scholarly journals THE HELMET FROM THE SHAHRUKHIA HILLFORT

2020 ◽  
Author(s):  
О.В. Двуреченский ◽  
А.А. Гладченков ◽  
О.Ю. Арипджанов
Keyword(s):  
Late Medieval ◽  
15Th Century ◽  
Central Asian

В публикации рассматривается среднеазиатский шлем, происходящий с территории позднесредневекового города Шахрухия, датированный XV в. The paper reviews a Central Asian helmet from the late medieval city of Shahrukhia dating to the 15th century.

scholarly journals Architectural Elements of a Royal Residence : 15th-century Stone Carvings in Tata Castle

2021 ◽  
Vol 10 (2) ◽  
pp. 38-46
Author(s):  
Olivér Gillich
Keyword(s):  
Detailed Examination ◽  
Archaeological Excavation ◽  
Tourist Destination ◽  
Late Medieval ◽  
Architectural Elements ◽  
15Th Century ◽  
Current State ◽  
Stone Carvings ◽  
Representative Function

Being an important historical monument and a popular tourist destination, Tata Castle in Komárom-Esztergom County is well-known for many people. The medieval castle rising on the shore of the picturesque Old Lake offers outstanding scenery for its visitors. Although the castle had an important representative role during late medieval times and its archaeological excavation was conducted half a century ago, historians have made few efforts to research the building history and representative function of the castle more thoroughly. In its current state, the castle reveals little of its original 15th century appearance. However, a detailed examination of the remaining walls and stone carvings can help us to better understand the castle’s history.

scholarly journals Venetian Trading Firm of the Soranzo Brothers (1406-1434) and Its Commercial Network

2019 ◽  
pp. 229-253
Author(s):  
Maria Ryabova
Keyword(s):  
Network Analysis ◽  
Late Medieval ◽  
15Th Century ◽  
Medieval Europe ◽  
Merchant Networks ◽  
Trading Firm ◽  
Commercial Network

This paper contributes to the discussion of merchant networks in late medieval Europe by presenting a case study of the Soranzo fraterna, a Venetian trading firm which comprised brothers Donado, Giacomo (Jacopo), Piero, and Lorenzo Soranzo and operated in the first half of the 15th century, specializing mainly in the import of raw cotton from Syria. The author applies the methodology of so-cial network analysis (SNA) in order to reconstruct the egocentric (ego-centered) network of ties linking the Soranzo firm (“the ego”) with its partners and clients (“alters”).

scholarly journals Das Brautinventar der Paola Gonzaga: Hochzeitswagen und Brauttruhen

2020 ◽  
pp. 278
Author(s):  
Wolfgang D. Wanek
Keyword(s):  
Material Culture ◽  
Daily Life ◽  
Medieval Period ◽  
Late Medieval ◽  
Political Situation ◽  
Late Medieval Period ◽  
15Th Century ◽  
Shed Light

The Bride Inventory of Paola Gonzaga: Bridal Cart and ChestsThe following paper takes a closer look at the bridal cart and chests of the Mantuan princess Paola Gonzaga, who was sent to marry Leonhard of Gorizia in 1478. With her she brought an adequate dowry, which was listed in an inventory. Based on this document, aspects of the material culture of the time shall be discussed and used to gain insights into the daily life of women and their situation in the 15th century. The analysis will focus on two categories of Paola’s dowry: the partly preserved chests and the luxurious bride cart and its accessories. Those objects also shed light onto the socio-political situation of the late medieval period, and provide insights into the mechanism and imaginaries of medieval dynastic representation, namely of the Gonzaga family.

scholarly journals Material evidence? Re-approaching elite women’s seals and charters in late medieval Scotland

2021 ◽  
Vol 150 ◽  
pp. 301-326
Author(s):  
Rachel Meredith Davis
Keyword(s):  
20Th Century ◽  
Late Medieval ◽  
Word And Image ◽  
15Th Century ◽  
Legal Context ◽  
Different Types ◽  
19Th And 20Th Century ◽  
The Relationship ◽  
Material Evidence ◽  
Insight Into

