scholarly journals KAZAKH BATYRY BECOMING AN EXAMPLE OF COURAGE AND HEROISM

Author(s):  
A.S. Sagatova ◽  

Today our independent country is following the path of self-development, paying attention to the cognitive foundations and roots of our national history. The beginning of the striving for the realization of great goals - reveals its essence in connection with the study of the history of the country, native land. Having analyzed the past history, the author in his article, referring to the merit and activities of great personalities who have left a bright mark and contributed to great historical achievements, focuses on the role of their worldview. This marked the beginning of the study of the personality of Kazakh batyrs, who were messengers of spirit and honor on the way to the unity of our country, an example of courage and heroism - an example of the steppe.

2013 ◽  
Vol 23 ◽  
pp. 451-453 ◽  
Author(s):  
COSTANTINO SIGISMONDI

The role of Venus and Mercury transits is crucial to know the past history of the solar diameter. Through the W parameter, the logarithmic derivative of the radius with respect to the luminosity, the past values of the solar luminosity can be recovered. The black drop phenomenon affects the evaluation of the instants of internal and external contacts between the planetary disk and the solar limb. With these observed instants compared with the ephemerides the value of the solar diameter is recovered. The black drop and seeing effects are overcome with two fitting circles, to Venus and to the Sun, drawn in the undistorted part of the image. The corrections of ephemerides due to the atmospheric refraction will also be taken into account. The forthcoming transit of Venus will allow an accuracy on the diameter of the Sun better than 0.01 arcsec, with good images of the ingress and of the egress taken each second. Chinese solar observatories are in the optimal conditions to obtain valuable data for the measurement of the solar diameter with the Venus transit of 5/6 June 2012 with an unprecedented accuracy, and with absolute calibration given by the ephemerides.


2020 ◽  
Vol 73 (11) ◽  
pp. 2416-2420
Author(s):  
Olena О. Taranovska ◽  
Volodymyr К. Likhachov ◽  
Ludmyla М. Dobrovolska ◽  
Oleg G. Makarov ◽  
Yanina V. Shymanska

The aim: To determine the serum FAMG in the I and II trimester of pregnancy in women with a past history of chronic endometritis, and to clarify its impact on the development of pathology of pregnancy. Materials and methods: The level of FAMG was determined at 6-8 and 16-18 weeks of gestation in 135 pregnant women with a past history of chronic endometritis, who received treatment of chronic endometritis at the stage of pregravid preparation and 168 women who became pregnant without its prior treatment. The dependence of the development of pre-eclampsia on the level of FAMG at the early stages of pregnancy has been evaluated. Results: At 6-8 weeks of pregnancy, the level of FAMG in women with a past history of chronic endometritis was 20.6% lower (122.4 ± 7.6 ng/ml) compared to the control group. In FAMG of 90.3 ± 4.3 ng/ml at 6-8 weeks of gestation, spontaneous abortion occurred in 100% of cases within the next 2 weeks. FAMG lower than 122,1 ± 3,0 ng/ml can be the predisposing factor for the development of pre-eclampsia. Conclusions: Reduced FAMG in the beginning of pregnancy in women with untreated chronic endometritis in the past history increases the incidence of miscarriages at the early stages by 2.6 times, and by 1.8 times the probability of preeclampsia development. Treatment of chronic endometritis at the stage of pregravid preparation promotes the increase of FAMG by 24,6% compared to untreated women that reduces the probability of complications during the subsequent course of pregnancy.


Chapter One deals with several central issues with regard to understanding the role of religious motifs in contemporary art. Besides being a repetition of imagery from the past, religious motifs embedded in contemporary artworks become a means to problematise not only the way different periods in the history of art are delimited, but larger and seemingly more rigid distinctions as those between art and non-art images. Early religious images differ significantly from art images. The two types are regulated according to different sets of rules related to the conditions of their production, display, appreciation and the way images are invested with the status of being true or authentic instances of art or sacred images. Chapter One provides a discussion of the important motif of the image not made by an artist’s hand, or acheiropoietos, and its survival and transformation, including its traces in contemporary image-making practices. All images are the result of human making; they are fictions. The way the conditions of these fictions are negotiated, or the way the role of the maker is brought to visibility, or concealed, is a defining feature of the specific regime of representation. While the cult image concealed its maker in order to maintain its public significance, and the later art image celebrated the artist as a re-inventor of the old image, contemporary artists cite religious images in order to reflect on the very procedures that produce the public significance and status of images.


2017 ◽  
Vol 29 (1) ◽  
pp. 102
Author(s):  
Mikael Strömberg

The article’s primary aim is to discuss the function of turning points and continuity within historiography. That a historical narrative, produced at a certain time and place, influence the way the historian shapes and develops the argument is problematized by an emphasis on the complex relationship between turning points and continuity as colligatory concepts within an argumentative framework. Aided by a number of examples from three historical narratives on operetta, the article stresses the importance of creating new narratives about the past. Two specific examples from the history of operetta, the birth of the genre and the role of music, are used to illustrate the need to revise not only the use of source material and the narrative strategy used, but also how the argument proposed by the historian gathers strength. The interpretation of turning points and continuity as colligatory concepts illustrate the need to revise earlier historical narratives when trying to counteract the repetitiveness of history.


