scholarly journals Den Postmoderne Biografi

2012 ◽  
Vol 14 (1) ◽  
pp. 34-44
Author(s):  
Johnny Kondrup
Keyword(s):  
19Th Century ◽  
Human Life ◽  
Social Structures ◽  
New Criticism ◽  
Literary Biography ◽  
Literary Research ◽  
Traditional Patterns ◽  
The 1960S ◽  
The 19Th Century ◽  
The Ideal

ABSTRACT This article concerns the return of the literary biography in the humanistic fields, especially in Danish literary research, since 1980. During the New Criticism in the 1960s biography was regarded as a superfluous genre, and during the neoMarxism of the 1970s as a naive genre. But around 1980 it returned in the form of a number of new scholarly works especially in the fields of literature and history. This article points to two elements in the postmodern Zeitgeist which might have played a role in promoting the return of biography: first, the collapse of the grand systems of interpretation, and second a change in the ideal of scholarship in the direction of constructivism. Then the article investigates how ‘the new biography’ is distinguished from the old and outlines three points in particular: 1) a greater understanding of the significance of social structures; 2) an increased focus on contingency, incoherence and indeterminacy in a human life; and 3) a rising interest in the ‘ordinary’ human being. On a fourth point, postmodern biography has not come as far as one might expect. Although it could be more experimental and theoretically self-conscious, in fact it employs surprisingly traditional patterns of narrative, most of which are stamped by the Bildungsroman of the 19th century.

Presence in Absence

2011 ◽  
Vol 56 (2) ◽  
pp. 79-100
Author(s):  
Rachel Esner
Keyword(s):  
19Th Century ◽  
Social Structures ◽  
Artistic Creativity ◽  
Oder Eine ◽  
Exhibition Space ◽  
Working Space ◽  
Romantic Era ◽  
Sozialer Raum ◽  
The 19Th Century ◽  
Artistic Self

Seit der Epoche der Romantik bringen viele der Diskurse, die künstlerische Kreativität betreffen, den Künstler und seinen Arbeitsraum zusammen: Die Werkstatt wird als ein Spiegel des Künstlers und seines Werks angesehen, als ein Heiligtum, ein sozialer Raum oder eine Ausstellungsfläche. Ein populärer bildlicher Topos der Zeit war die Darstellung des leeren Ateliers. Der vorliegende Beitrag versteht das Bild des leeren Ateliers im 19. Jahrhundert als ein Selbstporträt des Künstlers. Er untersucht, wie die Darstellung des Raums und seiner Objekte dem Gemälde die Präsenz des Künstlers einschreiben und sein bzw. ihr künstlerisches  Selbstverständnis innerhalb der sich verändernden künstlerischen und sozialen Strukturen der Epoche wiedergeben.<br><br>From the Romantic era onward, many of the discourses surrounding artistic creativity have merged the artist and his working space: the place of work is viewed as the mirror of the man and his oeuvre, a sanctuary, a social or an exhibition space. A popular topos in this context was the view of the empty studio. This paper explores the 19th-century empty studio image as a self-portrait of the artist. It examines how the depictions of the space and its objects work to inscribe the artist’s presence, and to express his or her  artistic self-conception and identity within the changing artistic-social structures of the period.

scholarly journals Franz Liszt under the Light of Progress

2021 ◽  
Author(s):  
Willy Bettoni
Keyword(s):  
19Th Century ◽  
Music Theory ◽  
Paradigm Shift ◽  
Franz Liszt ◽  
Musical Language ◽  
Aesthetic Thinking ◽  
The 19Th Century ◽  
The Ideal

The idea of progress became increasingly relevant during the 19th century, eventually instigating a paradigm shift. This transformation facilitated not only the emergence of numerous philosophical and literary trends, but also engendered new perspectives in music theory. The composer Franz Liszt was also influenced by the spirit of the epoch. This study’s analysis of his piano compositions from the Sonata in B Minor to the Bagatelle sans tonalité shows how he shaped and adapted his musical language and aesthetic thinking on the basis of what he called the ‘ideal of the time’.