Medieval Scottish women’s seals remain largely unexplored compared to the scholarship on seals and sealing practice elsewhere in medieval Britain. This article has two chief aims. First, it seeks to demonstrate the insufficiencies of the 19th- and 20th-century Scottish seal catalogues as a mediated record of material evidence and the use of them as comprehensive and go-to reference texts within current research on late medieval Scotland. This includes a discussion of the ways in which medieval seals survive as original impressions, casts and illustrations and how these different types of evidence can be used in the construction and reconstruction of the seal’s and charter’s context. Second, this paper will explore the materiality and interconnectedness of seals and the charters to which they are attached. A reading of these two objects together emphasises the legal function of the seal and shows its distinctive purpose as a representational object. While the seal was used in con-texts beyond the basic writ charter, it remained a legally functional and (auto)biographical object, and, as such, the relationship between seal and charter informs meaning in representational identities expressed in both. The article will apply this approach to several examples of seals belonging to 14th- and 15th-century Scottish countesses. Evidence reviewed this way provides new insight into Scottish women’s sealing practice and female use of heraldic device. The deficiencies of assuming women’s design to be formulaic or that their seals can be usefully interpreted in isolation from the charters to which they were attached will be highlighted. The interconnectedness of word and image conveyed personal links and elite ambitions, and promoted noble lineage within the legal context of charter production.

scholarly journals York’s Guilds’ Names in the 15th Century and Their Translation into Spanish

2017 ◽  
Author(s):  
Cristina Mourón Figueroa
Keyword(s):  
Middle English ◽  
Medieval England ◽  
Late Medieval ◽  
Corpus Christi ◽  
15Th Century ◽  
Late Medieval England ◽  
Corpus Christi Cycle ◽  
Definition Of

En la Inglaterra de la Baja Edad Media, los gremios de la ciudad de York se encargaban de representar escenas bíblicas tomadas del ciclo de Corpus Christi. Nuestro objetivo principal será describir, definir y traducir los nombres de los gremios que aparecen en la lista de Burton (1415). Asimismo, trataremos problemas surgidos del intento de establecer una correspondencia adecuada entre los términos en inglés medio, en español y la definición del gremio. Como veremos, los términos que designan a los gremios ingleses no suelen reflejar con exactitud aquellos usados para los gremios medievales españoles o para trabajos y profesiones actuales.Palabras clave: Gremios de York, ciclo de Corpus Christi, traducción, inglés medio, comercio.ABSTRACTIn late medieval England, YorkKs guilds were responsible for the performance of short Biblical scenes from the Corpus Christi cycle. Since no translation of the whole cycle into Spanish is available, we will describe, define and translate the guildsK names in BurtonKs list (1415). We will also deal with some problems found when establishing an accurate correspondence among the terms in Middle English, in Spanish and the definition of the craft. The terms which designate the English guilds do not exactly reflect those used for the Spanish medieval gremios or for current trades and jobs in English and Spanish.Key words: YorkKs guilds, Corpus Christi cycle, translation, Middle English, trade

Marble Tombs From Ghazni (Fifteenth-Eighteenth Centuries): Morphological and Epigraphic Remarks

2015 ◽  
Vol 13 (1-2) ◽  
pp. 54-67
Author(s):  
Martina Massullo
Keyword(s):  
Late Medieval ◽  
Modern Times ◽  
15Th Century ◽  
Funerary Inscriptions ◽  
Epigraphic Evidence ◽  
The City ◽  
Bear Witness ◽  
Over Time

Funerary inscriptions play an important role among the epigraphic evidence collected at Ghazni through surveys and archaeological investigations. This paper offers an overview of the city’s funerary landscape in late medieval and pre-modern times, showing the main morphological and epigraphic features of marble tombs dating from the 15th century onwards. These tombs attest a long tradition of skilled local craftsmanship, and their epitaphs bear witness to the role the city attained over time as a holy destination.

Zur Einführung

2019 ◽  
Vol 17 (51) ◽  
pp. 41-47
Author(s):  
Hanna Wojtczak
Keyword(s):  
Medieval Philosophy ◽  
Late Medieval ◽  
15Th Century

The four studies published below were originally presented as papers at the conference Philosophie, Theologie und Wissenschaft im 14. Jahrhundert. Johannes Buridan und seine Schule that took place at the Silesian University in Katowice between 12–17 September, 2004. These articles belong to a long process of exploring late medieval philosophy, particularly focused on so called via moderna. They pertain mainly to 14th and 15th century Buridanism, and above all to one of the most eminent representative of this current, i.e. Marsilius of Inghen.

