scholarly journals THE WORLD EXHIBITION IN PARIS (1900) IN THE PAGES OF THE RUSSIAN PRESS

2021 ◽  
pp. 151-159
Author(s):  
Елена Николаевна Брызгалова ◽  
Ирина Евгеньевна Иванова
Keyword(s):  
The World ◽  
World Exhibition

Авторы обратились к российской прессе 1900 г. и проанализировали, как на страницах различных изданий была представлена Всемирная выставка (Париж, 1900). В статье использованы малоизвестные публикации в ряде российских журналов: «Огонёк», «Нива», «Мир искусства», «Вестник Европы» и др. The authors turned to the Russian press in 1900 and analyzed how the World Exhibition (Paris, 1900) was presented in the pages of various publications. The article uses little-known publications in a number of Russian magazines: «Ogonyok», «Niva», «Mir Iskusstva», «Vestnik Evropy», etc.

Model Innovation of Exhibition Logistic Supply Chain

2013 ◽  
Vol 397-400 ◽  
pp. 2672-2676
Author(s):  
Xiao Ming Wang
Keyword(s):  
Supply Chain ◽  
Market Economy ◽  
Chain Structure ◽  
International Exhibition ◽  
Structure Model ◽  
Characteristic Analysis ◽  
The World ◽  
Supply Chain Structure ◽  
Exhibition Industry ◽  
World Exhibition

Exhibition has been widely recognized as a strong booster of market economy in the world. Exhibition logistics is the basic guarantee for the development of exhibition industry. In this study, some improvement and innovation ideas of Chinese traditional exhibition logistics were proposed through the characteristic analysis of international exhibition logistics. A new supply chain structure model of international exhibition logistics is needed to accelerate the specialization, speed, standardization and informatization of exhibition logistics.

scholarly journals The implementation of the impressionistic method in the Karl Kahl’s works

2016 ◽  
Author(s):  
Е.А. Даценко
Keyword(s):  
Far East ◽  
The Far East ◽  
Special Place ◽  
The World ◽  
Artistic Life ◽  
The Usa ◽  
Imperial Art ◽  
Private Collections ◽  
World Exhibition

Творчество Карла Николаевича Каля занимает особое место в художественной жизни Дальнего Востока 1910 – 1930х годов. С его именем исследователи связывают становление региональной школы пейзажа и проявление импрессионизма. Он один из немногих художников, кто приехал во Владивосток уже сложившимся мастером, с профессиональным художественным образованием (Дюссельдорфская академия художеств, 1892 – 1898) и внушительным перечнем выставок, среди которых выставка в залах Императорской академии художеств и Всемирная выставка в Сент-Луисе (США). Но, несмотря на активную выставочную деятельность художника и произведения, хранящиеся в Музее искусств города Толедо (США) и других государственных и частных собраниях, творчество художника до приезда во Владивосток по сей день остается малоизученным. The Karl Nikolayevich Kahls art work takes a special place in the artistic life of the Far East in the 1910 – 1930 years. The formation of the regional school of landscape and manifestation of impressionism are connected with his name according to the researchers opinions. He is one of the few artists, who came to Vladivostok being a formed artist with the professional artistic education (Dusseldorf Art Academy, 1892 – 1898) and with the impressive list of exhibitions, among which there is the exhibition in the halls of the Imperial Art Academy and the World Exhibition in St. Louis (the USA). To the present day the artists art work before coming to Vladivostok, is still poorly studied despite his active exhibition activities and works, kept in the Museum of Art in Toledo (the USA) and in other state and private collections.

Reformationsjubiläum 2017. Rückblick, Ernte und neue Herausforderungen

2018 ◽  
Vol 78 (6) ◽  
pp. 407-414
Author(s):  
Margot Käßmann
Keyword(s):  
Local Church ◽  
The Reformation ◽  
The World ◽  
The Impact ◽  
World Exhibition ◽  
Church Communities

AbstractThis contribution offers a retrospective on the events of the year 2017 in Germany from the perspective of the Special Envoy for the Reformation Anniversary (of the EKD). It highlights individual climaxes such as the Kirchentag or the World Exhibition of the Reformation in Wittenberg and appreciates the spirit of ecumenical openness and the global horizon of the celebrations. It also discusses some challenges for present-day Christianity, namely preaching in an environment that is both secular and multi-religious. According to the author, it will be decisive to keep the impact of the anniversary alive in the local church communities beyond the year 2017.

Expressing Local Specificity: The Flemish Renaissance Revival in Belgium and the Antwerp City Architect Pieter Jan Auguste Dens

2007 ◽  
Vol 50 ◽  
pp. 149-170 ◽  
Author(s):  
Inge Bertels
Keyword(s):  
Nineteenth Century ◽  
Art Nouveau ◽  
Local Identities ◽  
The World ◽  
The Creation ◽  
World Exhibition

While globalizing trends stimulate the creation of entirely new regions, established regional and local identities remain. Architectural historians, among others, explore the ways in which regionalism has been — and continues to be — defined and redefined. Current issues in this debate include what regional architectural traditions might be; whether regions can be defined by architecture; and how regional traditions of architecture have been defined and interpreted by artists, authors and scholars. Nineteenth-century Belgian architecture is particularly relevant in this context. The formation of Belgian Art Nouveau’s style and identity have both been the object of numerous studies, but while Art Nouveau is probably the best-known creation of Belgian nineteenth-century architecture, it is hardly the only one, nor indeed the only interesting one. One of the sources identified for Belgian Art Nouveau has been the milieu of the so-called Flemish Renaissance Revival, which produced such architectural gems as Emile Janlet’s (1839–1919) Belgian pavilion at the World Exhibition in Paris (1878) and Jean Winders’ (1849–1936) own house and studio (1882–83) in Antwerp (Fig. 1).

THE CONSTRUCTIVE DECISION AND BUILDING MATERIALS OF EXHIBITION PAVILIONSOF GREAT BRITAIN THROUGH THE EXAMPLE THE FIRST AND LAST WORLD EXHIBITION-EXPO

2011 ◽  
Vol 1 (3) ◽  
pp. 86-91
Author(s):  
T. V ShEINA ◽  
A. V IVANOV
Keyword(s):  
Great Britain ◽  
Building Materials ◽  
Science Culture ◽  
Building Technology ◽  
The World ◽  
Culture Technology ◽  
Technology Trends ◽  
Structural Solution ◽  
World Exhibition

The results of investigating structural solution and building materials of exhibition pavilions of Great Britain taken at different epochs are presented in this article. Features of architectural formation of exhibition pavilion demonstrate the application of new building materials and constructions. There is presented the development building technology trends, which find the further application in the world architecture. Innovative architectural methods, the unusual thing of setting and forms of pavilions show the achievements of Great Britain in such areas as science, culture, technology and building materials at its best.

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