Syrian Historical Studies on Syria

1975 ◽  
Vol 9 (3) ◽  
pp. 1-7 ◽  
Author(s):  
Abdul-Karim Rafeq
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Arab Countries ◽  
Historical Writing ◽  
Near Eastern ◽  
Traditional Patterns ◽  
The 19Th Century

Historical writing by Syrians on Syria up to the 20th century followed the traditional patterns of annals, in chronicle form, biographical notes, and general histories. These histories, when written by Muslims, were mainly concerned with Islamic and Arab countries. Interest in other countries, especially Europe, discerned in the writings of Christians (a noted example is the history by Mīkhāīl Barīk, Tārīkh al-Shām 1720-1782, ed. Q. al-Bāshā [Harīsā, 1930J ) , became widespread in the writings of both Christians and Muslims in the 19th century as a result of the growing influence of Europe in Near Eastern affairs.

Flicker and Shutter: Exploring Cinema’s Shuddering Shadow

2017 ◽  
Keyword(s):  
19Th Century ◽  
Psychological Problems ◽  
Moving Image ◽  
Image Movement ◽  
Projection Device ◽  
The 1960S ◽  
The 19Th Century ◽  
Experimental Films

A rotating shutter interrupts the light of a projection device, breaking up the succession of image movement and creating the appearance of motion. This technology, essential to cinematic and even some pre-cinematic devices, creates an effect of flicker. In the early era of cinema, the flickering of cinematic images was claimed to damage viewers’ eyesight and even to produce psychological problems. In the 1960s, however, filmmakers such as Peter Kubelka, Tony Conrad and Ken Jacobs explored the flicker as an aesthetic device. This chapter traces the effects of flicker, focusing on the invention of the moving image in the latter part of the 19th century, its initial reception, and the use of flicker in experimental films and projections from the 1960s on.

Cot death

2021 ◽  
pp. 377-382
Author(s):  
Michael Obladen
Keyword(s):  
New Zealand ◽  
The Netherlands ◽  
19Th Century ◽  
Causes Of Death ◽  
Epidemiological Evidence ◽  
England And Wales ◽  
Cot Death ◽  
Prone Sleeping ◽  
The 1960S ◽  
The 19Th Century

Since antiquity, cot death was explained as accidental suffocation, overlaying, or smothering. Parents were blamed for neglect or drunkenness, and a cage called arcuccio was invented around 1570 to protect the sleeping infant. Up to the 19th century, accidents were registered as natural causes of death. From 1830, accidental suffocation became unacceptable for physicians and legislators, and ‘natural’ explanations for the catastrophe were sought, with parents being consoled rather than blamed. Prone sleeping originated in the 1930s and from 1944 was associated with cot death. However, from the 1960s many authors recommended prone sleeping for infants, and many countries adopted the advice. A worldwide epidemic followed, peaking at 2% in England and Wales and 5% in New Zealand in the 1980s. Although epidemiological evidence was available by 1970, the first intervention was initiated in the Netherlands in 1989. Cot death disappeared almost entirely wherever prone sleeping was avoided. This strongly supports the assumption that prone sleeping has the greatest influence on the disorder, and that the epidemic resulted from wrong advice.

scholarly journals Ice-volume changes of selected glaciers in the Swiss Alps since the end of the 19th century

2007 ◽  
Vol 46 ◽  
pp. 145-149 ◽  
Author(s):  
Andreas Bauder ◽  
Martin Funk ◽  
Matthias Huss
Keyword(s):  
19Th Century ◽  
Temporal Variations ◽  
Swiss Alps ◽  
Ice Age ◽  
Aerial Photographs ◽  
Volume Changes ◽  
Thickness Change ◽  
Ice Volume ◽  
The 1960S ◽  
The 19Th Century

