scholarly journals Foul Play in Sport as a Phenomenon Inconsistent with the Rules, yet Acceptable and Desirable

2011 ◽  
Vol 52 (1) ◽  
pp. 33-43 ◽  
Author(s):  
Jerzy Kosiewicz
Keyword(s):  
The Body ◽  
Athletic Activity ◽  
Moral Good ◽  
Feature Films ◽  
Knowing That ◽  
Future Events ◽  
Tv Shows ◽  
Printed Materials ◽  
Good And Evil ◽  
Rules Of The Game

Foul Play in Sport as a Phenomenon Inconsistent with the Rules, yet Acceptable and DesirableAuthor considers assumptions related to foul play in sport as a phenomenon, that affect the body, psyche, or relationships - various social involvements, conditionings, and determinants of those involved with that particular form of athletic activity. This includes fouls committed on and off the field, as well as those not even related to a particular game. Our considerations include fouls of a verbal or acoustic nature; fouls in the form of printed materials; those in the form of visual commentary in films, TV shows, Internet appearances, whether in feature films, dramatized documentaries, documentaries or reports presented in a different publications, festivals, exhibitions, during which co-participants, adversaries or competitors make comments on past or future events during or beyond the competition.Fouls in sport, particularly those committed by athletes during competition, will always be inconsistent with the accepted rules of the game, that is, with the official regulations. Fouls will also always influence - in more or less annoying, depressing, painful or even tragic ways - the fate and the health of athletes.No logical - conditional, cause and effect - connection exists between a foul and the rules. Neither the need for nor praise of foul play can stem from the regulations. Yet people directly associated with the sport tolerate it because there is a widespread, quiet acquiescence of such play. Foul play is strongly opposed by supporters of the fair play principle, by those who do not regard sports competition as a phenomenon that can be considered independently beyond moral good and evil.Foul play is seen also as a desirable phenomenon, when inter alia, regardless of the various penalties imposed on players and team, it helps - in the final balance of losses and benefits - to achieve the planned success. Moreover, it is worth adding that, for instance, the so-called "good foul" in basketball enables one to stop the game clock, the so-called pure-play time of the referee. This creates the possibility of obtaining at least one more point (for a possible 3-point shot from a distance) than the team that executes its two one-point penalty shots granted for the offense (that is, "good foul").Foul play may also enhance the course of the sports spectacle, and encourage spectators to cheer more frequently. This is particularly important when professional athletic contests are treated as a form of business. The dramatization of foul play as a creation of "game" within a game can also be an additional attraction of the competition; foul play might be used as sophisticated and spectacular trickery, that dismays and hurts in its pragmatic-aesthetic construction, both the referee and the opponent.Foul play in sports has so many forms and will probably never lose its popular and sometimes spectacular character. Knowing that, everything should be done to protect players from bothersome health, interpersonal, and cultural disablements resulting from foul play.

scholarly journals Sport beyond Moral Good and Evil

2010 ◽  
Vol 49 (1) ◽  
pp. 21-29 ◽  
Author(s):  
Jerzy Kosiewicz
Keyword(s):  
Moral Norms ◽  
Moral Good ◽  
Legal Norms ◽  
Moral Beliefs ◽  
Professional Obligations ◽  
Deontological Ethics ◽  
Administrative Code ◽  
Sports Officials ◽  
Good And Evil ◽  
Rules Of The Game

Sport beyond Moral Good and EvilSport is - and should be - an amoral phenomenon (what should not be confused with an immoral one); that is, a phenomenon which is completely independent from ethics, except of, possibly, deontological ethics which concerns professionals who have professional obligations towards their employers and other persons who are provided with and influenced by their services.Conduct according to rules of a given sport has no moral character. It has only pragmatic character, similarly as conduct in compliance with principles of the administrative code, the civil code or the penal code. Of course, when you act in accordance with rules of sports rivalry you can additionally realize also other aims - like, for example, aesthetic, spectacular or moral ones. However, in each case rules of the game and legal norms have priority, because they are the most important regulative determinant of conduct in various societies, including variously defined human teams. The above mentioned legal and sports regulations are not moral norms. They can, however, influence moral behaviours if they are in conflict with the law or rules of the game.From that viewpoint moral norms are exterritorial in their relation to assumptions and rules of a particular sport. Contestants and people responsible for them - like, for example, coaches or sports officials - as well as their employers are neither required to account for their moral beliefs, nor for their moral behaviours, if only they act in compliance with rules of sports rivalry.

