scholarly journals Comparative Analysis of Structure-From-Motion Software’s –An Example of Letychiv (Ukraine) Castle and Convent Buildings

2018 ◽  
Vol 8 (2) ◽  
pp. 73-78
Author(s):  
P. Lewińska ◽  
K. Pargieła

Abstract Letychiv (pl. Latyczów) is a town located in central Ukraine in the Khmelnytskyi Oblast. It has a unique and complicated history. Second World War left it in ruin, destroying buildings, infrastructure and decimating its once large population. Perhaps the most prominent part of the town currently is the building Dominican convent with adjoin Letychiv Assumption Church. This object is surrounded by what is left of the previously impressive Letychiv Castle, founded by Jan Potocki in 1598. Past 30 years have been dedicated by this small Catholic parish towards rebuilding monastery-castle-church complex. Since this is an ongoing project, it was decided to perform a photographic inventory of the current state of the construction and to create a 3D digital model of the castle, facade of the church and monastery, and the altar. This task have proven to be difficult due to complicated structure of the object. Facades and inner parts of the church are almost white with limited number of distinctive elements, painted in pail gold. Elements other than white are almost identical to each other. It leads to various errors in the processing of Structure-from-motion. This article describes how various versions of SfM algorithm work thru mention difficulties, compares results in terms of accuracy, level of detail and overall look. It also describes how SfM can help to document various stages of restoration of important historical objects.

2019 ◽  
Vol 82 (1) ◽  
pp. 3-31
Author(s):  
Fabio Massaccesi

Abstract This contribution intends to draw attention to one of the most significant monuments of medieval Ravenna: the church of Santa Maria in Porto Fuori, which was destroyed during the Second World War. Until now, scholars have focused on the pictorial cycle known through photographs and attributed to the painter Pietro da Rimini. However, the architecture of the building has not been the subject of systematic studies. For the first time, this essay reconstructs the fourteenth-century architectural structure of the church, the apse of which was rebuilt by 1314. The data that led to the virtual restitution of the choir and the related rood screen are the basis for new reflections on the accesses to the apse area, on the pilgrimage flows, and on the view of the frescoes.


2017 ◽  
pp. 297-332
Author(s):  
Grzegorz Ojcewicz

In order to illustrate the agency activity of Stalin’s intelligence service abroad in the 1940s I have selected a notorious case of the assassination of a prominent Soviet spy, Ignace Reiss, which took place on 4 September 1937 near Lausanne. I have set three main research objectives: 1. to verify the current state of knowledge on the assassination of Ignace Reiss; 2. to establish the possible involvement of Sergei Efron in the assassination; 3. to evaluate to what extent the fate of Sergei Efron in relation to the assassination of Ignace Reiss influenced the lives of his own family members (Marina Tsvetaeva, Ariadna Efron and Georgy Efron) and his immediate agency circle. As for today, there are strong grounds to state that Sergei Efron was not directly involved in Reiss’ killing – presumably, he did not shoot him. Following the unmasking of the espionage network in Paris led by Efron, his family and Efron himself were forced to abandon France in a hurry. Soon after that Efron and his relatives experienced Stalin’s repression of the Great Terror. Efron was executed by the NKVD, Marina Tsvetayeva committed suicide, Ariadna Efron was placed in prison for many years and Georgy Efron, 19 years old at the time died in Belarus in August 1944, merely two months after having fought at the front in the Second World War.


2020 ◽  
Vol 30 (2) ◽  
pp. 135-161
Author(s):  
ELENA MARUSHIAKOVA ◽  
VESSELIN POPOV

This article traces the beginning of Romani literature. It focuses on the work of Alexander Germano in the context of the history of a unique Romani literacy project developed in the USSR before the Second World War. It shows the peculiarity of the Soviet Romani literature and in particular the personal activities and contributions of Germano, the man considered the progenitor of contemporary Romani literature (with works in all three main genres of literature: poetry, prose, and drama). The study is based on a number of years of archival work in a variety of archives in the Russian Federation and to a great extent in Alexander Germano’s personal archive, preserved in the town of Orel (Russian Federation). The documents studied allow us to clarify the blurred spots in his biography, to reveal his ethnic background and identity, and to highlight the reason for the success of the Romani literary project. The example of Germano shows that the beginning of a national literature depends on the significance and public impact of the literary work of a particular author, and is not necessarily related to the author’s ethnic origin and identity.


Author(s):  
George Harinck

Abstract The ecumenical movement started at the time of the First World War and was molded by the nationalism that ignited this war. In 1914-1918 it became clear that the nations had become a hindrance for the churches. At first, internationalism seemed the answer to this problem, but in the 1920s and 1930s it turned out that internationalism still was too abstract, and nationalism was still too dominant. In the early 1920s W.A. Visser ’t Hooft was active in the international Christian student movement, where he learned the relevance of Christianity as an alternative for nationalism, and in the 1930s he explicitly chose for the church as an alternative for the nation. In order to make the church relevant over against nationalism and rising totalitarianism the national, liturgical and confessional differences between churches had to be overcome to enable the church to speak with one voice. This aim was not realized yet at the time of the Second World War, but the ecumenical movement encouraged churches to formulate its own identity and develop its own mission amidst nationalism and totalitarianism.


