scholarly journals ODYSSEUS’S UNEASE: THE POST-WAR CRISIS OF MASCULINITY IN MELVYN BRAGG’S THE SOLDIER’S RETURN AND A SON OF WAR

2017 ◽  
Author(s):  
Sara Martín Alegre
Keyword(s):  
Working Class ◽  
Point Of View ◽  
Men's Studies ◽  
La Paz ◽  
Men’S Studies ◽  
Return Home ◽  
Crisis Of Masculinity ◽  
Post War ◽  
Alter Ego

Abstract:Melvyn Bragg’s autobiographical novels The Soldier’s Return (1999) and A Son of War (2001) narrate the return home of a working-class English WWII veteran mainly from the point of view of his son Joe (Bragg’s alter ego). By reading this new Odysseus’ return in the light of the analysis of hegemonic patriarchal masculinity carried out in Men’s Studies, this article shows that the experience of the veteran’s return to peace is central for the re-articulation not only of his individuality as a man but also for the continuation of the patriarchal model in Western societies, even at the expense of class loyalties and, indeed, at the expense of women’s liberation.Keywords: Masculinity, patriarchy, fatherhood, hegemony, social class.Resumen:Las novelas autobiográficas de Melvyn Bragg The Soldier’s Return (1999) y A Son of War (2001) narran el regreso al hogar de un veterano inglés de clase obrera tras la Segunda Guerra Mundial, principalmente desde el punto de vista de su hijo Joe (alter ego de Bragg). Gracias a la lectura del regreso de este nuevo Ulises, iluminada por el análisis de la masculinidad hegemónica patriarcal realizado por los Estudios de la Masculinidad, este artículo demuestra que la experiencia del retorno del veterano a la paz es crucial no sólo para la regeneración de su individualidad como hombre sino también para la continuidad del modelo patriarcal en Occidente, a costa incluso de lealtades de clase y, sin duda, de la liberación de la mujer.Palabras clave: Masculinidad, patriarcado, paternidad, hegemonía, clase social.

scholarly journals What is “Masculinity”? Conceptual Keys to Critical Studies in Men and Masculinities

2018 ◽  
Author(s):  
Elena A. Zdravomyslova ◽  
Anna A. Temkina
Keyword(s):  
Gender Studies ◽  
Public Discourse ◽  
Hegemonic Masculinity ◽  
White Men ◽  
Men's Studies ◽  
Central Concept ◽  
Critical Studies ◽  
Men’S Studies ◽  
Crisis Of Masculinity ◽  
Men And Masculinities

This article focuses on the key categories, which define the field of Critical Men’s Studies, widely used in gender studies and even emerge in public discourse. We consider the central concept of this field of knowledge — “hegemonic masculinity” — and its use to analyze the hierarchies of “subordinated” and “marginalized” masculinities. We also analyze such discursive derivative constructs of “hegemonic masculinity” as the “crisis of masculinity” and the metaphor of “angry white men”. As a result, these conceptual keys allow us to comprehend the intersectional turn in modern gender studies, which is so difficult to explain to public.

Ambivalent Relationships: London's Youth Culture and the Making of the Multi-Racial Society in the 1960s

2018 ◽  
Vol 11 (1) ◽  
pp. 4-26 ◽  
Author(s):  
Felix Fuhg
Keyword(s):  
Working Class ◽  
Social Life ◽  
Youth Culture ◽  
Global Culture ◽  
Local Conditions ◽  
White Working Class ◽  
Ambivalent Relationship ◽  
Post War ◽  
The 1960S ◽  
Class Youth

The emergence and formation of British working-class youth cultures in the 1960s were characterized by an ambivalent relationship between British identity, global culture and the formation of a multicultural society in the post-war decades. While national and local newspapers mostly reported on racial tensions and racially-motivated violence, culminating in the Notting Hill riots of 1958, the relationship between London's white working-class youth and teenagers with migration backgrounds was also shaped by a reciprocal, direct and indirect, personal and cultural exchange based on social interaction and local conditions. Starting from the Notting Hill Riots 1958, the article reconstructs places and cultural spheres of interaction between white working-class youth and teenagers from Caribbean communities in London in the 1960s. Following debates and discussions on race relations and the participation of black youth in the social life of London in the 1960s, the article shows that British working-class youth culture was affected in various ways by the processes of migration. By dealing with the multicultural dimension of the post-war metropolis, white working-class teenagers negotiated socio-economic as well as political changes, contributing in the process to an emergent, new image of post-imperial Britain.

“Product Not Available in Pre-War Quantities – but Quality Remains the Same”: Remarks on Advertisements as Historical Sources

2019 ◽  
Author(s):  
Magdalena Saryusz-Wolska
Keyword(s):  
Social Norms ◽  
Economic History ◽  
Second World War ◽  
Point Of View ◽  
World War ◽  
Historical Sources ◽  
The Past ◽  
German Press ◽  
Post War ◽  
Second World

The article focuses on advertisements as visual and historical sources. The material comes from the German press that appeared immediately after the end of the Second World War. During this time, all kinds of products were scarce. In comparison to this, colorful advertisements of luxury products are more than noteworthy. What do these images tell us about the early post-war years in Germany? The author argues that advertisements are a medium that shapes social norms. Rather than reflecting the historical realities, advertisements construct them. From an aesthetical and cultural point of view, advertisements gave thus a sense of continuity between the pre- and post-war years. The author suggests, therefore, that the advertisements should not be treated as a source for economic history. They are, however, important for studying social developments that occurred in the past.

