scholarly journals Basque Resultatives and Related Issues

2012 ◽  
Vol 54 (2) ◽  
pp. 7-22
Author(s):  
Marc Bavant

ABSTRACT Marc Bavant. Basque Resultatives and Related Issues. Lingua Posnaniensis, vol. LIV (2)/2012. The Poznań Society for the Advancement of the Arts and Sciences. PL ISSN 0079-4740, ISBN 978-83-7654-252-2, pp. 7-22. Basque has an impressive number of resultative constructions for transitive verbs, not to mention dialectal variants. The purpose of this paper is to classify them according to Nedjalkov’s typology and compare Basque resultatives with similar periphrastic constructions in Classical Armenian. On the way, we meet the questions of Basque diatheses, of voice ambiguity of past participles, and of the affinity between possession and resultativity. The paper is based on material available in the literature and discussions with a native speaker or a specialist of the field. It appears that only “mediopassive”, a detransitivizing transformation, can be considered a diathesis, whereas the so-called “passive” and “antipassive” are respectively an objective and a subjective resultative. Also LAFITTE’S so-called “parfait” (1979) is a resultative, possessive in form and rather subjective in meaning. Classical Armenian displays a strikingly similar series of resultatives and the same kind of voice ambiguity for its past participle. It is hypothesized that the voice ambiguity may be related to the existence of a possessive resultative construction.

2012 ◽  
Vol 54 (2) ◽  
pp. 69-81 ◽  
Author(s):  
Björn Wiemer

ABSTRACT Björn Wiemer. The Lithuanian HAVE-resultative - A Typological Curiosum? Lingua Posnaniensis, vol. LIV (2)/2012. The Poznań Society for the Advancement of the Arts and Sciences. PL ISSN 0079-4740, ISBN 978-83-7654-252-2, pp. 69-81. This article presents the Lithuanian possessive resultative construction with the verb turėti ‘have’ and discusses its place in a typology of forms of resultative constructions. While possessive resultatives with a past passive participle (as in Polish Kolację mamy już przygotowaną lit. ‘We have the dinner already prepared’) are found in areally related as well as other languages, Lithuanian stands out in using an active participle (more precisely: a participle always oriented toward the highest-ranking argument). The construction can be regarded as a rarum. However, it most probably did not develop in the way proposed by HARRIS (2010) as explanation for the emergence of rara. The rarity of the Lithuanian construction calls for an in-depth diachronic study, whose results may shed new light on the development of rare linguistic features.


2012 ◽  
Vol 54 (2) ◽  
pp. 55-67
Author(s):  
Dorota Krajewska

ABSTRACT Dorota Krajewska. Resultatives in Basque: A Diachronic Study. Lingua Posnaniensis, vol. LIV (2)/2012. The Poznań Society for the Advancement of the Arts and Sciences. PL ISSN 0079-4740, ISBN 978-83-7654-252-2, pp. 55-67. This paper deals with several aspects of the diachrony of Basque resultative constructions. In present day Basque, resultatives can be used with perfect-like meaning. The goal of this paper has been thus to study the development of the non-resultative uses of resultative constructions. To this end, the diathesis types of resultative and the meanings the construction may convey are studied in a corpus of 17th to 20th century texts. It has been found that in the time span covered by the study, new diathesis types are introduced and two new meanings develop: perfect and experiential.


1795 ◽  
Vol 85 ◽  
pp. 414-591 ◽  

A general survey of the island of Great Britain, at the public expence, was (as we learn from the LXXVth Vol. of the Philosophical Transactions) under the contemplation of Crovernment as early as the year 1763, the execution of which was to have been committed to the late Major General Roy, whose public situation and talents well qualified him for such an undertaking. Various causes procrastinated this event till the year 1783, when the late M. Cassini de Thury transmitted a memoir to the French ambassador at London, which paved the way to a beginningof this important, work. Calculated for the advancement of science, this memoir was pre­sented to the King, and readily met with the approbation of a monarch, so eminently distinguished, from the æra of his reign, for his liberal patronage of the arts and sciences. By his Majesty's command, the memoir was put into the hands of Sir Joseph Banks, P. R. S. accompanied with such marks of royal munificence, as speedily obtained all the valuable instru­ments and apparatus necessary for carrying the design into immediate execution. General Roy, to whose care the conduct of this important business was committed, lived to go through the several ope­rations pointed out in the memoir, the particulars of which have been detailed at great length in the Philosophical Transactions, where they will remain a testimony of his zeal and ability in conducting so arduous an undertaking at an advanced period of life. The further prosecution of the survey of the island, to which the operations hitherto performed might be deemed only as subservient or introductory, seemed to expire with the General.


2012 ◽  
Vol 54 (1) ◽  
pp. 89-97
Author(s):  
Agnieszka Schönhof-Wilkans

Abstract Agnieszka Schönhof-Wilkans. On the Question of Transitive and Intransitive Verbs in Swahili. Lingua Posnaniensis, vol. L IV (1)/2012. The Poznań Society for the Advancement of the Arts and Sciences. PL ISSN 0079-4740, ISBN 978-83-7654-103-7, pp. 89-97. Swahili does not always make a clear distinction between transitive and intransitive verbs. The question seems to be complicated by the elaborate voice system of this agglutinative language. Subcategories of the Swahili verb such as stative, reciprocal, reflexive, causative, applicative and passive are marked by appropriate affixes. Swahili also applies infixes to signify objects within transitive verbs. Although modern Swahili dictionaries include information about verbal transitivity (TUK I 2001, 2004), it is far from complete. The purpose of this paper is to investigate the problem of transitive and intransitive verbs in Swahili taking into consideration some of the verbal categories, with particular emphasis on the relation of the category of voice to the category of transitivity. The current state of research on the category of transitivity in Swahili will be briefly presented. The material for the analysis has been obtained from various sources, such as Swahili grammars and dictionaries, Tanzanian newspapers and websites, as well as the author’s own field notes.


