scholarly journals INDUSTRY-BASED CAPSTONE DESIGN PROJECTS: MEMORIAL'S FORTY YEARS EXPERIENCE

Author(s):  
Leonard M. Lye ◽  
Stephen E. Bruneau

Over the last few decades, the idea that the engineering profession should have a significant input to engineering education has taken a stronghold throughout the world. This is still true today. At Memorial University of Newfoundland, professional contacts were deliberately built into the undergraduate program when it was developed in 1969. First, the program would run on the cooperative model whereby students alternate between industry and university and second, the traditional final-year individual theses would be discarded in favour of team-oriented comprehensive capstone design projects supplied by industry and supervised by professional engineers from industry and academia. Both aspects of the program require considerable interaction between students and faculty on one hand and the practicing engineering community on the other. This has considerably strengthened the ties between industry and academia and has given the students an appreciation of the significance of their work to society in which they live. This paper will highlight some of Memorial’s experiences with industry-based capstone design projects over the last 40 years.

Author(s):  
Vincent Chang

With a growing need to reform Chinese higher engineering education, University of Michigan—Shanghai Jiao Tong University Joint Institute (JI) initiated multinational corporation-sponsored industrial-strength Capstone Design Projects (CDP) in 2011. Since 2011, JI has developed 96 corporate-sponsored CDPs since its inception, which include multinational corporation sponsors such as Covidien, Dover, GE, HP, Intel, NI, Philips, and Siemens. Of these projects, healthcare accounts for 27%, energy 24%, internet technology (IT) 22%, electronics 16%, and other industries 11%. This portfolio reflects the trends and needs in the industry, which provides opportunities for engineering students to develop their careers. An accumulated 480 JI students have been teamed up based on their individual backgrounds, specifically electrical engineering, computer engineering, computer science, mechanical engineering, and biomedical engineering. The corporate-sponsored rate grew from 0% in 2010 to 86% in 2014.


Author(s):  
Peter J. Gray

With Conceive-Design-Implement-Operate (CDIO) approach collaborating institutions and programs in many countries and regions of the world, it is essential that the International CDIO Leadership Council promulgate processes to assure internal and external stakeholders that member institutions and programs are adhering to the 12 CDIO Standards. The Standards are what make CDIO a unique initiative in that they provide a vehicle for realizing the CDIO vision to transform the culture of engineering education. Therefore, the CDIO Council has developed five quality assurance processes that begin with the application to become a CDIO Collaborator and include self-evaluation, certification, and accreditation based on the CDIO Standards. This article discusses the CDIO quality assurance processes and the other articles in this special issue provide case studies and other examples related to the use of the processes by CDIO collaborators.


Author(s):  
H. Hong ◽  
S. V. Hoa ◽  
N. Bhuiyan ◽  
K. Siddiqui ◽  
M. Pugh

A new approach to conducting the capstone design project at the Department of Mechanical and Industrial Engineering at Concordia University has yielded significantly enhanced student learning experiences. The design, manufacture and test phases of the mechanical engineering projects, and the design, implementation, and test phases for the industrial engineering projects, provided students the opportunity to ‘practice their engineering profession’ and to instil technical and personal confidence through ‘hands-on’ realization and achievement of their project goals. This paper describes the new approach and the benefits that resulted.


2020 ◽  
Vol 13 (3-4) ◽  
pp. 174-178
Author(s):  
А.Н. Алёшин

В сложный период пандемии коронавируса и экономического кризиса особенно остро встает вопрос занятости специалистов и перспектив трудоустройства выпускников вузов. С одной стороны, мир уже давно перешел на технологические рельсы, где одну из главных ролей играет инженер, с другой стороны, неясно, будут ли востребованы на постпандемийном рынке труда как молодые, так и опытные инженеры. Кто такой современный инженер и что от него ждут российские работодатели? Более 20 ведущих экспертов технологических компаний и инженерных вузов собрались вместе, чтобы ответить на этот и многие другие вопросы в рамках первой российской онлайн-конференции по инженерному образованию CEE 2020, организованной АНО "еНано" и Фондом инфраструктурных и образовательных программ Группы РОСНАНО. In the difficult period of the coronavirus pandemic and the economic crisis, the question of the employment of specialists and the prospects for employment of university graduates is especially acute. On the one hand, the world has long passed over to technological rails, where an engineer plays one of the main roles, on the other hand, it is unclear whether both young and experienced engineers will be in demand in the post-pandemic labor market. Who is a modern engineer and what do Russian employers expect from him? More than 20 leading experts from technology companies and engineering universities came together to answer this and many other questions at the first Russian online conference on engineering education CEE 2020, organized by ANO eNano and the Fund for Infrastructure and Educational Programs of the RUSNANO Group.