Working-Class Fictions

2018 ◽  
Author(s):  
Nicola Wilson
Keyword(s):  
Working Class ◽  
Social Realism ◽  
Cultural Significance ◽  
Reading Public ◽  
Industrial Community ◽  
Working People ◽  
History Of ◽  
Post War ◽  
The Individual ◽  
Exciting Wave

This chapter explores why working-class fictions flourished in the period from the late 1950s through to the early 1970s and the distinctive contributions that they made to the post-war British and Irish novel. These writers of working-class fiction were celebrated for their bold, socially realistic, and often candid depictions of the lives and desires of ordinary working people. Their works were seen to herald a new and exciting wave of gritty social realism. The narrative focus on the individual signalled a shift in the history of working-class writing away from the plot staples of strikes and the industrial community, striking a chord with a post-war reading public keen to see ordinary lives represented in books in a complex and realistic manner. The cultural significance of such novels was enhanced as they were adapted in quick succession for a mass cinema audience by a group of radical film-makers.

Working-Class Autobiography, c.1970–1985

2018 ◽  
Author(s):  
Florence Sutcliffe-Braithwaite
Keyword(s):  
Working Class ◽  
Oral History ◽  
Political Activism ◽  
Domestic Service ◽  
Political Education ◽  
Post War ◽  
Class Divisions ◽  
Community Publishing

This chapter examines working-class autobiographies and oral history testimonies created in the 1970s by the ‘history from below’, oral history, and community publishing movements. It finds that most working-class autobiographers felt that class divisions had weakened and changed radically in the post-war years: they identified improvements in housing, the NHS, education, and the power of workers as key alterations. The disappearance of live-in domestic service was a particularly powerful symbol of the changes that had taken place. Though none thought class had disappeared, many thought class divides were less powerful. While some working-class autobiographers wrote that their experiences made them instinctive socialists, in fact political activism did not flow straightforwardly from experience, but was the result of political education and context. Working-class experience was highly diverse, and as this became clear to many in the community publishing movement, it led to changes in their activist practice in the 1980s.

Does Manning Men's Studies Emasculate Women's Studies?

Hypatia ◽  
1987 ◽  
Vol 2 (2) ◽  
pp. 153-156 ◽  
Author(s):  
Harry Brod
Keyword(s):  
Feminist Theory ◽  
Women's Studies ◽  
Institutional Autonomy ◽  
Men's Studies ◽  
Women’S Studies ◽  
Feminist Study ◽  
Men’S Studies

Defends “The New Men's Studies: From Feminist Theory to Gender Scholarship” (Hypatia 2:1, Winter 1987) against what is argued are Mary Libertin's misreadings. The argument for men's studies is logically independent of though related to the debate about essentialism in women's studies. Men's studies studies men in and as particular groups. Intellectual should not be equated with institutional autonomy. The feminist study of men should be supported by feminist scholars.

“Satisfied with the Ruins of Berlin”: The German Capital’s Image in Soviet Graphics of 1945

2021 ◽  
Vol 17 (6) ◽  
pp. 564-575
Author(s):  
Irina I. Rutsinskaya
Keyword(s):  
Visual Art ◽  
Visual Image ◽  
Point Of View ◽  
The Public ◽  
Historical Justice ◽  
Public Consciousness ◽  
Post War ◽  
The One ◽  
First Time ◽  
The City

An artist who finds themselves in the last days of a war in the enemy’s defeated capital may not just fix its objects dispassionately. Many factors influence the selection and depicturing manner of the objects. One of the factors is satisfaction from the accomplished retribution, awareness of the historical justice triumph. Researchers think such reactions are inevitable. The article offers to consider from this point of view the drawings created by Soviet artists in Berlin in the spring and summer of 1945. Such an analysis of the German capital’s visual image is conducted for the first time. It shows that the above reactions were not the only ones. The graphics of the first post-war days no less clearly and consistently express other feelings and intentions of their authors: the desire to accurately document and fix the image of the city and some of its structures in history, the happiness from the silence of peace, and the simple interest in the monuments of European art.The article examines Berlin scenes as evidences of the transition from front-line graphics focused on the visual recording of the war traces to peacetime graphics; from documentary — to artistry; from the worldview of a person at war — to the one of a person who lived to victory. In this approach, it has been important to consider the graphic images of Berlin in unity with the diary and memoir texts belonging to both artists and ordinary soldiers who participated in the storming of Berlin. The combination of verbal and visual sources helps to present the German capital’s image that existed in the public consciousness, as well as the specificity of its representation by means of visual art.

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