A LOOK AT MODERN CHINA THROUGH THE PRISM OF IMAGES OF BIRDS AND ANIMALS AS A SOURCE OF PATRIOTISM AND AS “SOFT POWER” OF CHINA

2021 ◽  
pp. 165-172
Author(s):  
Natal'ya Alekseevna Zav'yalova ◽  
Klara Ivanovna Sharafadina ◽  
Xinqi Li
Keyword(s):  
Soft Power ◽  
Modern China

scholarly journals Internationalization of Higher Education in China: Modern Trends

2019 ◽  
Vol 28 (6) ◽  
pp. 63-74
Author(s):  
S. S. Donetskaya ◽  
Yan Zhan
Keyword(s):  
Higher Education ◽  
Soft Power ◽  
Foreign Students ◽  
Modern China ◽  
Internationalization Of Higher Education ◽  
Chinese Government ◽  
External Threats ◽  
The Government ◽  
Higher Education In China ◽  
Education In China

The article analyzes the processes of internationalization of higher education in China at the beginning of the 21st century. Based on data from the Ministry of Education of China, legislation and publications that are publicly available on the Chinese Internet, it is shown how the number of students visiting China, their preferences in choosing universities and educational programs changed from 2000 to 2016. Information on government activities to support international students is provided.The internationalization of higher education plays an important role in the foreign-policy activities of modern China. Foreign students teaching and expanding of Chinese language teaching in foreign countries can be considered as the “soft power” of influence of Chinese national culture. Such actions from the point of view of the Chinese government should contribute to the formation of an attractive image of China, reduce the level of external threats, increase stability and economic prosperity of the country. Therefore, the government aims to attract as many foreign students as possible, especially from neighboring countries, and spends a lot of money on these purposes. The policy of internationalization of education has achieved significant results over the past 15 years. Today, students from all over the world obtain higher educationin China. The number of foreign students increased in 2016 compared to 2000 by 8.4 times, reaching almost 450 thousand people. The possibilities for foreign students to choose profession and university have expanded. Now they come to China not only to learn Chinese, but also to obtain qualifications in engineering, economics, management and Western medicine.

scholarly journals Transformation of the Concept of Soft Power in the Political Discourse of China

Communicology ◽  
2021 ◽  
Vol 9 (1) ◽  
pp. 79-88
Author(s):  
Lan Yu
Keyword(s):  
Intercultural Communication ◽  
Political Communication ◽  
Soft Power ◽  
Political Discourse ◽  
Political Process ◽  
Modern China ◽  
Fourth Generation ◽  
The Political ◽  
Art Of War ◽  
Modern Development

The concept of “soft power”, which has entered the official lexicon of the Chinese Communist Party, has American roots. At the heart of Joseph Nye’s concept is a call for flexible use of the “intangible power resources” of culture and political ideals to influence the behavior of people in other countries. For the Chinese power groups, Nye’s concept looked like a modern development of the “Art of War” reasoning, so J. Nye’s idea received a deep cross-cultural resonance in China.The article presents two main aspects of the research carried out by the author of the article on the influence of the concept of “soft power” in the political process. Firstly, the influence of the concept of “soft power” on the political process: the fourth generation of Chinese leaders, led by President of the People’s Republic of China Hu Jintao, focused on soft power as the basis for the strategy of intercultural communication; Xi Jinping introduces the principle of cultural confidence, including values in the political discourse of modern China in a new era. This defines a new task of “soft power”. Secondly, “soft power” as a tool of political communication: the culture and ideology of Confucianism has a significant influence on the political process communication of the PRC. In these conditions, the ideology of the PRC adapts and uses Confucian concepts as a brand of intercultural communication and a kind of ideological bridge that can serve to ensure the preservation of national identity, form a positive image of the state and strengthen the country’s international position, and will become the basis for internal cohesion. Hence the authorities actively work to adapt “soft power” to the tasks of modern domestic and foreign policy. The studies carried out on this topic have shown that the concept of “soft power” of the PRC is a powerful instrument of the political culture of the PRC and a viable strategy of intercultural communication.

scholarly journals Historia, naród i nacjonalizm. Ewolucja misji chińskich muzeów w kontekście współczesnej „gorączki” muzealnej w Chińskiej Republice Ludowej

2019 ◽  
Vol 23 (2) ◽  
pp. 183-211
Author(s):  
Michał Witek
Keyword(s):  
Social Order ◽  
Political Ideology ◽  
Soft Power ◽  
Historical Narrative ◽  
Modern China ◽  
Chinese Government ◽  
Chinese Characteristics ◽  
History Of ◽  
Intellectual Context ◽  
Reform And Opening Up

History, nation and nationalism: The evolution of the mission of Chinese museums in the context of the contemporary museum “fever” in the People’s Republic of ChinaThe peculiar “museum boom” in the People’s Republic of China PRC attracts much attention from Western researchers. This phenomenon is undoubtedly linked to the cultural shift towards national and cultural heritage promoted by the authorities, which in turn is an important element of the nationalist political ideology. This policy is becoming more and more important in the last three decades of the reform and opening-up period. Museums, like the concept of a “nation” and the nationalist ideology, came to China from the West at about the same time and in a similar political and intellectual context, which meant that the museums quickly became entangled in politics and propaganda. This situation, strengthened even further in the communist period, led to the creation of a very specific form of state-controlled museology. Nowadays, museums and associated thematic parks play a key role in the strategy of developing the culture of the Chinese government, the project of “management and social order.” In this context, these institutions form part of an important mission entrusted to them by the party — the mission of building a new cultural and historical narrative serving the needs of the “new China.” The mission of various types of museums in contemporary China is shaped by overlapping political, economic, ideological and even moral dimensions. It is an important element of the soft power of modern China, which is also an important global symbol of China, attracting millions of foreign tourists a year. In this dimension, the museum’s mission is significantly expanded, it becomes a tool for building an international position and prestige. The aim of the article was to look at the history of Chinese museums in the 20th century in the context of continuity and changeability of the missionary dimension of their functioning, and to conduct a critical analysis of this missionary dimension in the unique conditions of “capitalism with Chinese characteristics” in the contemporary PRC.

Aesthetic Dilemmas of Adaptation and the Politics of Subjectivity: Animating the Chinese ClassicJourney to the West

2019 ◽  
Vol 12 (1) ◽  
pp. 34-46 ◽  
Author(s):  
Chengcheng You
Keyword(s):  
National Identity ◽  
Modern China ◽  
Historical Time ◽  
The West ◽  
The Real ◽  
Quest For Meaning ◽  
National Allegory ◽  
Canonical Text ◽  
The Fantastic ◽  
Monkey King

This article reviews four major Chinese animated adaptations based on the classic Journey to the West. It shows how these adaptations, spanning four historical phases of modern China, encapsulate changes in Chinese national identity. Close readings underpin a developmental narrative about how Chinese animated adaptations of this canonical text strive to negotiate the multimodal expressions of homegrown folklore traditions, technical influences of western animation, and domestic political situations across time. This process has identified aesthetic dilemmas around adaptations that oscillate between national allegory and individual destiny, verisimilitude and the fantastic quest for meaning. In particular, the subjectivisation of Monkey King on the screen, embodying the transition from primitivistic impulse, youthful idealism and mature practicality up to responsible stewardship, presents how an iconic national figure encapsulates the real historical time of China.

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