Virtual Segments: The Hexachordal System in the Late Middle Ages

2006 ◽  
Vol 23 (3) ◽  
pp. 426-467 ◽  
Author(s):  
STEFANO MENGOZZI
Keyword(s):  
Middle Ages ◽  
Music Theory ◽  
The Other ◽  
Sight Singing ◽  
Late Medieval ◽  
15Th Century ◽  
Late Middle Ages ◽  
Medieval Music ◽  
Basic Distinction ◽  
Medieval Music Theory

ABSTRACT Music-theoretical writings from the 13th to the 15th centuries maintained a basic distinction between two types of major sixth, customarily labeled hexachordum and deductio (or proprietas). The term hexachordum, more frequently called tonus (or semitonus) cum diapente, designated the interval of a major of minor sixth, frequently expressed by pitch letters only (such as G-e and A-F) and discussed independently of Guidonian solmization. On the other hand, proprietas and deductio indicated a ““virtual segment”” (the set of six syllables ut-la) that could be employed for the purpose of sight singing. Neither set challenged the conceptual primacy of the seven claves, expressed by the letters A-G. Hexachordum was routinely described as a portion of the octave, and the late-medieval notion of proprietas still reflected the principle of octave duplication, which had regulated musical practice since pre-Guidonian times. The ““two-tier”” model of diatonic space encountered in medieval music theory, based on the superimposition of Guido's six syllables onto the seven pitch letters, came to an end in the late 15th century, when authors such as Ramos de Pareja and Franchino Gafori began describing the Guidonian deductio——which they called hexachordum——as the primary mode of organization of the gamut that had superseded the Greek tetrachordum.

scholarly journals The Hand with the Pen: Martin of Loka, Matjaž Jurčič of Kapela and Herman Talner of Trebnje and their Colophons

2014 ◽  
Vol 8 (2) ◽  
pp. 87-118
Author(s):  
Nataša Golob
Keyword(s):  
Main Part ◽  
Late Medieval ◽  
Medieval Manuscripts ◽  
The Third ◽  
Remote Location ◽  
15Th Century ◽  
Epic Poem

Beginning with expressions such as ideographs, the author’s autograph, and the copyist’s autograph, this paper explains the dilemma of some Late Medieval Manuscripts in Slovenian collections that were mistakenly identified as being the author’s own textual creation. The main part of this paper focuses on three mid-15th-century copyists: Martin of Loka, Matjaž Jurčič of Kapela, and Herman Talner of Trebnje. Because each of them added the name of their hometown to their signature, all three can be recognized as hailing from Slovenian places. Martin of (Škofja) Loka was an erudite man, and this is evident from his texts he wrote in German, Slovenian and Latin, as well as from his many forms of scripts. Matjaž Jurčič of Kapela was probably a freelance artist, and the colophon to his copy of an epic poem contains an inscription in Latin, German and Provençal. Working in a remote location, the third, Herman Talner, copied a lengthy politically-oriented poem for Lord Ludvik of Castle Kozjak. At the end of their work all three added colophons which provide valuable information about these individuals and the conditions in which they worked.

scholarly journals Het modern taalkundig concept van de intonatie-eenheid in de Laat Middeleeuws Griekse πολιτικος στιχος poëzie

1970 ◽  
Vol 68 ◽  
pp. 85-97
Author(s):  
Jorie Soltic
Keyword(s):  
Linguistic Theory ◽  
Late Medieval ◽  
15Th Century ◽  
Intonation Units ◽  
Intonation Unit

In this article, I hope to strengthen the case that the study of so-called dead languages canbenefit from modern linguistic theory. More concretely, I show that we can apply themodem linguistic concept of the intonation unit, which is a theoretical notion fully developedon the basis of contemporary spoken (!) languages, to the Late Medieval Greekπολιτικος στιχος poetry (12th - 15th century). This type of poetry is conceptually made upof short, simple, "chunks" of information. More precisely, each verse consists of two(stylized) intonation units, demarcated by the fixed caesura, which can thus be equatedwith an Intonation Unit boundary. This thesis is supported by various arguments, both ofa metrical (e.g. avoidance of elision) and of a syntactico-semantic nature (e.g. position ofthe P2 particles).

Sign in / Sign up

Export Citation Format

Share Document