scholarly journals Connecting History and Foresight for Unprecedented Innovation Journeys

2017 ◽  
Vol 5 (1) ◽  
pp. 1-3
Author(s):  
João José Pinto Ferreira ◽  
Anne-Laure Mention ◽  
Marko Torkkeli
Keyword(s):  
Intellectual Property ◽  
Human Nature ◽  
Common Knowledge ◽  
The Past ◽  
History Of ◽  
Looking Back ◽  
The Way

It is common knowledge that history repeats itself! Maybe not literally, but patterns of behaviour likely dependent of the human nature, are probably prone to repeat themselves. So, one may wonder if looking back could help us prepare for a better future. Moreover, by looking back at the history of people and societies, we should all be able to have a better understanding of why things happen the way they do. This seldom happens, and when it does, it is happening within very limited circle of the society such as scholars and some politician circles, rarely overflowing to the whole society.The point is that, what we see today is not very different from what has happened in the past. Let us go back to November 13, 1460, the day Prince Henry the Navigator, passed away in Sagres, leaving Portugal with an enormous debt. Despite that fact, Prince Henry was the “guiding force behind Portugal’s assimilation of nautical knowledge and its vast extension of maritime exploration for nearly four decades” (Kock, 2003, p.59). It is interesting that by that time intellectual property was already being managed. (...)

scholarly journals ‘A Likeness made From First Hand Witness’?: The Discursive Position of a Purported Crazy Horse Photograph

2021 ◽  
Author(s):  
◽  
Grace Campbell Russell
Keyword(s):  
Native Americans ◽  
Manifest Destiny ◽  
American Frontier ◽  
Cultural Object ◽  
The Past ◽  
History Of ◽  
The Way

<p>This dissertation is concerned with the ways in which photographs are discursively deployed and used in the writing of history. More specifically, it will consider how photos, and the historical, scientific, ethnographic and romantic discourses surrounding them, are used to erase or ‘make safe’ the traces of the radical resistances of dominated groups within colonial frameworks. The case explored here concerns the tintype photograph claimed as being of the Lakota chief and warrior Crazy Horse (c.1840-1877). Exhibited by the Custer Battlefield Museum in Montana, the claim that this photograph is of Crazy Horse is controversial. It is generally thought that no visual likeness of Crazy Horse exists; and his refusal to be photographed can be read as a practice of opposition to his assimilation into colonial narratives and accounts of American frontier history. In claiming the photo to be of Crazy Horse, the history of his resistance is rewritten and repositioned. This changes the way he becomes knowable and understandable within the contexts of (neo)colonial discourses and narratives, in which Native Americans are often relegated to the past, and appear either as casualties of the policies of Manifest Destiny, or as a romantic other which has been symbolically integrated into American mythic culture. This dissertation focuses on how the claim that this photograph is of Crazy Horse is made, and how the various associated cultural fields (photography, historiography, museology) are affected by, and play into, such a claim. This involves identifying the discursive processes and disciplinary mechanisms through which meaning is produced in relation to a particular cultural object. It considers the supposed photograph of Crazy Horse as an example of how history assigns significance to objects “in terms of the possibilities they generate for producing or transforming reality” (de Certeau, 1986:202), rather than as representations or reflections of reality.</p>

Veronicas and Artists

2017 ◽  
Keyword(s):  
Contemporary Art ◽  
Religious Images ◽  
The Public ◽  
The Past ◽  
History Of Art ◽  
The Status ◽  
History Of ◽  
The Way ◽  
Contemporary Artists

Chapter One deals with several central issues with regard to understanding the role of religious motifs in contemporary art. Besides being a repetition of imagery from the past, religious motifs embedded in contemporary artworks become a means to problematise not only the way different periods in the history of art are delimited, but larger and seemingly more rigid distinctions as those between art and non-art images. Early religious images differ significantly from art images. The two types are regulated according to different sets of rules related to the conditions of their production, display, appreciation and the way images are invested with the status of being true or authentic instances of art or sacred images. Chapter One provides a discussion of the important motif of the image not made by an artist’s hand, or acheiropoietos, and its survival and transformation, including its traces in contemporary image-making practices. All images are the result of human making; they are fictions. The way the conditions of these fictions are negotiated, or the way the role of the maker is brought to visibility, or concealed, is a defining feature of the specific regime of representation. While the cult image concealed its maker in order to maintain its public significance, and the later art image celebrated the artist as a re-inventor of the old image, contemporary artists cite religious images in order to reflect on the very procedures that produce the public significance and status of images.