scholarly journals Sport beyond Moral Good and Evil

2014 ◽  
Vol 62 (1) ◽  
pp. 22-30 ◽  
Author(s):  
Jerzy Kosiewicz
Keyword(s):  
Moral Norms ◽  
Moral Good ◽  
Legal Norms ◽  
Moral Beliefs ◽  
Professional Obligations ◽  
Deontological Ethics ◽  
Administrative Code ◽  
Sports Officials ◽  
Good And Evil ◽  
Rules Of The Game

Abstract Sport is - and should be - an amoral phenomenon (what should not be confused with an immoral one); that is, a phenomenon which is completely independent from ethics, except of, possibly, deontological ethics which concerns professionals who have professional obligations towards their employers and other persons who are provided with and influenced by their services. Conduct according to rules of a given sport has no moral character. It has only pragmatic character, similarly as conduct in compliance with principles of the administrative code, the civil code or the penal code. Of course, when you act in accordance with rules of sports rivalry you can additionally realize also other aims - like, for example, aesthetic, spectacular or moral ones. However, in each case rules of the game and legal norms have priority, because they are the most important regulative determinant of conduct in various societies, including variously defined human teams. The abovementioned legal and sports regulations are not moral norms. They can, however, influence moral behaviours if they are in conflict with the law or rules of the game. From that viewpoint moral norms are exterritorial in their relation to assumptions and rules of a particular sport. Contestants and people responsible for them - like, for example, coaches or sports officials - as well as their employers are neither required to account for their moral beliefs, nor for their moral behaviours, if only they act in compliance with rules of sports rivalry.

scholarly journals Digital 3D models of theropods for approaching body-mass distribution and volume

2021 ◽  
Author(s):  
Matías Reolid ◽  
Francisco J. Cardenal ◽  
Jesús Reolid
Keyword(s):  
Body Length ◽  
Heat Dissipation ◽  
Volume Ratio ◽  
3D Models ◽  
The Body ◽  
3D Analysis ◽  
Skull Length ◽  
Knowing That ◽  
Fossil Bones ◽  
Primitive Forms

AbstractThe aim of this work is to obtain diverse morphometric data from digitized 3D models of scientifically accurate palaeoreconstructions of theropods from eight representative families. The analysed polyvinyl chloride (PVC) models belong to the genera Coelophysis, Dilophosaurus, Ceratosaurus, Allosaurus, Baryonyx, Carnotaurus, Giganotosaurus, and Tyrannosaurus. The scanned 3D models were scaled considering different body-size estimations of the literature. The 3D analysis of these genera provides information on the skull length and body length that allows for recognition of major evolutionary trends. The skull length/body length in the studied genera increases according with the size of the body from the smallest Coelophysis with a ratio of 0.093 to ratios of 0.119–0.120 for Tyrannosaurus and Giganotosaurus, the largest study theropods. The study of photogrammetric 3D models also provides morphometric information that cannot be obtained from the study of bones alone, but knowing that all reconstructions begin from the fossil bones, such as the surface/volume ratio (S/V). For the studied theropod genera surface/volume ratio ranges from 35.21 for Coelophysis to 5.55 for Tyrannosaurus. This parameter, closely related to the heat dissipation, help in the characterization of the metabolism of extinct taxa. Accordingly, slender primitive forms of the Early Jurassic (i.e. Coelophysis and Dilophosaurus) had relatively smaller skulls and higher mass-specific metabolic rates than the robust large theropods of the Cretaceous (i.e. Giganotosaurus and Tyrannosaurus). This work presents a technique that, when applied to proper dinosaur models, provides extent and accurate data that may help in diverse study areas within the dinosaur palaeontology and palaeobiology.