1921 ◽  
Vol 19 (3) ◽  
pp. 320-332 ◽  
Author(s):  
C. A. Gill

(1) The study of the meteorological circumstances prevailing in the United Kingdom confirms the conclusions reached in India that the combined influence of temperature and humidity plays an important part in determining the conditions necessary for the transmission of malaria.(2) The part assigned to temperature and humidity points to the conclusion that the period of active infection in England is ordinarily limited to the months of July and August.(3) The part attributed to temperature accounts for the geographical distribution of the endemic area of malaria in the British Isles and explains its limitation to certain parts of England.(4) The combined influence of temperature and humidity appears to afford an explanation of the precise location of the endemic centres of malaria within the above area.(5) The part assigned to temperature and humidity elucidates certain points in connexion with the endemiology of malaria in England, and it offers an explanation of the conditions known as “Malaria sine Paludism” and “Paludism sine Malaria.”(6) The part played by the meteorological factors throws light on the past history of malaria in England and it helps to explain its gradual decline.


2019 ◽  
Vol 3 (2) ◽  
pp. 239
Author(s):  
Isa Abdullah Ali

This paper delivered the need for Islamic thought to confront the Takfiri thought, through the return of Sufi thought. Sufism does not have fatwa to kill others, Sufism talks about tolerance, the love of the Prophet, and the non-compulsion of others tojoin either Islam or the way the murid belongs to. Sufism represents the spiritual and faithful state of Islam, the core of Islam. This paper find out the role of Sufism in the spread of Islam; in the past, and the contemporary in the fight against atonement. The aim of this paper is to describe the culture of Sufism, this paper studies the intellectual of Sufism, Sufim cultural, and politics as well. This paper studied about three main axis of Sufism; the culture and history of Sufism, the role of Sufism in spreading Islam, and the role of Sufism in addressing the Takfiri thought. Based on this study, the Islamic institution and government should adopt and adapt the Sufi thought, and to address the Takfiri culture, to prevent Muslim from joining the Takfiri groups


Author(s):  
Christian W. McMillen

What are pandemics? The National Institutes of Health proposed pandemics must meet eight criteria: wide geographic extension, disease movement, high attack rates and explosiveness, minimal population immunity, novelty, infectiousness, contagiousness, and severity. The introduction explains that much of the way we confront pandemics now has been shaped by the past history of pandemic and epidemic disease. There is a clear relationship between disease and social conditions, conditions that do not exist everywhere and that will not be alleviated with biomedicine. The question of susceptibility—who gets a disease and why—is also important. Epidemics and pandemics cannot occur without a dense and mobile population.


2018 ◽  
Vol 29 (1) ◽  
pp. 102
Author(s):  
Mikael Strömberg

The article’s primary aim is to discuss the function of turning points and continuity within historiography. That a historical narrative, produced at a certain time and place, influence the way the historian shapes and develops the argument is problematized by an emphasis on the complex relationship between turning points and continuity as colligatory concepts within an argumentative framework. Aided by a number of examples from three historical narratives on operetta, the article stresses the importance of creating new narratives about the past. Two specific examples from the history of operetta, the birth of the genre and the role of music, are used to illustrate the need to revise not only the use of source material and the narrative strategy used, but also how the argument proposed by the historian gathers strength. The interpretation of turning points and continuity as colligatory concepts illustrate the need to revise earlier historical narratives when trying to counteract the repetitiveness of history.


Author(s):  
Manuel Correa Serrano ◽  
Macarena Ponce de León

This article, accompanied by the video of the temporary exhibition of the Museo Histórico Nacional de Chile, MHC (National Historical Museum of Chile), called “Sinopsis, sentidos de nación” (Synopsis, senses of the nation), reflects upon the challenges that a national history museum faces in the 21st century. This museum, created in 1911, still exhibits a story almost exclusively focused on the feat of the Nation-state and groups of power; an urban, male and military history, which ignores the historical character of minorities. Today, this historical construction results in the difficulty that national history museums, such as the Chilean one, have in transforming themselves into spaces for public dialogue about the past. The temporary exhibition of the MHN “Sinopsis, sentidos de nación”, seeks to advance towards new museological proposals that incorporate this reflection. To achieve this, it proposes a temporary journey on the different senses of belonging in the history of Chile. While the video takes us on a tour of the exhibition, this article seeks to clarify the declaration of intention of its museological and museographic approach in educational, narrative and political terms, with the aim of answering pedagogical questions about the role of a museum with a national vocation and historical dedication, as well as to incorporate minorities in an inclusive and intersectional perspective.


2017 ◽  
Vol 10 (0) ◽  
pp. 127-0
Author(s):  
Andriej Moskwin

The Belarusian emigration magazine “March” was published in 1947–1948 in Germany. The main editor was a well-known Belarusian literary critic and writer Anton Adamowicz. Although only three issues were published, the role of this magazine was crucial. It continued the tradition of the Belarusian literary magazines published in Belarus during the 20s and the 30s of the 20th century. A. Adamowicz was engaged in cooperation with many talented writers and critics. Also, he published a lot of his own material: short stories and critical texts. The problems posed in these texts were connected not only with the past history of Belarus, but also with its current situation at the time. The magazine became a springboard to introduce various views about the development of Belarusian literature and culture in exile.


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