A Critical Period in American Catholicism

1973 ◽  
Vol 35 (4) ◽  
pp. 523-536 ◽  
Author(s):  
Jay P. Dolan
Keyword(s):  
Cultural Change ◽  
Critical Period ◽  
American Catholicism ◽  
Madison Avenue ◽  
The Past ◽  
Age Of Discovery ◽  
History Of ◽  
The City ◽  
Looking Back ◽  
Area Of Study

Historians are fond of looking back over the panorama of the past and writing about periods of cultural change that altered the continuity of history. The age of discovery and the rise of the city are phrases that describe such pivotal epochs. These are not Madison Avenue-inspired book titles, but legitimate interpretative descriptions of past ages that provide a key to understanding the development of American civilization. Although the history of American Catholicism does not lend itself to such epochal descriptions, interpretative concepts are applicable in this area of study as well and they can provide useful keys to the analysis of the past.

History Repeating Itself. The function of turning points and continuity in three historical narratives on operetta

2017 ◽  
Vol 29 (1) ◽  
pp. 102
Author(s):  
Mikael Strömberg
Keyword(s):  
Turning Points ◽  
Source Material ◽  
Historical Narrative ◽  
Historical Narratives ◽  
Complex Relationship ◽  
Narrative Strategy ◽  
The Past ◽  
History Of ◽  
The Way

The article’s primary aim is to discuss the function of turning points and continuity within historiography. That a historical narrative, produced at a certain time and place, influence the way the historian shapes and develops the argument is problematized by an emphasis on the complex relationship between turning points and continuity as colligatory concepts within an argumentative framework. Aided by a number of examples from three historical narratives on operetta, the article stresses the importance of creating new narratives about the past. Two specific examples from the history of operetta, the birth of the genre and the role of music, are used to illustrate the need to revise not only the use of source material and the narrative strategy used, but also how the argument proposed by the historian gathers strength. The interpretation of turning points and continuity as colligatory concepts illustrate the need to revise earlier historical narratives when trying to counteract the repetitiveness of history.

History and Change

2018 ◽  
pp. 483-500
Author(s):  
David Paroissien
Keyword(s):  
Nineteenth Century ◽  
Historical Novels ◽  
The Past ◽  
Two Cities ◽  
History Of ◽  
The Way

This chapter questions the view that Dickens took little interest in history and remained ignorant of the challenge of writing about the past. Following John Forster’s dismissal of A Child’s History of England as ‘that little book’, which ‘cannot be said to have quite hit the mark’, A Child’s History, Barnaby Rudge, and A Tale of Two Cities have received often unsympathetic treatment, particularly with respect to the way the past is used in his two historical novels. Read within the context of ideas about history advocated by Carlyle and Macaulay in the 1830s, this chapter contends that fresh light can be shed on Dickens’s awareness of historiography and on his familiarity with an invigorated approach to the discipline advocated by the two most prominent historians of the first half of the nineteenth century.

Links between meteorites and asteroids

1981 ◽  
Vol 374 (1757) ◽  
pp. 271-279
Keyword(s):  
Physical Properties ◽  
Rapid Growth ◽  
Parent Body ◽  
The Past ◽  
History Of ◽  
The Way

During the past decade, there has been a rapid growth in studies of the physical properties of the asteroids. In consequence, there now exists a much better basis than there was hitherto for comparing the properties of meteorites, determined in the laboratory, with those of asteroids. The way in which recent measurements of asteroids and meteorites can be interrelated to determine the nature and history of a meteorite parent body is illustrated via a case study of the asteroid Vesta and the Ca-rich achondrite Kapoeta.

scholarly journals Phaeton’s Flight, Adonis’s Trial, and Minerva in the House of Envy: 
Lodovico Dolce between Ovid and Ariosto

2016 ◽  
Vol 39 (2) ◽  
pp. 27-60
Author(s):  
Andrea Torre
Keyword(s):  
Human Nature ◽  
Case Studies ◽  
Early Age ◽  
Word And Image ◽  
History Of ◽  
Words And Images ◽  
The Way