scholarly journals God and the Playpen: On the Feasibility of Morally Better Worlds

Religions ◽  
2021 ◽  
Vol 12 (4) ◽  
pp. 266
Author(s):  
Cheryl K. Chen
Keyword(s):  
Free Will ◽  
Actual World ◽  
David Lewis ◽  
Moral Good ◽  
Moral Goodness ◽  
Divine Intervention ◽  
Horrendous Evil ◽  
Good And Evil ◽  
Free Will Defense ◽  
Better Than

According to the free will defense, God cannot create a world with free creatures, and hence a world with moral goodness, without allowing for the possibility of evil. David Lewis points out that any free will defense must address the “playpen problem”: why didn’t God allow creatures the freedom required for moral goodness, while intervening to ensure that all evil-doing is victimless? More recently, James Sterba has revived the playpen problem by arguing that an omnipotent and benevolent God would have intervened to prevent significant and especially horrendous evil. I argue that it is possible, at least, that such divine intervention would have backfired, and that any attempt to create a world that is morally better than this one would have resulted in a world that is morally worse. I conclude that the atheologian should instead attack the free will defense at its roots: either by denying that the predetermination of our actions is incompatible with our freely per-forming them, or by denying that the actual world—a world with both moral good and evil—is more valuable than a world without any freedom at all.

scholarly journals Le jeu est à l’espace ce que le récit est au temps. Une anthropologie ricœurienne du jeu comme mimèsis spatiale

2021 ◽  
Vol 12 (2) ◽  
pp. 44-56
Author(s):  
Nathan Ferret
Keyword(s):  
Physical Space ◽  
The Body ◽  
Lived Space ◽  
The Relationship ◽  
Rules Of The Game

By studying the logic that unites play, the rules of games and the body of players, this article intends to highlight a spatial mimesis through play and games. It consists of carrying out a Ricœurian anthropology of play and game, taking Ricœur's analysis of the relationship between time and narrative as a model. The article then shows that play prefigures the physical space as a lived space, that game configures a space of rules and that the player's body is refigured by the spatiality of the rules of the game. This application of the ternary model of Ricœurian mimesis thus allows a unified understanding of play and games by space, and of space by play and games.

scholarly journals An analysis of the circumstances and factors that have influenced the development of Animation Industry in Iran in the 1960-2002 periods

2015 ◽  
Vol 16 (SE) ◽  
pp. 61-77
Author(s):  
Naser Golmohammadi
Keyword(s):  
Cultural Policy ◽  
Animation Industry ◽  
Historical View ◽  
Feature Films ◽  
Art Form ◽  
Iranian History ◽  
The Government ◽  
Printed Materials ◽  
The One ◽  
The Impact

In the early part of 20th century animation emerged as a revolutionary way of making art. It evolved into a powerful means of expression and creativity of artists who could merge all art genres into one art form. The subsequent developments of animation have opened its diverse uses in entertainment business, education and political propaganda. This article attempts to examine the factors that have influenced and shaped the development of animation industry in Iran. It takes a historical view and investigates the impacts of changing socio-economic and political forces that have determined the functions of animation in the Iranian society. The study traces the establishment of the industry to the government-run centres, describing the pioneering role of artists who gave rise to the ‘golden age’ of animation in the pre-revolutionary Iran. Especial attention is throughout paid to the long and rich cultural and artistic heritages, as the thematic basis for indigenously produced animated films in Iran. The growth of the industry is considered in conjuncture with the expansion of feature films cinema and expansion of television networks. The latter is particularly important for the fact that it provides a secured market for a sizeable audience of children and young people in Iran. The study analyses the impact of the 1979 Islamic Revolution on the animation industry from a period of stagnation to a highly promoted and government sponsored artistic and industrial activity. In the post-revolutionary period, the industry was transformed from one reflecting the Iranian history and culture to the one that emphasises the Islamic-Iranian values and Islamic traditions; hence animation has become an ideological means in propagating the cultural policy of the state. Thus, animation has increasingly become a cultural industry assigned to supply growing needs of television and artistic works reserved for international festivals.This research is largely based on extensive interviews with animation artists and those who are working in the industry complemented with a sample of questionnaires addressed to both Iranian artists and foreign observers and participants in the Iranian International festivals on animation. The research methodology is also supplemented with the research on printed materials – very few and often descriptive- and personal experience of working over twenty years in the industry.