2018 ◽  
Vol 4 (1) ◽  
pp. 260-279
Author(s):  
Ulrich Detges

Abstract This paper deals with the question of how and why resultative constructions change into anteriors. This discussion will be based on synchronic data concerning tener + past participle, a resultative construction used in modern Spanish. One of the latter's most frequent is te lo tengo dicho 'I have (already) told you'. This is remarkable since decir 'to tell' is a non-transitional verb; te lo tengo dicho thus violates the requirement that resultatives should only combine with transitional verbs. In the literature, such mismatches between the semantics of a given construction and the meaning of its lexical filler have been claimed to normally trigger coercion, i.e. an inferential repair mechanism giving rise to special meaning effects. Thus, coercion - despite being conceived as a purely synchronic mechanism - is a prime candidate for an explanation of the change from resultative to anterior. In line with this hypothesis, occurrences of te lo tengo dicho are attested in my corpus where the latter is specified by quantifying adverbials such as muchas veces 'many times'. However, speaker judgements indiacte that even te lo tengo dicho muchas veces is not an iterative anterior construction, but still a resultative. Based on synchronic data taken from the CREA-corpus, it will be shown that in the vast majority of its occurrences, te lo tengo dicho is part of an dialogal discourse pattern where certain argumentative effects based on its resultative meaning are highly relevant. Crucially, therefore, in such "strong" uses a coercive shift towards an anterior meaning is excluded. On a more abstract level, it will be shown that coercion is controlled by pragmatic factors; in the case of te lo tengo dicho muchas veces, conceptual/semantic plausibility is systematically overridden by pragmatic relevance.


Author(s):  
Tom McLeish

‘I could not see any place in science for my creativity or imagination’, was the explanation, of a bright school leaver to the author, of why she had abandoned all study of science. Yet as any scientist knows, the imagination is essential to the immense task of re-creating a shared model of nature from the scale of the cosmos, through biological complexity, to the smallest subatomic structures. Encounters like that one inspired this book, which takes a journey through the creative process in the arts as well as sciences. Visiting great creative people of the past, it also draws on personal accounts of scientists, artists, mathematicians, writers, and musicians today to explore the commonalities and differences in creation. Tom McLeish finds that the ‘Two Cultures’ division between the arts and the sciences is not after all, the best classification of creative processes, for all creation calls on the power of the imagination within the constraints of form. Instead, the three modes of visual, textual, and abstract imagination have woven the stories of the arts and sciences together, but using different tools. As well as panoramic assessments of creativity, calling on ideas from the ancient world, medieval thought, and twentieth-century philosophy and theology, The Poetry and Music of Science illustrates its emerging story by specific close-up explorations of musical (Schumann), literary (James, Woolf, Goethe) mathematical (Wiles), and scientific (Humboldt, Einstein) creation. The book concludes by asking how creativity contributes to what it means to be human.


2020 ◽  
Vol 4 (Supplement_1) ◽  
pp. 567-567
Author(s):  
Angel Duncan

Abstract This session identifies common misconceptions about identity for persons living with Alzheimer’s disease and related dementias (ADRD). Going beyond diagnostic brain imaging and neurocognitive testing, case studies and research in creativity from around the United States highlights consciousness of persons living with ADRD. Reviewing and discussing artworks is aimed to set dialogue in the question of where memory deposits emerge when engaged in creativity. Through art therapy techniques, this type of self-expression may provide new avenues in treatment for dementia care. Exploring the arts from those with Mild Cognitive Impairment to late stage Alzheimer’s and other forms of dementia, such as frontotemporal dementia, consciousness seems to remain intact despite neural death. This session aims to discourage poor spending allocations and establishing meaningful care. From clinical research trials to creativity of self-expression, the importance of why the arts and sciences matter are demonstrated as effective modalities that enhance quality of life.


Richard Nichols, The Diaries of Robert Hooke, The Leonardo of London, 1635-1703 . Lewes, Sussex: The Book Guild, 1994, Pp. 185, £15.00. ISBN 0- 86332-930-6. Richard Nichols is a science master turned historian of science who celebrates in this book Robert Hooke’s contributions to the arts and sciences. The appreciation brings together comments from Hooke’s Diaries , and other works, on each of his main enterprises, and on his personal interaction with each of his principal friends and foes. Further references to Hooke and his activities are drawn from Birch’s History of the Royal Society, Aubrey’s Brief Lives , and the Diaries of Evelyn and of Pepys. The first section of the book, ‘Hooke the Man’, covers his early years of education at home in Freshwater, at Westminster school and at Christ Church, Oxford, where he soon joined the group of experimental philosophers who set him up as Curator of the Royal Society and Professor of Geometry at Gresham College, Bishopsgate. Hooke’s domestic life at Gresham College is described - his intimate relationships with a series of housekeepers, including his niece, Grace Hooke, and his social life at the College and in the London coffee houses.


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