scholarly journals Reflections of Theatrical Activities in Lithuanian Local Periodical Press Under German Occupation 1941–1944

2021 ◽  
Vol 17 (1) ◽  
pp. 71-84
Author(s):  
Ina Pukelytė

Summary The article explores the reflection of Lithuanian theatrical activities in the local press during the World War II. As the number of articles shows, theatre was an important part of the dailies’ content. The articles reveal that theatre activities were very important for the expansion of the Nazi culture. One can distinguish three general themes that the articles cover: promotion of Western theatre, especially German, promotion of Lithuanian repertoire and presentation of entertainment theatre. The latter can still be divided into entertainment for German soldiers and administration, and entertainment for Lithuanian audiences. The content of the articles reveals that journalists writing about theatre avoided Nazi propaganda clichés, such as hatred for Bolsheviks and Jews, but these clichés were nevertheless used by the representatives of theatre administrators.

1952 ◽  
Vol 46 (3) ◽  
pp. 699-722 ◽  
Author(s):  
Hans Kohn

In spite of later claims that it had been the leader of the anti-fascist camp and of the Slav world from the beginning of the second World War, the Soviet Union followed a strictly Russian policy, neither anti-fascist nor Pan-Slav, from August, 1939, to June, 1941. This policy clearly foreshadowed a nationalist revival of the language and aspirations that had been most characteristic of Old Russia but were assumed to have been definitely buried in the ten November days of 1917 which shook the world. During these two years not the slightest sympathy for the Czechs and Poles suffering under German occupation was expressed. Indeed, although Leninist communism during World War I had conducted a violent defeatist propaganda compaign in both warring camps, the subversive communist propaganda that was resumed in 1939 was directed only against the democratic nations. “Moreover, officially, even ostentatiously, help was granted to the camp of fascism so that, from 1939 to 1941, the Soviet Union could be considered a non-belligerent partner of the Axis. From the policy of benevolent neutrality towards the Axis the Soviet Union was removed against its will. Circumstances made it an ally of the democracies. This change was performed reluctantly, only because no other choice was left.”


2019 ◽  
Vol 33 (3) ◽  
pp. 333-350
Author(s):  
Nawojka Cieślińska-Lobkowicz

Abstract A substantial number of Jewish art and antiques dealers operated in pre-World War II Warsaw. Particularly respected were the salons of the brothers Bernard and Abe Gutnajer. Virtually everyone in their milieu perished in the Warsaw ghetto or Treblinka. Taking their place were new “Aryan” dealers and a clientele of “new” money. The Warsaw art market under the German occupation experienced a particular growth between the start of the Jewish ghetto’s liquidation in mid-1942 and the outbreak of the Warsaw Uprising in August 1944, as “abandoned” property flooded the market. After decades of subsequent turbulent history, researchers can hardly hope to document the provenance of more than a fraction of tens of thousands of surviving works of art and valuable antiques.


2020 ◽  
Vol 28 (3/2020) ◽  
pp. 69-95
Author(s):  
Ljubinka ŠKODRIĆ

The article analyzes the conditions of the participation of women on the job market in occupied Serbia in the course of the World War II. Its focus is on the policy of the local collaborationist government and the attitudes of the German occupation authorities regarding female employment and the working conditions of employed women, the possibilities and forms of their employment, and the position of the female workforce. This research is conducted on the basis of archival material, wartime press, and literature.


2020 ◽  
Vol 18 (3) ◽  
pp. 352-373
Author(s):  
Shai Srougo

This article explores the last chapter in the long history of the Jewish port workers in the waterfront of Thessaloniki—the World War II years. The Jewish blue-collar workers and white-collar workers shared a common history, and at the same time, each had a different story to tell on the drama of the war. Their everyday experience in the roles of workers, soldiers, non-combatants, and as Greek civilians reveals the Jewish role in shaping the space of the wartime port during three periods: Greek neutrality (September 1939 to September 1940), the Greek-Italian War (October 1940 to March 1941), and German occupation from April 1941 to March 1943, when the port became an ‘Aryan’ space.


Author(s):  
C. Claire Thomson

This chapter traces the early history of state-sponsored informational filmmaking in Denmark, emphasising its organisation as a ‘cooperative’ of organisations and government agencies. After an account of the establishment and early development of the agency Dansk Kulturfilm in the 1930s, the chapter considers two of its earliest productions, both process films documenting the manufacture of bricks and meat products. The broader context of documentary in Denmark is fleshed out with an account of the production and reception of Poul Henningsen’s seminal film Danmark (1935), and the international context is accounted for with an overview of the development of state-supported filmmaking in the UK, Italy and Germany. Developments in the funding and output of Dansk Kulturfilm up to World War II are outlined, followed by an account of the impact of the German Occupation of Denmark on domestic informational film. The establishment of the Danish Government Film Committee or Ministeriernes Filmudvalg kick-started aprofessionalisation of state-sponsored filmmaking, and two wartime public information films are briefly analysed as examples of its early output. The chapter concludes with an account of the relations between the Danish Resistance and an emerging generation of documentarists.


2019 ◽  
Vol 20 (2) ◽  
pp. 37-41
Author(s):  
Maftuna Sanoqulova ◽  

This article consists of the politics which connected with oil in Saudi Arabia after the World war II , the relations of economical cooperations on this matter and the place of oil in the history of world economics


Author(s):  
Pavel Gotovetsky

The article is devoted to the biography of General Pavlo Shandruk, an Ukrainian officer who served as a Polish contract officer in the interwar period and at the beginning of the World War II, and in 1945 became the organizer and commander of the Ukrainian National Army fighting alongside the Third Reich in the last months of the war. The author focuses on the symbolic event of 1961, which was the decoration of General Shandruk with the highest Polish (émigré) military decoration – the Virtuti Militari order, for his heroic military service in 1939. By describing the controversy and emotions among Poles and Ukrainians, which accompanied the award of the former Hitler's soldier, the author tries to answer the question of how the General Shandruk’s activities should be assessed in the perspective of the uneasy Twentieth-Century Polish-Ukrainian relations. Keywords: Pavlo Shandruk, Władysław Anders, Virtuti Militari, Ukrainian National Army, Ukrainian National Committee, contract officer.


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