AbstractThe evolution of surface topography of glaciers in the Swiss Alps is well documented with high-resolution aerial photographs repeatedly recorded since the 1960s and further back in time with topographic maps including elevation contour lines first surveyed in the mid-19th century. In order to quantify and interpret glacier changes in the Swiss Alps, time series of volume changes over the last 100–150 years have been collected. The available datasets provide a detailed spatial resolution for the retreat period since the end of the Little Ice Age. The spatial distribution as well as temporal variations of the thickness change were analyzed. A significant ice loss since the end of the 19th century was observed in the ablation area, while the changes in the accumulation area were small. We found moderate negative secular rates until the 1960s, followed by steady to positive rates for about two decades and strong ice loss starting in the 1980s which has lasted until the present. An evaluation of 19 glaciers revealed a total ice volume loss of about 13km3 since the 1870s, of which 8.7 km3 occurred since the 1920s and 3.5 km3 since 1980. Decadal mean net balance rates for the periods 1920–60, 1960–80 and 1980–present are –0.29, –0.03 and –0.53ma–1w.e., respectively.

scholarly journals LINGVOCULTURAL NATURE OF THE VERNACULAR NAMES OF AUTHENTIC DISHES IN ENGLISH, UKRAINIAN, FRENCH AND POLISH LANGUAGES OF THE XIXTH CENTURY

10.23856/3611 ◽  
2019 ◽  
Vol 36 (5) ◽  
pp. 96-102
Author(s):  
Oleksandra Palchevska
Keyword(s):  
Collective Memory ◽  
19Th Century ◽  
Human Life ◽  
Relevant Information ◽  
National Community ◽  
Vernacular Names ◽  
Cultural Specificity ◽  
National Cuisine ◽  
Social Components ◽  
The 19Th Century

The article deals with the study of nominative units designating authentic dishes and drinks in the 19th century vernacular of the Ukrainian, English, French and Polish languages as well as the features revealing their linguistic and cultural specificity. The relevance of such research is determined by the lack of comprehensive studies of the gluttony phenomenon of in the Ukrainian, English, French and Polish languages, as well as the need to delineate the linguosemiotic and linguocultural parameters of the 19th century glutonic names. The author reveals the meaning of the term "nominative units linguocultural marking", defines its differential features; outlines the theoretical basis for the study of nominative units for the designation of authentic foods and beverages; analyzes metaphorical models of such nominations creation; finds out linguocultural features of glutonic names; describes the main methods of nomination (motivational features and the most productive word-forming models). Food is an integral part of human life, yet it is specific to a particular national community. The vitality of any nation is reflected in its cuisine. The natural, social and economic conditions of each nation also affect what do people eat. The gastronomy area we are exploring is one of greatest nationally specific areas. With the development of agriculture and the market, national cuisine and gastronomy are constantly evolving, which is reflected in the vocabulary and phraseology of the language. Collective memory and national phraseology absorb and preserve sociocultural concepts and associations that are connected with product names and national cuisine that have evolved over the centuries. Culture is a complex phenomenon that contains material, spiritual and social components. The very process of communication between people is carried out by means of a set of non-verbal (sound, visual, haptic, facial, gestural, kinetic, proxemic, etc.) and verbal or languge (oral and written) ways of transmitting culturally relevant information. Both verbal and non-verbal codes of culture reflect the external aspect of culture, while the internal aspect is related to its axiological system.

scholarly journals "We pay no heed to the ideal… We pay heed to trifle and trifle…" The issue of moral and ethical evaluation of Alexander Ostrovsky's works in literary criticism of the second half of the 19th century

2019 ◽  
pp. 95-99
Author(s):  
Yelena N. Belyakova
Keyword(s):  
Literary Criticism ◽  
19Th Century ◽  
Public Life ◽  
Critical Evaluation ◽  
Creative Work ◽  
Ethical Assessment ◽  
Ethical Evaluation ◽  
Literary Process ◽  
The 19Th Century ◽  
The Ideal

In terms of newspaper-magazine reviews of Alexander Ostrovsky's works, published in the 1850s-70s, the problem of artistic text literary-critical evaluation is examined in the article. The author of the article assumes that artistic text evaluation is directly related to ideology and to the main request of time in terms of which, the text receives this assessment. According to Georgiy Fridlender, one of the most important tasks that Russian public life of the second half of the 19th century set for literature was to create an image of a viable and still positive hero. Alexander Ostrovsky in his work was oriented to answers to the most pressing social requests. Nevertheless, his works often did not satisfy his contemporaries, and sometimes insulted their moral feelings. An attempt to trace how the negative moral and ethical assessment of the playwright's creative work was conditioned and the role that newspaper and magazine criticism played in shaping the literary process is undertaken in the article.

