologies and techniques employed by those engaging the realm of the Divine. I focus attention on the “border zone” between, on the one hand, techniques for appropriating scriptures based on long-standing religious conventions, and, on the other, audio recording technologies, whose adoption not yet established authoritative and standardized forms of practice, thereby generating insecurities and becoming the subject of heated debate. I argue that “recyclage” aptly describes the dynamics of this “border zone” because it captures the ways conventional techniques of accessing the Divine are reassessed and reemployed, by integrating new materials and rituals. Historically, appropriations of the Qur’an for esoteric purposes have been widespread in Muslim West Africa. These esoteric appropriations are at the basis of the considerable continuities, overlaps and crossovers, between scripture-related esoteric practices on one side, and the treatment by Sharif Haidara’s followers of audio taped sermons as vessels of his spiritual power, on the other.


Author(s):  
Iryna Rusnak

The author of the article analyses the problem of the female emancipation in the little-known feuilleton “Amazonia: A Very Inept Story” (1924) by Mykola Chirsky. The author determines the genre affiliation of the work and examines its compositional structure. Three parts are distinguished in the architectonics of associative feuilleton: associative conception; deployment of a “small” topic; conclusion. The author of the article clarifies the role of intertextual elements and the method of constantly switching the tone from serious to comic to reveal the thematic direction of the work. Mykola Chirsky’s interest in the problem of female emancipation is corresponded to the general mood of the era. The subject of ridicule in provocative feuilleton is the woman’s radical metamorphoses, since repulsive manifestations of emancipation becomes commonplace. At the same time, the writer shows respect for the woman, appreciates her femininity, internal and external beauty, personality. He associates the positive in women with the functions of a faithful wife, a caring mother, and a skilled housewife. In feuilleton, the writer does not bypass the problem of the modern man role in a family, but analyses the value and moral and ethical guidelines of his character. The husband’s bad habits receive a caricatured interpretation in the strange behaviour of relatives. On the one hand, the writer does not perceive the extremes brought by female emancipation, and on the other, he mercilessly criticises the male “virtues” of contemporaries far from the standard. The artistic heritage of Mykola Chirsky remains little studied. The urgent task of modern literary studies is the introduction of Mykola Chirsky’s unknown works into the scientific circulation and their thorough scientific understanding.


Author(s):  
Maxim B. Demchenko ◽  

The sphere of the unknown, supernatural and miraculous is one of the most popular subjects for everyday discussions in Ayodhya – the last of the provinces of the Mughal Empire, which entered the British Raj in 1859, and in the distant past – the space of many legendary and mythological events. Mostly they concern encounters with inhabitants of the “other world” – spirits, ghosts, jinns as well as miraculous healings following magic rituals or meetings with the so-called saints of different religions (Hindu sadhus, Sufi dervishes),with incomprehensible and frightening natural phenomena. According to the author’s observations ideas of the unknown in Avadh are codified and structured in Avadh better than in other parts of India. Local people can clearly define if they witness a bhut or a jinn and whether the disease is caused by some witchcraft or other reasons. Perhaps that is due to the presence in the holy town of a persistent tradition of katha, the public presentation of plots from the Ramayana epic in both the narrative and poetic as well as performative forms. But are the events and phenomena in question a miracle for the Avadhvasis, residents of Ayodhya and its environs, or are they so commonplace that they do not surprise or fascinate? That exactly is the subject of the essay, written on the basis of materials collected by the author in Ayodhya during the period of 2010 – 2019. The author would like to express his appreciation to Mr. Alok Sharma (Faizabad) for his advice and cooperation.


2019 ◽  
Vol 95 (2) ◽  
pp. 231-245
Author(s):  
Erik Ode

Abstract De-Finition. Poststructuralist Objections to the Limitation of the Other The metaphysic tradition always tried to structure the world by definitions and scientific terms. Since poststructuralist authors like Derrida, Foucault and Deleuze have claimed the ›death of the subject‹ educational research cannot ignore the critical objections to its own methods. Definitions and identifications may be a violation of the other’s right to stay different and undefined. This article tries to discuss the scientific limitations of the other in a pedagogical, ethical and political perspective.


2020 ◽  
Author(s):  
Abimael Francisco do Nascimento

The general objective of this study is to analyze the postulate of the ethics of otherness as the first philosophy, presented by Emmanuel Levinas. It is a proposal that runs through Levinas' thinking from his theoretical foundations, to his philosophical criticism. Levinas' thought presents itself as a new thought, as a critique of ontology and transcendental philosophy. For him, the concern with knowledge and with being made the other to be forgotten, placing the other in totality. Levinas proposes the ethics of otherness as sensitivity to the other. The subject says here I am, making myself responsible for the other in an infinite way, in a transcendence without return to myself, becoming hostage to the other, as an irrefutable responsibility. The idea of the infinite, present in the face of the other, points to a responsibility whoever more assumes himself, the more one is responsible, until the substitution by other.


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