2015 ◽  
Vol 23 (4) ◽  
pp. 16-17 ◽  

Purpose – Describes how Airbus has joined the Global Engineering Deans’ Council (GEDC), a worldwide forum for excellence in engineering education, to run the GEDC Airbus award. Design/methodology/approach – Details the background to the award, the form it takes and the initiatives of some of the prize winners. Findings – Explains that the award aims to increase the diversity of the global engineering community by rewarding proven initiatives in the field. Social implications – Highlights how the world needs innovative engineers who can propose new ways to solve the world’s engineering problems and explains that more needs to be done to promote engineering as a career. Originality/value – Explains that Airbus seeks to build more diverse teams for higher performance and an inclusive culture.


TEKNOSASTIK ◽  
2018 ◽  
Vol 14 (2) ◽  
pp. 1
Author(s):  
Dina Amelia

There are two most inevitable issues on national literature, in this case Indonesian literature. First is the translation and the second is the standard of world literature. Can one speak for the other as a representative? Why is this representation matter? Does translation embody the voice of the represented? Without translation Indonesian literature cannot gain its recognition in world literature, yet, translation conveys the voice of other. In the case of production, publication, or distribution of Indonesian Literature to the world, translation works can be very beneficial. The position of Indonesian literature is as a part of world literature. The concept that the Western world should be the one who represent the subaltern can be overcome as long as the subaltern performs as the active speaker. If the subaltern remains silent then it means it allows the “representation” by the Western.


Author(s):  
Iia Fedorova

The main objective of this study is the substantiation of experiment as one of the key features of the world music in Ukraine. Based on the creative works of the brightest world music representatives in Ukraine, «Dakha Brakha» band, the experiment is regarded as a kind of creative setting. Methodology and scientific approaches. The methodology was based on the music practice theory by T. Cherednychenko. The author distinguishes four binary oppositions, which can describe the musical practice. According to one of these oppositions («observance of the canon or violation of the canon»), the musical practices, to which the Ukrainian musicology usually classifies the world music («folk music» and «minstrel music»), are compared with the creative work of «Dakha Brakha» band. Study findings. A lack of the setting to experiment in the musical practices of the «folk music» and «minstrel music» separates the world music musical practice from them. Therefore, the world music is a separate type of musical practice in which the experiment is crucial. The study analyzed several scientific articles of Ukrainian musicologists on the world music; examined the history of the Ukrainian «Dakha Brakha» band; presented a list of the folk songs used in the fifth album «The Road» by «Dakha Brakha» band; and showed the degree of the source transformation by musicians based on the example of the «Monk» song. The study findings can be used to form a comprehensive understanding of the world music musical practice. The further studies may be related to clarification of the other parameters of the world music musical practice, and to determination of the experiment role in creative works of the other world music representatives, both Ukrainian and foreign. The practical study value is the ability to use its key provisions in the course of modern music in higher artistic schools of Ukraine. Originality / value. So far, the Ukrainian musicology did not consider the experiment role as the key one in the world music.


CounterText ◽  
2018 ◽  
Vol 4 (1) ◽  
pp. 98-113
Author(s):  
Shaobo Xie

The paper celebrates the publication of Ranjan Ghosh and J. Hillis Miller's Thinking Literature across Continents as a significant event in the age of neoliberalism. It argues that, in spite of the different premises and the resulting interpretative procedures respectively championed by the two co-authors, both of them anchor their readings of literary texts in a concept of literature that is diametrically opposed to neoliberal rationality, and both impassionedly safeguard human values and experiences that resist the technologisation and marketisation of the humanities and aesthetic education. While Ghosh's readings of literature offer lightning flashes of thought from the outside of the Western tradition, signalling a new culture of reading as well as a new manner of appreciation of the other, Miller dedicatedly speaks and thinks against the hegemony of neoliberal reason, opening our eyes to the kind of change our teaching or reading of literature can trigger in the world, and the role aesthetic education should and can play at a time when the humanities are considered ‘a lost cause’.


Author(s):  
Laura Hengehold

Most studies of Simone de Beauvoir situate her with respect to Hegel and the tradition of 20th-century phenomenology begun by Husserl, Heidegger, and Merleau-Ponty. This book analyzes The Second Sex in light of the concepts of becoming, problematization, and the Other found in Gilles Deleuze. Reading Beauvoir through a Deleuzian lens allows more emphasis to be placed on Beauvoir's early interest in Bergson and Leibniz, and on the individuation of consciousness, a puzzle of continuing interest to both phenomenologists and Deleuzians. By engaging with the philosophical issues in her novels and student diaries, this book rethinks Beauvoir’s focus on recognition in The Second Sex in terms of women’s struggle to individuate themselves despite sexist forms of representation. It shows how specific forms of women’s “lived experience” can be understood as the result of habits conforming to and resisting this sexist “sense.” Later feminists put forward important criticisms regarding Beauvoir’s claims not to be a philosopher, as well as the value of sexual difference and the supposedly Eurocentric universalism of her thought. Deleuzians, on the other hand, might well object to her ideas about recognition. This book attempts to address those criticisms, while challenging the historicist assumptions behind many efforts to establish Beauvoir’s significance as a philosopher and feminist thinker. As a result, readers can establish a productive relationship between Beauvoir’s “problems” and those of women around the world who read her work under very different circumstances.


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