Introducing Thyeste: Tragedia da Seneca (1547), the Venetian writer Lodovico Dolce (1508–68) defines the art of translating a book as an experience that lives in the “perspective of the becoming [...] because in order to translate, it is necessary for us to take another language or (if possible) another human nature.” This article presents three case studies where the nexus between Ludovico Ariosto’s Ovidianism and Dolce’s Ariostism becomes an example of the stylistic and editorial relationship between word and image, as well as a paradigmatic explanation of the dynamics and strategies of reception in the early age of print. The aims of this exercise are the following: (1) to investigate the important mediation of Ariosto’s epic-chivalric model for the translation of the classics into vernacular and for the “canonization” of texts through their publication; (2) to study the man-to-man combat between Dolce’s writing, Ariosto’s pattern, and Ovid’s Metamorphoses, and the way it develops from the Stanze nella favola di Venere e Adone (1545) to the thirty cantos of the poem Le Trasformazioni (1553); (3) to analyze the history of the illustrations in Ariosto’s Cinque canti from the perspective of the interaction between words and images, modes of writing and reading, and modes of invention and reception. En présentant Thyeste. A tragedy from Seneca (1547), l’écrivain vénitien Lodovico Dolce (1508– 1568) définit l’art de traduire un ouvrage comme une expérience de transformation puisque traduire implique d’adopter une autre langue, voire (si possible) une autre nature humaine. Cet article présente trois études de cas dans lesquelles la juxtaposition de l’ovidisme de L’Arioste et de l’ariostisme de Dolce devient l’exemple d’une relation stylistique et éditoriale entre le mot et l’image, ainsi qu’un cadre paradigmatique pour comprendre les dynamiques et les stratégies de la réception durant les débuts de l’imprimerie. Cette étude a trois objectifs : 1) explorer l’importance du modèle épique et chevaleresque de L’Arioste pour la traduction des classiques en langue vernaculaire et pour la « canonisation » de ces œuvres par leur publication ; 2) examiner le combat au corps entre l’écriture de Dolce, le modèle de L’Arioste et les Métamorphoses d’Ovide, ainsi que le développement menant des Stanze nella favola di Venere e Adone (1545) aux trente chants du poème Le Trasformazioni (1553) ; 3) analyser l’histoire des illustrations des Cinquecantide L’Arioste du point de vue de l’interaction entre mots et images, des modes d’écriture et lecture, ainsi que des modes d’invention et de réception.

scholarly journals Nyanyian Adat Masyarakat Desa Longgar: Suatu Pendekatan Hermeneutika

2017 ◽  
Vol 13 (1) ◽  
pp. 37
Author(s):  
Nita Handayani Hasan
Keyword(s):  
Language Ability ◽  
Qualitative Description ◽  
Research Use ◽  
Important Thing ◽  
Local Language ◽  
The Past ◽  
The People ◽  
History Of ◽  
Local Languages ◽  
The Way