2020 ◽  
Vol 68 (1 Zeszyt specjalny) ◽  
pp. 11-31
Author(s):  
Lia Fava Guzzetta

This article is a kind of journey through the poetic work of Karol Wojtyła / John Paul II – a wandering that is ascetic, yet extremely rich – in the footsteps of an outsider, a person free from our native historical and cultural context, and hence open to the unlimited possibilities of interpretation. This work shows the universal character of Karol Wojtyła’s poetic output; it emphasises new elements in the perception of that poetry, while showing the meaning of the verses in a different light, verses still relevant and invariably addressed to man, who is also (and maybe especially) struggling with eternal dilemmas today. The early literary works already contained two profound dimensions: the Slavic soul and intellectual classicism, which would also become a feature of John Paul II’s talent for ecumenical communication and his theological vision of the Church. In the transition from youthful sonnets to hymns, we can notice not only the stylistic development and depth of the message, but, above all, a move towards conscious religiousness, contemplation, towards the priesthood, a move which was born in the very dramatic time of the Second World War. As a priest, on the other hand, his poetic choices were marked by a desire to understand the condition of man and to see God’s love for His creation. This contemplation becomes increasingly more like a prayer, and dialogue is born out of prayer. Karol Wojtyła’s literary work appears as a story about his own inner experience and reveals a spiritual anthropology.


Res Publica ◽  
1980 ◽  
Vol 22 (1-2) ◽  
pp. 7-33
Author(s):  
Els Witte

If a comparison is made between the constitutional principles of 1831 with regard to the working of the parliamentary system and presentday political practice, then it appears that there has been an evolution in which the role of the parties is fundamental. Until about 1850 virtually no party-system existed in Belgium. The monarchy supported by the conservative forces of the nobility, the church and the landowners controlled the system. In the second half of the century there was a simultaneous increase in the influence of parliament and the breakthrough of economic and political liberalism without the parties yet being able to impose the rules. Such rule making did not happen until around the turn of the century when the civil parliament became democratic and the big parties became integrated within it. From then on control over parliament and executive decision-taking came about through the party-structures. The period of crisis preceding the second world war obviously weakened this trend considerably; after 1945 it re-emerged even more strongly.


2017 ◽  
Vol 61 (3-4) ◽  
pp. 39-45
Author(s):  
Petr Tvrdý

Text provides a summary of the regional literary production concerning Karel Havlíček that was published in Německý and Havlíčkův Brod in the 20th century. Since more significant interest in this native of Borová was associated with his special anniversaries, the author also pays more detailed attention to several collections that were devoted to this topic and, in the local conditions, significantly affected the tradition of Karel Havlíček. The author farther mentions typical phenomena connected with Havlíček: the unveiling of his statue in the Future (Budoucnost) Park in Německý Brod in 1924, the celebrations of the local secondary school in 1935, the renaming of the town to Havlíčkův Brod in May 1945, the attempts to publish Havlíček’s collected works by the publisher Chvojka, as well as the renewal of the journal of the Brod museum. The text is also a contribution to the perception of Karel Havlíček in the past, especially in the periods after 1918, after the Second World War and in the 1950s.


1972 ◽  
Vol 41 (3) ◽  
pp. 337-353
Author(s):  
W. Edward Orser

Delegates to a special meeting of the Federal Council of Churches in Columbus Ohio, in March, 1946, adopted a report which committed the Council to work for a non-segregated church in a non-segregated society and called upon its constituent communions to do likewise. The statement represented a new departure, but its timing—coming at the end of the Second World War—was also significant. Although the position of the Federal Council was in advance of any positain yet taken by the major protestant denominations individually, it indicated that American protestantism was beginng to be challenged in a new way by the question of race. In the yers immediately prior to 1939 the denominations paid little attention to race as a social issue: by 1945 it was frequently the subject of denominational pronouncements and editorials in the church press. This contrast in the reponse of the churches suggests that the years of the Second World War had been crucial in placing new pressures upon white attitudes toward black Americans.


1994 ◽  
Vol 25 ◽  
pp. 265-274 ◽  
Author(s):  
J. N. Dore

Since 1989, the Society for Libyan Studies has been carrying out, in conjunction with the Libyan Department of Antiquities, excavation and fieldwork in El Merj (Dore 1990, 1991, 1992) which is held to be the site of two earlier towns named Barqa (also spelled Barca and Barka), one of medieval date and the other Greek, as also of a Roman-period village. In this paper I wish to review critically the evidence for the identification of El Merj as medieval Barqa.The broad outline of the case is as follows: a town called Barqa is mentioned by a considerable number of medieval authors writing in Arabic. To judge from them the town flourished between the ninth and eleventh centuries AD but declined thereafter. The association of the names Barqa and El Merj with a single site seems to stem from one author, Ibn Sa 'id, writing in the thirteenth century, though even he is tentative in his identification (see below). After the fourteenth century there is a period which is devoid of information. By the eighteenth century the town(s) of Barqa/El Merj had disappeared (i.e. ceased to be inhabited) but local memory preserved the name and location of El Merj because Pacho visited its ruins and recorded the name in 1825 (see below). About twenty years after this a new town called El Merj began to grow up around a castle newly built by the Ottoman authorities on the remains of an earlier town. This town was called Barce by the Italians but reverted to being called El Merj after the second world war, and was finally destroyed by an earthquake in 1963.


Sign in / Sign up

Export Citation Format

Share Document