Creation, the Fall, and the Regime of the Passions

2020 ◽  
pp. 164-188
Author(s):  
Gerard O'Daly
Keyword(s):  
Sexual Desire ◽  
The Body ◽  
Two Cities ◽  
The Will ◽  
The Creation ◽  
Love Of God ◽  
Good And Evil ◽  
The Universe

The chapter discusses Augustine’s presentation in Books 11–14 of the origins of the two cities, heavenly and earthly. The focus is on the creation of the universe, the angels and the rebellion of some of them, and Adam, Eve, and the Fall. Specific themes include: Genesis exegesis; the elaboration of the history theme, with good and bad angels as ‘prologues’ to the two historical human cities; good and evil in the universe; angelic rebels and the nature of the will; death and resurrection; Platonist and Christian views on the body; Pauline flesh and spirit; emotions and passions; sexual desire in paradise and since the Fall; love of self and love of God, and the application of this contrast to the two cities.

scholarly journals Significant Developments in Southern Agriculture in the Decade of the 1970s And Emerging Policy Issues in the 1980s

1979 ◽  
Vol 11 (1) ◽  
pp. 15-17
Author(s):  
Gene D. Sullivan
Keyword(s):  
Policy Implications ◽  
Unexpected Events ◽  
Policy Issues ◽  
Knowing That ◽  
Look Ahead ◽  
Future Events

There is considerable overlap between events of lasting significance in the 1970s and policy issues of the 1980s, perhaps because of an implicit requirement (in my own mind at least) that policy implications are a prerequisite to significance. At any rate, past developments in their full dimensions seem closely interwoven with future events.Repeated invitations to Harold Breimyer to “look ahead” are evidence of our profession's view of his ranking in the trade of seers. Because, at best, we can only “see through a glass darkly,” it may be a futile effort to forecast developments beyond a two- or three-year horizon. Yet several of the unexpected events within our individual spheres of existence might have been spotted on the more distant horizon if we had really strained a bit to peer through the fog. Even knowing that the forecasting balance is tilted heavily on the side of events that cannot be foreseen, we feel it beneficial to keep peering ahead. I believe that is why, in spite of records that do not sparkle with accuracy, Breimyer continues to prophesy and we continue to listen.

Human Values in a Mechanistic Universe

1977 ◽  
Vol 11 ◽  
pp. 135-171
Author(s):  
Margaret A. Boden
Keyword(s):  
Catholic Church ◽  
Roman Catholic ◽  
The Body ◽  
Roman Catholic Church ◽  
Whole Body ◽  
Apparent Contradiction ◽  
Knowing That ◽  
Bodily Resurrection ◽  
Theological Argument ◽  
The Church

The truth can be dangerous. It is because they realise this that the Roman Catholic Church forbid cremation. Cremation is, of course, theologically permissible, and in times of epidemic the Church allows it. But in normal times it is forbidden — Why? The reason is that the Church fears the influence of the image associated with it. It is difficult enough for the faithful to accept the notion of bodily resurrection after having seen a burial (knowing that the body will eventually decay in the ground). But the image of the whole body being consumed by flames and changing within a few minutes to a heap of ashes is an even more powerful apparent contradiction of the theological claim of bodily resurrection at the Day of Judgement. (Indeed, the ban on cremation was introduced when the French Freemasons held anti-Catholic demonstrations, in which they burned their dead saying ‘There, you see: they won't rise again!’) In short, instead of relying only on abstract theological argument, which very likely would not convince their flock in any case, the Church deals with this threat to faith by attacking the concrete image.

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