The existence of folksong is an important thing for the Moluccas. It has functions as an entertainment and the way to deliver the events that existed in the past. This research discuss about jarjinjin and largula folksongs based on hermeneutics approach. The purposes of this research are to transcript and to understand the deepest meaning of the jarjinjin and largula folksongs, and to know the functions of those folksongs for the owner and the young generations. Jarjinjin and largula comes from Longgar village, Kepulauan Aru district, Maluku province. This research use qualitative description method. After transcripted and analyzed  the lyrics, the results show about the history of Longgar, Karey, and Gomu-Gomu village; the folksongs taught the people always remember the message of the ancestors in maintaining brotherhood and culture. For the owner, jarjinjin and largula made brotherhood relation closed beyond the villagers in Longgar, Karey, and Gomu-Gomu village; remaining the history of the ancestors; preservation of local languages; entertaining, because they have sang together and escorting by stampted drums and gongs; and maintaining and preserving the tradition. For young generations, they improved the knowledge about the history of Aru’s ancestors; practicing and demonstrating local language ability; reinforcing love of the history; and maintaining and preserving the tradition. Keberadaan nyanyian rakyat bagi masyarakat Maluku merupakan hal yang penting. Nyanyian rakyat berfungsi sebagai penghibur hati dan cara untuk  menyampaikan peristiwa-peristiwa yang ada di masa lampau. Penelitian ini mengkaji nyanyian adat yang berjudul jarjinjin dan largula dengan menggunakan pendekatan hermeneutika. Penelitian ini bertujuan untuk mentranskripsi nyanyian adat jarjinjin dan largula, mengetahui makna yang terkandung di dalamnya, dan mengetahui fungsi kedua nyanyian adat bagi pemilik lagu dan generasi muda. Lagu jarjinjin dan largula merupakan nyanyian adat yang berasal dari Desa Longgar, Kabupaten Kepulauan Aru, Maluku. Metode yang digunakan adalah deskriptif kualitatif. Setelah melakukan transkripsi dan analisis terhadap kedua lirik-lirik lagu, diketahui kedua nyanyian adat tersebut menceritakan perjalanan sejarah nenek moyang desa Longgar, Karey, dan Gomu-Gomu. Selain itu, dalam nyanyian adat mengandung ajaran untuk selalu mengingat pesan leluhur dalam menjaga persaudaraan dan adat-istiadat. Fungsi bagi pemilik lagu yaitu mendekatkan hubungan persaudaraan antar masyarakat Desa Longgar, Karey, dan Gomu-Gomu; mengingatkan sejarah perjalanan leluhur; pelestarian bahasa daerah; penghibur hati, karena dinyanyikan secara bersama-sama dan diiringi alat musik tifa dan gong; dan menjaga serta melestarikan tradisi. Sedangkan fungsi lagu jarjinjin dan largula bagi generasi muda yaitu menambah pengetahuan terkait sejarah perjalanan leluhur masyarakat Aru; media melatih dan mempertunjukkan kemampuan berbahasa daerah; memperkuat rasa cinta terhadap sejarah masa lalu; serta menjaga dan melestarikan tradisi.

scholarly journals KAZAKH BATYRY BECOMING AN EXAMPLE OF COURAGE AND HEROISM

2020 ◽  
Vol 67 (4) ◽  
Author(s):  
A.S. Sagatova ◽  
Keyword(s):  
Past History ◽  
National History ◽  
Native Land ◽  
The Past ◽  
Self Development ◽  
History Of ◽  
Cognitive Foundations ◽  
Independent Country ◽  
The Way

Today our independent country is following the path of self-development, paying attention to the cognitive foundations and roots of our national history. The beginning of the striving for the realization of great goals - reveals its essence in connection with the study of the history of the country, native land. Having analyzed the past history, the author in his article, referring to the merit and activities of great personalities who have left a bright mark and contributed to great historical achievements, focuses on the role of their worldview. This marked the beginning of the study of the personality of Kazakh batyrs, who were messengers of spirit and honor on the way to the unity of our country, an example of courage and heroism - an example of the steppe.

scholarly journals DEVELOPMENT OF THEOLOGICAL TRAINING AND HERMENEUTICS IN PENTECOSTALISM: A HISTORICAL PERSPECTIVE AND ANALYSIS

2016 ◽  
Vol 42 (2) ◽  
pp. 192-207
Author(s):  
Marius Nel
Keyword(s):  
Historical Development ◽  
Historical Perspective ◽  
Close Connection ◽  
Past Century ◽  
The Past ◽  
Pentecostal Movement ◽  
The Bible ◽  
History Of ◽  
The Way ◽  
Theological Training

The article hypothesises that the historical development of Pentecostal hermeneutics is closely related to and illustrated by Pentecostals’ attitude towards theological training. A short survey is given of the development of theological training within the Pentecostal movement in order to demonstrate how it accompanied a change in the way the Bible was considered during the past century in terms of three phases. For the first three decades Pentecostals had no inclination towards any theological training; they considered that the Bible provided all they needed to know and what was important was not what people in biblical times experienced with or stated about God, but the way these narratives indicate contemporary believers to an encounter with God themselves, resulting in similar experiences. From the 1940s, Pentecostals for several reasons sought acceptance and approval and entered into partnerships with evangelicals, leading to their acceptance of evangelicals’ way of reading the Bible in a fundamentalist-literalist way. From the 1970s they established theological colleges and seminaries where theologians consciously developed Pentecostal hermeneutics in affinity with early Pentecostal hermeneutics, although most Pentecostals still read the Bible in a fundamentalist-literalistic way − as do the evangelicals. Its hermeneutics determined its anti-intellectual stance and the way Pentecostals arranged the training of its pastors. The history of the Pentecostal movement cannot be understood properly without realising the close connection between its hermeneutics and its view of theological training.

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