scholarly journals Tradition of geodetic instruments production in the Czech Republic

2021 ◽  
Vol 12 (2) ◽  
pp. 171-178
Author(s):  
Pavel Hánek ◽  
Pavel Hánek Sr.
Keyword(s):  
Czech Republic ◽  
19Th Century ◽  
Roman Emperor ◽  
The Czech Republic ◽  
Significant Development ◽  
State Administration ◽  
The 1960S ◽  
The 19Th Century ◽  
Fine Mechanics ◽  
Geodetic Surveying

Abstract. The article describes the development of geodetic surveying and production of geodetic instruments in what is now Czech Republic. The beginnings of development can be found in the 12th–13th centuries during the colonization of the territory and the consolidation of state administration. Significant development peaks occurred in the 14th century during the reign of the Holy Roman Emperor and King of Bohemia Charles IV and then at the turn of the 16th and 17th centuries during the reign of the Holy Roman Emperor Rudolf II. The new direction is related to the development of industry at the end of the 19th century. At that time, several dozen companies in fine mechanics and optics were operating in Prague. The company J. &amp; J. Frič was a world leader in the use of a glass divided circle in 1864. The production of astronomical and geodetic instruments in Czechoslovakia was successful until the end of the 1960s.

Double Bass

Music ◽  
2019 ◽  
Author(s):  
John Romey
Keyword(s):  
19Th Century ◽  
Double Bass ◽  
String Instruments ◽  
String Bass ◽  
String Instrument ◽  
Concert Bands ◽  
Rock N Roll ◽  
The 1960S ◽  
Musical Genres ◽  
The 19Th Century

The double bass (contrabass, upright bass, string bass, violone) is a large string instrument of three, four, or five strings, made of wood, and played with a bow (arco) or plucked with the fingers (pizzicato). Unique among orchestral string instruments, it shares a history with both viol and violin instrument families. Today it is commonly tuned in fourths with four (E’-A’-D-G) or five (B’/C’-E’-A’-D-G) strings. Other historical tunings include a three-string instrument tuned in fifths (A’-D-G), a four- or five-string “Viennese tuning” (typically F’-A’-D-F#-A, with lowest string optional), and five- and six-string violone tunings: in G (G’-C-F-a-d-g), in A (A’-D-G-b-e-a), or in D (D’-G’-C-E-A-d). It is the only orchestral string instrument with two types of bows—the “overhand” French bow (violin family) and the “underhand” German bow (viol family)—and is the only transposing orchestral string instrument: music is usually notated an octave above sounding pitch (hence the name, double bass, for the instrument’s role in orchestral textures of doubling the violoncello part an octave lower than written). Violones began as the bass voice in viol consorts and realized continuo lines in church, orchestral, and operatic genres. A rich culture of solo and chamber music for a double bass instrument, known today as the Viennese violone, reached a peak of technical virtuosity throughout territories influenced by the Habsburgs between approximately 1750 and the first decade of the 19th century. Other virtuosi, like Domenico Dragonetti and Giovanni Bottesini, both of whom played three-string instruments tuned in fourths, followed in the 19th century. National schools of orchestral playing emerged across Europe in the 19th and 20th centuries alongside the development of the modern orchestra and conservatories. Double bass sections serve essential functions in the orchestra: they add weight, provide dynamic power, reinforce the rhythmic foundation, and shape musical phrases. The 20th century saw a renaissance of double bass virtuosi who inspired the composition of new chamber and solo works for the instrument. In the late 19th century, the double bass also became a common fixture in American ragtime and string bands. The string bass has always served in a supporting role in military and concert bands. It has also maintained a central role in jazz styles since the 1920s, and from the 1940s to the 1960s it was common in American popular musical genres such as country, bluegrass, western swing, rock ’n’ roll, and rockabilly.

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